Why Do So Many Rooms in the White House Have an Oval Shape?

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Why do so many White House rooms have an elliptical "oval" shape?

Taylor Griffin:

The Oval shape of rooms in the White House was chosen to accommodate a formal greeting ceremony known as a "levee." The ceremony has its roots in the royal courts of England and particularly France.

The White House Historical Association explains how it worked in America:

The levee, a tradition borrowed from the English court, was a formal occasion to allow men of prominence to meet the president. Replete with formal dress, silver buckles, and powdered hair, the event was a stiff public ceremony almost military in its starkness. Invited guests entered the room and walked over to the president standing before the fireplace and bowed as a presidential aide made a low announcement of their names. The visitor then stepped back to his place. After 15 minutes the doors were closed and the group would have assembled in a circle. The president would then walk around the circle, addressing each man by his name from memory with some pleasantry or studied remark of congratulation, which might have a political connotation. He bowed, but never shook hands. When he had rounded the circle, the president returned to his place before the mantel and stood until, at a signal from an aide, the guests went to him, one by one, bowed without saying anything, and left the room.

George Washington ordered the bowed walls that characterize the three oval-shaped rooms on the South side of the White House residence: the Diplomatic Reception Room, the Blue Oval room on the State Floor and the Yellow Oval Room on the third floor, expressly for the levee.

But the ceremony was only briefly used. The practice was not loved by John Adams, the White House’s first resident. While Adams accepted the reasoning behind the levee, an efficient way to grant wider access to the president in a manner consistent with his station, he didn't disguise his personal distaste for it. In a letter to his wife Abigail, Adams said simply:

"I hate levees …"

The levee was promptly abolished by Thomas Jefferson, who saw the ritualized grandeur of the ceremony as uncomfortably close to the trappings of monarchy from which the young nation had just fought a revolution to divorce itself. The oval shape nevertheless was reprised in the design of the iconic President’s office when the West Wing was built in 1909. The shape of the Oval Office serves no formal purpose except as a homage to the oval rooms of the White House residence, reinforcing the sense of awe for the power wielded within it.

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What's the Difference Between Pigeons and Doves?

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To the layman, the difference between pigeons and doves has something to with color, maybe. Or location. Or general appeal (doves usually get much better press than pigeons do). But what’s the actual, scientific difference between doves and pigeons?

As it turns out, there isn’t one. Paul Sweet, the collection manager for the department of ornithology at the American Museum of Natural History, says the difference is more linguistic than taxonomic.

“The word dove is a word that came into English from the more Nordic languages, whereas pigeon came into English from French,” Sweet tells Mental Floss.

Both dove and pigeon refer to the 308 species of birds from the Columbidae family, Sweet says. There’s no difference between a pigeon and a dove in scientific nomenclature, but colloquial English tends to categorize them by size. Something called a dove is generally smaller than something called a pigeon, but that’s not always the case. A common pigeon, for example, is called both a rock dove and a rock pigeon.

“People just have their own classification for what makes them different,” Sweet says. “So in the Pacific, for example, the big ones might get called pigeons and the smaller ones might be called doves, but they’re actually more closely related to each other than they are to other things in, say, South America, that are called pigeons and doves.”

The difference boils down to linguistic traditions, so feel free to tell people you’re releasing pigeons at your wedding or that you’re feeding doves in the park. Scientifically speaking, you’ll be correct either way.

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What Is the Wilhelm Scream?

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What do Star Wars, The Lord of the Rings, Pirates of the Caribbean, Harold and Kumar Go to White Castle, Toy Story, Reservoir Dogs, Titanic, Anchorman, 22 Jump Street, and more than 200 other films and TV shows have in common? Not much besides the one and only Wilhelm Scream.

The Wilhelm Scream is the holy grail of movie geek sound effects—a throwaway sound bite with inauspicious beginnings that was turned into the best movie in-joke ever when it was revived in the 1970s.

Just what is it? Chances are you’ve heard it before but never really noticed it. The Wilhelm Scream is a stock sound effect that has been used in both the biggest blockbusters and the lowest low-budget movies and television shows for over 60 years, and is usually heard when someone onscreen is shot or falls from a great height.

First used in the 1951 Gary Cooper western Distant Drums, the distinctive yelp began in a scene in which a group of soldiers wade through a swamp, and one of them lets out a piercing scream as an alligator drags him underwater.

As is the case with many movie sound effects, the scream was recorded later in a sound booth with the simple direction to make it sound like “a man getting bit by an alligator, and he screams.” Six screams were performed in one take, and the fifth scream on the recording became the iconic Wilhelm (the others were used for additional screams in other parts of the movie).

Following its debut in 1951, the effect became a regular part of the Warner Bros. sound library and was continually used by the studio’s filmmakers in their movies. Eventually, in the early 1970s, a group of budding sound designers at USC’s film school—including future Academy Award-winning sound designer Ben Burtt—recognized that the unique scream kept popping up in numerous films they were watching. They nicknamed it the “Wilhelm Scream” after a character in the first movie they all recognized it from, a 1963 western called The Charge at Feather River, in which a character named Private Wilhelm lets out the pained scream after being shot in the leg by an arrow.

As a joke, the students began slipping the effect into the student films they were working on at the time. After he graduated, Burtt was tapped by fellow USC alum George Lucas to do the sound design on a little film he was making called Star Wars. As a nod to his friends, Burtt put the original sound effect from the Warner Bros. library into the movie, most noticeably when a Stormtrooper is shot by Luke Skywalker and falls into a chasm on the Death Star. Burtt would go on to use the Wilhelm Scream in various scenes in every Star Wars and Indiana Jones movie, causing fans and filmmakers to take notice.

Directors like Peter Jackson and Quentin Tarantino, as well as countless other sound designers, sought out the sound and put it in their movies as a humorous nod to Burtt. They wanted to be in on the joke too, and the Wilhelm Scream began showing up everywhere, making it an unofficial badge of honor. It's become bigger than just a sound effect, and the name “Wilhelm Scream” has been used for everything from a band name, to a beer, to a song title, and more.

But whose voice does the scream itself belong to? Burtt himself did copious amounts of research, as the identity of the screamer was unknown for decades. He eventually found a Warner Bros. call sheet from Distant Drums that listed actors who were scheduled to record additional dialogue after the film was completed. One of the names, and the most likely candidate as the Wilhelm screamer, was an actor and musician named Sheb Wooley, who appeared in classics like High Noon, Giant, and the TV show Rawhide. You may also know him as the musician who sang the popular 1958 novelty song “Purple People Eater.”

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