The 1956 Magic Trick That Sent BBC Viewers Into a Panic

Getty Images
Getty Images

Protul Chandra Sorcar, better known as world-traveling stage magician P.C. Sorcar, led his 17-year-old hypnotized assistant to a flat surgical table. As the BBC’s cameras crept in for a closer look, Sorcar secured the young woman to the surface. Above her was a circular buzz saw, big enough to cut through animal carcasses. Sorcar grabbed the handle of the saw, turned it on, and began lowering it toward the girl's belly button.

Sawing a woman in half is the great cliché of magic, a trick repeated tens of thousands of times over hundreds of years. But in 1956, it was uncommon to see the trick performed on live television—and even more unusual that Dipty Dey, Sorcar’s assistant, hadn’t climbed into a box to help disguise the illusion. Her body was in full view of the cameras, and the saw’s descent into her midsection—complete with a squealing motor, like it had met with resistance—was morbidly effective.

As Sorcar’s saw seemed to be passing through Dey’s spine, host Richard Dimbleby stepped in front of the camera and abruptly announced that the show had come to an end. Millions of BBC viewers were left to wonder whether Sorcar, an exotic-looking man clad in a turban, had just killed a woman on live television.

Sorcar’s April 9, 1956 performance on the BBC newsmagazine show Panorama—similar to the one seen in the video above—represented a pivotal time for a number of rising narratives in popular culture. The British, like much of the world, had become enamored with Indian stage performers who marketed themselves by playing up the stereotype of the Indian mystic—one who could summon peculiar abilities from a poorly understood corner of the world. With international travel relatively uncommon in the UK, a visit from a foreign talent was bound to be noticed.

It was also a time when television was continuing the fascination moving pictures had always had with illusionists. From the earliest movies of the late 19th century, cameras sought to capture tricks normally only available to theater crowds. In 1937, the BBC Television Service—which was then relatively new—broadcast a performance by magician Ahmed Hussain, who strolled across hot coals while clad in a turban and sherwani.

While Hussain was planting seeds for Indian illusionists on British television, Sorcar was occupied with appreciative Japanese audiences. Born in 1913 to multiple generations of magicians, Sorcar had embraced his heritage and used his unique ethnicity to travel the world. He could make a car vanish from the stage and copy the handwriting of audience volunteers on a board even though he was blindfolded. (In a sign of the slightly sexist times, he also enjoyed “clipping” the tip of his assistant’s tongue off for the sin of talking too much.)

Sorcar’s successful self-promotion made him a tremendous star in his native India, although he would sometimes regret how convincing his persona had become. Once, a family whose son had been bitten by a venomous snake brought him to Sorcar for healing instead of to a physician. By the time Sorcar convinced them to seek medical treatment, the boy had succumbed to the bite.

While he wasn’t being treated like a faith healer in other parts of the world, Sorcar’s reputation eventually caught the attention of the BBC, which invited him to be featured on Panorama. For Sorcar, it was a perfect bit of serendipity, as he had booked a series of shows to begin at London’s York Theater on April 10. Having a widely televised spot the night before was priceless advertising.

Sorcar began by performing several of his classic tricks, saving the buzz saw for last. As he had done for years, he guided a “hypnotized” Dey onto the table and began to use her body like a piece of lumber, severing her torso in half with the frightening roar of the saw. Abruptly, Dimbleby broke in to quickly bid viewers goodnight.

To the home viewer, it had appeared as though something had gone horrifically wrong. In less enlightened times, the mystique of foreign performers could sometimes give way to suspicion. Was Sorcar an uncivilized brute? Had he ineptly sliced a woman to ribbons, forcing the BBC to cut away from the carnage before the cameras were splashed with blood?

As soon as the program ended, the channel was flooded with calls inquiring about Dey’s well-being. So many queries came in that the BBC began to divert them to a designated operator who could counsel viewers on the magician’s capabilities.

Later that night, an unprecedented decision was made: The BBC’s late-night newscast would set aside a moment to assure viewers that Dey had not been dismembered. It might be the first and only time a news program was forced to report a magic trick had gone exactly as planned.

Left unsaid was why the network had cut away from the trick so suddenly. The next day, UK newspapers blared headlines like, “Did Magician Kill the Girl?”

Soham Banerjee via Flickr // CC BY 2.0

Dey was fine, of course. She would go on to be disassembled and repaired night after night during Sorcar’s York Theater run. Many attendees, in fact, paid for tickets just for visual proof that Dey was still among the living.

Dimbleby had cut off the broadcast for a simple reason. Time had expired on the show, and the BBC refused to accommodate programs that ran long. To the network, Sorcar had simply bumbled by mismanaging his allotted time. It was sheer good fortune that it had resulted in his York shows being fueled by the ensuing publicity.

Sorcar probably enjoyed a private laugh over this explanation. An established performer and master marketer, he knew precisely how much time was left in the program and understood that there would be no opportunity to finish the trick with Dey. By seemingly leaving her in pieces, his visibility would rise exponentially in the British press. The trick was not only successful, but flawlessly executed. He would perform the same illusion in the U.S. on NBC the following year, riding the wave of publicity his British controversy had started.

Sorcar would go on to tour for another decade and a half, regarded as one of the best magicians of his era. When he suffered a heart attack in 1971 shortly after a performance in Japan, some wondered whether it was another stunt. Sadly, it wasn’t. Sorcar was dead at the age of 57, leaving behind a son, P.C. Sorcar, Junior, who continued the family business.

Much later, the younger Sorcar would recount the BBC duplicity, laughing at the idea that his father, who made his living by knowing what was happening every second he was on stage, could have misjudged the clock. To a magician, timing is everything. And P.C. Sorcar had known just when to leave them wanting more.

All 73 Game of Thrones Episodes Ranked, According to IMDb Users

Kit Harington in "The Battle of the Bastards" episode of Game of Thrones
Kit Harington in "The Battle of the Bastards" episode of Game of Thrones
HBO

Next time you're in the middle of a large gathering of Game of Thrones fans, try this little experiment: Ask them to rattle of their five favorite episodes of the series, in order of preference. While you'll likely hear some of the same titles—"The Rains of Castamere" and "Battle of the Bastards" are practically givens—the order in which each person's favorite episodes rank will surely vary, as entertainment is a subjective thing.

Though it may be impossible to create a definitive ranking of the best Game of Thrones episodes, you can find a general consensus—just like IMDb has. And according to the online movie database's users, "The Rains of Castamere" (a.k.a. The Red Wedding episode), "Hardhome," "Battle of the Bastards," and "The Winds of Winter" each score a near-perfect 9.9 out of 10.

At the bottom of the list for these same users? "The Iron Throne," the series finale that has audiences divided and only managed to score a 4.6 rating on the site so far (though that's according to more than 100,000 people—and growing).

Where does your favorite episode rank? Check out IMDb's ranking of all 73 episodes of the series below to find out.

  1. “The Rains of Castamere,” Season 3, Episode 9 // 9.9
  2. “Hardhome,” Season 5, Episode 8 // 9.9
  3. “Battle of the Bastards,” Season 6, Episode 9 // 9.9
  4. “The Winds of Winter,” Season 6, Episode 10 // 9.9
  5. “The Spoils of War,” Season 7, Episode 4 // 9.8
  6. “Blackwater,” Season 2, Episode 9 // 9.7
  7. “The Children,” Season 4, Episode 10 // 9.7
  8. “The Laws of Gods and Men,” Season 4, Episode 6 // 9.7
  9. “The Mountain and the Viper,” Season 4, Episode 8 // 9.7
  10. “The Lion and the Rose,” Season 5, Episode 2 // 9.7
  11. “The Door,” Season 6, Episode 5 // 9.7
  12. “Baelor,” Season 1, Episode 9 // 9.6
  13. “And Now His Watch Is Ended,” Season 3, Episode 4 // 9.6
  14. “The Watchers on the Wall,” Season 4, Episode 9 // 9.6
  15. “Fire and Blood,” Season 1, Episode 10 // 9.5
  16. “The Dance of Dragons,” Season 5, Episode 9 // 9.5
  17. “The Dragon and the Wolf,” Season 7, Episode 7 // 9.5
  18. “Valar Morghulis,” Season 2, Episode 10 // 9.4
  19. “Home,” Season 6, Episode 2 // 9.4
  20. “You Win or You Die,” Season 1, Episode 8 // 9.3
  21. “The Queen’s Justice,” Season 7, Episode 3 // 9.3
  22. “A Golden Crown,” Season 1, Episode 6 // 9.2
  23. “Mhysa,” Season 3, Episode 10 // 9.2
  24. “Mockingbird,” Season 4, Episode 7 // 9.2
  25. “Book of the Stranger,” Season 6, Episode 4 // 9.2
  26. “Winter is Coming,” Season 1, Episode 1 // 9.1
  27. “The Wolf and the Lion,” Season 1, Episode 5 // 9.1
  28. “The Pointy End,” Season 1, Episode 8 // 9.1
  29. “The Old Gods and the New,” Season 2, Episode 6 // 9.1
  30. “Kissed by Fire,” Season 3, Episode 5 // 9.1
  31. “Second Songs,” Season 3, Episode 8 // 9.1
  32. “Two Swords,” Season 4, Episode 1 // 9.1
  33. “The Gift,” Season 5, Episode 7 // 9.1
  34. “Mother’s Mercy,” Season 5, Episode 10 // 9.1
  35. “Beyond the Wall,” Season 7, Episode 6 // 9.1
  36. “A Man Without Honor,” Season 2, Episode 7 // 9.0
  37. “Stormborn,” Season 7, Episode 2 // 9.0
  38. “The North Remembers,” Season 2, Episode 1 // 8.9
  39. “What Is Dead May Never Die,” Season 2, Episode 3 // 8.9
  40. “Garden of Bones,” Season 2, Episode 4 // 8.9
  41. “The Ghost of Harrenhal,” Season 2, Episode 5 // 8.9
  42. “The Prince of Winterfell,” Season 2, Episode 8 // 8.9
  43. “The Climb,” Season 3, Episode 6 // 8.9
  44. “Valar Dohaeris,” Season 3, Episode 1 // 8.9
  45. “Walk of Punishment,” Season 3, Episode 3 // 8.9
  46. “Breaker of Chains,” Season 4, Episode 3 // 8.9
  47. “Oathkeeper,” Season 4, Episode 4 // 8.9
  48. “Eastwatch,” Season 7, Episode 5 // 8.9
  49. “The Kingsroad,” Season 1, Episode 2 // 8.8
  50. “Cripples, Bastards, and Broken Things,” Season 1, Episode 4 // 8.8
  51. “The Bear and the Maiden Fair,” Season 3, Episode 7 // 8.8
  52. “First of His Name,” Season 5, Episode 5 // 8.8
  53. “Sons of the Harpy,” Season 5, Episode 4 // 8.8
  54. “Oathbreaker,” Season 6, Episode 3 // 8.8
  55. “Lord Snow,” Season 1, Episode 3 // 8.7
  56. “Dark Wings, Dark Words,” Season 5, Episode 2 // 8.7
  57. “Kill the Boy,” Season 5, Episode 5 // 8.7
  58. “The Broken Man,” Season 6, Episode 7 // 8.7
  59. “Dragonstone,” Season 7, Episode 1 // 8.7
  60. “The Night Lands,” Season 2, Episode 2 // 8.6
  61. “The Wars to Come,” Season 5, Episode 1 // 8.6
  62. “The House of Black and White,” Season 5, Episode 2 // 8.6
  63. “High Sparrow,” Season 5, Episode 3 // 8.6
  64. “The Red Woman,” Season 6, Episode 1 // 8.6
  65. “Blood of My Blood,” Season 6, Episode 6 // 8.5
  66. “No One,” Season 6, Episode 8 // 8.5
  67. “A Knight of the Seven Kingdoms,” Season 8, Episode 2 // 8.2
  68. “Unbowed, Unbent, Unbroken,” Season 5, Episode 6 // 8.1
  69. “Winterfell,” Season 8, Episode 1 // 7.9
  70. “The Long Night,” Season 8, Episode 3 // 7.8
  71. “The Bells,” Season 8, Episode 5 // 6.5
  72. “The Last of the Starks,” Season 8, Episode 4 // 5.9
  73. “The Iron Throne,” Season 8, Episode 6 // 4.6

6 Things You Might Have Missed in 'The Iron Throne,' Game of Thrones's Series Finale

Gwendoline Christie in "The Iron Throne," Game of Thrones's series finale
Gwendoline Christie in "The Iron Throne," Game of Thrones's series finale
Helen Sloan, HBO

No matter how you feel about "The Iron Throne," Game of Thrones's series finale, it goes without saying that many fans of the show are in a state of mourning right now. One of the greatest shows in television history has come to an end. And while the ending, unsurprisingly, didn't please everyone, we're still sad to see the series go.

You can, of course, re-watch Game of Thrones at any time—and a repeat viewing of the finale might be a good idea. Emotions were running high during the final episode, which means that you might have missed a few small-but-important details.

1. The Opening Sequence Tweak that Signified the End of the Lannisters' Reign

Game of Thrones's opening credits are regularly tweaked to illustrate changes within the Seven Kingdoms. So it would make sense that the finale’s opening credits contained a few adjustments to account for the destruction of King’s Landing in "The Bells." One change that might have gone unnoticed by many was that above the Iron Throne, the lion head representing House Lannister was absent, signaling that Cersei Lannister was no longer the queen.

2. Daenerys's Depiction as the Angel of Death

Many fans on social media were quick to point out how beautiful the shot of Drogon flying up behind Daenerys was toward the beginning of the episode, which momentarily made it look as if the Mother of Dragons had her own wings. But it also made her look like an angel of death, with the dark lighting and considering the darker tone of the scene. This, of course, seemed to foreshadow her death, which came shortly thereafter at the hands of Jon Snow.

3. An Obvious Nod to The Lord of the Rings

There are multiple references to The Lord of the Rings throughout Game of Thrones, but the finale saw one major parallel between the two fantasy franchises. As Vanity Fair predicted, Game of Thrones's Iron Throne basically became the ring from The Lord of the Rings. And unfortunately, that brings up a comparison between Daenerys and Gollum.

“Like Tolkien’s Ring of Power, the Iron Throne seems to corrupt and breaks all who touch it and all that would possess it. You win the game of thrones, or you die. Daenerys may want the throne the most, and, arguably, has done the most to get it,” Vanity Fair wrote.

Ultimately, the final episode showed the Iron Throne being destroyed—just as the ring was in The Lord of the Rings—and Daenerys was brought down with it. While it’s difficult to see similarities between Dany and a character like Gollum, they did meet very similar fates.

4. Brienne’s Callback to Season 4

Although Brienne of Tarth had her heart broken by Jaime Lannister, she still took it upon herself to fill out his history in the White Book during the finale. We saw the pair discuss this “duty of the Lord Commander” back in season 4, as Vanity Fair pointed out. In the scene, Jaime told Brienne that there was “still plenty of room” on his page. So after his death, Brienne, now the head of the Kingsguard, respectfully recorded all of Jaime’s heroic acts, concluding with how he “died protecting his queen.”

5. Tormund's Prediction of Jon’s Fate

As a fan on Reddit had theorized earlier in the season, it seems Tormund knew that Jon would be back at Castle Black after the battle at King’s Landing. During their farewell at Winterfell, the wildling was not convinced the two would never see each other again. After embracing, Tormund told Jon, “You got the north in you, the real north.” Some thought the conversation hinted at Jon’s fate in the finale, and they were spot-on.

6. The Series' Final Scene Mirroring the Series' First Scene

While countless events have happened between the show’s pilot and its finale—events that changed Westeros forever—the final moments of "The Iron Throne" were almost identical to the opening scene in Game of Thrones's pilot episode. As the finale saw Jon going back up north with the wildlings, we get a scene of them traveling beyond the wall. This is similar to how the series started, which showed a few members of the Night’s Watch treading into the same unknown territory.

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