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The 1956 Magic Trick That Sent BBC Viewers Into a Panic

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Protul Chandra Sorcar, better known as world-traveling stage magician P.C. Sorcar, led his 17-year-old hypnotized assistant to a flat surgical table. As the BBC’s cameras crept in for a closer look, Sorcar secured the young woman to the surface. Above her was a circular buzz saw, big enough to cut through animal carcasses. Sorcar grabbed the handle of the saw, turned it on, and began lowering it toward the girl's belly button.

Sawing a woman in half is the great cliché of magic, a trick repeated tens of thousands of times over hundreds of years. But in 1956, it was uncommon to see the trick performed on live television—and even more unusual that Dipty Dey, Sorcar’s assistant, hadn’t climbed into a box to help disguise the illusion. Her body was in full view of the cameras, and the saw’s descent into her midsection—complete with a squealing motor, like it had met with resistance—was morbidly effective.

As Sorcar’s saw seemed to be passing through Dey’s spine, host Richard Dimbleby stepped in front of the camera and abruptly announced that the show had come to an end. Millions of BBC viewers were left to wonder whether Sorcar, an exotic-looking man clad in a turban, had just killed a woman on live television.

Sorcar’s April 9, 1956 performance on the BBC newsmagazine show Panorama—similar to the one seen in the video above—represented a pivotal time for a number of rising narratives in popular culture. The British, like much of the world, had become enamored with Indian stage performers who marketed themselves by playing up the stereotype of the Indian mystic—one who could summon peculiar abilities from a poorly understood corner of the world. With international travel relatively uncommon in the UK, a visit from a foreign talent was bound to be noticed.

It was also a time when television was continuing the fascination moving pictures had always had with illusionists. From the earliest movies of the late 19th century, cameras sought to capture tricks normally only available to theater crowds. In 1937, the BBC Television Service—which was then relatively new—broadcast a performance by magician Ahmed Hussain, who strolled across hot coals while clad in a turban and sherwani.

While Hussain was planting seeds for Indian illusionists on British television, Sorcar was occupied with appreciative Japanese audiences. Born in 1913 to multiple generations of magicians, Sorcar had embraced his heritage and used his unique ethnicity to travel the world. He could make a car vanish from the stage and copy the handwriting of audience volunteers on a board even though he was blindfolded. (In a sign of the slightly sexist times, he also enjoyed “clipping” the tip of his assistant’s tongue off for the sin of talking too much.)

Sorcar’s successful self-promotion made him a tremendous star in his native India, although he would sometimes regret how convincing his persona had become. Once, a family whose son had been bitten by a venomous snake brought him to Sorcar for healing instead of to a physician. By the time Sorcar convinced them to seek medical treatment, the boy had succumbed to the bite.

While he wasn’t being treated like a faith healer in other parts of the world, Sorcar’s reputation eventually caught the attention of the BBC, which invited him to be featured on Panorama. For Sorcar, it was a perfect bit of serendipity, as he had booked a series of shows to begin at London’s York Theater on April 10. Having a widely televised spot the night before was priceless advertising.

Sorcar began by performing several of his classic tricks, saving the buzz saw for last. As he had done for years, he guided a “hypnotized” Dey onto the table and began to use her body like a piece of lumber, severing her torso in half with the frightening roar of the saw. Abruptly, Dimbleby broke in to quickly bid viewers goodnight.

To the home viewer, it had appeared as though something had gone horrifically wrong. In less enlightened times, the mystique of foreign performers could sometimes give way to suspicion. Was Sorcar an uncivilized brute? Had he ineptly sliced a woman to ribbons, forcing the BBC to cut away from the carnage before the cameras were splashed with blood?

As soon as the program ended, the channel was flooded with calls inquiring about Dey’s well-being. So many queries came in that the BBC began to divert them to a designated operator who could counsel viewers on the magician’s capabilities.

Later that night, an unprecedented decision was made: The BBC’s late-night newscast would set aside a moment to assure viewers that Dey had not been dismembered. It might be the first and only time a news program was forced to report a magic trick had gone exactly as planned.

Left unsaid was why the network had cut away from the trick so suddenly. The next day, UK newspapers blared headlines like, “Did Magician Kill the Girl?”

Soham Banerjee via Flickr // CC BY 2.0

Dey was fine, of course. She would go on to be disassembled and repaired night after night during Sorcar’s York Theater run. Many attendees, in fact, paid for tickets just for visual proof that Dey was still among the living.

Dimbleby had cut off the broadcast for a simple reason. Time had expired on the show, and the BBC refused to accommodate programs that ran long. To the network, Sorcar had simply bumbled by mismanaging his allotted time. It was sheer good fortune that it had resulted in his York shows being fueled by the ensuing publicity.

Sorcar probably enjoyed a private laugh over this explanation. An established performer and master marketer, he knew precisely how much time was left in the program and understood that there would be no opportunity to finish the trick with Dey. By seemingly leaving her in pieces, his visibility would rise exponentially in the British press. The trick was not only successful, but flawlessly executed. He would perform the same illusion in the U.S. on NBC the following year, riding the wave of publicity his British controversy had started.

Sorcar would go on to tour for another decade and a half, regarded as one of the best magicians of his era. When he suffered a heart attack in 1971 shortly after a performance in Japan, some wondered whether it was another stunt. Sadly, it wasn’t. Sorcar was dead at the age of 57, leaving behind a son, P.C. Sorcar, Junior, who continued the family business.

Much later, the younger Sorcar would recount the BBC duplicity, laughing at the idea that his father, who made his living by knowing what was happening every second he was on stage, could have misjudged the clock. To a magician, timing is everything. And P.C. Sorcar had known just when to leave them wanting more.

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The Time Douglas Adams Met Jim Henson
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On September 13, 1983, Jim Henson and The Hitchhiker's Guide to the Galaxy author Douglas Adams had dinner for the first time. Henson, who was born on this day in 1936, noted the event in his "Red Book" journal, in characteristic short-form style: "Dinner with Douglas Adams – 1st met." Over the next few years the men discussed how they might work together—they shared interests in technology, entertainment, and education, and ended up collaborating on several projects (including a Labyrinth video game). They also came up with the idea for a "Muppet Institute of Technology" project, a computer literacy TV special that was never produced. Henson historians described the project as follows:

Adams had been working with the Henson team that year on the Muppet Institute of Technology project. Collaborating with Digital Productions (the computer animation people), Chris Cerf, Jon Stone, Joe Bailey, Mark Salzman and Douglas Adams, Jim’s goal was to raise awareness about the potential for personal computer use and dispel fears about their complexity. In a one-hour television special, the familiar Muppets would (according to the pitch material), “spark the public’s interest in computing,” in an entertaining fashion, highlighting all sorts of hardware and software being used in special effects, digital animation, and robotics. Viewers would get a tour of the fictional institute – a series of computer-generated rooms manipulated by the dean, Dr. Bunsen Honeydew, and stumble on various characters taking advantage of computers’ capabilities. Fozzie, for example, would be hard at work in the “Department of Artificial Stupidity,” proving that computers are only as funny as the bears that program them. Hinting at what would come in The Jim Henson Hour, viewers, “…might even see Jim Henson himself using an input device called a ‘Waldo’ to manipulate a digitally-controlled puppet.”

While the show was never produced, the development process gave Jim and Douglas Adams a chance to get to know each other and explore a shared passion. It seems fitting that when production started on the 2005 film of Adams’s classic Hitchhiker’s Guide, Jim Henson’s Creature Shop would create animatronic creatures like the slovenly Vogons, the Babel Fish, and Marvin the robot, perhaps a relative of the robot designed by Michael Frith for the MIT project.

You can read a bit on the project more from Muppet Wiki, largely based on the same article.

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13 Smart Facts About The Big Bang Theory
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The Big Bang Theory, which has held the title of television's most popular comedy for several years now, and will return for its 11th season on Monday, September 25th. In the meantime, geek out with these facts about the long-running cerebral comedy on the 10th anniversary of its premiere.

1. THE SHOW WASN’T PITCHED IN A TRADITIONAL WAY.

Instead of writing up a premise—which includes outlines of the characters and the long-term vision for the show—and pitching it to CBS, co-creators Chuck Lorre and Bill Prady revealed at PaleyFest in 2009 that for their pitch, they wrote a complete script, hired actors, and, as Lorre explained, “put on a show” for CBS president Les Moonves. Lorre found the experience to be “crazy,” but it obviously worked.

2. IT TOOK TWO PILOTS FOR THE SHOW TO GET PICKED UP TO SERIES.

The show filmed two different pilots, because CBS didn't like the first one but felt the show had potential. The first pilot began with a different theme song and featured Sheldon, Leonard, and two female characters, including a different actress playing what would become the Penny role. Chuck Lorre thought the initial pilot “sucked” but is open to having the unaired pilot included as part of a DVD.

3. JIM PARSONS THOUGHT HE WAS AUDITIONING FOR A GAME SHOW.

Amy and Sheldon in The Big Bang Theory.
CBS Entertainment

When Jim Parsons’s agent called and said Chuck Lorre wanted him to audition for a pilot, Parsons misunderstood. “I did not know Chuck Lorre at the time,” Parsons told David Letterman in 2014. “I thought he was talking about Chuck Woolery. I thought, why are they so excited about it? We should see what the man has to offer before we’re like, ‘It’s a new Chuck Woolery pilot!'"

4. ED ROBERTSON OF THE BARENAKED LADIES HESITATED TO WRITE THE THEME SONG.

As the story goes, Lorre and Prady went to a Barenaked Ladies concert and were impressed that lead singer Ed Robertson sang a song on cosmological theory, so they tapped him to write the series' theme song, called “The History of Everything." In 2013, Robertson told CBS News that he’d previously written some songs for TV and films only to have his work rejected, so he was initially reluctant to take on the project.

“I was like, look, how many other people have you asked to write this? I’m at my cottage, I got a couple of weeks off right now and if you’ve asked Counting Crows and Jack Johnson and all these other people to write it, then I kinda don’t want to waste my time on it,” Robertson told them. Lorre and Prady told Robertson he was their only choice, so Robertson agreed to come on board. The first version was 32 seconds long but Robertson had to trim it down to 15 seconds. The original version was also acoustic, which Lorre loved, but Robertson insisted that his bandmates be on the track, and Lorre loved that one even more.

5. SHELDON PROBABLY DOESN’T HAVE ASPERGER’S.

Because of Sheldon’s anti-social nature, viewers have often assumed that Sheldon has Asperger's syndrome. But Prady has stated that, "We write the character as the character. A lot of people see various things in him and make the connections. Our feeling is that Sheldon's mother never got a diagnosis, so we don't have one.”

Parsons himself isn’t totally sure, though. “Asperger’s came up as a question within the first few episodes. I got asked about it by a reporter, and I had heard of it, but I didn’t know what it was, specifically,” he told Adweek in 2014. “So I asked the writers—I said, ‘They’re asking me if Sheldon has Asperger’s’ and they were like, ‘No.’ And I said, ‘OK.’ And I went back and I said, ‘No.’ And then I read some about it and I went, OK, well, if the writers say he doesn’t, then he doesn’t, but he certainly shares some qualities with those who do. I like the way it’s handled ... This is who this person is; he’s just another human.”

6. KUNAL NAYYAR GOT HIRED BECAUSE HE WAS “CHARMING."

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In reminiscing about the early days, Prady explained to Buzzy Mag how Raj came to be: “When we were casting for that part, we were casting for an international member of the ensemble, [because] if you go into the science department at a university, it’s not [just] Americans,” Prady said. “It’s one of the most international kinds of communities. So we saw foreign-born people. And so we saw people who were Korean and Korean-American and Latino. And then Kunal came in and it was like Jim [Parsons]—it was just Person Number Eight on a day of Twenty-Seven people, and he was charming.”

7. AMY FARRAH FOWLER WAS MADE A NEUROSCIENTIST ON PURPOSE.

Mayim Bialik, who in real life has a PhD in neuroscience, told Variety how Amy Farrah Fowler’s profession came to be. “They didn’t have a profession for my character when I came on in the finale of season three,” she says. “In season four, Bill Prady said they’d make her what I am so I could fix things (in the script) if they were wrong. It’s neat to know what things mean. But most of the time, I don’t have to use it.”

8. ASTROPARTICLE PHYSICIST/SCIENCE CONSULTANT DAVID SALTZBERG ONCE GOT A JOKE ON THE AIR.

The Big Bang Theory has had David Saltzberg on retainer since the beginning of the series. Every week he attends the tapings and offers up corrections and ensures the white boards used in the scenes are accurate. During episode nine of the first season, Saltzberg wrote a joke for Sheldon, who has a fight with another scientist. Penny asks Sheldon about the misunderstanding and Sheldon replies, “A little misunderstanding? Galileo and the Pope had a little misunderstanding!”

Even though Saltzberg teaches at UCLA and publishes papers, he thinks his work on The Big Bang Theory is more impactful. “This has a lot more impact than anything I will ever do,” he told NPR. “It’s hard to fathom, when you think about 20 million viewers on the first showing—and that doesn't include other countries and reruns. I’m happy if a paper I write gets read by a dozen people.”

9. WIL WHEATON GOT THE “EVIL WIL WHEATON” GIG THROUGH TWITTER.

Wil Wheaton and Jim Parsons in a scene from The Big Bang Theory.
Sonja Flemming - © 2012 CBS Broadcasting, Inc

Wil Wheaton, who plays a “delightfully evil version” of himself on the show, tweeted about The Big Bang Theory. Wheaton told Larry King, “I was talking on Twitter about how much I loved the show and how I thought it was really funny.” Executive producer Steven Molaro—who will be taking on the same role in the Young Sheldon prequel, which also premieres Monday night—saw the tweet and told Wheaton to let him know if he wanted to come to a taping. A few days later Wheaton received an email from Bill Prady’s assistant about appearing on the show. “I just thought the email was a joke from one of my friends, so I just ignored it,” Wheaton said.

When Wheaton realized that the email was legit he phoned up Prady, who explained they wanted a nemesis for Sheldon. “It’s always more fun to be the villain,” Wheaton said. Even though the character has evolved into Sheldon’s ally, Wheaton said, “I still call him Evil Wil Wheaton.”

10. CHUCK LORRE THOUGHT THE SHOW AIRING AT 8 P.M. WAS THE BEGINNING OF THE END.

The show aired a handful of episodes in the fall of 2007, but a Writers Guild strike halted production until the following year. When the show returned in March, it had an earlier time slot. During a 2009 Comic-Con panel with the show’s cast and producers, the moderator asked Lorre about how CBS once again changed the time slot, this time from Mondays at 8 p.m. to Mondays at 9:30 p.m. “You guys followed us when they put us on at 8 and that is what kept us alive,” Lorre replied. "We did eight shows before the strike took us out in our first season. When the strike was over, CBS put us on at 8 p.m. and we thought that might be the end of it. You followed us and kept us alive and that was when we got the two-year pickup when we did well at 8.” The show eventually returned to the Mondays at 8 p.m. slot.

11. PARSONS ATTRIBUTES THE SHOW'S SUCCESS TO ITS LACK OF CHARACTER ARCS.

In a 2014 interview with New York Magazine, Parsons gave his theory (if you will) on why The Big Bang Theory attracts more than 20 million viewers per week—a number unheard of since the Friends-era sitcom reign. “There’s not anything to keep up with,” he said. “You don’t go, ‘I didn’t see the first three seasons, and now they’re off with prostitutes, and they no longer work in the Mafia, and I don’t understand what happened.’ People have so many choices on TV now, so no one’s asking for you to marry us. You can enjoy our show without a weekly appointment.”

12. A NEW GENUS OF JELLYFISH IS NAMED BAZINGA.

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In 2011, a photographer spotted the unnamed grape-sized rhizostome in Australia’s Brunswick River, snapped a photo of it, and sent the photo to marine biologist Lisa-ann Gershwin. In 2013, she named the jellyfish and published a paper on it for the Queensland Museum. In her findings she called it “a new genus and species of the rhizostome jellyfish, which cannot be placed in any known family or suborder.” She told The Huffington Post that it’s the first time in more than 100 years that a new sub-order of jellyfish had been discovered. For now, it’s the only member of the genus Bazinga, the family Bazingidae, and the sub-order Ptychophorae. Sheldon’s catchphrase also inspired the naming of a new bee species in 2013.

13. THE CAST MEMBERS ARE SOME OF THE WORLD’S HIGHEST PAID TV ACTORS.

In August 2017, Variety released a list of television's highest paid actors, and the main cast members of The Big Bang Theory—Kaley Cuoco, Johnny Galecki, Jim Parsons, Simon Helberg, and Kunal Nayyar—came out on top for comedy, earning an average of $900,000 per episode.

BONUS FACT: WE'RE ON THE COFFEE TABLE!

Image credit: Wil Wheaton

In 2010, Wil Wheaton shared this close-up of the coffee table in Sheldon and Leonard's apartment. "I saw a lot of things that could have been on my own coffee table," he wrote, "so I decided to grab a picture."

Here's one from 2014:

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