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The Origins of 6 Terrifying Urban Legends and Classic Campfire Stories

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Before Creepypasta, mysterious audio recordings on YouTube, and disconcerting clown sightings, the best way to terrorize your friends was by repeating a popular urban legend. As a kind of oral history handed down through the years, these stories typically feature a hapless protagonist who is oblivious to a threat lurking right under their nose—or in the back seat.

With Halloween looming, we’ve rounded up some of the more frightening examples of modern folklore to do some fact-checking and see just how much truth is lurking behind the fiction.

1. THE KILLER IN THE BACK SEAT

The Story: A woman is driving alone at night when she glances in her rearview mirror and sees a vehicle bearing down on her. The car continues to follow her on her winding route, rattling the driver. The mystery man even flashes his brights every so often. Finally pulling into a gas station for help, the woman goes running out of her car. When confronted by a policeman or pedestrian, the stalker reveals his true motivation: He noticed that a man was lurking in the woman’s back seat and kept flashing his lights every time he reared up to try and strangle her.

The Truth: Versions of this story began appearing as early as the 1960s, with the “victim” alternately a teenager driving home from a school play or a woman coming back from a social engagement. Occasionally, the tail would be a massive commercial truck that seemed ready to run her over. The fake-out savior might be a gas attendant, a husband, or a cop who roughs up the “stalker” before his altruistic intention is finally revealed.

At least half of the tale is grounded in reality. Over the years, there have been several incidences of lurkers who have stowed away in the rear seat of vehicles, emerging to attack drivers or simply to evade capture by police. In 1964, one criminal made the mistake of hiding in a car owned by a police officer: the detective turned and fired on his uninvited passenger. The addition of a good Samaritan who notices the danger and tails the terrified driver appears to be pure embellishment, however.

2. THE VANISHING HITCHHIKER

The Story: Hitchhikers typically don’t make life easy for the characters in folk history, and this one is no exception. Typically, the story picks up when a couple of young men are driving along and spot an attractive woman walking on the side of the road. They pick her up and she tells them she’d like to go straight home. The drivers indulge her—but by the time they make it to the address she’s provided, she’s fast asleep. Not wishing to disturb her, the men go to the door and inform the woman who answers that her daughter is dozing in their back seat.

The woman is perplexed. Her daughter has been dead for years. When they return to the car, the passenger is gone, with only her clothes remaining.

The Truth: One of the most flexible urban legends of all time, the Vanishing Hitchhiker has been traced as far back as the 19th century, where horse-and-wagon rides took the place of a car. In Hawaiian versions, the ghost has even been picked up in a rickshaw. The apparition might have a warning before disappearing; in other versions, she’s known to have died a violent or tragic death while in the process of returning home.

The appeal of a spirit with unfinished business in life seems to have no cultural boundaries: Researchers have found variations of the tale in countries like Algeria, Romania, and Pakistan. There’s even a Swedish tale that was first mentioned in 1602 of a ghostly woman walking along a road who warned two passersby of impending plagues and wars before disappearing.

3. THE LICKED HAND

The Story: In the dead of night, a child (or, in some versions, a young or old woman) hears some strange noises. For comfort, the kid lets his or her hand dangle off the edge of the bed so their dog can lick it in a comforting gesture. The process might repeat itself throughout the night, with the child receiving a few more wet kisses before morning.

When the child wakes up and begins walking around the house, they might find the dog hanging from a noose—or worse, their parents bludgeoned to death. A bloody note reads, “Humans can lick, too.”

The Truth: A particularly grisly legend, the Licked Hand made the rounds in the 1960s as a way to scare marshmallow-roasting campers with a gut punch of an ending. But the tale’s first appearance may have come as early as 1871, when someone wrote of a story they had heard in England about a jewel thief who evaded detection by licking the hand of a man who awoke to strange noises, reassuring him it was only his dog.

4. THE GIRL WITH THE RIBBON AROUND HER NECK

The Story: Two lovers meet and grow consumed with one another. But as their meetings become more frequent, the man becomes curious about the fact that his girlfriend always wears a green ribbon tied around her neck. Time and again, he asks if it’s significant; she always answers that it is, but she can’t elaborate.

Before long, the man grows frustrated at how coy she’s being about the ribbon. Despite his anger, she refuses to take it off, or explain why it’s important. Finally, he takes a pair of scissors to her sleeping frame, snips the fabric—and watches as her head slides off her neck and goes bouncing to the floor.    

The Truth: Unlike many legends, there’s really no pretense that the story has roots in reality. Typically, the punchline evokes laughter and shock; some versions have the woman cautioning that her lover “will be sorry” if he pushes the issue, then admonishes him with a “Told you!” as her head travels across the floor.

In all likelihood, it was writer Washington Irving who got the ball—or cranium—rolling. Irving published a short story in 1824 titled “The Adventures of a German Student” where a young man becomes enamored with a Parisian woman whom he meets while she looks on mournfully near a guillotine. After consummating their mutual attraction, she’s found dead in his bed the next morning. A policeman undoes a ribbon tied around her neck, prompting her head to slide off. Irving’s poor protagonist is quickly committed to an insane asylum. It's believed that Irving heard this story from his friend, the Irish poet Thomas Moore, who had heard it from the British writer Horace Smith.

5. THE HOOK

The Story: Two young lovers are parked in a make-out spot when a news story breaks on the radio: A killer has escaped from custody, with his sole distinguishing feature being a hook in place of an amputated hand. The woman is unsettled and implores her lover to lock the car doors, which he does. But the thought of the hook crashing through the window begins to consume her, and she pleads for them to drive off. Annoyed, the boyfriend agrees. When he drops her at home, she exits the car and notices that a hook is dangling from the door handle.

The Truth: Aside from the hook-hand twist, couples who parked in designated “lover’s lane” spaces had plenty of reason to be terrified. A former military man named Clarence Hill was convicted in 1942 of several murders in Pennsylvania, with Hill creeping up on unsuspecting car occupants and shooting them through the windows. These attacks and others made for ripe stories over avoiding necking in parked cars in the 1960s: even Ann Landers printed the tale as a “warning” to hormonal teens.

6. THE BABYSITTER WHO ISN’T ALONE

The Story: A teenage girl agrees to sit for a trio of young children while their parents enjoy a night out. At first, the evening is almost mundane: With the kids in bed, the sitter chats with friends and finds ways to pass the time. But then the phone begins to ring. On the line is a sinister voice who advises her to check the children. After multiple calls, the sitter finally dials the police, who phone back with a shocking warning: The calls have been coming from inside the house. The murderous caller was upstairs with the children the entire time.

The Truth: Thanks to the 1979 film When a Stranger Calls, which used this story as the premise for its riveting opening sequence, this might be the most infamous urban legend of all time. The story has been widely told since 1960, with some versions indicating both the children and the sitter meet a bloody end.

The emergence of the story seems to coincide with a rash of media reports about babysitters who were assaulted or even murdered in the ‘50s and ‘60s, lending credence to the idea that it likely came out of a fear of leaving a vulnerable young woman alone in a strange house. Some folklore theorists have also observed that the “man upstairs” conceit spoke to a cultural rebellion over women taking increasingly dominant positions in society instead of adhering to their role as domestic caretakers. Left to her own devices, the babysitter fails to protect the children from harm.

Was it anti-feminist propaganda? Perhaps. But the Babysitter Who Isn’t Alone trope also speaks to a pretty primal fear of being helpless to guard yourself or others from unseen forces. And two-line phones.

All images courtesy of iStock.

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Art
5 Things You Might Not Know About Ansel Adams

You probably know Ansel Adams—who was born on February 20, 1902—as the man who helped promote the National Park Service through his magnificent photographs. But there was a lot more to the shutterbug than his iconic, black-and-white vistas. Here are five lesser-known facts about the celebrated photographer.

1. AN EARTHQUAKE LED TO HIS DISTINCTIVE NOSE.

Adams was a four-year-old tot when the 1906 San Francisco earthquake struck his hometown. Although the boy managed to escape injury during the quake itself, an aftershock threw him face-first into a garden wall, breaking his nose. According to a 1979 interview with TIME, Adams said that doctors told his parents that it would be best to fix the nose when the boy matured. He joked, "But of course I never did mature, so I still have the nose." The nose became Adams' most striking physical feature. His buddy Cedric Wright liked to refer to Adams' honker as his "earthquake nose.

2. HE ALMOST BECAME A PIANIST.

Adams was an energetic, inattentive student, and that trait coupled with a possible case of dyslexia earned him the heave-ho from private schools. It was clear, however, that he was a sharp boy—when motivated.

When Adams was just 12 years old, he taught himself to play the piano and read music, and he quickly showed a great aptitude for it. For nearly a dozen years, Adams focused intensely on his piano training. He was still playful—he would end performances by jumping up and sitting on his piano—but he took his musical education seriously. Adams ultimately devoted over a decade to his study, but he eventually came to the realization that his hands simply weren't big enough for him to become a professional concert pianist. He decided to leave the keys for the camera after meeting photographer Paul Strand, much to his family's dismay.

3. HE HELPED CREATE A NATIONAL PARK.

If you've ever enjoyed Kings Canyon National Park in California, tip your cap to Adams. In the 1930s Adams took a series of photographs that eventually became the book Sierra Nevada: The John Muir Trail. When Adams sent a copy to Secretary of the Interior Harold Ickes, the cabinet member showed it to Franklin Roosevelt. The photographs so delighted FDR that he wouldn't give the book back to Ickes. Adams sent Ickes a replacement copy, and FDR kept his with him in the White House.

After a few years, Ickes, Adams, and the Sierra Club successfully convinced Roosevelt to make Kings Canyon a national park in 1940. Roosevelt's designation specifically provided that the park be left totally undeveloped and roadless, so the only way FDR himself would ever experience it was through Adams' lenses.

4. HE WELCOMED COMMERCIAL ASSIGNMENTS.

While many of his contemporary fine art photographers shunned commercial assignments as crass or materialistic, Adams went out of his way to find paying gigs. If a company needed a camera for hire, Adams would generally show up, and as a result, he had some unlikely clients. According to The Ansel Adams Gallery, he snapped shots for everyone from IBM to AT&T to women's colleges to a dried fruit company. All of this commercial print work dismayed Adams's mentor Alfred Stieglitz and even worried Adams when he couldn't find time to work on his own projects. It did, however, keep the lights on.

5. HE AND GEORGIA O'KEEFFE WERE FRIENDS.

Adams and legendary painter O'Keeffe were pals and occasional traveling buddies who found common ground despite their very different artistic approaches. They met through their mutual friend/mentor Stieglitz—who eventually became O'Keeffe's husband—and became friends who traveled throughout the Southwest together during the 1930s. O'Keeffe would paint while Adams took photographs.

These journeys together led to some of the artists' best-known work, like Adams' portrait of O'Keeffe and a wrangler named Orville Cox, and while both artists revered nature and the American Southwest, Adams considered O'Keeffe the master when it came to capturing the area. 

“The Southwest is O’Keeffe’s land,” he wrote. “No one else has extracted from it such a style and color, or has revealed the essential forms so beautifully as she has in her paintings.”

The two remained close throughout their lives. Adams would visit O'Keeffe's ranch, and the two wrote to each other until Adams' death in 1984.

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presidents
George Washington’s Incredible Hair Routine

America's Founding Fathers had some truly defining locks, but we tend to think of those well-coiffed white curls—with their black ribbon hair ties and perfectly-managed frizz—as being wigs. Not so in the case of the main man himself, George Washington.

As Robert Krulwich reported at National Geographic, a 2010 biography on our first president—Washington: A Life, by Ron Chernow—reveals that the man “never wore a wig.” In fact, his signature style was simply the result of an elaborately constructed coiffure that far surpasses most morning hair routines, and even some “fancy” hair routines.

The style Washington was sporting was actually a tough look for his day. In the late 18th century, such a hairdo would have been worn by military men.

While the hair itself was all real, the color was not. Washington’s true hue was a reddish brown color, which he powdered in a fashion that’s truly delightful to imagine. George would (likely) don a powdering robe, dip a puff made of silk strips into his powder of choice (there are a few options for what he might have used), bend his head over, and shake the puff out over his scalp in a big cloud.

To achieve the actual ‘do, Washington kept his hair long and would then pull it back into a tight braid or simply tie it at the back. This helped to showcase the forehead, which was very in vogue at the time. On occasion, he—or an attendant—would bunch the slack into a black silk bag at the nape of the neck, perhaps to help protect his clothing from the powder. Then he would fluff the hair on each side of his head to make “wings” and secure the look with pomade or good old natural oils.

To get a better sense of the play-by-play, check out the awesome illustrations by Wendy MacNaughton that accompany Krulwich’s post.

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