The BBC Halloween Hoax That Traumatized Viewers

GhostwatchBTC via YouTube
GhostwatchBTC via YouTube

After more than 20,000 phone calls, one induced labor, and thousands of angry letters, the UK's Broadcasting Standards Council convened for a hearing. On June 27, 1995, they ruled that the producers of Ghostwatch, a BBC program that aired on Halloween night less than three years earlier, had deliberately set out to “cultivate a sense of menace.”

Put another way, the BBC had been found to be complicit in scaring 11 million people senseless.

Airing from Northolt, North London, Ghostwatch alleged to report on the paranormal experiences of the Early family, which had been besieged by the actions of a ghostly apparition they called “Pipes.” Four recognized BBC presenters appeared on the show, which took on the appearance of a straightforward documentary and offered only subtle clues that it was an elaborate hoax. For a significant portion of viewers, it appeared as though they were witnessing documented evidence of a malevolent spirit.

Viewers grew so disturbed by the content that the network became embroiled in a controversy over what audiences felt was a ruse perpetrated by a trustworthy news source; cases of post-traumatic stress disorder in children were even reported in the British Medical Journal. What the BBC had intended to be nothing more alarming than an effective horror movie had petrified a country—and would eventually lead to accusations that it was responsible for someone’s death.

There is something of a myth surrounding Orson Welles’s infamous “War of the Worlds” broadcast of October 30, 1938. As the decades have passed, accounts of how Welles used the H.G. Wells story to fool a nation into believing aliens had invaded have become embellished. Listeners had supposedly become so infused with terror that they leapt from windows and suffered nervous breakdowns. Major cities had streets crowded with people craning their necks and looking for signs of a violent galactic attack.

While it’s true a number of people may have been disturbed by the “accounts” of military forces being overwhelmed by aliens, it’s unlikely to have been as widespread as later accounts would have it. Newspapers eager to browbeat the competing medium of radio exaggerated the show’s effect, then quickly dropped the matter; it’s not likely all that many people were even listening in the first place, with the program going up against a popular comedy show airing at the same time.

As perpetrators of hoaxes go, only Stephen Volk seems to have lived up to the standard Welles is thought to have set. A screenwriter, Volk pitched the BBC on a six-part series in 1988 about a roving paranormal investigation crew that climaxes in a live tour of a supposedly haunted house.

The BBC, however, wasn’t that enthused about devoting that much time to the idea. Instead, the pitch was condensed down to the last episode—a kind of “mockumentary” take on a paranormal occurrence that the channel could air as a Halloween special.

For Volk, it represented an opportunity to explore what he felt was the relative comfort of a television broadcast. Audiences went to horror films, he believed, knowing what to expect, consenting to being scared. But television was more intimate and less predictable. Viewers who tuned in anticipating a spoof or anticlimactic, tongue-in-cheek exploration would be in for a surprise—and not a pleasant one.

To add to the program’s credibility, Volk and director Lesley Manning structured it so two BBC presenters—Sarah Greene and Craig Charles—would be installed at the Early house, while highly regarded broadcaster Michael Parkinson would anchor from a studio. (Both Charles and Greene frequently popped up on BBC children’s programming, which would prove to be a lure when it came to an adolescent audience.)

Actors portrayed members of the Early family: single mother Pam and daughters Suzanne and Kim all reported instances of strange activity in their home, including rattling, mysterious cat noises, and smashed dishes. Suzanne would sport odd scratches on her face, which she claimed to be the work of Pipes, the ghost who refused to leave their home.

(In a testament to Volk’s commitment, he petitioned the BBC to allow him to try and insert a high-pitched warble on the soundtrack that would be audible to animals near televisions, hoping their bizarre behavior would unsettle viewers more. It proved to be technically impossible to do.)

Various ideas were batted around to reinforce the disclaimer, but few made it to the air. Mike Smith, Greene’s real-life husband and an on-air BBC correspondent who appeared on the special, once told the Radio Times that he suspected things might go south. “We had a meeting with the BBC days before transmission,” he said. “And we told them that this was going to cause a fuss. They told us not to worry because it was being billed as a drama in the Radio Times complete with a cast list. But we felt that wasn't enough."

By the time Ghostwatch premiered at 9:25 p.m. on October 31, 1992, the special had already been filmed, showing Parkinson reacting to segments and taking calls—all staged—that invited the audience to discuss their experiences with paranormal activity. In the interests of fairness, he also included an interview with a (fake) skeptic dismissing the Earlys’ claims.

Only highly observant viewers would have done the same. While the show began with a title card indicating it was written “by” Volk, the graphic was onscreen for only a split second; the presence of established and familiar faces to BBC viewers added to the verisimilitude. So did the program’s slow burn. At 90 minutes, it took its time, showing only fleeting glimpses into the Early family’s experiences that were left purposely ambiguous.

In the show’s second half, things took a turn. A viewer called in to tell them that someone had once committed suicide in the home; a mutilated dog corpse was said to be recently found nearby; the Early children were depicted as increasingly upset over the home’s disturbances. Around an hour in, Parkinson even advised viewers they’d be pre-empting scheduled programming to remain with Greene due to the "extraordinary" events taking place: Suzanne speaking in a baritone voice, and unseen cats mewling behind the walls.

Ultimately, Greene disappeared in the crawl space under the home’s stairs while a paranormal expert proclaimed that the television audience had unwittingly participated in a mass séance that had further emboldened Pipes. At the end of the show, Parkinson was seen being apparently possessed by the ghost’s spirit.

The finale laid it on a little thick, but not everyone made it that far in. By the time Ghostwatch signed off, a not-insignificant portion of the show’s 11 million viewers were either convinced ghosts were real, extremely upset at the BBC for traumatizing their children, or both.

The broadcaster had just five operators standing by its phones [PDF] once the show went off air, a number that was quickly overcome by the thousands of calls that flooded in. One woman reportedly went into labor due to the stress caused by watching the program; another reported her husband had soiled himself. Within hours, the BBC aired a brief segment that reminded viewers the show was fictional. It was a little too late.

Public discourse—including on the BBC’s own viewer feedback show, Bite Back—criticized the station for using its reputation to fool viewers into thinking harm had come to both the Earlys and to their hosts. Parapsychologist Susan Blackmore later said that “It treated the audience unfairly. It can be exciting to play on the edge of fantasy and reality, or stretch the accepted norms of television conventions, but this was neither true to its format nor fun. It was horrid to watch the distress of the girls, real or faked. I found it over-long and occasionally disgusting … The lack of adequate warnings was irresponsible.”

Greene quickly appeared on children’s shows to reassure younger viewers she had not been abducted or murdered by Pipes. Volk and Manning offered their own apologies, feeling that the BBC considered them pariahs. They had simply wanted to pay homage to Welles, never imagining the program could have the kind of effect it did.

In a report published in the British Medical Journal 18 months later, doctors in Coventry reported cases they classified as “post-traumatic stress disorder” from consumption of media—in this case, Ghostwatch. Two 10-year-old boys were suffering from panic attacks and sleep disturbances as a result of the broadcast. When the piece appeared, the Journal received correspondence from other doctors relating similar cases.

If not for his reported learning disabilities, 18-year-old Martin Denham might have been more psychologically equipped to deal with some transient nerves from the show. When he became distraught in the days following the broadcast, he began to grow concerned he might make contact with ghosts and committed suicide. His parents, Percy and April, blamed Ghostwatch, leading the Broadcasting Standards Council to rule that the show had been improperly labeled, with too few warnings that it was a fictitious premise.

Later, the handheld-camera, raw-footage approach would unnerve cinema audiences that flocked to films like The Blair Witch Project and the Paranormal Activity series. While those films rarely resulted in any claims more serious than motion sickness, Ghostwatch successfully married the BBC’s credibility with an effective ghost story to create an experience that’s unlikely to ever be duplicated.

Not that the network wants to try. Since its original airing, the program has never again been broadcast in its entirety in the UK. (Though it is available to stream via Shudder.)

10 Questions About Columbus Day

ihsanGercelman/iStock via Getty Images
ihsanGercelman/iStock via Getty Images

Every American student learns that Christopher Columbus sailed the ocean blue and landed in the New World in 1492. Winifred Sackville Stoner, Jr.'s poem "History of the U.S." has made it impossible to forget the date (although the couplet actually predates her birth), and many federal workers get a day off every October to recognize the explorer's arrival in the New World. You know the who and where, but here are 10 more answers to pressing questions about Columbus Day.

1. When did Christopher Columbus become a cultural icon?

By the early 1500s, other navigators like Amerigo Vespucci and Francisco Pizarro had become more popular and successful than Columbus had been with his off-course voyages. According to The New York Times, historians and writers in the latter part of the 16th century restored some of Columbus’s reputation with great words of praise for the explorer and his discoveries, with his fellow Italians proving particularly eager to celebrate his life in plays and poetry.

2. How did Christopher Columbus's popularity reach the United States?

Blame the British. As the American colonies formed an identity separate from their mainly English roots, colonists looked to figures like the "appointed of God" Columbus to symbolize their ideals. "By the time of the Revolution," writes John Noble Wilford, "Columbus had been transmuted into a national icon, a hero second only to Washington." Columbus's American legacy got another shot in the arm in 1828 when a biography (peppered with historical fiction) by Washington Irving transformed Columbus into an even more idealized figure who sought to "colonize and cultivate," not to strip the New World of its resources.

3. When was the first Columbus Day?

The first recorded celebration took place in 1792 in New York City, but the first holiday held in commemoration of the 1492 voyage coincided with its 400th anniversary in 1892. President Benjamin Harrison issued a proclamation in which he called Columbus a "pioneer of progress and enlightenment" and suggested that Americans "cease from toil and devote themselves to such exercises as may best express honor to the discoverer and their appreciation of the great achievements of the four completed centuries of American life."

If Harrison had had his way, though, the holiday would have been celebrated on October 21. He knew that Columbus landed under the Julian calendar, not the Gregorian calendar we use today—making October 21 the correct date for anniversary celebrations.

4. Did anyone actually celebrate Columbus Day in the 19th century?

Italian Americans embraced Columbus as an important figure in their history and saw celebrating him as a way to "be accepted by the mainstream," the Chicago Tribune notes. The Knights of Columbus, an organization formed by Irish Catholic immigrants in 1882, chose the Catholic explorer as their patron "as a symbol that allegiance to their country did not conflict with allegiance to their faith," according to the group's website. Following President Harrison’s 1892 proclamation, they lobbied for Columbus Day to become an official holiday.

5. When did Columbus Day become an official holiday?

The holiday first found traction at the state level. Colorado began celebrating Columbus Day, by governor's proclamation, in 1905. Angelo Noce, founder of the first Italian newspaper in the state, spearheaded the movement to honor Columbus and Italian American history. In 1907, the Colorado General Assembly finally gave in to him and made it an official state holiday.

6. When did Columbus Day become a federal holiday?

With Franklin D. Roosevelt as president, lobbying from the Knights of Columbus paid off, and the United States as a whole observed Columbus Day in 1934. Thirty-four years later, Lyndon B. Johnson signed the Uniform Holiday Bill, which designated Columbus Day as a federal holiday.

7. Why does the date of Columbus Day change every year?

Columbus Day was originally celebrated on October 12, the day Columbus landed in the New World, but the Uniform Holiday Bill took effect in 1971 and changed it to the second Monday in October, as well as moved the dates of Washington’s Birthday, Memorial Day, and Veterans Day to Mondays (Veterans Day would be moved back to November 11 in 1980 after criticism from veterans’ groups). The act of Congress was enacted to "provide for uniform annual observances of certain legal public holidays on Monday, and for other purposes."

8. Does every state observe the Columbus Day holiday on the same weekend?

In Tennessee, Columbus Day comes with an asterisk. The state’s official holiday observance calendar reads that Columbus Day is the second Monday of October, or "at the governor's discretion, Columbus Day may be observed the Friday after Thanksgiving."

9. Which states don't celebrate Columbus Day?

In Hawaii, the second Monday of October is known as Discoverer’s Day, "in recognition of the Polynesian discoverers of the Hawaiian Islands, provided that this day is not and shall not be construed to be a state holiday," KHON2 writes. According to the Pew Research Center, only 21 states treated Columbus Day as a paid state holiday in 2013. South Dakota, New Mexico, Maine, and the District of Columbia celebrate Native Americans Day or Indigenous People's Day as a paid holiday. Several cities, like San Francisco and Cincinnati, celebrate Indigenous People's Day.

10. How do other places around the world celebrate Columbus Day?

In Italy, Columbus Day (or Giornata nazionale di Cristoforo Colombo) is listed as one of the national or international days of celebration and is still on October 12, but it's not a public holiday. Some countries have chosen to observe anti-Columbus holidays like the Day of the Indigenous Resistance in Venezuela and Nicaragua, Pan American Day in Belize, and the Day of Respect for Cultural Diversity in Argentina.

The Hallmark Channel’s First-Ever ‘Christmas Con’ Is Comin’ to Town

macniak/iStock via Getty Images
macniak/iStock via Getty Images

Bookworms have Book Con, comic lovers have Comic Con, and now, courtesy of the Hallmark Channel, Christmas fanatics will finally get the gift they’ve surely written to Santa about more than a few times: Christmas Con.

News 12 New Jersey reports that the festive convention will take place at the New Jersey Convention and Exposition Center in Edison from November 8 through November 10.

If you binge-watch Hallmark Channel’s schmaltzy feel-good flicks faster than St. Nick scarfs down a giant gingerbread cookie, this is your chance to catch its biggest stars in one decked-out hall. Mean Girls (2004) alum Jonathan Bennett will emcee the convention, The Walking Dead’s Alicia Witt will perform a concert, and panels will include guests like Chad Michael Murray, Melissa Joan Hart, and Bennett’s former Mean Girls co-star Lacey Chabert (who will hopefully be showered with enough candy canes to make up for the time that her character, Gretchen Weiners, got none).

In addition to its celebrity events, Christmas Con will also include a Christmas market with gifts, handmade decorations, and holiday treats. You can also don your most lurid holiday sweater for a chance to win a $500 grand prize in the Ugly Christmas Sweater contest, or bake a gingerbread house fit for a prince in the Gingerbread Wars, which could win you $1000.

If you're hoping to attend, you might have to hunt for resale tickets on social media or third-party sites—the passes are already almost sold out on the official website. If you’re willing to shell out a little extra for a snapshot with romance royalty, most of the stars are offering photo opportunities for around $50.

Looking for a less intense way to welcome the holly, jolly holiday season? Watch the 20 best Christmas movies, Die Hard (1988) and all.

[h/t News 12 New Jersey]

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