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11 Bulletproof Facts About Sledge Hammer!

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Although its run was short-lived, ABC’s mid-1980s cop spoof Sledge Hammer! made a significant imprint in the minds of primetime viewers. David Rasche starred as the title character, a trigger-happy police detective who “shot first and asked questions never.” In honor of the 30th anniversary of the show’s premiere on September 23, 1986, we’ve got a few facts about the series that should hit the mark. 

1. IT WAS THOUGHT UP BY A TEENAGER.

In 1971, 10-year-old Alan Spencer snuck into a screening of Clint Eastwood’s Dirty Harry by buying a ticket to Fiddler on the Roof and switching theaters once he was inside. Impressed by the movie and its sequels, Spencer decided to write a script lampooning the renegade cop trope. At 16, he began circulating Sledge Hammer! around the business to readers who didn’t understand the kind of satire Spencer was aiming for. One agent called it “the work of someone with serious mental problems.”

Spencer persevered: Nearly a decade later, another Dirty Harry sequel arrived in theaters and reinvigorated interest in a send-up of the genre. Reworked as a half-hour sitcom, Sledge Hammer! suddenly became a hot commodity.

2. IT ALMOST ENDED UP AT HBO.

Leonard Stern, who produced the 1960s spy spoof Get Smart, knew of Spencer’s script and connected him with HBO. The network wasn’t sure what to make of the excessive violence and dark humor and wanted Spencer to revise it to fit the persona of Rodney Dangerfield, who they wanted to have starring in the project. Spencer declined and took the idea to ABC, which was receptive to it—provided all of the profanity was deleted. The writer and network cast Second City’s David Rasche and Anne-Marie Martin as Sledge and partner Dori Doreau, respectively. (Martin went on to marry Jurassic Park author Michael Crichton.)

3. ABC WAS CONCERNED THE SHOW WOULD CAUSE HEART ATTACKS.

Composer Danny Elfman created the track for the Sledge Hammer! opening credits sequence, which was shot in romantic close-up of Sledge’s beloved .44 Magnum firearm. In a James Bond homage, Rasche was supposed to then pick up the weapon and fire it directly at the viewer, “shattering” the television screen. ABC nixed the idea, fearing the abrupt visual might prompt heart attacks in susceptible viewers. (He fired it offscreen instead.)

4. IT HAD NOTHING TO DO WITH THE PETER GABRIEL SONG. (BUT USED IT ANYWAY.)

Oddly, Sledge Hammer! the series and "Sledgehammer" the song had absolutely no connection with one another, but both were released within a few months of each other in 1986. With the song a hit, ABC convinced (and obviously paid) Peter Gabriel to allow them to use it in promotional spots for the series.

5. ABC REFUSED TO HAVE SLEDGE ADMIT HE WAS CRAZY.

A man who talks to and sleeps with his gun probably is in need of some kind of mental evaluation. But Spencer’s original catchphrase idea for Sledge—“I’m crazy, but I know what I’m doing”—was axed by ABC, which refused to allow any admission the character might be mentally ill. The phrase became “Trust me, I know what I’m doing.” 

6. IT HAD A RIVALRY WITH MR. BELVEDERE.

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Spencer was not a fan of Mr. Belvedere, the genteel 1980s sitcom about an English butler who charms his American employers. Sledge took several shots at the show—which aired on the same network—prompting Belvedere star Bob Uecker to criticize Sledge while a guest on The Tonight Show. The war of words was never resolved.

7. IT WAS SUPPOSED TO BE CANCELED SOONER.

As an acquired taste, Sledge Hammer! didn’t resonate with viewers, who preferred it a distant third to time slot competitors Dallas and Miami Vice. Believing the first season would also be the last, the show’s producers aired a finale that featured Hammer accidentally activating a nuclear warhead that reduced his city to rubble. When ratings improved for the apocalyptic finale, ABC decided to renew it—forcing the show to frame subsequent episodes as having taken place years prior to the explosion.

8. IT WAS A MARVEL COMIC. (FOR TWO ISSUES.)

Lasting just two issues, Marvel’s Sledge Hammer! took the detective into the sequential art world, including a guest appearance by Spider-Man. The cover of the first promised a faithful adaptation of the “show that refuses to die.” (Marvel’s onetime Hulk, Bill Bixby, directed several of the show’s episodes.)

9. A CONTRACT OMISSION MADE FOR A HOME VIDEO WINDFALL.

At the time Sledge Hammer! aired, studios and networks were mostly concerned with rights issues relating to videocassette releases. The network therefore didn’t bat an eye when Spencer, who loved laserdiscs, had it written into his contract that he be a profit participant in any “disc format” releases of the show. Sledge was released on DVD in 2004, a "disc format" the network could never have anticipated, and earned Spencer a significant cut of the profits.

10. NEW LINE WANTED TO MAKE A FEATURE.

In 1992, Spencer received word that New Line Cinema was interested in adapting Sledge Hammer! as a feature film. The creator passed when it became clear the studio wanted to move forward with a new cast and new characters.

11. IT EARNED ITS CREATOR AN HONORARY NRA MEMBERSHIP.

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Not everyone took the satire of a gun-loving fascist as a joke. Spencer told Splitsider in 2012 that when Sledge Hammer! premiered, the National Rifle Association (NRA) bestowed him with an honorary membership for contributing to pro-gun awareness. “A lot of people took [the show] very seriously,” he said.

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11 Single Facts About Bridget Jones’s Diary
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While it's not officially a holiday movie, so much of the action in Bridget Jones's Diary happens around the most wonderful time of the year that the rom-com has become essential wintertime viewing for many movie fans. Based on Helen Fielding’s novel of the same name, it tells the story of a very single, and hopelessly romantic, working professional named Bridget (Renée Zellweger) who is determined to improve her love life. Enter two strapping gentlemen (Colin Firth and Hugh Grant) to vie for her heart. Get to know more about the timeless dramedy that’s been delighting audiences since 2001. Just as it is.

1. THE SOURCE NOVEL CAME ABOUT FROM AN ANONYMOUS COLUMN ABOUT SINGLE LIFE.

In the foreword of Bridget Jones’s Diary, author Helen Fielding wrote about how she came to conjure up the story: “The Independent asked me to write a column, as myself, about single life in London. Much as I needed the money, the idea of writing about myself in that way seemed hopelessly embarrassing and revealing. I offered to write an anonymous column instead, using an exaggerated, comic, fictional character. I assumed no one would read it, and it would be dropped after six weeks for being too silly.”

2. SEVERAL CHARACTERS ARE BASED ON PEOPLE IN HELEN FIELDING’S LIFE.


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These include Jude (Tracey MacLeod) and Shazzer (Sharon Maguire, also the film’s director). In a column for the Evening Standard, MacLeod described how she didn’t even realize she inspired part of her best friend’s story until Fielding’s book launch party. “At the launch party for the first Bridget book, I was cornered by a smug married friend, ‘So ... what's it like being Jude?’ she asked,” MacLeod writes. “I was outraged. Of course I wasn't Jude, with her self-help books and horrible boyfriend. My boyfriend wasn't anything like Vile Richard ... But as more people began to believe that Jude and Shazzer were thinly-veiled portraits of myself and Sharon, I secretly got to like the idea.”

3. TONI COLLETTE DECLINED THE LEAD, AND KATE WINSLET WAS CONSIDERED FOR IT.

Before Zellweger stole the show, Aussie Toni Collette and Brit Kate Winslet were up for the part. According to AMC, “Toni Collette declined the role because she was on Broadway starring in The Wild Party at the time, and Kate Winslet was considered but the producers decided she was too young.”

4. HUGH GRANT ONLY SIGNED ON WHEN RICHARD CURTIS WAS ANNOUNCED AS THE WRITER. 


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“The only reason [I was a hard sell] was because I didn't feel they had the script quite right for a long time,” Firth told Cinema.com. “And I kept saying, ‘It's not working. Just get Richard Curtis to come in and help rewrite it.’ Eventually they did, and as soon as Richard came on board, I signed on the dotted line. So that's all it was.”

5. RENÉE ZELLWEGER GAINED 17 POUNDS FOR THE PART.

Zellweger’s weight gain for the role had the media abuzz for a while. According to The Guardian, “In order to play the eponymous heroine in the film adaptation of Fielding's bestseller, the actress gained 17 pounds, consulting a dietitian and endocrinologist who devised a regime of three full meals a day, multiple snacks, and no exercise.”

6. ZELLWEGER WORKED AT PICADOR FOR THREE WEEKS.

Zellweger went full Method for her iconic role, and became a temporary employee of the Picador publishing house. “We came up with a plan: she would be Bridget Cavendish, Bridget for obvious reasons and Cavendish as she was to be passed off as the sister of Jonathan Cavendish, a friend of one of our company chairmen,” Picador publicist Camilla Elworthy told The Guardian. “That last bit at least is true, and no one was to know that Jonathan Cavendish was one of the film's producers.”

7. ZELLWEGER KEPT A PHOTO OF JIM CARREY ON HER DESK.


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While working at Picador, Zellweger kept a picture of Jim Carrey on her desk—which made her alter ego Bridget Cavendish seem like some sort of obsessed fan. “Under the name Bridget Cavendish, she answered phones, served coffee, and made photocopies—without being recognized by any of her co-workers, who offered career advice and wondered privately why she kept a photo of Jim Carrey (her then-boyfriend) on her desk,” noted Hollywood.com.

8. ZELLWEGER INVITED HER BOSS AT PICADOR TO BE AN EXTRA ON SET.

In Camilla Elworthy’s write-up for The Guardian, she noted how she became a part of the production. “Renée sent me a thank you letter and gift after she'd gone and I have seen her a few times since then," Elworthy wrote. "She invited me on to the film set one day. She informed me that I had to stick around and be an extra and made sure that I was put somewhere that I would be seen ... As a result, half my head can be seen for half a nano-second in the launch party scene.”

9. THE EPIC FIGHT SCENE BETWEEN GRANT AND COLIN FIRTH WASN’T CHOREOGRAPHED.

You can thank the two actors for the hilarity of the iconic scene. In a Vulture article about the greatest fight scenes in movie history, writer Denise Martin recalled the improvised spar, writing, “No stunt coordinators. No elaborate choreography. Just a perfectly realized wimp brawl between two upper-middle-class Englishmen coming to awkward fisticuffs in front of a Greek restaurant.”

10. FIELDING ASKED FRIEND SALMAN RUSHDIE TO CAMEO IN THE FILM.

Recalling how he came to be part of the film, famed novelist Salman Rushdie told Texas Monthly, “Helen Fielding, the author of the book, is an old pal of mine, and she asked if I’d come along and make a fool of myself, and I said, ‘Why not?’”

11. GRANT DIDN’T HEAR ZELLWEGER SPEAK IN HER AMERICAN ACCENT UNTIL THE FILM’S WRAP PARTY.

Zellweger was so engrossed with Bridget Jones that one of her leading love interests didn’t meet the real actress until the end of the shoot. “Not once did she stop speaking with that accent, until the wrap party,” Grant told Cinema.com, “when suddenly this weird ... Texan appeared. I wanted to call security, I didn't know who the f*ck she was!”

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10 Fabulous Facts About Absolutely Fabulous
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In the early 1990s, long before it was acceptable for women on TV to act in a juvenile manner, BBC scored a major hit with Absolutely Fabulous, a.k.a. Ab Fab, which featured two British women who behaved badly—chain-smoking and abusing drugs and alcohol. Jennifer Saunders played Edina, a publicist who said “sweetie darling” a lot and raised a mature-for-her-age daughter, Saffy (Julia Sawalha). Edina’s best friend was Patsy (Joanna Lumley), a model-turned-fashion magazine director who donned a beehive hairdo and came out as transgender (and also said “sweetie darling” a lot). She also enjoyed the booze, and asked important questions like, “Who dies in their own vomit these days? Nobody.” Edina’s nameless mother (June Whitfield) and Eddy’s personal assistant, Bubble (Jane Horrocks), also added flavor to the show.

The story began in 1990 when Saunders and Dawn French were a part of sketch TV show French and Saunders. Saunders did an eight-minute skit as Edina and French played Saffy. A few years later, while on hiatus from the show, Saunders jotted down the idea for what would become the pilot for Ab Fab. “At the beginning it was all about Saffy and Edina, because when I first wrote it, Patsy was a sort of add-on character who supported Edina in her awfulness,” Saunders told Out Magazine. “But actually I just love working in a double act.” 

The series originally aired off and on between 1992 and 2003, with a total of eight specials sprinkled between 1996 and 2012 (including a 2012 Summer Olympics special). In 2016, Fox Searchlight distributed Absolutely Fabulous: The Movie, written by Saunders. The film revived the debauched antics of the friends and included an opening sequence in which Edina accidently killed Kate Moss. Here are 10 fabulous facts about the series.

1. JENNIFER SAUNDERS BASED THE SHOW'S CHARACTERS ON REAL PEOPLE.

By the time Saunders created the sketch on French and Saunders, designer fashion was becoming more widespread, and she knew a fashion publicist. “I thought, ‘That’s a genius job for a sitcom character,’ so we did her as a sketch,” Saunders told Lena Dunham during an interview with Lenny. “We also had another friend who had an absolutely bonkers mother who was eccentric and wild, and me and Dawn just combined the two.” Patsy was originally a “low-life journalist,” but Lumley’s background as a model helped shaped the character into someone who was more polished.

2. IT DEVELOPED A DEVOTED FOLLOWING IN THE GAY COMMUNITY.


BBC

When discussing the series, Saunders told V Magazine that the reason the show was such a hit with the gay community is because "[gay people] refused to be offended—and I admire them for that. Thank God you’re hanging on in there.” Looking back on the series, Lumley said that all the gay references seemed normal to her. “It’s really normal that one of [Edina’s] ex-husbands now lives with his young boyfriend,” she said. “It’s completely normal that [Edina] wants Saffy to be a lesbian or that Serge [Edina’s long lost son] is gay and living in New York. It’s completely normal that Patsy is transgender.” Lumley also said she thinks Patsy makes a good drag queen, “because Patsy’s quite tall,” she said. “You just want to get your good yellow wig on.”

3. IT PROBABLY WOULDN’T FARE WELL IN TODAY’S CULTURALLY SENSITIVE CLIMATE.

When Vanity Fair asked Saunders if Ab Fab would air today with the same jokes intact, she said: “I think it’s a tricky time for comedy, because people are now so aware of not offending, and everyone is quite precious now about their identity. I don’t think we could make half the jokes we did then.”

In fact, Saunders admitted that she did run into some issues while working on the 2016 feature version of the series. “If you write a movie, you have raft of lawyers telling you who you can offend and who you can’t offend, and who’s going to sue you and who won’t,” she said. “So, it was quite an issue, I have to say.”

4. AMERICA (UNSUCCESSFULLY) TRIED TO ADAPT THE SHOW.

In 2009, James Burrows directed a U.S. version of the show, which was set in L.A. It starred Kathryn Hahn as Edina, Kristen Johnston as Patsy, and Zosia Mamet as Saffy. Fox jettisoned the pilot, and Jon Plowman, executive producer of British Ab Fab, knew why. “The trouble with doing Ab Fab in America is that it will have to end with Edina and Saffy hugging, Patsy giving up drink and drugs, and them all hugging mum,” he said. “It won’t work. It’ll be too nice.”

5. THE SHOW WAS INFLUENCED BY THE BAND BANANARAMA.

Lumley and Saunders were guests on The Graham Norton Show and Lumley said in the ’80s, she and Dawn French used to party with the group. “Bananarama were the hardest drinking girls I’d ever met in the ’80s,” Saunders said. “I never met girls who drunk so hard. They drunk so much vodka. I remember one of them opening a cab door and coming out ass first, and I thought it most brilliant thing I’d ever seen.”  

6. SAUNDERS SAID IT WAS "PAINFUL" TO PORTRAY EDINA.

Edina wears clothing that are two sizes too small because she refuses to wear anything that fits her. “Edina gets to wear some extraordinary costumes but they’re always so painful,” Saunders told Elle. “When I think of Edina, I think of painful shoes and painful clothes.”

7. IT’S A FEMINIST SHOW.

“It’s never been about them finding a relationship, or defining themselves by having to have a man,” Saunders told Vanity Fair. “They live life entirely on their own terms as women, and to be honest, men don’t really affect them much. I mean, occasionally they want sex, but who doesn’t? They’re not defined by normality. They create their own normality.”

8. JULIA SAWALHA’S FAVORITE SCENE TO FILM INVOLVED BOMBAY MIX.

BuzzFeed asked Sawalha, who played Edina’s daughter, what the funniest scene she had to shoot was. She said it was the moment when Edina asked her if she wanted to nibble on some Bombay mix. “It was my most painful scene moment,” she said. “It took about half an hour, because she had to come up behind me and say [puts on accent] ‘Bombay mix.’ And for a week she did it and for a week in rehearsals I couldn’t hold it together, and on the night it had that thing of I know it’s coming, and it just went on and on and on.”

9. A MENTION OF IVANA TRUMP LED TO AN ENCOUNTER WITH DONALD TRUMP.

Twenty years ago, Patsy mentioned Ivana Trump in an episode. As Lumley told Vanity Fair, Trump got wind of it and invited Lumley to a party in London. “He was with Marla Maples then, and first she came and was the sweetest little character: ‘Oh, I think you’re so gorgeous, you look so beautiful,’” Lumley said. “And then the Donald came along, with that Brillo Pad hair stretched across his head, and gave me a very odd look, as if he was sizing up a horse or something. And after examining me, he muttered, ‘Yes, she’s quite good-looking, she’s a bit like Ivana.’”

10. SAUNDERS AND LUMLEY ACCIDENTALLY MADE PATSY AND EDINA RELATABLE.


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In an interview with Lena Dunham, Lumley stated that Edina and Patsy were “really vile and dreadful” people. However, Lumley had fans coming up to her saying the characters reminded them of people they knew. “And some people would queue up to say, ‘My mother and my aunt are just like you and Eddy, and this is a picture of them.’ And you go, ‘Oh, no, how great. Well done, you. But oh my God, we are awful.’ And they went, ‘Oh, yeah, they love it. They go out, they get drunk.’ And you go, ‘Oh my God, we weren’t trying to teach people to get drunk.’”

Lumley further explained they didn’t set out to do that. “I don’t think we had expected that, because we painted them with such broad brushstrokes. We were trying to be high satire.”

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