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You Betcha: 15 Polite Facts About TV's Fargo

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The contrast between the affable citizens of Minnesota and the bloody criminal activities they find themselves drawn into helped make the Coen brothers' Fargo (1996) a critical and commercial success. In 2012, the filmmakers decided to cooperate with an expanded-universe attempt on FX. With their help, 2014’s Fargo retained all of the film’s Midwestern charm, with Billy Bob Thornton’s Lorne Molvo at odds with Martin Freeman’s wife-bludgeoning Lester Nygaard.

The anthology series has been a hit for the network and for Hawley, although the third season—which is slated to wrap up June 21, 2017—could potentially be the last. In case you're in the mood for reflection, we’ve rounded up some trivia and production notes about television’s most polite crime saga, with plenty of "You betchas" and "Uff das" in tow.

Note: Some spoilers ahead.

1. IT WASN’T THE FIRST FARGO TV ADAPTATION.

A year after Fargo’s theatrical release, rights holder MGM attempted a small-screen adaptation starring a pre-Sopranos Edie Falco as Marge Gunderson, the role originally played by Frances McDormand. The Coens were not involved, which may have doomed the project from the start: it never went to series and sat on the shelf for six years until cable network Trio unearthed the pilot in 2003 as part of their block of unseen-programming specials. Ironically, NBC executive Warren Littlefield passed on this project—which eventually wound up at CBS—fearing it could never live up to the movie: Littlefield wound up becoming an executive producer on the 2014 series.

2. THERE’S A REASON THEY DIDN’T USE MARGE.

One reason Littlefield was more supportive of this spin-off was because creator Noah Hawley had no desire to revisit McDormand’s Marge Gunderson character, the heavily-pregnant sheriff of Brainerd, Minnesota. In 2014, Hawley told IndieWire that he opted for an anthology format with a different narrative every season to avoid the show becoming about the “grim” day-to-day adventures of Marge.

3. THE COENS DIDN’T HAVE TO BE INVOLVED. (BUT THEY WANTED TO BE.)

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Because MGM owns the rights to Fargo, they didn’t necessarily need Joel and Ethan Coen's blessing to move forward. (And apparently didn’t get it for the 1997 attempt.) But when Littlefield presented them with Hawley’s script for the pilot, they decided to become involved. “They just said, ‘We're not big fans of imitation but we feel like Noah channeled us and we would like to put our names on this,’” Littlefield told HitFix in 2014. “And they didn't have to do that.”

4. THE SERIES IS ALL TAKEN FROM A (FAKE) TRUE CRIME BOOK.

Hawley has been quoted as saying he thinks of the Fargo-verse as being influenced by a big book of Midwestern crime tales, with each season being a different chapter. He cemented that idea in the ninth episode of the second season, opening with a close-up of a book titled The History of True Crime in the Midwest.

5. … WHICH MIGHT EXPLAIN THAT UFO.

Saving Patrick Wilson’s Lou Solverson character during the “Massacre at Sioux Falls” referenced in the first season was the appearance of what appeared to be a UFO hovering over a motel parking lot. Even by Fargo’s standards, it was a strange occurrence. According to Hawley, who was pressed for some kind of explanation during a June 2016 book signing, the scene stemmed from the idea that the show is taking cues from “true crime” books and all of the unbelievable details they often contain.

Speaking of a similar scene that felt disconnected from the narrative of the original film, Hawley said that he asked himself, “‘Why is this in the movie?’ It has nothing to do with the movie—except the movie says, ‘This is a true story.’ They put it in there because it ‘happened.’ Otherwise you wouldn’t put it in there. The world of Fargo needs those elements; those random, odd, truth-is-stranger-than-fiction elements.”

6. THERE WAS A VOICE COACH ON SET.

If you’ve ever met anyone who wasn’t a big fan of the Coen brothers' 1996 film, they probably pointed to the syrupy Minnesota accents as being too obnoxious to put up with for too long. Hawley was cognizant of that, too. Although he kept a voice coach on set, he had the actors minimize any attempt to lay it on thick. The accent “became a caricature after the movie,” he said. Allison Tolman, who played first-season cop Molly Solverson, said her accent was inspired by listening to a Midwestern character on the 1990s Howie Mandel cartoon Bobby’s World.

7. FX FELT THEY NEEDED BILLY BOB THORNTON.

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Oscar-winner Thornton portrayed philosophical hitman Lorne Malvo in the first season, a casting move that FX president John Landgraf said was mandatory for the show in order to find its footing. “We needed Billy Bob Thornton,”  Landgraf told a television critics panel in 2014, “but now the show, the title, the tone, the writing … are the star of that show.”

8. BAD HAIR IS A SERIES TRADITION.

Jean Smart was cast in the second season as Floyd Gerhardt, the matriarch crime boss of a bunch of hooligan sons. Set in 1979, the 62-year-old Smart was asked to cut and dye her hair to appear more matronly. “They first day they cut and dyed and styled my hair, I burst into tears,” she said.

While Thornton sported an equally unfortunate cut in the first season, he seemed more pleased with it. "I got a bad haircut," he told Collider in 2014. "We had planned on dyeing my hair and having a dark beard, but I didn’t plan on having bangs. But then, instead of fixing it, I didn’t fix it because I looked at myself in the mirror and I thought, 'Hang on a second here, this is like 1967 L.A. rock. I could be the bass player for Buffalo Springfield. This is good. Or, it’s the dark side of Ken Burns.'"

9. YOU NEED TO WATCH REALLY CLOSELY TO CATCH ALL THE COEN EASTER EGGS.

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Hawley’s Fargo doesn’t just pay homage to the feature that inspired it; if you watch closely, you’ll see obscure references to the entire filmography of the Coens. A second-season episode panned over a diner placemat featuring a Hula Hoop in a nod to 1994’s The Hudsucker Proxy; the balm Unguent is featured in both the film and show as a treatment for a bite and gunshot wound, respectively; a chalkboard ad for a White Russian drink special—a favorite of The Dude in The Big Lebowski—can be seen behind Martin Freeman.

10. SHOOTING CAN BE CANCELED WHEN IT GETS TOO COLD.

To mimic the frozen tundra of Minnesota in the winter, producers headed to the frozen tundra of Calgary in late 2013. Temperatures sometimes dropped to minus 30 degrees. On one particularly harsh day, producers noticed that a traffic cone had become so frozen it shattered into pieces when a wind swept through, dropping the temperature to minus 40. They called off shooting for the remainder of the afternoon.

11. THE FAKE SNOW CAN BE IRRITATING.

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While there was plenty of real freezing to go around, the production couldn’t always rely on a steady stream of real snow. The show used a fake concoction made of shredded rice cakes that proved bothersome to the actors; it made their shoes so slick it was hard to walk without slipping, and breathing it in resulted in bronchial irritation.

12. FARGO, NORTH DAKOTA GOT A LITTLE UPSET.

When the series announced it would be taking advantage of the tax breaks available to television productions shooting in Canada, the city of Fargo, North Dakota let out a collective sigh. “I was afraid they might want to shoot it in Canada,” said Charley Johnson, president of the city’s visitor’s bureau. The state has no film commission to offer any financial breaks, but they do have a wood chipper at their tourist center.

13. BRUCE CAMPBELL WON THE REAGAN ROLE BY MOCKING HIM.

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Bruce Campbell figures he got the job portraying then-presidential hopeful Ronald Reagan in season two by mocking him. He and executive producer John Cameron went to high school together and kept in touch, which allowed Cameron to see Campbell do his version in the 1980s. “My kids grew up in a Reagan Era, they were young during that decade, so we mocked him good,” Campbell told The Hollywood Reporter. “So that must've been how that came in, that John was like, ‘OK. I've seen Bruce do Reagan for years’ and I'm sure Noah Hawley was at least intrigued."

14. EWAN MCGREGOR FOOLED SET VISITORS.

In the third season, Ewan McGregor plays Emmit and Ray Stussy, two brothers with vastly different lifestyles. While Emmit is the "parking lot king of Minnesota" with a fortune to match, the scheming Ray has gone to seed, with straggly hair and a paunch. McGregor told Entertainment Weekly that when a car mechanic came on set to discuss Ray's Corvette, he had an hour-long conversation with the actor while he was in makeup for Ray. The next day, he was (re) introduced to McGregor and had no idea he had already spoken to him.

15. DON'T BET ON A FOURTH SEASON.

Hawley has been candid that the current, dual-McGregor season might be its last. "There's only a certain amount of storytelling you can tell in that vein," he told the crowd at the ATX Television Festival in June. So should you completely abandon your summer-in-Minnesota plans? Not quite. Hawley said he felt the same way about seasons one and two, as well.

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The 10 Best Sci-Fi Movies on Netflix Right Now
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Disney/Marvel

If you’re in the mood for some speculative fiction and your pile of Arthur C. Clarke books has been exhausted, you could do worse than to tune in to Netflix. The streaming service is constantly acquiring new films in the sci-fi and fantasy genres that should satisfy most fans of alternative futures. Here are five of the best sci-fi movies on Netflix right now.

1. CUBE (1997)

This low-budget independent film may have helped inspire the current "escape room" attraction fad. Six strangers wake up in a strange room that leads only to other rooms—all of them equipped with increasingly sadistic ways of murdering occupants.

2. METROPOLIS (1927)

Inspiring everything from Star Wars to Lady Gaga, Fritz Lang’s silent epic about a revolt among the oppressed people who help power an upper-class city remains just as visually impressive today as it did nearly 100 years ago.

3. TROLL HUNTER (2010)

A Norwegian fairy tale with bite, Troll Hunter follows college-aged filmmakers who convince a bear trapper to take them along on his exploits. But the trapper fails to disclose one crucial detail: He hunts towering, aggressive trolls.

4. NEXT (2007)

Nic Cage stars a a magician who can see a few minutes into the future. He's looking to profit with the skill: the FBI and others are looking to exploit it.

5. THE HOST (2006)

A slow-burn monster movie from South Korea, The Host has plenty of tense scenes coupled with a message about environmental action: The river-dwelling beast who stalks a waterfront town is the product of chemical dumping.  

6. GUARDIANS OF THE GALAXY VOLUME 2 (2017)

Marvel's tale of a misfit band of space jockeys was a surprise hit in 2014. The sequel offers more Groot, more Rocket Raccoon, and the addition of Kurt Russell as a human manifestation of an entire sentient planet.

7. STARDUST (2007)

Director Matthew Vaughn's adaptation of the Neil Gaiman novel features Michelle Pfeiffer and Robert De Niro as supporting players in the tale of a man (a pre-Daredevil Charlie Cox) in search of a fallen star to gift to his love.

8. KING KONG (2005)

Director Peter Jackson (The Lord of the Rings) set his considerable sights on a remake of the 1933 classic, with the title gorilla pestered and exploited by opportunistic humans.

9. DONNIE DARKO (2001)

What will a teenage mope do when a giant rabbit tells him the world is about to end? The answer comes in this critical and cult hit, which drew attention for its moody cinematography and an arresting performance by a then-unknown Jake Gyllenhaal.  

10. ROGUE ONE: A STAR WARS STORY (2016)

Soon we'll have a movie for every single major or minor incident ever depicted in the Star Wars universe. For now, we'll have to settle for this one-off that explains how the Rebel Alliance got their hands on the plans for the Death Star.

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15 Surprising Facts About Hill Street Blues
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NBC

Until the impressive record was surpassed by The West Wing in 2000, Hill Street Blues held the title of most Emmy-awarded freshman series, with eight trophies for its debut season alone (despite its basement-level ratings). The drama that chronicled the lives of the men and women working the Hill Street police station beat has been credited with changing television ever since its debut in 1981.

Among Hill Street Blues's innovations are the use of handheld cameras, a large ensemble cast, multi-episode story arcs, and a mix of high drama and comedy—elements which still permeate the small screen today. Here are 15 facts about the groundbreaking series.

1. STEVEN BOCHCO AND MICHAEL KOZOLL CREATED IT, DESPITE NOT WANTING TO DO ANOTHER COP SHOW.

MTM Enterprises was specifically hired by NBC to create a cop show, so Steven Bochco (who later co-created L.A. Law and NYPD Blue) and Michael Kozoll (co-writer of First Blood) agreed to do it—as long as the network left them “completely alone to do whatever we want,” according to Bochco. NBC agreed, and the two wrote the pilot script in 10 days.

2. IT WAS INFLUENCED BY A 1977 DOCUMENTARY.

The show's creators looked to The Police Tapes, a 1977 documentary that chronicled a South Bronx police precinct during a particularly hostile time in New York City's history, for inspiration. NBC's then-president Fred Silverman was inspired to create a cop show in the first place after seeing Fort Apache, the Bronx (1981), which stars Paul Newman as a veteran cop in a South Bronx police district.

3. BRUCE WEITZ HAD AN AGGRESSIVE AUDITION.

Bruce Weitz landed the role of undercover officer Mick Belker by playing the part. "I went to the audition dressed as how I thought the character should dress—and loud and pushy," Weitz recalled. "When I got into the room, I jumped up on [MTM co-founder] Grant Tinker's desk and went after his nose. I heard he said afterwards, 'There's no way I can't offer him the job.'"

4. JOE SPANO THOUGHT HE WAS MISCAST.

Joe Spano in 'Hill Street Blues'
NBC

Joe Spano auditioned for the role of Officer Andrew Renko, but ended up playing Lieutenant Henry Goldblume. “I was always disappointed that I didn’t end up playing Renko,” Spano told Playboy in 1983. Spano also wasn't a fan of his character's penchant for bow ties, which he claimed was Michael Kozoll's idea. "I fought it all the way," he said. "I thought it was a stereotypical thing to do. But it actually turned out to be right. You don’t play into the bow tie—you fight against it."

5. BARBARA BOSSON WAS BOCHCO’S WIFE, BUT WASN’T PLANNING ON BEING A SERIES REGULAR.

Barbara Bosson played Fay, Captain Frank Furillo’s ex-wife, who was only supposed to appear in the first episode in order to “contextualize” the captain, according to Bochco. But when Silverman watched the episode, he asked, “She’s going to be a regular, right?”

6. IT TOOK MIKE POST TWO HOURS TO WRITE THE ICONIC THEME SONG.

The composer—who also wrote the themes for The Greatest American Hero, Magnum, P.I., The A-Team, NYPD Blue, and Law & Order—was instructed by Bochco to write something “antithetical” to the visuals. Post wanted to add more orchestration to the piano piece; Bochco disagreed.

Post also spent four to five hours writing five minutes of new music for each episode of Hill Street Blues.

7. THE PILOT TESTED POORLY.

According to a network memo, among the many problems test audiences noted were that "the main characters were perceived as being not capable and having flawed personalities ... Audiences found the ending unsatisfying. There are too many loose ends ... 'Hill Street' did not come off as a real police station ... There was too much chaos in the station house, again reflecting that the police were incapable of maintaining control even on their home ground." NBC picked it up anyway.

8. RENKO WAS SUPPOSED TO DIE IN THE FIRST EPISODE, AND COFFEY WAS SUPPOSED TO DIE AT THE END OF THE FIRST SEASON.

Charles Haid had other projects lined up, so he agreed to take the part of Renko, a man destined to die almost immediately. But another series Haid was relying on didn’t get picked up, and NBC claimed Renko tested too well for him to meet an early end. Ed Marinaro's Coffey was meant to be shot and killed in “Jungle Madness,” the final episode of the first season. The ending was changed to make it a cliffhanger, and Marinaro’s character survived.

9. THEY HAD HISTORICALLY BAD SEASON ONE RATINGS.

A 'Hill Street Blues' cast photo
NBC Television/Getty Images

In its first season, Hill Street Blues show finished 87th out of 96 shows, making it the lowest-rated drama in television history to get a second season. Bochco credited the show’s renewal to two things: NBC being a last place network at the time, and the NBC sales department noticing that high-end advertisers were buying commercial time during the show.

10. THEY NEVER SPECIFIED WHERE THE SHOW WAS LOCATED, BUT IT’S PROBABLY CHICAGO.

The exterior of the Maxwell Street police station in Chicago filled in for the fictitious Hill Street precinct for the opening credits and background footage. It was added to the National Register of Historical Places in 1996 and is currently the University of Illinois at Chicago police department headquarters.

11. PLENTY OF FUTURE STARS MADE EARLY APPEARANCES.

Don Cheadle, James Cromwell, Laurence Fishburne, Tim Robbins, Andy Garcia, Cuba Gooding Jr., Danny Glover, Frances McDormand, and Michael Richards all found early work on the series.

12. SAMMY DAVIS JR. WANTED ON THE SHOW.

Sammy Davis Jr.
Michael Fresco, Evening Standard, Getty Images

Unfortunately, it never happened. Sometime after Bochco wrote in a reference to the singer, Davis and Bochco ran into each other. Davis said he loved it and started jumping up and down.

13. BOCHCO HAD A WAR WITH THE CENSORS.

Loving to use puns for titles, Bochco wanted to title an episode “Moon Over Uranus,” after Cape Canaveral was just in the news. Standards and Practices said no. Bochco eventually got his way, and proceeded to name the next two season three episodes “Moon Over Uranus: The Sequel” and “Moon Over Uranus: The Final Legacy.”

14. DAVID MILCH AND DICK WOLF’S CAREERS WERE LAUNCHED FROM IT.

David Milch (co-creator of NYPD Blue and creator of Deadwood) went from Yale writing teacher to a TV script writer through his former Yale roommate, Jeff Lewis. His first script for the show was season three's “Trial by Fury” episode, which won an Emmy, a WGA Award, and a Humanitas Prize. He later became an executive producer on the show. The first TV script credited to Dick Wolf (creator of the Law & Order franchise) was the season six episode, "Somewhere Over the Rambow." His first sole credit, for “What Are Friends For?,” earned Wolf an Emmy nomination in 1986.

It’s also worth noting that journalist and author Bob Woodward received a writing credit for season seven's “Der Roachenkavalier” and David Mamet penned the same season's “A Wasted Weekend” for his first television credit.

15. DENNIS FRANZ’S CHARACTER HAD A BRIEF, COMEDIC SPIN-OFF.

Dennis Franz (later Andy Sipowicz on NYPD Blue) first played corrupt cop Sal Benedetto in five episodes, before reappearing for the final two seasons as Lt. Norman Buntz. After Hill Street Blues ended its seven-season run, Franz reprised the latter character in Beverly Hills Buntz, which ran for one season beginning in 1987. In the 30-minute dramedy, Buntz was a private investigator after quitting the police force. Only nine episodes were broadcast by NBC.

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