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14 Behind-the-Scenes Secrets of Olympic Athletes

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For every Michael Phelps or Usain Bolt—athletes who make history and sign lucrative endorsement deals—there are thousands of men and women who work every bit as hard for just a fraction of the recognition. The goal: to go down in history as having reached the pinnacle of physical performance in the Olympics, that universally recognized standard of excellence. Held every four years in both winter and summer iterations, it’s a once-in-a-lifetime chance to cap off years of training and join the world’s athletic elite.

With the 2016 Summer Games out of Rio de Janeiro, Brazil debuting August 5, mental_floss spoke with several medalists about the realities of competing, from the surreal perks of Olympic Village (like all-you-can-eat McNuggets) to getting a tax bill for reaching the podium.

1. IT COSTS A SMALL FORTUNE TO GET READY.

While some teams or individuals in high-profile sports benefit from sponsorships or subsidized costs at the Olympics, the expense of training over a period of a decade or more to prepare for competition often falls on their own shoulders. Kyle Tress, a skeleton racer who rockets down a course face-first on a sled at 90 mph, estimates he spent well over $100,000 on the road to the 2014 Winter Games in Sochi. “It’s astronomical,” he says. “A competition sled alone costs well over $10,000, and you have to buy new runners at $1000 each. Then there’s travel. Some of these places, like a ski resort in France, aren’t easy to get to.”

2. THEIR FAMILIES SWAP OR SELL TICKETS.

Athletes are usually given a set number of tickets to their events, which may not match the number of friends, family, or members of their support team they’d like to attend. As a result, families often trade tickets for certain days with the families of other athletes. “My dad is in charge of tickets this year,” says Henrik Rummel, a rower who took bronze in the 2012 Games and is set to compete in Rio. “He’ll trade off days with other [athletes'] family members to fill the tickets we need. It’s crappy to only have so many tickets. I don’t even want to be involved in the process.”

3. QUALIFYING CAN BE MORE NERVE-WRACKING THAN THE ACTUAL GAMES.

Marti Malloy, a 2012 bronze medalist in judo, knew early this year that she had racked up enough wins to qualify for the Rio Games. But those kinds of preliminary competitions can sometimes be more of a pressure cooker than competing in front of a billion television viewers. “There can be more nerves in a small tournament when you feel like you can’t lose,” she says. “In the Olympics, it’s like, you lost, but you lost among the best people on the planet.”

4. THEY GORGE ON MCDONALD’S.

As a longtime Olympic sponsor, McDonald’s has guaranteed itself a permanent residence in the dining hall of Olympic Village, the mini-town erected in the host city for every event. Like all the food there, it’s absolutely free. “Some athletes don’t go before their event, but after, you can walk up and ask for six cheeseburgers and they just ring it up,” Rummel says. If an athlete doesn’t need to burn fuel over a long duration, they might decide to indulge early: Sprinter Usain Bolt wrote that he devoured 1000 Chicken McNuggets in the 10-day span before and after winning three gold medals at the 2008 Beijing Games.

5. THEY LIVE IN A WEIRDLY UNFINISHED TOWN.

Built fresh for every Games, Olympic Village is a multimillion dollar landscape that resembles a college campus, with housing, dining, and open recreational areas. Oftentimes the paint and grass will still smell fresh, and little details can get lost in the rush to finish it on time. “Our apartment door had a 2.5-inch gap on the bottom,” Tress says, which let in the cold Sochi air. One of his friends, a bobsledder, had a malfunctioning lock on his bathroom door. “He had to punch his way out.” At least he could finish his business: in some Sochi rooms, the toilets wouldn't flush.

6. THEY GET THEIR OWN TRAFFIC LANE.

Host cities have to put up with a huge influx of traffic. As a result, Olympic athletes and staff typically have an express shortcut to and from the venues. “There were dedicated traffic lanes, which made it much easier getting around,” Rummel says.

7. THEY SOMETIMES SKIP THE OPENING CEREMONIES.

The pageantry that accompanies the opening ceremonies for the Summer and Winter Games is an Olympic tradition, with athletes expected to participate—but many don’t, fearing that being on their feet for up to six or eight hours might impact their performance if their event is one of the first scheduled. Malloy, who participated in the 2012 ceremonies, is an exception. “I thought about [not doing] it, but I did and won a medal anyway,” she says. “It wasn’t detrimental, so I’ll probably go again in Rio. I’m kind of superstitious.”

8. THEY CAN GET A BUNCH OF DENTAL WORK DONE FOR FREE.

Because so many athletes work just part-time in order to be able to train, medical and dental benefits can be hard to come by, and their athletic training can be hard on the teeth. At the 2014 Games, Tress was surprised to see a dental office in Olympic Village where the care was totally free. “Most everyone on my team went and saw the dentist,” he says. “The U.S. Olympic Committee [itself] doesn’t provide dental for us. For a sport where we’re required to wear a mouth guard, that’s pretty crazy.”

9. THEY GET A LITTLE OBSESSIVE ABOUT BEING CLEAN.

After devoting their lives to training, Olympic athletes have just a narrow window of opportunity to perform at the highest level—and getting sick can be devastating. As a result, some coaches mandate that athletes not share water bottles in case of cross-contamination. They also get pretty particular about personal hygiene. “You take care to wash your hands a lot more,” Rummel says. “I also carry hand sanitizer. You get sick and it’s four years undone. That’s it.”

10. BRONZE MEDALISTS MIGHT BE HAPPIER THAN SILVER MEDALISTS.

At least, that’s according to a 1995 study of photos and interviews featuring medal winners. Psychologists Victoria Medvec, Scott Madey, and Thomas Gilovich looked at photographs and listened to audio interviews of competitors taken after the 1992 Olympics and found that bronze winners seemed subjectively more pleased than the more sullen silver-medal winners. They theorized that silver medalists were disappointed when comparing themselves to gold medal winners, while bronze athletes were happy to have placed at all.

Does Rummel—who won bronze in 2012—think it holds water? “I was a little disappointed as a first reaction, but then you realize it’s special and allow yourself to celebrate. Now, I’m really proud of it. [But] it depends on the sport. A basketball team in a semifinal match might be happy to get bronze when it’s that or nothing.”

11. THEY SWAP CLOTHES.

When the U.S. teams go in for processing before departing for Olympic Village, they’re entering into the world’s highest-end rummage sale: apparel from sponsors like Nike and Ralph Lauren are laid out and athletes are free to take as much as they like. “You get duffel bags full of the stuff,” Malloy says. “You have to wear it all the time so there’s enough to wear for two weeks, and we wind up trading amongst ourselves.”

12. THEY GET TAXED FOR WINNING.

Some countries provide significant perks for bringing home gold medals: Russian athletes can get cars and six-figure cash prizes. The U.S. Olympic Committee has a tiered reward structure, with $10,000 awarded to bronze medalists, $15,000 for silver, and $25,000 for gold. While the medal itself isn’t assigned any monetary value, the cash is considered income. “You do pay taxes on it,” Rummel says.

13. THEY NEED TO TIPTOE AROUND.

Because so many events take place over a two-week period, athletes who have wrapped up competitions and can celebrate need to be mindful of everyone who is still on deck. “When people are finished competing, it turns into more of a party atmosphere,” Tress says. “But you have to be respectful.” There’s no official noise ordinance, and no booze is allowed inside the Village, but victory parties are still low-key when sleeping athletes are around.

14. THEY WIND UP WATCHING A LOT OF EVENTS ON TELEVISION.

Even though they can sign up for tickets to different events and see them live, some athletes are just too tired from the experience to get up from the couch. “I remember sitting in a common room watching something on television,” Malloy says. “My teammate turned to me and said, ‘I guess we could have just gone to this.’”

All images courtesy of Getty.

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15 Festive Facts About Jingle All the Way
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20th Century Fox Home Entertainment

In all of Arnold Schwarzenegger's film oeuvre, Jingle All the Way might just be the one that most exhibits the ugliness of humanity. Set on a fevered Christmas Eve brimming with desperate last-minute shoppers, Schwarzenegger's Howard Langston and Sinbad's postal worker character Myron Larabee find themselves battling one another to make themselves look good to their sons by getting their hands on the elusive Turbo Man action figure. The comedic genius Phil Hartman; Rita Wilson; future young Anakin Skywalker, Jake Lloyd; Laraine Newman; Harvey Korman; Martin Mull; Curtis Armstrong; and Chris Parnell were the other willing participants in this cult comedy, directed by Brian Levant. Here are some things you might not have known about the contemporary holiday classic.

1. ARNOLD SCHWARZENEGGER WAS ABLE TO PLAY THE LEAD BECAUSE OF A DELAY ON A PLANET OF THE APES REMAKE.

Arnold Schwarzenegger signed up to star in the Apes remake in March of 1994, but 20th Century Fox rejected multiple scripts for the movie, including one co-written by Chris Columbus (Gremlins, The Goonies). Columbus left the project in late 1995, and Schwarzenegger followed him soon after, freeing him to sign up for Jingle All the Way, produced by Columbus, in February 1996. Fox's Planet of the Apes reboot found its way into theaters in 2001, starring Mark Wahlberg and directed by Tim Burton.

2. SINBAD THOUGHT HE SCREWED UP THE AUDITION.

Sinbad in 'Jingle All the Way' (1996)
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Filming was delayed so that Sinbad could follow through on his commitment to travel to Bosnia with Hillary Clinton. Even though Columbus agreed to wait for him, the comedian still thought he "messed up" his audition and told his manager-brother he was going to quit show business.

3. OFFICER HUMMELL WAS INITIALLY WRITTEN AS A WOMAN.

Though the role of Officer Hummell was written for a woman, the part went to Robert Conrad. Conrad's explanation was that the producers "wanted someone who could pull up next to Arnold and tell him to pull over and he pulls over."

4. IT WAS CHRIS PARNELL'S FIRST MOVIE.

The future SNL star played the toy store clerk. "Well, it was my first movie role, and I didn't know how they typically shot scenes," Parnell admitted in a Reddit AMA. "So I had to laugh a lot, and I sort of spent all of my laughing energy in the wider takes, so by the time we got to the close-up shots, it was a real struggle to keep that going."

5. MARTIN MULL STAYED ON SET FOR OVER TWO WEEKS LONGER THAN HE WAS SUPPOSED TO.

Mull (KQRS D.J. a.k.a. Mr. Ponytail Man) was told it would just be a one- to two-day shoot for him. Unfortunately, his part had to be shot on a rainy day, and it didn't rain in Minneapolis for two and a half weeks.

6. PHIL HARTMAN MADE UP A BACKSTORY FOR HIS CHARACTER.


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Hartman (Ted Maltin) was probably joking for the film's official production notes, but you never know. "Ted is a guy who sued his employer for headaches caused by toner fumes and now hangs around the neighborhood and helps all the housewives," Hartman said. He also offered a take on how he was kind of being pigeonholed in Hollywood when he added, "Ted's another weasel to add my list of weasels."

7. HARTMAN ENTERTAINED HIS BORED YOUNG CO-STARS.

To keep young E.J. De la Pena (Johnny Maltin) and Jake Lloyd (Jamie Langston) from getting bored shooting a car scene all day, Hartman improvised songs designed to bring kids to hysterics. One tune contained the lyrics “You make my butt shine, the more you kiss it, the more it shines! The clock is ticking, so keep on licking, oh how you make my buttocks shine!”

"When you’re an 8 year old hearing that kind of potty humor, it was hilarious!" De la Pena remembered. "And we had a lot of fun."

8. JAMES BELUSHI HAD EXPERIENCE PLAYING SANTA BEFORE.

Belushi sort of trained to portray the Mall of America Santa in the movie by playing Kris Kringle for four years in "about 20" different homes, according to his estimation.

9. SHOOTING BEGAN IN MID-APRIL.

The Minneapolis/St.Paul areas were chosen because the producers figured they had the longest winter. But they also filmed in Los Angeles' Universal Studios for the big parade over a three week span, where it was typical hot California weather on the verge of summer. Sinbad remembered it was 100 degrees on the days when he wore the Dementor costume, and the water in his helmet had started to boil.

10. THE REAL TURBO MAN DIDN'T SWEAT.

Daniel Riordan's Turbo Man suit ensured he wouldn't have trouble with the scorching heat. He was wearing a vest underneath used by race car drivers. "They're very thin membrane vests that are filled with small, plastic tubing that's tightly coiled, back and forth, and they run cold water through it," Riordan explained. "So when they run it, it's like this cold water right up against your body and it was amazing. The sensation was fantastic."

11. TURBO MAN FIGURES WERE SOLD AT WAL-MART.

200,000 were originally produced and sold at 2,300 Wal-Mart shops for $25. They would have made more but, as Fox’s president of licensing and merchandising explained to Entertainment Weekly, there were only six and a half months to produce and promote Turbo Man toys, and it usually takes "well over a year."

12. THEY ALMOST SOLD DEMENTOR DOLLS TOO.

Sinbad recalled that the studio didn't sell Dementor action figures even though they tested high during research. "I had a prototype of the doll but they said 'give it back, we'll get you the real one when it comes out,'" Sinbad said." ...And dude, it NEVER came out!" Sinbad told Redditers his theory: "I think that they didn't want the competition between Turbo Man and my doll."

13. SOME PARENTS HAD ALCOHOL-RELATED COMPLAINTS AFTER TEST SCREENINGS.


20th Century Fox Home Entertainment

Schwarzenegger and Sinbad talking at a bar over some alcohol, and the fact that reindeer also imbibed in beer, were among some of the problems mothers and other early viewers took issue with.

14. THE FILMMAKERS WERE SUED FOR PLAGIARISM, AND LOST.

Randy Kornfield penned the official script, but high school teacher Brian Alan Webster alleged his Could This Be Christmas? script was very similar. The publishing firm that had the rights to Webster's script won a $19 million lawsuit from 20th Century Fox, but the ruling was overturned in 2004. Webster's screenplay was about “the quest of a Caucasian mother attempting to obtain a hard-to-get action figure toy as a Christmas gift for her son. In the course of this pursuit, she competes with an African-American woman, similarly seeking to give the action figure doll as a Christmas gift.”

15. THERE WAS A SEQUEL STARRING LARRY THE CABLE GUY.

None of the original cast members nor characters returned in the straight-to-DVD Jingle All the Way 2 (2014). It was produced by 20th Century Fox and WWE Studios and featured wrestler Santino Marella. Sinbad expressed incredulity when a Redditer inquired if he was asked to return for it. "What they are doing a new version without me! Ain't gonna work!"

Additional Sources:

Schaefer, Stephen: "Sinbad leaps at the chance to go postal in Jingle All the Way," December 6, 1996; Des Moines Register

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10 Rich Facts About Wall Street
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Twentieth Century Fox

It’s often said that the love of money is the root of all evil. Wall Street could have easily turned this sentiment into a tagline. A gripping financial thriller, the Oliver Stone classic is a cautionary tale whose message is every bit as relevant today as it was when it was released 30 years ago today.

1. OLIVER STONE WOULD DELIBERATELY TICK OFF MICHAEL DOUGLAS BETWEEN TAKES.

“As a director, he really tests you,” Douglas said of Stone. Around two weeks after shooting had started, Stone showed up at the actor’s trailer and asked “Are you on drugs? Because you look like you’ve never acted before in your life.” Mortified, Douglas took a look at some footage they’d already shot. Yet, after diligently reviewing it, he could find nothing wrong with his performance. “I came back to Oliver and said … ‘I think it’s okay,” Douglas remembers. “Yeah, it is, isn’t it?” Stone replied.

Eventually, Douglas wised up to his boss’s overly critical act. “Basically, what he wanted was to ratchet up that much more nastiness in Gordon Gekko,” Douglas explained. “And he was willing … for me to hate him for the rest of that movie just to bring it up a little more.” 

2. WALL STREET WON BOTH AN OSCAR AND A RAZZIE.


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Douglas’s cold portrayal of the unscrupulous Gekko netted him an Academy Award for Best Actor in 1988. On the other hand, critics were thoroughly unimpressed by leading lady Daryl Hannah, who took home a Worst Supporting Actress Razzie.

3. GORDON GEKKO’S FAMOUS PHONE WEIGHED TWO POUNDS.

In one pivotal scene, Gekko rings Bud with a state-of-the-art mobile communication device. Specifically, it’s a Motorola DynaTac 8000X. Released in 1983, this brick-shaped cell phone was 13 inches long, weighed two pounds, and cost the equivalent of $8,806 in modern dollars. During the 2010 sequel Wall Street: Money Never Sleeps, the anachronistic gadget returned for a quick sight gag.

4. CHARLIE SHEEN CHOSE TO HAVE HIS REAL FATHER PORTRAY HIS FICTIONAL ONE.

“It was interesting having my dad play my dad,” Sheen said on the DVD's “making of” documentary. Wall Street’s most dramatic arc revolves around Bud and Carl Fox, who were played by Charlie and Martin Sheen, respectively. Stone had built a strong working relationship with the former on the set of 1986’s Platoon. So when the time came to cast Carl, he had the younger Sheen make the call, asking “Do you want Jack Lemmon or do you want your father?” “Oh, Jack Lemmon’s a genius,” the actor said, “but my dad’s my dad and he’s kind of a genius, too.”

5. SCREENWRITER STANLEY WEISER COULDN'T FIND INSPIRATION IN EITHER CRIME AND PUNISHMENT OR THE GREAT GATSBY.

Before the writer could get started, Stone gave him a little homework. Originally, the film was conceived as “Crime and Punishment on Wall Street.” When Weiser was brought aboard one fateful Friday, Stone told him to read Dostoyevsky’s novel over the weekend. “Not having taken an Evelyn Wood Speed Reading class, I went to UCLA and purchased the Cliffs Notes,” Weiser wrote in 2008.

But the literary exercise proved futile. “On Monday, I explained to Oliver that the paradigm for that masterwork would not mesh well with the story we wanted to tell.” In a flash, Stone hit him with another assignment. “Okay,” he ordered, “read The Great Gatsby tonight, and see if we can mine something out of it.” This time, Weiser simply rented the 1974 movie adaptation. Once again, though, inspiration eluded him.

Wall Street as we know it didn’t really start to take shape until after a change in tactic: When Gatsby led him nowhere, Weiser read everything about finance that he could track down and, along with Stone, “spent three weeks visiting brokerage houses, interviewing investors and getting a feel for the Weltanschauung of Wall Street.”

6. PARTS OF THE MOVIE WERE SHOT AT THE NEW YORK STOCK EXCHANGE DURING WORKING HOURS.


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Permission was secured with the help of Kenneth Lipper, a longtime Wall Street insider who also served as New York City's deputy mayor from 1982 to 1985. For the film, Stone brought him on board as the chief technical advisor.

7. TWO MONTHS BEFORE THE FILM’S RELEASE, THERE WAS A MAJOR WALL STREET CRASH IN REAL LIFE.

Historians now call it “Black Monday.” On October 19, 1987, the Dow Jones Industrial Average dropped by a staggering 22.6 percent. It was the largest single-day stock market decline of all time, with $500 billion suddenly going up in smoke. Wall Street would hit theaters on December 11, leading conspiracy theorists to wonder if Stone had seen the crisis coming and made his movie to exploit it. 

“I did not foresee the crash, as some people say, because if I had, I would have made a lot of money,” Stone quipped.

8. GEKKO WAS BASED ON THREE BIG-NAME FINANCIERS. 


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“If you need a friend, get a dog,” Gekko advises his young protégé. This quote was adapted from a remark that corporate raider Carl Icahn once made (which he had cribbed from Harry Truman). In 1985, Icahn became a notorious figure by taking over TWA airlines under the pretense of making it more profitable only to sell off its assets for his own gain. Gekko, no doubt, would’ve approved.

Wall Street’s charismatic antagonist also took cues from Asher Edelman, a financier and major league art enthusiast. Another source of inspiration was arbiter Ivan Boesky, who confessed to illegal insider trading in 1986 and ended up in jail in 1988 (more about him later).

9. STONE’S FATHER WAS A STOCKBROKER.

A survivor of the Great Depression, Louis Stone had a huge influence on his cinematically-inclined son. “The main motivation to make Wall Street was my father,” the director admitted. “He always said there were no good business movies, because the businessman was always the villain.” In the end, Wall Street was dedicated to the elder Stone, who passed away two years before its release. 

10. GEKKO’S BIG LINE IS NUMBER 57 ON THE AMERICAN FILM INSTITUTE’S TOP 100 MOVIE QUOTES LIST.

“Greed, for lack of a better word, is good” finished just ahead of “Keep your friends close, but your enemies closer” from The Godfather: Part II. Gekko might as well have been quoting Boesky: At a 1985 commencement address given at UC Berkeley, the trader said “Greed is all right, by the way. I want you to know that. I think greed is healthy. You can be greedy and still feel good about yourself.”

Newsweek later reported on the speech—and made a telling observation. “The strangest thing, when we come to look back,” the magazine argued, “will not just be that Ivan Boesky could say that at a business school graduation, but that it was greeted with laughter and applause.”

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