12 Facts About The Outsiders That Will Stay Gold

Warner Bros.
Warner Bros.

Most every school library from the 1960s on stocked at least one well-read copy of The Outsiders, S.E. Hinton’s 1967 coming-of-age novel about teenagers in Tulsa who struggle with class distinction and the violence it provokes. If they didn’t, that’s because districts frequently banned it for its depictions of gang assaults and underage drinking.

For the 1983 film adaptation, director Francis Ford Coppola cast a group of actors—including Patrick Swayze, Tom Cruise, Emilio Estevez, Ralph Macchio, Matt Dillon, and Rob Lowe—who would go on to become some of the most recognizable performers of the decade. On the 35th anniversary of the film's release, check out some facts on the bizarre audition process, Hinton's cameo, and how Bart Simpson had something to do with a sequel.

1. THE BOOK WAS WRITTEN BY A TEENAGER.

S.E. Hinton was Susan Eloise Hinton, a 15-year-old high school student in Tulsa who had grown bored with the trite plots of books targeted to her demographic. “Mary Jane wants to go to the prom with the football hero … didn’t ring true to my life,” Hinton told The New Yorker in 2014. So she decided to write a more authentic look at teenage struggles. When she finished, she handed the manuscript to a friend’s mother, who had contacts at a book agent in New York. Editors suggested she go by “S.E.” so readers could infer a male author was responsible for the testosterone-heavy characters. It has sold more than 14 million copies.  

2. A HIGH SCHOOL CLASS CONVINCED FRANCIS FORD COPPOLA TO ADAPT IT.

By the 1970s, The Outsiders had become standard-issue reading material in high school English classes, where it packed an undeniable emotional punch by zeroing in on an adolescent’s search for an identity. A librarian in Fresno, California’s Lone Star School named Jo Ellen Misakian noticed that even ardent non-readers were picking up the book: She decided to have her 7th and 8th grade students sign a petition for director Francis Ford Coppola to turn it into a feature. Because Misakian mistakenly sent it to a New York address that Coppola rarely used, the letter—with the paperback of the novel included—grabbed his attention. He contacted Hinton and agreed to adapt the work.

3. COPPOLA’S AUDITION PROCESS WAS BONKERS.

In his 2011 autobiography, Stories I Only Tell My Friends, Rob Lowe recalled that auditioning for the film was an unusual experience. Instead of private meetings with actors for specific roles, Coppola would herd up to 30 of them into a room at one time and ask them to sift through the different parts. Dennis Quaid tried out for Darrel, the paternal older brother role that went to Patrick Swayze; Scott Baio read for Sodapop, which went to Lowe. Despite the teenage-heavy ensemble, Kate Capshaw also auditioned—she was nearly 30 at the time.

4. COPPOLA KEPT THE “GREASERS” AWAY FROM THE “SOCS.”


Warner Bros.

In The Outsiders, the Curtis boys are part of a clique of “Greasers,” lower-income Tulsa residents in perpetual conflict with the socials, or “Socs,” the sweater-sporting affluent kids. To perpetuate that rift, Coppola divided the actors in Tulsa according to their fictional social status: the Socs got better rooms, more spending money, free room service, and leather-bound scripts. 

5. COPPOLA SHOT THE ENTIRE MOVIE ON VIDEO FIRST.

To help the cast establish their rapport and to block shots, Coppola spent two full weeks during production shooting the entire movie on videotape before he began using film. It’s believed to be one of the first times that technique was incorporated into a film schedule. While that footage rarely turns up, Ralph Macchio had a similar experience in 1984, when director John Avildsen shot rehearsals for The Karate Kid on a home video camera

6. THE POSTER WAS A CANDID SHOT.


Amazon

Even if you haven’t seen the movie, you’ve likely come across a pretty iconic shot of all the principal actors gathered together on the theatrical release poster. There’s a reason everyone is laughing: According to Lowe, the cast was sitting for a photographer when actor Leif Garrett (who played Soc Bob Sheldon) walked into the room just as the crew was throwing out a local for grabbing food from the catering table. When Macchio heard the crewman tell the intruder the treats were for the actors, he yelled, “Yeah, Leif, you hear that—those are for the actors!” Everyone’s reaction was captured on film.

7. THE RUMBLE GOT PRETTY INTENSE.

The all-out war between the Greasers and the Socs reaches a fever pitch at the end of the film, when the two groups meet for a rain-soaked rumble in the mud. According to Emilio Estevez, so many bodies were being flung around in the week Coppola took to shoot it that he cut his lip, Howell got a black eye, and Tom Cruise broke his thumb.  

8. HINTON HAS A CAMEO.

Although Coppola’s production company, Zoetrope, was so low on funds at the time of optioning The Outsiders that they could pay Hinton only $500 of her $5000 rights fee, the author was friendly with the director and agreed to shoot a cameo. Hinton appears in the scene where Dallas (Matt Dillon) is being looked after by a nurse. Hinton also had cameos in other adaptations of her work, including 1983’s Rumble Fish (which Coppola also directed) and 1982's Tex.

9. COPPOLA BROUGHT THE CAST BACK TO THE SCHOOL.

When the film premiered in March 1983, Coppola and Warner Bros. dispatched Dillon, Swayze, Macchio, Howell, and Garrett to Lone Star School to visit with students. Later, a private screening was held for Misakian and the 104 students who had written to Coppola in 1980. (The New York Times reported that they “shrieked and giggled” every time any of the above misplaced his shirt onscreen.) 

10. COPPOLA ADDED OVER 20 MINUTES TO THE DVD RELEASE.


Warner Bros.

Although the movie was generally well-received by both fans of the book and film critics, some took it to task for omitting key scenes from the novel and rearranging others. In 2005, Coppola re-released the film on DVD as The Outsiders: The Complete Novel, which inserted roughly 22 minutes of unseen footage and added a contemporaneous soundtrack that replaced the original’s musical score. That may not have sat well with his composer: his father, Carmine Coppola, had recorded the theme to the 1983 release.

11. IT WAS (BRIEFLY) A TV SHOW INTRODUCED BY BART SIMPSON.

Could The Outsiders work without Swayze, Lowe, Cruise, Estevez, Macchio, Howell, and Dillon? No, it could not. But Fox tried anyway. In 1990, the network was looking to extend the number of nights it was broadcasting and attempted to continue Hinton’s story with a television series that secured the cooperation of Coppola. While the young cast was full of mostly unrecognizable faces, it did cast Billy Bob Thornton as a bar owner; David Arquette took over Estevez's role of Two-Bit and Jay R. Ferguson, Mad Men's Stan Rizzo, played Ponyboy. Although the premiere (featuring a short introduction by Bart Simpson) drew an impressive rating, interest dropped off quickly and the network canceled it after just 13 episodes.

12. A MUSICIAN WANTS TO SAVE THE CURTIS’S ORIGINAL HOUSE.


Warner Bros.

Avowed Outsiders fan and hip-hop artist Danny Boy O’Connor (House of Pain) stopped by the Tulsa, Oklahoma house that acted as the fictional residence of the Curtis family in 2009. When he saw the property was being neglected, he and some friends gathered enough money to buy it. O’Connor is now asking for donations to pay for the $75,000 in renovations it needs. If successful, he plans to turn it into an Outsiders museum. If you want to chip in, you can visit O’Connor’s GoFundMe. Do it for Johnny.

13 Facts About Amadeus On Its 35th Anniversary

Warner Home Video
Warner Home Video

Though much has been written about the life of Wolfgang Amadeus Mozart, the most entertaining look at the master composer's life might very well be Amadeus, Milos Forman's film about the artist's life (and rivalries), which was released on September 19, 1984.

Here's a look back at the Oscar-winning biopic that not only brought renewed interest to Mozart's music in the 1980s, but inspired Austrian rocker Falco to write the chart-topping "Rock Me Amadeus." Poor Salieri never stood a chance.

1. Amadeus began life as a Tony Award-winning play.

Russian poet/playwright Alexander Pushkin wrote a short play in 1830 called Mozart and Salieri, and playwright Peter Shaffer—who was already a Tony winner for Equus—took inspiration from that to write his own play. Amadeus played in various theaters in London beginning in 1979, then premiered on Broadway in 1980 with Ian McKellen as Antonio Salieri, Tim Curry as Mozart, and Jane Seymour as Constanze, Mozart's wife. The production won five Tonys, including Best Play and Best Actor for McKellen, who beat out Curry for the award; the two leads had been nominated in the same category.

2. Mark Hamill wanted the lead role, but Milos Forman wouldn't let him audition.

In an attempt to circumvent any typecasting he might get after three blockbuster Star Wars films launched his career, Mark Hamill played the composer on Broadway for nine months in 1983. But when the time came for the movie to be made, Czech director Miloš Forman couldn’t get the space cowboy image out of his head. “Miloš Forman told me, ‘Oh no, you must not play the Mozart because the people not believing the Luke Spacewalker as Mozart,’” Hamill said in a 1986 interview. “He was very upfront about it, and I appreciated that rather than getting my hopes up that it was possible I’d be playing the role.”

3. Kenneth Branagh legitimately thought he had landed the lead role.

A young Kenneth Branagh was an early contender for the part of Mozart. In his autobiography, he wrote that he thought he had the part in the bag until Forman informed him they were casting Americans for the leads. Other actors who auditioned for the Mozart role included Tim Curry and Mel Gibson. Though Mozart was a rock star in his day, actual rock star Mick Jagger was also turned down after his audition.

4. Mozart's frequent collaborator Emanuel Schikaneder was played by another stage Mozart.

Actor Simon Callow originated the role of Mozart at the Royal National Theater production of Amadeus in 1979, and though Forman told him his portrayal was "truly brilliant, fantastic, asshole and genius, funny, tragic, crazy, a baby and a god," the director wasn't prepared to give him the title role in the film. Instead, he cast Callow as Emanuel Schikaneder, the librettist who worked with Mozart on The Magic Flute and played the part of Papageno the bird catcher.

5. The movie was shot without the use of light bulbs or other modern lighting devices.

The Tyl Theatre in Prague was the original theater where Don Giovanni first premiered in October 1787, and the authenticity of the building was a huge boon for the production since it had hardly been updated since it was first built in 1783. “[The Tyl is] where the opera premiered. And he conducted the first performance. And none of the opera house had been touched since he was there," choreographer Twyla Tharp recalled in 2015. "We had fire everywhere. We could have burnt down the opera house. We had live fire in the chandelier. We were lighting people on stage, and these guys were whipping these torches around."

Patrizia von Brandenstein—who became the first woman to win the Oscar for Best Art Direction with this movie—had nightmares about damaging the all-wooden opera house. "I thought, 'God will truly punish me if this place catches on fire,'" she said.

6. Tom Hulce practiced piano for four to five hours a day.

In order to look believable on camera, Hulce spent a month with a piano teacher before filming. Although he knew some basics—he could read music, and had played violin and sung in choirs as a child—he needed to look like a natural. "I spent four weeks, four to five hours a day learning to play,” Hulce told People in 1984. “The first two days were scales and exercises. The next day was a concerto." And for that scene at the masquerade ball when Mozart plays a tune while lying on his back? That was really Hulce.

7. Tom Hulce's laugh is semi-historical, though he had trouble recreating it.

Throughout the movie, Mozart has an infectious cackle—it comes out just as often when he’s giddy as when he’s uncomfortable. Though there are dubious historical reports that the real Mozart had such an obnoxious laugh, Hulce created the giggle after Forman asked him to come up with "something extreme." "I've never been able to make that sound except in front of a camera," Hulce later said. "When we did the looping nine months later, I couldn't find the laugh. I had to raid the producer's private bar and have a shot of whiskey to jar myself into it."

8. Someone really did commission a requiem from Mozart—it just wasn't Salieri.

The script clearly took some artistic liberties, including the plot line of the masked man who comes to Mozart pretending to be his dead father. This was not, as the movie portrays, Salieri. But in 1791, Austrian Count Franz von Walsegg—who had a penchant for commissioning music to pass off as his own at his twice-weekly concerts—approached Mozart and asked for a requiem for his beloved wife, who had died on Valentine’s Day.

According to a famously censored document in which a teacher near Vienna, Anton Herzog, recorded firsthand accounts of von Walsegg’s court, the Count often rewrote these commissioned quartets and other scores in his own hand and didn’t give credit to the original composers. His staff musicians often laughed this off because it seemed to amuse the Count, and because the Count was also an amateur musician in his own right. Mozart’s “Requiem Mass in D minor,” the document alleges, was one such piece. And Mozart really did die later that year, in December, before completing the full mass. Salieri didn’t help him complete it though; Austrian composer and possible Mozart student Franz Süssmayr took that on.

9. The actors felt intense jealousy, too.

Salieri and Mozart were the 18th-century equivalent of frenemies: They were contemporaries in a competitive field, and though they needed each other’s support, they weren’t above petty jealousies and a little backstabbing. Hulce and F. Murray Abraham (who played Salieri) also felt those pressures. ''Tom and Meg [Tilly, the actress originally cast as Constanze] were very close,'' Abraham told The New York Times in 1984. ''They had these secret jokes and were always laughing together. I was pushed out, and I was resentful. I began to have very nasty feelings that were exactly like Salieri's feelings toward Mozart. When that correspondence between a film and real life occurs, it's a director's dream.''

“Occasionally Murray and I would go out and drink this terrible sweet champagne that they have in Prague," added Hulce. "But at other times there was a rivalry between us, and I found myself suspicious of him.''

10. It was shot almost entirely on location in Prague—while under surveillance from the Secret Police.

During filming in 1983, Czechoslovakia was under Communist rule. The production team was often followed around by the secret police, and Forman and the cast spoke about their fears that a Fourth of July prank—the unfurling of the American flag in the concert hall and the singing of "The Star-Spangled Banner" by the large cast and crew—would lead to their arrests for inciting rebellion. Many suspected that their hotel rooms had been bugged during the six months they spent filming the movie.

Forman, who was considered a traitor for becoming an American citizen and not returning to the Soviet-controlled area, had previously had one of his movies banned in the country (then called the Czech Socialist Republic). According to Twyla Tharp, in order to shoot in red territory, Forman had to make certain concessions. "Miloš had to sign an agreement that he would go to his hotel every night for the year that he was there and that his driver would be his best friend from the old days," Tharp told The Hollywood Reporter. "And everybody knew what would happen to his best friend if something untoward politically happened around Miloš, because Miloš was a sort of local hero and he was dangerous to the authorities."

11. A teenage Cynthia Nixon had a small but pivotal role.

At age 17, Nixon played Lorl, the maid employed by Salieri to spy on Mozart. Though she was an experienced child actor at that point, she was also trying to finish her schooling. Thus, she and her parents were cautious of the time she'd need to be abroad for filming. "When I was cast in Amadeus with Miloš Forman, which was shooting in Europe," Nixon said in 2014, "I said, 'I want to be in your film so much, but I have a request: If I don’t shoot for two days in a row, you have to send me home.' They agreed."

12. The distributor made a promotional video depicting Mozart as a modern rock star.

Since the movie wasn't financed by a major studio with lots of promotional dollars behind it, the distributor, Orion Pictures, decided to get creative. And what better way to promote a rock star in the age of MTV than with a music video featuring David Lee Roth and cuts of Bruce Springsteen, Van Halen, KISS, Michael Jackson, David Bowie, and Madonna dancing along to Mozart's "Symphony No. 25 in G minor"?

13. The movie was a huge hit.

The film nearly tripled its $18 million budget at the box office, which was particularly impressive considering it opened in a limited 25 theaters and didn’t have a wide release until several months later. The movie also swept the Academy Awards—of its 11 nominations, it won eight, including Best Picture and Best Director. And, just as on Broadway, Salieri won the Best Actor statuette over Mozart, with Abraham beating out Hulce.

Pod Search, a Search Engine for Podcasts, Can Help You Find Your Next Binge-Listen

Milkos/iStock via Getty Images
Milkos/iStock via Getty Images

Having too many options definitely seems like the best problem to have when it comes to picking your next top podcast obsession, but that doesn’t make it any less overwhelming. To streamline the hunt, try Pod Search—a website and mobile app that has all the information you need in order to choose a winner.

As Lifehacker reports, the user-friendly site is organized in several different ways, depending on how you’d like to operate your search. You can browse its list of about 30 categories, which range from “Storytelling” to “Crime & Law,” and each has a set of subcategories so you can get even more specific. If you trust the opinions of the general public, you can choose an already-popular podcast from the “Top Podcasts” tab. Or, if you like to be the first to recommend the next big thing to your friends, you can pick a program from the list of new podcasts.

Pod Search also has a handy tool called MyPodSearch which will pretty much do all the work of choosing the perfect podcast for you. All you have to do is check whichever categories interest you and add any additional keywords you’d like (which is optional), and MyPodSearch will deliver a list of podcasts personalized for your tastes. This is great for people who have wide-ranging interests, a proclivity for indecision, or both.

Each podcast has its own landing page with a description, audio samples, places you can listen, website and social media links for the podcast, and a list of other podcasts from the same producers. You can also create an account and bookmark podcasts for the future—so, hypothetically, you could have MyPodSearch create a personalized list for you, bookmark them all, and then have a binge-listening itinerary that’ll last you until next year.

[h/t Lifehacker]

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