11 Rapid-Fire Facts About The Untouchables

Paramount
Paramount

Loosely based on the 1960s cops-and-robbers television series starring Robert Stack, Brian De Palma's The Untouchables pitted Kevin Costner’s Eliot Ness against Robert De Niro’s unhinged crime boss Al Capone in a highly fictionalized (and stylized) account of their real-life Prohibition feud. We’ve drawn a chalk outline around some of the film’s more fascinating facts, in honor of its 30th anniversary.

1. ROBERT DE NIRO INSISTED ON GETTING FAT. AGAIN.

MovieClips via YouTube

After impressing audiences and critics with his bulging gut and saggy jowls for 1980’s Raging Bull, De Niro informed The Untouchables director Brian De Palma he wanted time to put on 30 pounds of fat to play chubby Al Capone. “He’s very concerned about the shape of his face for the part,” De Palma told the Chicago Tribune. To cultivate mass and achieve a rounded jawline, De Niro stuck to his “Raging Bull diet” of pancakes every morning and went to Italy on an eating tour. In spite of his gorging, the production still had to use padding to fill out his midsection.

2. BOB HOSKINS WAS BRIAN DE PALMA’S SECOND CHOICE FOR AL CAPONE.

Bob Hoskins recalled meeting De Palma and being told that the production was expecting De Niro would agree to play Capone—but if not, they were really hoping the Who Framed Roger Rabbit? star would step in. Hoskins agreed; De Niro ended up committing to the part. A short while later, Paramount sent Hoskins a check for $300,000. It was a pay or play deal, and he was due to be compensated either way. Hoskins reportedly called it "the best job I ever had!"

3. PARAMOUNT HATED THE SCRIPT.

Paramount

Acclaimed playwright, screenwriter, and director David Mamet is responsible for the combustible dialogue in The Untouchables, but not everyone was a fan. According to Mamet, Paramount executive Ned Tanen thought the script “was a piece of dreck.” Producer Art Linson insisted they stick with Mamet, who based the film in some part on Ness’s autobiography. Mamet would later state the movie stayed generally true to his work, but tossed out closing text that explained the end of Prohibition.  

4. THEY THOUGHT ABOUT DOING IT IN BLACK AND WHITE.

To help evoke the 1930s for modern audiences, director of photography Stephen Burum tried to convince De Palma to allow him to shoot the picture in black and white. De Palma’s response was to shake his head, telling Burum, “Don’t break your heart, Steve. They won’t let us do it.”

5. THE BASEBALL BAT DINNER SCENE ACTUALLY HAPPENED.

MovieClips via YouTube

While some of the film’s facts were bent into some narrative shape—though Costner’s Ness has a family, the real lawman was single at the time—one memorable scene was inspired by a true event. In May 1928, after getting word several of his associates were plotting to murder him, Capone invited them all to a dinner, got them drunk, and then proceeded to beat each man to death with a baseball bat.

6. ELIOT NESS AND JIMMY MALONE NEVER REALLY MET.

In the film, the earnest Ness is tutored by gruff Chicago cop Jimmy Malone (Sean Connery). In real life, Malone and Ness never crossed paths: as part of the Treasury department, Malone was getting his hands dirty trying to infiltrate Capone’s organization to uncover evidence of suspected tax evasion.

7. THE BABY CARRIAGE SHOOTOUT ALMOST DIDN'T GET SHOT.

Paramount

De Palma, who has often made visual references to Alfred Hitchcock throughout his career, honored another director for the famous shootout at the Chicago train station featuring a runaway baby carriage. The scene’s premise originated with Sergei Eisenstein's 1925 film Battleship Potemkin. (Mamet, who didn’t write the scene in the script, called it “cockamamie.”) When De Palma wanted to film it, Paramount was already insisting he wrap up production—but he had covertly been stashing away raw film stock so that he’d have enough for the scene.

8. FILMMAKERS GOT HELP FROM A REAL UNTOUCHABLE.

To help capture the camraderie and characterizations of Ness’s U.S. Justice lawmen, producers turned to Al “Wallpaper” Wolff—at 85, the lone surviving member of his team. As a form of reciprocation, Paramount gave Wolff 160 free tickets to the premiere. (In 1987, Wolff—who got his nickname for combing over everything during a room toss but the wallpaper—said that sometimes raids would result in empty rooms. He imagined one of the “Untouchables” had leaked the information.)

9. THE STUDIO WAS SQUEAMISH ABOUT THE VIOLENCE.

During a screening for Paramount executives, producer Linson and De Palma heard concerns over some of the graphic shootout scenes depicted in the film. The studio was especially concerned over a scene that featured a man being killed while standing in front of a white marble wall: The background revealed bits of brain matter behind him. De Palma’s contract, however, granted him final cut. So the shot stayed in.

10. THE MOVIE EARNED SEAN CONNERY HIS ONLY OSCAR.

Despite starring in dozens of features over a 30-year (at the time) career, Connery was nominated for an Academy Award only once. Fortunately, it was also a win. Connery took home a Best Supporting Oscar in the spring of 1988 for his portrayal of Ness’s mentor, Jimmy Malone. His appearance during the ceremony was so popular that he got a standing ovation—not for the award, but for presenting the Best Visual Effects Oscar earlier in the show.

11. DE PALMA CONSIDERED A PREQUEL WITH NICOLAS CAGE.

Following the success of The Untouchables, De Palma and Paramount attempted to continue the franchise with a prequel script titled Capone Rising, which would chart the mobster’s climb to power prior to clashing with Ness. In 2007, De Palma was interested in Nicolas Cage as Capone, with Gerard Butler playing a younger version of Connery’s character. In 2012, the director told Collider that the script was “great” but that they’ve “never been able to get it all together.”

New Game of Thrones Season 8 Teaser Features an Important Callback to the Very First Episode

HBO
HBO

On Sunday, January 13, HBO finally shared the air date for Game of Thrones's eighth and final season, along with a 90-second promo that featured Jon Snow and Sansa and Arya Stark walking through the Crypts of Winterfell with the voices of the late Lyanna, Catelyn, and Ned Stark heard as they passed each of their statues.

In the immediate aftermath of the new teaser, the biggest question on people's minds seemed to be the whereabouts of Bran Stark—and whether his absence from the trailer confirmed one of the long-held fan theories that Bran is in fact the Night King, or that he is the Three-Eyed Raven. But now that fans have had additional time to digest the footage, they've noticed something else: a clever callback to the series' first-ever episode from 2011.

Just after the 1:00 mark, the camera closes in on feather which quickly freezes over with ice. To the casual viewer, this may not seem like an important thing. But those who recall the show's tiniest details recognized the feather as a callback to the pilot episode of Game of Thrones, and a symbol of Jon Snow's true parentage.

As Business Insider reminds us in "Winter is Coming"—the first aired episode of Game of Thrones—Lyanna's statue was shown in very much the same way that we see it in the new teaser, with King Robert Baratheon placing a feather on it. Fast forward to the fifth season, and you may remember Sansa visiting Lyanna's crypt and picking up that same feather. Both of these scenes hinted that Lyanna was Jon's real mother—a fact that was confirmed in season seven, when it was revealed that he is indeed the son of Lyanna Stark and Rhaegar Targaryen, who were secretly married in Dorne. (Though Jon doesn't know it yet.)

Ever since that revelation, we've suspected that Jon—who is believed to be the bastard son of Ned Stark—will finally learn about his parents in the final season, and the teaser seems to confirm that it will be an important storyline. Especially considering the growing romance between Jon and Daenerys Targaryen, who is Rhaegar's sister … making her Jon's aunt (unbeknownst to either of them, of course).

The final season of Game of Thrones will premiere on April 14, 2019.

Why Chris Evans Turned Down the Role of Captain America 'A Few Times'

Marvel Studios
Marvel Studios

In 2011, Chris Evans made his first big-screen appearance as superhero Steve Rogers/Captain America in Captain America: The First Avenger. It may now seem impossible for Marvel fans to imagine any other actor in the role, but Evans once admitted that it took a lot of convincing to get him to sign on for the part.

While appearing on Jimmy Kimmel Live! in 2016, Evans revealed that he actually turned down the project "a few times" before finally saying yes. When asked by Kimmel why he was so reluctant to play such a popular superhero, Evans replied that, "I was scared."

In addition to admitting to "having some social anxiety with this industry," Evans explained that his main hesitation was in signing what was ostensibly a nine-picture contract. "In doing movies one at a time, if all of a sudden you decide you don't want to do it anymore, you're afforded the opportunity to take a step back and recalibrate," Evans said. "When you have a giant contract, if all of a sudden you're not responding well? Too bad, you've got to suit up again. That was scary."

Though he initially declined the role, Evans said the offer just kept coming back to him. And after talking to family and friends about it, he realized what an amazing opportunity he was being offered—and what was holding him back.

"I was saying no out of fear, really," Evans said. "You can't do anything out of fear. You can't be doing something because you're scared. It ended up kind of clicking to me in the way that whatever you're scared of, push yourself into it."

Evans's Captain America has gone on to become one of the Marvel Cinematic Universe's most popular characters, though it's largely rumored that Avengers: Endgame will mark his final outing as The Captain. Sebastian Stan, Anthony Mackie, and Keke Palmer are just a few of the actors whose names are swirling as possible replacements for Evans.

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