CLOSE
Original image
Sarah Bynum via YouTube

The Lost Magic of Zoobilee Zoo

Original image
Sarah Bynum via YouTube

It wasn’t easy to impress Peggy Charren. As the founder of the Action for Children’s Television (ACT) organization, Charren was a tireless crusader for quality kids' programming. She resented the glorified toy commercials posing as juvenile entertainment and successfully lobbied Congress to pass legislation limiting the number of ads aired during shows. She hardly ever promoted or endorsed a specific series.

But Charren made an exception for Zoobilee Zoo.

The 1986-1988 syndicated series about six anthropomorphic, artistically-inclined animals—including Bill Der Beaver, Van Go Lion, and Talkatoo Cockatoo, with Ben Vereen as the leopard-spotted host—so impressed Charren with its determination to foster creativity among its preschool audience that she praised it in the pages of the Los Angeles Times. It was racially diverse, she said, and tackled subjects (like disabilities) not commonly found in adolescent television.

Charren wasn’t alone. The National Education Association and the American Federation of Teachers both acknowledged Zoobilee as important. So why didn’t more kids watch?

According to Steve Binder, the producer and director who supervised all 65 episodes of the original series, Zoobilee Zoo was conceived by the entertainment division of Hallmark greeting cards for one reason: to win awards. “That was their number one focus,” Binder tells mental_floss. “And we did.”

Zoobilee Zoo was originally a joint project between Hallmark and Mattel. When Mattel bowed out, children’s distributor DIC was brought on board. Binder’s production company was responsible for delivering 65 half-hour episodes, all of them to be completed in the spring and summer of 1985.

“When I got to Hallmark headquarters in Kansas City, the characters looked like theme park people,” Binder says. “I thought they needed to have expressions.” The director lobbied—and got—make-up and prosthetics rather than sports mascot costumes.

Back in Los Angeles, Binder sought out actors with theatrical experience who could sing, dance, and memorize the hundreds of pages of script required for the shoot. For the host, who appeared in wraparound segments, Binder approached well-known performer Ben Vereen: “I had had a relationship with him for years and asked him to be the mayor.” While Vereen was only around for a few weeks, the other actors “had no social life” for the duration of the shoot. “It was like doing a Broadway show every day,” Binder says.

When Zoobilee Zoo premiered on September 22, 1986, Binder was dismayed to find it confined to a too-early 6 a.m. slot in Los Angeles. While that was quickly changed to 7 a.m., it foreshadowed a recurring problem: Zoo bounced around the dial, appearing in the early-morning hours on PBS and local affiliate stations. Those who saw it loved it; those who didn’t had no idea it existed.

“I think we developed a tremendous cult following,” Binder says. “The cast would go to different libraries and perform in character. But when I’d walk into a Hallmark store, there wouldn’t be any merchandise. I found it so odd.”

Strangely, Charren’s endorsement—that the show avoided peddling toys to kids—may have contributed to its premature end. Without Zoobilee merchandise on shelves, awareness was muted. The series aired to modest ratings for years, eventually winding up on the Disney Channel in 1992 before Hallmark (who declined comment) produced 14 additional episodes for home video release in 2000. Though Vereen seems open to a revival, it never quite materialized into what Binder imagined could have been a franchise.

“This was pre-Barney, and we basically had six Barneys,” Binder says. “I once had someone offer to build an entire theme park. Hallmark turned them down. I never understood it.”

Original image
arrow
school
Tulane University Offers Free Semester to Students Affected by Hurricane Maria
Original image

As Puerto Rico continues to assess the damage left by Hurricane Maria last month, one American institution is offering displaced residents some long-term hope. Tulane University in New Orleans is waiving next semester’s tuition fees for students enrolled at Puerto Rican colleges prior to the storm, Forbes reports.

From now until November 1, students whose studies were disrupted by Maria can apply for one of the limited spots still open for Tulane’s spring semester. And while guests won’t be required to pay Tulane's fees, they will still be asked to pay tuition to their home universities as Puerto Rico rebuilds. Students from other islands recovering from this year’s hurricane season, like St. Martin and the U.S. Virgin Islands, are also welcome to submit applications.

Tulane knows all too well the importance of community support in the wake of disaster. The campus was closed for all of the 2005 fall semester as New Orleans dealt with the aftermath of Hurricane Katrina. During that time, schools around the world opened their doors to Tulane students who were displaced. The university wrote in a blog post, “It’s now our turn to pay it forward and assist students in need.”

Students looking to study as guests at Tulane this spring can fill out this form to apply.

[h/t Forbes]

Original image
BBC
arrow
entertainment
Pablo, a Groundbreaking New BBC Series, Teaches Kids About Autism
Original image
BBC

Autism spectrum disorder affects one in 68 kids in the U.S., but there’s still a lot of confusion surrounding the nature of the condition and what it feels like to have it. As BuzzFeed reports, a new British children’s program aims to teach viewers about autism while showing kids on the spectrum characters and stories to which they can relate.

Pablo, which premiered on the BBC’s kids’ network CBeebies earlier this month, follows a 5-year-old boy as he navigates life with autism. The show uses two mediums: At the start of an episode, Pablo is played by a live actor and faces everyday scenarios, like feeling overstimulated by a noisy birthday party. When he’s working out the conflict in his head, Pablo is depicted as an animated doodle accompanied by animal friends like Noa the dinosaur and Llama the llama.

Each character illustrates a different facet of autism spectrum disorder: Noa loves problem-solving but has trouble reading facial expression, while Llama notices small details and likes repeating words she hears. On top of demonstrating the diversity of autism onscreen, the show depends on individuals with autism behind the scenes as well. Writers with autism contribute to the scripts and all of the characters are voiced by people with autism.

“It’s more than television,” the show’s creator Gráinne McGuinness said in a short documentary about the series. “It’s a movement that seeks to build awareness internationally about what it might be like to see the world from the perspective of someone with autism.”

Pablo can be watched in the UK on CBeebies or globally on the network's website.

[h/t BuzzFeed]

SECTIONS

arrow
LIVE SMARTER
More from mental floss studios