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Bad Dreams: When Bobby Ewing Returned to Dallas

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In the closing moments of Dallas's ninth season finale on May 16, 1986, Pamela Ewing awoke to the sound of running water. Walking into the bathroom, she saw her ex-husband, Bobby Ewing—the very dead, recently-run-over-by-a-speeding-vehicle Bobby Ewing—greet her with a smile.

The Associated Press called it the “most famous shower scene since Psycho.” Viewers were shocked. According to Patrick Duffy (who played Bobby Ewing), not even the cast, crew, or CBS executives knew the scene had been shot. It was edited in less than an hour before airtime; Victoria Principal, who played Pam, hadn’t even been on set with Duffy. She was reacting to another actor in the shower.  

It was the show's most audacious move since they created a mystery around who tried to murder Larry Hagman’s J.R. Ewing six years prior. For the next four months, viewers wondered if this Bobby was a twin, an imposter, or if the entire previous season had been a bad dream.

Speculating on the latter, TV Guide wrote that it was the least likely. “Besides rendering the entire past season’s episodes meaningless,” they wrote, "what a cheat that approach would be for audiences.”

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For most of its run, Dallas had enjoyed the kind of ratings dominance that was feasible only in the 1980s, when three networks ruled and audiences had an appetite for bigger-budgeted versions of the daytime soaps. When Duffy’s Bobby Ewing was struck by a hit-and-run driver in the eighth season finale in May 1985, more than 300 million viewers in 80 countries watched as cast members cried real tears over his deathbed: Duffy was well-liked, particularly by lead actor Larry Hagman.

Duffy, however, felt he had taken Bobby as far as he could. Sensing film opportunities, he decided to leave the series and shut the door on any potential for a return by allowing the character—one of the heirs to the Ewing oil fortune—to choke on rubber. As the fan site UltimateDallas.com described the narrative fallout, the Ewings promptly collapsed in the wake of his death:

An emotionally-numb J.R.'s only response is to angrily lash out at Sue Ellen, who had just returned from having lunch with Dusty while the Ewings were at the hospital. "Where were you Sue Ellen? While momma and everybody were cryin' their eyes out, where the hell were you? Go back to your bottle! Go back to your cowboy! I don't care where you go, just get out of my sight!"

Duffy’s departure coincided with a regime change behind the scenes. Longtime executive producer Leonard Katzman left, replaced by Philip Capice. The switch irritated Hagman, who got along better with Katzman and felt adrift without Duffy on set. During the post-Bobby season, the series fell from number one to number seven in the ratings. A network poll indicated Dallas was one of the shows experiencing a measurable decline in audience interest. As show producer/executive story editor David Paulsen put it, warring brothers J.R. and Bobby were a take on Cain and Abel; now that there was no Abel, the narrative steam had been drained.

One day, Duffy came home to a message on his answering machine. It was from Hagman, who wanted to meet for dinner. He asked whether Duffy would be interested in returning. Duffy’s wife, Carlyn, joked that the only way that could happen was if the entire ninth season had been a dream.

Katzman—who had been reenlisted by a barnstorming Hagman—didn’t think it was so funny. Independent of Carlyn’s joke, he envisioned a scenario in which Bobby’s fatal hit-and-run would be nothing more than the result of Pam’s restless sleep. Duffy, who had appeared in a few TV movies but had otherwise not experienced the career surge he had been expecting, was agreeable to returning—if not for the creative possibilities, then for the bump in pay he’d be getting, from $40,000 to $75,000 per episode.  

In April 1986, CBS announced that Duffy would be appearing on the show, but whether it would be as Bobby Ewing was still a secret. Katzman and Duffy went to a New York sound stage—the show filmed in Los Angeles—and set up a shoot they declared was a commercial for Irish Spring soap. Duffy lathered up, turned, and said, “Good morning.” Out of context, it didn't mean much. The footage was later spliced into a reaction shot of Principal, who believed her character had just stumbled upon the dead body of her new husband, played by actor John Beck.

As the episode aired, however, the reports of Duffy’s return seemed premature. The show had already set off two bombs during its climax, seemingly expending what dramatic energy it had. It was only in the remaining 30 seconds that Principal discovered Bobby, leading to rampant speculation about who, exactly, she had found.

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In interviews, Duffy and Katzman were coy about how Bobby Ewing could be revived. They eventually softened up to narrow it down to three options, all of which were shot at a cost of $25,000, one of which included Bobby surviving the car impact and recuperating in private. To throw tabloids off their trail, Katzman even had some still photos taken of Duffy in head bandages. Closer to the fall premiere, CBS took out an ad in TV Guide declaring one of the three explanations was correct, but that viewers would have to tune in to find out which one.

Airing opposite NBC’s increasingly popular Miami Vice, Dallas revealed all on September 26, 1986. Principal—who now sported slightly longer hair owing to the break in shooting—explained to Bobby that she had dreamed his death.  

“Pam, what’s the matter?” Duffy asked. “You look like you’ve seen a ghost.”

For many viewers, that may have been a better alternative. Katzman’s dream explanation essentially wiped out a year’s worth of continuity, resurrecting one actor’s character killed the year before (Jenilee Harrison, bombing victim), erasing Pam’s marriage to Beck, and eroding the audience’s faith in the show. Though Dallas lasted another four seasons, it never again captured the top slot, ceding the top nighttime soap honors to Dynasty.

Hitting the reset button seemed the logical solution at the time. For his part, Duffy remained unapologetic, calling it a “get out of jail free card” and bemoaning the fact that Bob Newhart’s sitcom, Newhart, got away with depicting its entire run as the dream of Newhart’s former character on The Bob Newhart Show. When TNT revived Dallas in 2012, it ran an ad with the cast—including a returning Duffy—in the shower, promising fans “No, you’re not dreaming.”

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The Time That Dean Martin and Jerry Lewis Opened Competing Restaurants on the Sunset Strip
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From 1946 to 1956, Dean Martin and Jerry Lewis were show business supernovas. With an act that combined singing, slapstick, and spontaneous hijinks, the duo sold out nightclubs coast to coast, then went on to conquer radio, television, and film. Long before Elvis and The Beatles came along, Dean and Jerry  were rock stars of comedy.

Offstage, there was a cordial but cool friendship between the laidback Martin and the more neurotic Lewis. But as the pressures of their success increased, so did the tensions between them. Martin grew tired of playing the bland romantic straight man to Lewis’s manic monkey boy. And when Lewis started to grab more headlines and write himself bigger parts in their movies, Martin decided to quit the act. In an angry moment, he told Lewis that he was “nothing to me but a f**king dollar sign.”

After the split, both men went on with their individual careers, though it took Martin a few years before he regained his footing. One of his ventures during that transitional period was a Hollywood eatery called Dino’s Lodge.

DINO'S LODGE

In the summer of 1958, Martin and his business partner, Maury Samuels, bought a controlling interest in a restaurant called The Alpine Lodge, at 8524 Sunset Boulevard. They hired Dean’s brother Bill to manage the place, and renamed it Dino’s Lodge.

Outside they put up a large neon sign, a likeness of Dean’s face. The sign turned into a national symbol of hip and cool, thanks to appearances on TV shows like Dragnet, The Andy Griffith Show, and most prominently, in the opening credits of 77 Sunset Strip.

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Dino’s Lodge was popular from the get-go, serving home-style Italian food and steaks in an intimate, candlelit, wood-paneled room meant to replicate Martin’s own den. In the first year, Dean himself frequented the place, signing autographs and posing for photos with starstruck diners. He also occasionally brought along famous friends like Frank Sinatra and Shirley MacLaine. To promote the idea of the swingin’ lifestyle that Martin often sang about, Dino’s served “an early morning breakfast from 1 to 5 a.m.” The restaurant also had a lounge that featured singers, though only females. Dean apparently didn’t want any male vocalists encroaching on his turf.

But as with many a celebrity venture into the food business, this one soon turned sour. And most of that was due to the jealousy of Jerry Lewis.

JERRY'S

In late 1961, Lewis wooed Martin’s business partner Maury Samuels away, ponied up some $350,000, and opened his own copycat restaurant three blocks down Sunset. It was called Jerry’s. To make it clear he was out for top billing, Lewis had his own likeness rendered in neon, then mounted it on a revolving pole 100 feet above his restaurant. In contrast to Dino’s Italian-based menu, Jerry’s would serve “American and Hebrew viands.” Lewis didn’t stop there. Within a few months, he’d hired away Dino’s top two chefs, his maître d', and half his waitstaff.

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When Lewis was in Los Angeles, he made of point of table-hopping and schmoozing with his guests at his restaurant, and he occasionally brought in a few of his celebrity friends, like Peggy Lee and Steve McQueen.

FOOD FOR THOUGHT

By the following year, a disgusted Dean Martin was fed up with the restaurant business and cut ties with Dino’s Lodge. Much to his aggravation, he lost a motion in court to have his likeness and name removed from the sign. So the new owners carried on as Dino’s Lodge, with the big neon head staring down on Sunset for another decade before the place finally went bust.

Jerry’s lost steam long before that, folding in the mid-1960s.

For the rest of the 1960s and the early 1970s, Martin and Lewis avoided each other. “Jerry’s trying hard to be a director,” Dean once told a reporter. “He couldn’t even direct traffic.”

In 1976, Frank Sinatra famously engineered an onstage reunion of the pair during The Jerry Lewis Telethon. While the audience roared their approval, Sinatra said, “I think it’s about time, don’t you?” And to Sinatra, Lewis said under his breath, “You son of a bitch.”

What followed was an awkward few moments of shtick between the former partners. Reportedly, Martin was drunk and Lewis was doped up on painkillers. There was a quick embrace, Martin sang with Sinatra, then blew Lewis a kiss and disappeared from his life for good. Martin died in 1995. Lewis passed away today, at the age of 91.

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15 Fun Facts About Yo Gabba Gabba!
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Since its debut on August 20, 2007 on Nick Jr., Yo Gabba Gabba!—a kids’ show featuring a red cyclops, a magic robot, a pink flower girl, a green-striped guy, a blue cat-dragon, and a host wearing orange spandex and a fluffy hat—became one of the biggest draws for the preschool crowd. But thanks to the show's hipster-friendly musical performances and celebrity guest stars, Yo Gabba Gabba! managed to transcend its kiddie roots to become a hit with fans of all ages. On the 10th anniversary of its debut, let's go behind the scenes of the beloved series.

1. THE CREATOR OF NAPOLEON DYNAMITE HAD A HAND IN GETTING YO GABBA GABBA! ON THE AIR.

Longtime friends Christian Jacobs and Scott Schultz got the idea for Yo Gabba Gabba! when, as two dads in their mid-30s, they were less-than-enthusiastic about the television shows their kids were watching. It wasn't that the other shows were bad; they were just boring and sanitized.

With their experience as musicians and videographers, Jacobs and Schultz thought they could do something different. So they scraped together about $150,000 and began writing, animating, and shooting demo episodes of Yo Gabba Gabba! in their garage. They posted these videos online and Jared Hess, director of Napoleon Dynamite, happened to see them. Impressed, Hess passed the link onto Brown Johnson, an executive at Nickelodeon, who said, “Lordy. Nothing else looks like this on television.” She quickly contacted the duo and, in a risky move that obviously paid off, gave them complete creative control of their own show on Nick Jr.

2. THE TITLE IS MEANT TO BE MIMIC BABY TALK.

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According to Jacobs, the name of the show is a nonsense phrase meant to be reminiscent of the first words spoken by a baby. However, that doesn't mean Jacobs and Schultz aren't happy the name also pays homage to The Ramones, who used the phrase “Gabba Gabba Hey!” in their song “Pinhead.” But that actually makes it an homage of an homage, as The Ramones were paying tribute to the original source of the phrase, the 1932 cult classic film Freaks. In the film, “Gabba Gabba Hey!” is part of a chant uttered by a group of circus freaks as they welcome a new member into the fold.

3. ITS THEME SONG IS REMINISCENT OF PEE-WEE'S PLAYHOUSE.

The show's intro music seems suspiciously like the intro music from another kinetic kids' show, Pee-wee's Playhouse. Pay close attention to when the trees part on Pee-wee's intro and you'll hear a lot of similarities between the two.

4. THE SHOW BECAME A WORLDWIDE PHENOMENON.

Yo Gabba Gabba! became a worldwide phenomenon, and was broadcast all over the world, including in Italy, France, the UK, the Netherlands, Australia, and Canada.

5. DJ LANCE ROCK REALLY IS A DJ.

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DJ Lance Rock is actually Lance Robertson—and he really is a DJ. Robertson grew up in St. Louis, where he started spinning records in the early '90s before moving to Los Angeles at the age of 29. While in L.A., he played with a band, The Ray Makers, who played a few gigs with a group called Majestic, which counted future Yo Gabba Gabba! co-creator Scott Schultz as a member. When the Yo Gabba Gabba! guys were looking for a host, Schultz thought of Robertson. After Robertson signed on, one of the first things he did was suggest they change DJ Lance's look to the now-iconic orange jumpsuit and fuzzy hat. The original costume included a waistcoat similar to the one worn by Gene Wilder as Willy Wonka.

6. MUNO AND BROBEE EXISTED BEFORE YO GABBA GABBA!.

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While the other characters were created exclusively for Yo Gabba Gabba!, Muno and Brobee were already around as part of the live show for Christian Jacobs's kid-friendly ska/punk band, The Aquabats. Since shortly after their founding in 1994, The Aquabats have dressed in matching superhero costumes, fighting evil under aliases like The MC Bat Commander (Jacobs), Crash McLarson, Jimmy the Robot, Ricky Fitness, and Eagle “Bones” Falconhawk. The lineup has changed frequently over the years (Travis Barker of Blink-182 was briefly their drummer under the name “The Baron von Tito”), but the band still performs live and releases the occasional studio album. Naturally, they made a handful of appearances on Yo Gabba Gabba!, as well.

7. THE SHOW HAS A CONNECTION TO DEVO.

While most kids only know him as the kookie art teacher on the show, Mark Mothersbaugh was one of the founding members and lead singer of the New Wave band Devo. Even when he’s not wearing a red terraced “Energy Dome” hat, Mothersbaugh’s career has been prolific as a composer for dozens of TV shows, films, video games, and commercials, including Apple’s famous “I’m a Mac” ads starring Justin Long and John Hodgman.

8. BIZ MARKIE WAS ORIGINALLY SUPPOSED TO DANCE ON THE SHOW.

Yo Gabba Gabba! fans learned how to beatbox thanks to rapper Biz Markie (born Marcel Theo Hall) and his “Beat of the Day” segment. Biz was initially asked to do a Dancey Dance routine for the show, but he has a bad back, so he offered to teach the kids how to do a beat instead. The producers loved it and it became a staple on the show. Parents knew Biz best from his 1989 hit “Just a Friend,” which featured his unique brand of rapping and “singing.” 

9. SUPER MARTIAN ROBOT GIRL IS THE PRODUCT OF TWO GROUNDBREAKING COMIC BOOK ARTISTS.

The comic book the Gabba gang often reads, Super Martian Robot Girl, is the creation of married underground comic book celebrities Sarah Dyer and Evan Dorkin. Dorkin is the genius behind the small press comic Milk and Cheese about “dairy products gone bad”—a milk carton and a wedge of cheese who love to drink gin and beat people up. Dyer was an influential creator in the '90s zine scene, where she was one of the few people giving female zinesters a voice with her Action Girl Newsletter, which later paved the way for the similarly-themed Action Girl Comics.

10. IT WAS NOMINATED FOR SEVEN EMMYS, BUT NEVER WON.

Yo Gabba Gabba!  received numerous Daytime Emmy nominations for Outstanding Achievement in Art Direction and Costume Design, as well as for Outstanding Pre-School Children's Series, but a win eluded the show. In addition, the series was nominated for Outstanding Achievement in Children’s Programming by the Television Critics Association Awards five times (and won twice). Internationally, the show was awarded a BAFTA in 2008. And DJ Lance received two NAACP Image Award nominations.      

11. THE SHOW GOT ITS OWN LINE OF SNEAKERS.

Ever wanted to see Foofa pop a wheelie? How about Toodee ride a surfboard? In 2011, the Gabba gang shot a series of videos to promote their line of Vans shoe, a brand popular among the extreme sports crowd. The characters shared the screen with some of the biggest names in the X Games, including surfers Alex Knost and Jared Mell, skateboarders Bucky Lasek and Christian Hosoi, BMXers Alistair Whitton and Coco Zurita, and motocross stars Dean Wilson and Ryan Villopoto. You can check out the videos at Yo Gabba Gabba's official YouTube channel.

12. THEY PLAYED COACHELLA.

The gang invaded the Coachella Music Festival in 2010, where they performed, hung out with celebrity fans backstage, and even showed up to dance with the audience at other musical performances.

13. THE SHOW HAD A LOT OF CELEBRITY FANS.

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For Halloween 2009, Brad Pitt donned DJ Lance's orange jumpsuit and fuzzy hat when he took his kids trick-or-treating. Lance was later quoted as saying that Pitt looked “Awesome.”

14. IT FEATURED A LOT OF GUEST STARS.

While most celebrities only come on the show to do a Dancey Dance or Cool Tricks segment, there have been a handful of guests that played a bigger role in an episode. The first was Jack Black, who had an entire episode dedicated to his adventures in Gabbaland after his flying motorbike ran out of gas. He got the gig after his wife emailed the show and practically begged them to let Jack come on because he was such a big fan. Other celebrities who popped in: Angela Kinsey from The Office played a teacher, the Tooth Fairy was played by Amy Sedaris, Mos Def saved the day as Super Mr. Superhero, Anthony Bourdain cameoed as a doctor, Jason Bateman played an evil spy, Lost’s Josh Holloway played a helpful farmer, and Weird Al Yankovic guested as a circus ringmaster.

15. A YO GABBA GABBA! DOLL WILL COST YOU A PRETTY PENNY.

The Gabba action figures that DJ Lance brought to life at the beginning of each episode were produced by Kidrobot, one of the leading names in the vinyl toy movement. The figures are no longer produced, so when one pops up on eBay, it often commands a high price. But if you’re not willing to spend that kind of money on an action figure, there are plenty of other Gabba-themed toys, books, DVDs, comics, smartphone apps, and clothes to keep your kids happy.

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