CLOSE
VH1
VH1

10 Trivial Facts About Pop Up Video (Bloop)

VH1
VH1

Premiering in 1985, it took a while for VH1 to step outside of bigger brother MTV’s shadow. Helping it carve out an identity was Pop Up Video, a series that debuted in 1996 and anticipated the appetite for trivial trivia. Check out some facts about how producers got their inside info, and why Billy Joel wasn’t a fan.

1. MTV EJECTED A POP UP VIDEO CO-CREATOR FROM THE BUILDING.

Before circulating a laundry list of proposals to VH1 for consideration—including the idea of “narrating” a music video with facts in pop-up window boxes they called “info nuggets”—freelance producer Tad Low had been working for MTV. Co-creator Woody Thompson wrote on the duo’s website that three years prior, Low had been fired from the network and “ejected” with “two beefy security goons” escorting him out. The VP who released him was now with VH1. "Needless to say,” Thompson recalled, “our early pitch meetings at VH1 were a bit tense.” No one was tossed out: the network loved the idea and ordered a pilot.

2. THE POPS COULD’VE BEEN HANDWRITTEN.

In their pitch letter to the network, Thompson and Low floated several different possibilities for communicating trivia to viewers. Telestrated handwriting similar to what sportscasters do was one idea; a “crawl” similar to a news ticker was also considered.

3. PRODUCERS GOT THE INSIDE SCOOP FROM CREW MEMBERS.

VH1

To gather information for the 75-odd info boxes that would appear onscreen for each segment, Low and Thompson started reaching out to crew members who had worked on the videos, from hairstylists to limo drivers. Doing “You Learn” as a trial video, they discovered Alanis Morissette was averse to shaving her armpits and “kinda stunk” when she arrived for the shoot.

4. NOT ALL VIDEOS WERE BLOOP-WORTHY.

When scanning the music video landscape for targets, Thompson and Low gravitated toward popular hits that were slow to unravel—a more measured edit would give them time to insert the facts and let them appear on-screen long enough to give audiences a chance to read them. Videos with faster beats were too kinetic to Pop-ify. "Ballads are better," said Low. "Something like Green Day—forget about it."

5. THEY WERE TOO MEAN TO JAKOB DYLAN.

Bob’s kid was big in the 1990s, thanks to the success of his group, The Wallflowers, and had a sound that went over well on VH1. When Pop Up Video targeted “One Headlight,” Thompson said the network asked for it to be re-edited five or six times to be kinder to Dylan.

6. LIONEL RICHIE’S “HELLO” IS CONSIDERED THEIR GREATEST ACHIEVEMENT.

GiraldiMedia via YouTube

For a video to take full advantage of Pop Up’s format, it was helpful to be both catchy and completely ridiculous. Lionel Richie’s 1984 video for “Hello” proved to be a perfect storm of awful, from a Playboy playmate who was presumed to be blind (she wasn’t) to a clay sculpt of Richie’s head that was used despite looking grotesque. Thompson considers it the show’s crowning moment.

7. THEY AVOIDED RAP AND HIP-HOP ...

… until the 2011 revival, anyway. In its original 1996-2002 run, VH1 had producers avoid videos featuring rap or hip-hop artists, believing the genres were the domain of MTV.

8. BILLY JOEL HAD AN EPISODE BANNED.

Getty

While Pop Up Video was never known for its gentle touch, some artists took their snark a little more personally than others. When the show covered Billy Joel’s “Keeping the Faith” video from 1984, the network received a call from an angry Joel, who claimed his daughter was being teased about jokes relating to ex-wife Christie Brinkley. VH1 yanked the entire episode featuring Joel’s video from their schedule.

9. THEY ALMOST WENT TO THEATERS.

When Pop Up Video became VH1’s highest-rated program in 1997, the network began looking for ways to capitalize on the format in every venue possible. Reruns of The Oprah Winfrey Show got the treatment; a quiz show debuted (and fizzled). More impressively, talks began with Paramount about re-releasing the 1978 movie Grease in theaters with the info-text boxes inserted. The studio ultimately passed on the idea.

10. THERE WAS A BOARD GAME.

At the height of Pop-mania in 1999, VH1 partnered with Pressman Toy Corporation to release the Pop Up Video Trivia Game. A small LCD screen allowed for questions to materialize while players took turns answering or singing. Billy Joel seemed okay with it.

nextArticle.image_alt|e
getty images (March and Beery)/ istock (oscar)
arrow
entertainment
6 Times There Were Ties at the Oscars
getty images (March and Beery)/ istock (oscar)
getty images (March and Beery)/ istock (oscar)

Only six ties have ever occurred during the Academy Awards' near-90-year history. The Academy of Motion Picture Arts and Sciences (AMPAS) members vote for nominees in their corresponding categories; here are the six times they have come to a split decision.

1. BEST ACTOR // 1932

Back in 1932, at the fifth annual Oscars ceremony, the voting rules were different than they are today. If a nominee received an achievement that came within three votes of the winner, then that achievement (or person) would also receive an award. Actor Fredric March had one more vote than competitor Wallace Beery, but because the votes were so close, the Academy honored both of them. (They beat the category’s only other nominee, Alfred Lunt.) March won for his performance in horror film Dr. Jekyll and Mr. Hyde, and Beery won for The Champ (writer Frances Marion won Best Screenplay for the film), which was remade in 1979 with Ricky Schroder and Jon Voight. Both Beery and March were previous nominees: Beery was nominated for The Big House and March for The Royal Family of Broadway. March won another Oscar in 1947 for The Best Years of Our Lives, also a Best Picture winner. Fun fact: March was the first actor to win an Oscar for a horror film.

2. BEST DOCUMENTARY SHORT SUBJECT // 1950

By 1950, the above rule had been changed, but there was still a tie at that year's Oscars. A Chance to Live, an 18-minute movie directed by James L. Shute, tied with animated film So Much for So Little. Shute’s film was a part of Time Inc.’s "The March of Time" newsreel series and chronicles Monsignor John Patrick Carroll-Abbing putting together a Boys’ Home in Italy. Directed by Bugs Bunny’s Chuck Jones, So Much for So Little was a 10-minute animated film about America’s troubling healthcare situation. The films were up against two other movies: a French film named 1848—about the French Revolution of 1848—and a Canadian film entitled The Rising Tide.

3. BEST ACTRESS // 1969

Probably the best-known Oscars tie, this was the second and last time an acting award was split. When presenter Ingrid Bergman opened up the envelope, she discovered a tie between newcomer Barbra Streisand and two-time Oscar winner Katharine Hepburn—both received 3030 votes. Streisand, who was 26 years old, tied with the 61-year-old The Lion in Winter star, who had already been nominated 10 times in her lengthy career, and won the Best Actress Oscar the previous year for Guess Who’s Coming to Dinner. Hepburn was not in attendance, so all eyes fell on Funny Girl winner Streisand, who wore a revealing, sequined bell-bottomed-pantsuit and gave an inspired speech. “Hello, gorgeous,” she famously said to the statuette, echoing her first line in Funny Girl.

A few years earlier, Babs had received a Tony nomination for her portrayal of Fanny Brice in the Broadway musical Funny Girl, but didn’t win. At this point in her career, she was a Grammy-winning singer, but Funny Girl was her movie debut (and what a debut it was). In 1974, Streisand was nominated again for The Way We Were, and won again in 1977 for her and Paul Williams’s song “Evergreen,” from A Star is Born. Four-time Oscar winner Hepburn won her final Oscar in 1982 for On Golden Pond.

4. BEST DOCUMENTARY FEATURE // 1987

The March 30, 1987 telecast made history with yet another documentary tie, this time for Documentary Feature. Oprah presented the awards to Brigitte Berman’s film about clarinetist Artie Shaw, Artie Shaw: Time is All You’ve Got, and to Down and Out in America, a film about widespread American poverty in the ‘80s. Former Oscar winner Lee Grant (who won the Best Supporting Actress Oscar in 1976 for Shampoo) directed Down and Out and won the award for producers Joseph Feury and Milton Justice. “This is for the people who are still down and out in America,” Grant said in her acceptance speech.

5. BEST SHORT FILM (LIVE ACTION) // 1995

More than 20 years ago—the same year Tom Hanks won for Forrest Gump—the Short Film (Live Action) category saw a tie between two disparate films: the 23-minute British comedy Franz Kafka’s It’s a Wonderful Life, and the LGBTQ youth film Trevor. Doctor Who star Peter Capaldi wrote and directed the former, which stars Richard E. Grant (Girls, Withnail & I) as Kafka. The BBC Scotland film envisions Kafka stumbling through writing The Metamorphosis.

Trevor is a dramatic film about a gay 13-year-old boy who attempts suicide. Written by James Lecesne and directed by Peggy Rajski, the film inspired the creation of The Trevor Project to help gay youths in crisis. “We made our film for anyone who’s ever felt like an outsider,” Rajski said in her acceptance speech, which came after Capaldi's. “It celebrates all those who make it through difficult times and mourns those who didn’t.” It was yet another short film ahead of its time.

6. BEST SOUND EDITING // 2013

The latest Oscar tie happened only three years ago, when Zero Dark Thirty and Skyfall beat Argo, Django Unchained, and Life of Pi in sound editing. Mark Wahlberg and his animated co-star Ted presented the award to Zero Dark Thirty’s Paul N.J. Ottosson and Skyfall’s Per Hallberg and Karen Baker Landers. “No B.S., we have a tie,” Wahlberg said to the crowd, assuring them he wasn’t kidding. Ottosson was announced first and gave his speech before Hallberg and Baker Landers found out that they were the other victors.

It wasn’t any of the winners' first trip to the rodeo: Ottosson won two in 2010 for his previous collaboration with Kathryn Bigelow, The Hurt Locker (Best Achievement in Sound Editing and Sound Mixing); Hallberg previously won an Oscar for Best Sound Effects Editing for Braveheart in 1996, and in 2008 both Hallberg and Baker Landers won Best Achievement in Sound Editing for The Bourne Ultimatum.

Ottosson told The Hollywood Reporter he possibly predicted his win: “Just before our category came up another fellow nominee sat next to me and I said, ‘What if there’s a tie, what would they do?’ and then we got a tie,” Ottosson said. Hallberg also commented to the Reporter on his win. “Any time that you get involved in some kind of history making, that would be good.”

nextArticle.image_alt|e
Amazon
arrow
Pop Culture
Mister Rogers Is Now a Funko Pop! and It’s Such a Good Feeling, a Very Good Feeling
Amazon
Amazon

It’s a beautiful day in this neighborhood for fans of Mister Rogers, as Funko has announced that, just in time for the 50th anniversary of Mister Rogers’ Neighborhood, the kindest soul to ever grace a television screen will be honored with a series of Funko toys, some of them limited-edition versions.

The news broke at the New York Toy Fair, where the pop culture-loving toy company revealed a new Pop Funko! in Fred Rogers’s likeness—he’ll be holding onto the Neighborhood Trolley—plus a Mister Rogers Pop! keychain and a SuperCute Plush.

In addition to the standard Pop! figurine, there will also be a Funko Shop exclusive version, in which everyone’s favorite neighbor will be wearing a special blue sweater. Barnes & Noble will also carry its own special edition, which will see Fred wearing a red cardigan and holding a King Friday puppet instead of the Neighborhood Trolley.

 

Barnes & Noble's special edition Mister Rogers Funko Pop!
Funko

Mister Rogers’s seemingly endless supply of colored cardigans was an integral part of the show, and a sweet tribute to his mom (who knitted all of them). But don’t go running out to snatch up the whole collection just yet; Funko won’t release these sure-to-sell-out items until June 1, but you can pre-order your Pop! on Amazon right now.

SECTIONS

arrow
LIVE SMARTER
More from mental floss studios