When Hitchcock Banned Audiences From Seeing His Movies

Getty
Getty

When the National Film Theatre wanted to pay tribute to Alfred Hitchcock in 1969 by screening a number of his films, the event’s organizers made a curious discovery: Vertigo, his 1958 thriller starring Jimmy Stewart, was owned outright by Hitchcock himself. To show the film, they would need permission from the director.

Hitchcock was willing to grant their request on one condition: That they disclose where they had found a print of the movie. He wanted to destroy it.

From 1961 until 1983, five of Hitchcock’s most well-known films—Vertigo, Rear Window, Rope, The Trouble with Harry, and The Man Who Knew Too Much—were almost never seen by the general public. In an unusual deal for a filmmaker, Hitchcock had secured full ownership of the works. But rather than attempt to profit from their distribution, he banned them from being exhibited. In London, fans took to “secret” underground screenings to avoid his legal wrath. It would take Hitchcock's death in 1980 for audiences to rediscover a large portion of his filmography. And only two men knew why.

Universal

When Hitchcock signed a five-picture deal with Paramount Pictures in 1953, his agent at the time, Lew Wasserman, was able to secure a nearly unprecedented contingency. Exactly eight years following the initial release of each picture he directed, all ownership would be stripped from the studio and transfer to the director.

From Paramount’s perspective, not much was being left on the table. In the days before home video, movies typically had a window of profitability that would span a few re-releases or a series of international sales before drying up. By the time Hitchcock acquired them, their ability to generate revenue would be exhausted.

Under those terms, Hitchcock made 1954’s Rear Window, 1955’s The Trouble with Harry, 1956’s The Man Who Knew Too Much, 1958's Vertigo, and 1960’s Psycho. In 1963, Hitchcock sold the Psycho rights to Universal in exchange for a sizable portion of company stock; the other four joined 1948’s Rope—produced by Hitchcock’s own Transatlantic Pictures—in a library that critics would later dub the “forbidden five.”

It was not immediately apparent that Hitchcock had designs on keeping the movies from being screened. It was only when theaters would approach the director that they found him completely uninterested in cooperating. Herman Citron, the agent who succeeded Wasserman, fielded hundreds of offers each year from film festivals, television networks, college campuses, and small art-house institutions looking to revive Hitchcock’s films for contemporary audiences. They were either denied outright, or were allowed to make a financial offer that Citron would inevitably declare underwhelming.

While some of the films saw sporadic releases depending on their age or the rare thaw in Citron’s icy disposition, the highest-profile title in Hitchcock’s collection—Rear Windowremained off-limits for almost a quarter-century. Re-released in 1962 at the conclusion of Paramount’s eight-year ownership, it sat dormant for the next 21 years. Some theaters in London were known to screen illicit prints and advertise them in roundabout language: With no mention of the title, patrons would come to see the “Hitchcock movie that will have you looking behind your back.”

By 1973, all of the “forbidden five” had been taken completely out of circulation. Hitchcock’s resolve was such that not even Jimmy Stewart—who starred in four of the withheld films—could persuade him to loosen his grip. When Stewart was being honored at a film festival and asked the Hitchcock estate for a clip from Vertigo, he was turned down.

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When Hitchcock died at the age of 80 in 1980, he was said to be reconsidering the prohibition on his own movies. Reporting on the rumor, The New York Times asked Citron why the director had been so adamant about keeping them from view. “Private reasons” is all Citron would say.

Citron’s negotiation skills were so hard-nosed that it would be another three years before the “missing” Hitchcocks returned to circulation. Universal acquired all five for a rumored $6 million. By 1984, it had proven to be a wise investment: Rear Window had reappeared in theaters and grossed an impressive $9.1 million. (It was accompanied in some markets by an appearance from Jimmy Stewart, who didn’t appear to hold a grudge.) Vertigo made $4.5 million. With cable and home video sales, the films netted Universal upwards of $50 million in revenue.

Neither Hitchcock nor Citron ever disclosed the reasoning for delaying the releases. While some speculated Hitchcock would have gotten bogged down in a lopsided British tax system (which took as much as 91 percent of income) by distributing them himself, it’s more likely that he saw the films as a kind of trust fund for his heirs. By preventing them from being circulated on television, interest would only increase. Like the implied violence of Psycho, it’s what Hitchcock didn’t show that left the audience wanting more.

All 73 Game of Thrones Episodes Ranked, According to IMDb Users

Kit Harington in "The Battle of the Bastards" episode of Game of Thrones
Kit Harington in "The Battle of the Bastards" episode of Game of Thrones
HBO

Next time you're in the middle of a large gathering of Game of Thrones fans, try this little experiment: Ask them to rattle of their five favorite episodes of the series, in order of preference. While you'll likely hear some of the same titles—"The Rains of Castamere" and "Battle of the Bastards" are practically givens—the order in which each person's favorite episodes rank will surely vary, as entertainment is a subjective thing.

Though it may be impossible to create a definitive ranking of the best Game of Thrones episodes, you can find a general consensus—just like IMDb has. And according to the online movie database's users, "The Rains of Castamere" (a.k.a. The Red Wedding episode), "Hardhome," "Battle of the Bastards," and "The Winds of Winter" each score a near-perfect 9.9 out of 10.

At the bottom of the list for these same users? "The Iron Throne," the series finale that has audiences divided and only managed to score a 4.6 rating on the site so far (though that's according to more than 100,000 people—and growing).

Where does your favorite episode rank? Check out IMDb's ranking of all 73 episodes of the series below to find out.

  1. “The Rains of Castamere,” Season 3, Episode 9 // 9.9
  2. “Hardhome,” Season 5, Episode 8 // 9.9
  3. “Battle of the Bastards,” Season 6, Episode 9 // 9.9
  4. “The Winds of Winter,” Season 6, Episode 10 // 9.9
  5. “The Spoils of War,” Season 7, Episode 4 // 9.8
  6. “Blackwater,” Season 2, Episode 9 // 9.7
  7. “The Children,” Season 4, Episode 10 // 9.7
  8. “The Laws of Gods and Men,” Season 4, Episode 6 // 9.7
  9. “The Mountain and the Viper,” Season 4, Episode 8 // 9.7
  10. “The Lion and the Rose,” Season 5, Episode 2 // 9.7
  11. “The Door,” Season 6, Episode 5 // 9.7
  12. “Baelor,” Season 1, Episode 9 // 9.6
  13. “And Now His Watch Is Ended,” Season 3, Episode 4 // 9.6
  14. “The Watchers on the Wall,” Season 4, Episode 9 // 9.6
  15. “Fire and Blood,” Season 1, Episode 10 // 9.5
  16. “The Dance of Dragons,” Season 5, Episode 9 // 9.5
  17. “The Dragon and the Wolf,” Season 7, Episode 7 // 9.5
  18. “Valar Morghulis,” Season 2, Episode 10 // 9.4
  19. “Home,” Season 6, Episode 2 // 9.4
  20. “You Win or You Die,” Season 1, Episode 8 // 9.3
  21. “The Queen’s Justice,” Season 7, Episode 3 // 9.3
  22. “A Golden Crown,” Season 1, Episode 6 // 9.2
  23. “Mhysa,” Season 3, Episode 10 // 9.2
  24. “Mockingbird,” Season 4, Episode 7 // 9.2
  25. “Book of the Stranger,” Season 6, Episode 4 // 9.2
  26. “Winter is Coming,” Season 1, Episode 1 // 9.1
  27. “The Wolf and the Lion,” Season 1, Episode 5 // 9.1
  28. “The Pointy End,” Season 1, Episode 8 // 9.1
  29. “The Old Gods and the New,” Season 2, Episode 6 // 9.1
  30. “Kissed by Fire,” Season 3, Episode 5 // 9.1
  31. “Second Songs,” Season 3, Episode 8 // 9.1
  32. “Two Swords,” Season 4, Episode 1 // 9.1
  33. “The Gift,” Season 5, Episode 7 // 9.1
  34. “Mother’s Mercy,” Season 5, Episode 10 // 9.1
  35. “Beyond the Wall,” Season 7, Episode 6 // 9.1
  36. “A Man Without Honor,” Season 2, Episode 7 // 9.0
  37. “Stormborn,” Season 7, Episode 2 // 9.0
  38. “The North Remembers,” Season 2, Episode 1 // 8.9
  39. “What Is Dead May Never Die,” Season 2, Episode 3 // 8.9
  40. “Garden of Bones,” Season 2, Episode 4 // 8.9
  41. “The Ghost of Harrenhal,” Season 2, Episode 5 // 8.9
  42. “The Prince of Winterfell,” Season 2, Episode 8 // 8.9
  43. “The Climb,” Season 3, Episode 6 // 8.9
  44. “Valar Dohaeris,” Season 3, Episode 1 // 8.9
  45. “Walk of Punishment,” Season 3, Episode 3 // 8.9
  46. “Breaker of Chains,” Season 4, Episode 3 // 8.9
  47. “Oathkeeper,” Season 4, Episode 4 // 8.9
  48. “Eastwatch,” Season 7, Episode 5 // 8.9
  49. “The Kingsroad,” Season 1, Episode 2 // 8.8
  50. “Cripples, Bastards, and Broken Things,” Season 1, Episode 4 // 8.8
  51. “The Bear and the Maiden Fair,” Season 3, Episode 7 // 8.8
  52. “First of His Name,” Season 5, Episode 5 // 8.8
  53. “Sons of the Harpy,” Season 5, Episode 4 // 8.8
  54. “Oathbreaker,” Season 6, Episode 3 // 8.8
  55. “Lord Snow,” Season 1, Episode 3 // 8.7
  56. “Dark Wings, Dark Words,” Season 5, Episode 2 // 8.7
  57. “Kill the Boy,” Season 5, Episode 5 // 8.7
  58. “The Broken Man,” Season 6, Episode 7 // 8.7
  59. “Dragonstone,” Season 7, Episode 1 // 8.7
  60. “The Night Lands,” Season 2, Episode 2 // 8.6
  61. “The Wars to Come,” Season 5, Episode 1 // 8.6
  62. “The House of Black and White,” Season 5, Episode 2 // 8.6
  63. “High Sparrow,” Season 5, Episode 3 // 8.6
  64. “The Red Woman,” Season 6, Episode 1 // 8.6
  65. “Blood of My Blood,” Season 6, Episode 6 // 8.5
  66. “No One,” Season 6, Episode 8 // 8.5
  67. “A Knight of the Seven Kingdoms,” Season 8, Episode 2 // 8.2
  68. “Unbowed, Unbent, Unbroken,” Season 5, Episode 6 // 8.1
  69. “Winterfell,” Season 8, Episode 1 // 7.9
  70. “The Long Night,” Season 8, Episode 3 // 7.8
  71. “The Bells,” Season 8, Episode 5 // 6.5
  72. “The Last of the Starks,” Season 8, Episode 4 // 5.9
  73. “The Iron Throne,” Season 8, Episode 6 // 4.6

6 Things You Might Have Missed in 'The Iron Throne,' Game of Thrones's Series Finale

Gwendoline Christie in "The Iron Throne," Game of Thrones's series finale
Gwendoline Christie in "The Iron Throne," Game of Thrones's series finale
Helen Sloan, HBO

No matter how you feel about "The Iron Throne," Game of Thrones's series finale, it goes without saying that many fans of the show are in a state of mourning right now. One of the greatest shows in television history has come to an end. And while the ending, unsurprisingly, didn't please everyone, we're still sad to see the series go.

You can, of course, re-watch Game of Thrones at any time—and a repeat viewing of the finale might be a good idea. Emotions were running high during the final episode, which means that you might have missed a few small-but-important details.

1. The Opening Sequence Tweak that Signified the End of the Lannisters' Reign

Game of Thrones's opening credits are regularly tweaked to illustrate changes within the Seven Kingdoms. So it would make sense that the finale’s opening credits contained a few adjustments to account for the destruction of King’s Landing in "The Bells." One change that might have gone unnoticed by many was that above the Iron Throne, the lion head representing House Lannister was absent, signaling that Cersei Lannister was no longer the queen.

2. Daenerys's Depiction as the Angel of Death

Many fans on social media were quick to point out how beautiful the shot of Drogon flying up behind Daenerys was toward the beginning of the episode, which momentarily made it look as if the Mother of Dragons had her own wings. But it also made her look like an angel of death, with the dark lighting and considering the darker tone of the scene. This, of course, seemed to foreshadow her death, which came shortly thereafter at the hands of Jon Snow.

3. An Obvious Nod to The Lord of the Rings

There are multiple references to The Lord of the Rings throughout Game of Thrones, but the finale saw one major parallel between the two fantasy franchises. As Vanity Fair predicted, Game of Thrones's Iron Throne basically became the ring from The Lord of the Rings. And unfortunately, that brings up a comparison between Daenerys and Gollum.

“Like Tolkien’s Ring of Power, the Iron Throne seems to corrupt and breaks all who touch it and all that would possess it. You win the game of thrones, or you die. Daenerys may want the throne the most, and, arguably, has done the most to get it,” Vanity Fair wrote.

Ultimately, the final episode showed the Iron Throne being destroyed—just as the ring was in The Lord of the Rings—and Daenerys was brought down with it. While it’s difficult to see similarities between Dany and a character like Gollum, they did meet very similar fates.

4. Brienne’s Callback to Season 4

Although Brienne of Tarth had her heart broken by Jaime Lannister, she still took it upon herself to fill out his history in the White Book during the finale. We saw the pair discuss this “duty of the Lord Commander” back in season 4, as Vanity Fair pointed out. In the scene, Jaime told Brienne that there was “still plenty of room” on his page. So after his death, Brienne, now the head of the Kingsguard, respectfully recorded all of Jaime’s heroic acts, concluding with how he “died protecting his queen.”

5. Tormund's Prediction of Jon’s Fate

As a fan on Reddit had theorized earlier in the season, it seems Tormund knew that Jon would be back at Castle Black after the battle at King’s Landing. During their farewell at Winterfell, the wildling was not convinced the two would never see each other again. After embracing, Tormund told Jon, “You got the north in you, the real north.” Some thought the conversation hinted at Jon’s fate in the finale, and they were spot-on.

6. The Series' Final Scene Mirroring the Series' First Scene

While countless events have happened between the show’s pilot and its finale—events that changed Westeros forever—the final moments of "The Iron Throne" were almost identical to the opening scene in Game of Thrones's pilot episode. As the finale saw Jon going back up north with the wildlings, we get a scene of them traveling beyond the wall. This is similar to how the series started, which showed a few members of the Night’s Watch treading into the same unknown territory.

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