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15 Groovy Facts About Bruce Campbell

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Once cited as the "Laurence Olivier of bad movies," no actor has done more with a strong chin and questionable scripts than Bruce Campbell. The 57-year-old Michigan native achieved B-movie infamy beginning with The Evil Dead films before garnering primetime employment on USA’s Burn Notice. Campbell also frequently appears at comic book conventions, where his playfully combative repartee with audiences (“You’re a dumbass!”) has further endeared him to the non-Oscar voting crowd.

After two decades of fan begging, the actor is finally returning to the role of Deadite-hunting doofus Ash in Ash vs. Evil Dead, a 10-episode television series premiering on Starz this Saturday at 9 p.m. Check out all the gory details we’ve dug up on Campbell's formative years, his bid for superhero status, and why it took him so long to pick up another chainsaw.     

1. SAM RAIMI BEGAN TORTURING HIM IN HIGH SCHOOL.

The Evil Dead director and frequent Campbell collaborator Sam Raimi has repeatedly expressed his delight in torturing Campbell for cameras, drowning him in fake blood and poking him with a stick in order to elicit his desired performance. Their dysfunctional relationship began in high school, where Raimi was fond of sitting behind Campbell and pressing a pencil into his back while his “friend” was attempting to answer a question from a teacher. Despite the acrimonious classroom behavior, the two began to collaborate on Super 8 films along with friends Josh Becker, Scott Spiegel, and Raimi’s brother, Ivan.

2. HE WAS NOT A FASHION PLATE.

As detailed in his 2001 autobiography, If Chins Could Kill, Campbell saw no need to sport blue jeans while cruising the hallways of his Michigan high school in the 1970s. They “wore through at the knees and butt too quickly,” he wrote, preferring Montgomery Ward’s work pants and his father’s dark brown smoking jacket as his ensemble of choice. By the time he graduated, he had gone on less than five dates.

3. HE FENDED OFF THE ADVANCES OF PROSTITUTES.

After dropping out of college to pursue acting, Campbell found work with a Detroit-area taxi company, Southfield Cab. While working the overnight shift, he sometimes found himself toting around prostitutes who would offer their services instead of paying the fare: Campbell declined the arrangement. He lasted a year as a driver before recommitting to film work in 1978 with Raimi’s low-budget, shot-in-Michigan short Within the Woods, which would become the proof-of-concept for their feature film, The Evil Dead.

4. HE HATED THE EVIL DEAD AS A TITLE.

When Raimi and his crew finally finished shooting their splatter flick The Evil Dead and began seeking a distribution deal, they were calling it Book of the Dead. Irvin Shapiro, a wheeler-dealer who had helped horror filmmaker George Romero find his audience, dismissed it, insisting people would think they’d have to read. Among the alternative titles suggested were Blood Flood, Death of the Dead, and The Evil Dead, which Campbell called “poor” but “the least worst of the bunch.”

5. THAT FILM LED TO SOAP OPERA STARDOM.

Flush with success from 1981’s release of the horror classic, Campbell returned to Michigan and got himself hired on the regional soap opera Generations. He played a teacher named Alan Stuart and received $35 a scene. As a bonus, he also met his first wife, co-star Christine Deveau. Having ditched his Montgomery Ward’s pants, Campbell says it was “the first time a woman had openly expressed an interest” in him.

6. HE WAS BUMPED FROM HIS NEXT STARRING ROLE.

After filming a Chrysler commercial, Campbell agreed to jump back in with longtime tormentor Raimi for an action–comedy picture called Crimewave. Both men assumed Campbell would portray the lead, but the studio told them to slow down: They asked Campbell to film a screen test first. He did, and word quickly came down that he would not be the star of the film. Campbell took a supporting role instead; production was strained, and the movie (released in 1985) bombed.

7. HE GUARDED BEER.

While Campbell and his partners were eventually able to film 1987’s Evil Dead II, it did not result in any huge financial windfall for the actor. Needing some steady income between acting gigs, he took a job as a security guard for an Anheuser-Busch plant in the San Fernando Valley and worked from midnight to 8 a.m. After several nights together, his co-worker recognized him from the “Evil Death” films. When more Hollywood work came in—1989's Moontrap among the opportunities—Campbell walked away from the graveyard shift. 

8. RAIMI PUT HIM IN A FILM JUST TO SHUT ANOTHER ACTOR UP.

By 1993, Raimi was an A-list director, shooting the Western The Quick and the Dead with Leonardo DiCaprio, Gene Hackman, Sharon Stone, and Russell Crowe. When Campbell visited the set, Raimi quickly put him into costume and tossed him into a “scene” with actor Pat Hingle—but the shot was never intended to make the movie. Raimi was indulging Hingle’s request for his character to confront a pimp who had sordid dealings with his onscreen daughter. Campbell found himself in the role of the villain, kicked and tossed around by Hingle, as Raimi cackled.

9. HE GOT A GIG BY BEATING HIMSELF UP.

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For his first leading role in network television, in 1993’s The Adventures of Brisco County, Jr., Campbell auditioned for a series of executives who were eager to find an actor with the physicality to ride horses and perform stunts. Grabbing himself by the collar, he performed a forward-flip, a trick he and Raimi had taught themselves back in high school. The impressed casting director insisted he do the flip every time he was called back. (The show lasted one season.)

10. HE AUDITIONED TO BE THE PHANTOM.

After Campbell had finished shooting Brisco in 1994, he got a call from the show’s co-creator and executive producer, Jeffrey Boam. Boam was writing a big-screen adaptation of The Phantom comic strip for Paramount and invited Campbell to screen test for the title role. Though he wound up becoming a finalist, the part ultimately went to Billy Zane. Coming on the heels of the Batman films, the role was coveted—but the film bombed.

11. HE MIGHT BE THE BEST REVERSE ACTOR IN THE BUSINESS.

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To achieve some of the more surreal effects shots in The Evil Dead series, Raimi had Campbell employ a “reverse-motion acting” technique, which required him to perform in reverse so Raimi could play a sequence backwards. In 1992's Army of Darkness, a miniature version of Ash is impaled by a fork: this required Campbell to begin the scene by dying, returning to life, getting a fork pulled out of him, then running. This difficult task became a Campbell trademark, but missed attempts would prompt Raimi to exclaim that, "This is some of the worst reverse-motion acting I've ever seen!"

12. HE ONCE HAD TO CARRY DOG FOOD SO WILD ANIMALS WOULDN’T EAT HIM.

Campbell began work on a script he titled Man with the Screaming Brain in 1983. Financing opportunities were spotty, and production didn’t actually start until 22 years later, in Bulgaria. Directing and starring in the film, Campbell took note of the fact that the country was home to packs of wild dogs. To avoid being attacked, he kept dog food on his person to feed any creatures that came around looking for a snack.

13. HE BUILT A MOVIE SET ON HIS PROPERTY.

For 2007’s meta-comedy My Name Is Bruce, Campbell cut costs by erecting sets on his lavender farm near Medford, Oregon. “It's so big I can't take it down,” he told The Portland Mercury. “It confuses the hell out of delivery people—some guy comes up and he's like, 'I didn't know there was a town [named] Gold Lick out here!' My wife and I say, 'Let's meet out by the tavern!' or 'I'll meet you in the livery!' It's a great conversation piece."

14. HE OFFICIATED A ZOMBIE WEDDING.

Campbell’s devoted fans have made him a frequent guest of horror and comic conventions, where they flash Evil Dead tattoos and plead for him to sign body parts. One couple took it a step further and enlisted the actor to preside over their zombie-themed wedding. The ceremony took place at ZomBcon 2010 in Seattle. Campbell, resplendent in a red suit, married the two, then supervised 40 other couples who wanted to renew their vows.

15. ARMY OF DARKNESS PAID HIM ABOUT $93,000.

Universal

To illustrate the plight of the working stiff actor, Campbell once provided a helpful breakdown of his salary for 1992’s second Evil Dead sequel, Army of Darkness. With a $500,000 salary nipped at by agents, managers, income taxes, and a now-ex wife, he figured he made roughly $93,000. But the film took two years to complete, meaning his net profit for portraying horror icon Ash in a major motion picture was less than $50,000 a year. No wonder he was in no hurry to return.

Additional Sources:
If Chins Could Kill: Confessions of a B-Movie Actor, by Bruce Campbell
The Evil Dead Companion, by Bill Warren

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30 Memorable Quotes from Carrie Fisher
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Just days after suffering a heart attack aboard a flight en route to Los Angeles, beloved actress, author, and screenwriter Carrie Fisher passed away at the age of 60 on December 27, 2016. Though she’ll always be most closely associated with her role as Princess Leia in Star Wars, Fisher’s life was like something out of its own Hollywood movie. Born in Beverly Hills on this day in 1956, Fisher was born into show business royalty as the daughter of singer Eddie Fisher and actress Debbie Reynolds.

In addition to her work in front of the camera, Fisher built up an impressive resume behind the scenes, too, most notably as a writer; in addition to several memoirs and semi-autobiographical novels, including Wishful Drinking, Surrender the Pink, Delusions of Grandma, The Best Awful, Postcards from the Edge, and The Princess Diarist (which was released last month), she was also an in-demand script doctor who counted Sister Act, Hook, Lethal Weapon 3, and The Wedding Singer among her credits.

Though she struggled with alcoholism, drug addiction, and mental illness, Fisher always maintained a sense of humor—as evidenced by the 30 memorable quotes below.

ON GROWING UP IN HOLLYWOOD

“I am truly a product of Hollywood in-breeding. When two celebrities mate, someone like me is the result.”

“I was born into big celebrity. It could only diminish.”

“At a certain point in my early twenties, my mother started to become worried about my obviously ever-increasing drug ingestion. So she ended up doing what any concerned parent would do. She called Cary Grant.”

“I was street smart, but unfortunately the street was Rodeo Drive.”

“If anything, my mother taught me how to sur-thrive. That's my word for it.”

ON AGING

“As you get older, the pickings get slimmer, but the people don't.”

ON INSTANT GRATIFICATION

“Instant gratification takes too long.”

ON THE LEGACY OF STAR WARS

“People are still asking me if I knew Star Wars was going to be that big of a hit. Yes, we all knew. The only one who didn't know was George.”

“Leia follows me like a vague smell.”

“I signed my likeness away. Every time I look in the mirror, I have to send Lucas a couple of bucks.”

“People see me and they squeal like tropical birds or seals stranded on the beach.”

“You're not really famous until you’re a Pez dispenser.”

ON THE FLEETING NATURE OF SUCCESS

“There is no point at which you can say, 'Well, I'm successful now. I might as well take a nap.'”

ON DEALING WITH MENTAL ILLNESS

“I'm very sane about how crazy I am.”

ON RESENTMENT

“Resentment is like drinking poison and waiting for the other person to die."

ON LOVE

“Someone has to stand still for you to love them. My choices are always on the run.”

“I've got to stop getting obsessed with human beings and fall in love with a chair. Chairs have everything human beings have to offer, and less, which is obviously what I need. Less emotional feedback, less warmth, less approval, less patience, and less response. The less the merrier. Chairs it is. I must furnish my heart with feelings for furniture.”

“I don’t hate hardly ever, and when I love, I love for miles and miles. A love so big it should either be outlawed or it should have a capital and its own currency.”

ON EMOTIONS

“The only thing worse than being hurt is everyone knowing that you're hurt.”

ON RELATIONSHIPS

“I envy people who have the capacity to sit with another human being and find them endlessly interesting, I would rather watch TV. Of course this becomes eventually known to the other person.”

ON HOLLYWOOD

“Acting engenders and harbors qualities that are best left way behind in adolescence.”

“You can't find any true closeness in Hollywood, because everybody does the fake closeness so well.”

“It's a man's world and show business is a man's meal, with women generously sprinkled through it like overqualified spice.”

ON FEAR

“Stay afraid, but do it anyway. What’s important is the action. You don’t have to wait to be confident. Just do it and eventually the confidence will follow.”

ON LIFE

“I don’t want life to imitate art. I want life to be art.”

“No motive is pure. No one is good or bad-but a hearty mix of both. And sometimes life actually gives to you by taking away.”

“If my life wasn't funny it would just be true, and that is unacceptable.”

“I shot through my twenties like a luminous thread through a dark needle, blazing toward my destination: Nowhere.”

“My life is like a lone, forgotten Q-Tip in the second-to-last drawer.”

ON DEATH

“You know what's funny about death? I mean other than absolutely nothing at all? You'd think we could remember finding out we weren't immortal. Sometimes I see children sobbing at airports and I think, 'Aww. They've just been told.'”

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12 Admissible Facts About Judge Judy
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Judge Judith Sheindlin was 54 years old when her namesake TV show premiered on September 16, 1996. Two years later the diminutive (5’1”) adjudicator was trouncing the powerhouse Oprah Winfrey Show in the Nielsen ratings. Today, she is one of the highest paid TV celebrities, earning $47 million per year—which she will continue to do through 2020, thanks to a new extended contract.

Fervent fans are familiar with Judge Judy’s more outrageous cases, like The Tupperware Lady and the eBay Cell Phone Scammer, but they might not know some of these fun facts about both the show and the woman behind it, who turns 75 years old today.

1. THAT GRUFF, NO-NONSENSE STYLE OF JURISPRUDENCE IS NOT AN ACT.

Judge Judy spent a little over 20 years in New York City’s family court system, where she earned a reputation early in her career for being blunt, impatient, and tough-talking. “I can’t stand stupid, and I can’t stand slow,” was one of her oft-repeated “Judyisms” at that time. She also frequently warned attorneys appearing before her: "I want first-time offenders to think of their appearance in my courtroom as the second-worst experience of their lives ... circumcision being the first." 60 Minutes filmed her in action as part of a 1993 profile, and while her hair color and eyebrows have softened since then, her impatient rants and verbal smackdowns haven’t changed a bit.

2. SHE BEGAN WEARING HER TRADEMARK LACE COLLAR AS SOON AS SHE WAS APPOINTED AS A JUDGE.

New York City Mayor Ed Koch appointed Judith Sheindlin to the bench in 1982, and to celebrate she and her husband Jerry—both civil servants at the time—took a $399 package trip to Greece for two weeks. While passing by a row of street kiosks with various locally made crafts for sale, she impulsively purchased a white lace collar from a vendor. She explained to her husband that male judges wore stiff-collared white dress shirts and colorful neckties that peeped out of the top of their robes, so that they had a nice colorful “buffer” between the austere black gown and their face. Female judges, however, had nothing but neck peeping out of their robes and the unforgiving black color revealed every minute of sleep deprivation as well as any skin tone irregularities. The white lace collar, she decided, would not only perk up her face but would also be a bit disarming for litigants—she could picture them thinking “That nice little lady with the lace collar sitting behind the bench couldn’t hurt a fly!”

3. DESPITE THOSE NEW YORK CITY SCENES ON THE COMMERCIAL BUMPERS, JUDGE JUDY IS TAPED IN CALIFORNIA.

Sheindlin spends 52 days per year taping her show. She flies to California via private jet every other Monday and hears cases on Tuesday and Wednesday (occasionally Thursday if there are production delays). One full week’s worth of shows are filmed each day. Many viewers, however, are fooled into thinking Judy is holding court in her native New York, thanks to the scenic Manhattan footage in between station breaks and the New York state flag behind her chair. That is, until something oh-so-unique to the west coast—like an earthquake—occurs on-camera. (Note that in the clip below, Judge Judy quickly ducks beneath her bench once the room begins to tremble.)

4. SHE IS BRIEFED ON THE CASES BEFORE SHE ARRIVES ON THE SET.

Judge Sheindlin does not go to the studio unprepared; producers FedEx the sworn statements and relevant information on each upcoming case to her home (Naples, Florida in the winter; Greenwich, Connecticut in the spring and summer) and she familiarizes herself with enough details to have some background, but not enough so that the case doesn’t appear “fresh” when she questions the litigants during filming.

5. THE CASES REALLY ARE REAL.

The production company has a staff of 60-plus researchers across the country who spend their days poring over lawsuits filed in local small claims courts. Thanks to the Freedom of Information Act, they are able to photocopy cases that they think might make for interesting television and those copies are forwarded to the show’s producers. Any cases that make it to the next stage (about three percent) involve contacting the litigants involved and asking them if they’d like to forego their civil court hearing in exchange for a free trip to Los Angeles, an $850 appearance fee, and a per diem of $40 (as of 2012). An added incentive is that any judgments awarded are paid by the show, not by the plaintiff or defendant. The best cases, according to the executive producer, are those that involve litigants with a prior relationship—mother/daughter, father/son, boyfriend/girlfriend, etc. Such cases engage the audience because it’s an emotional tie that’s been broken (the recurring plot on many soap operas).

6. THE AUDIENCE, HOWEVER, IS NOT SO REAL.

Regular viewers will note that the same faces seem to pop up in the audience regularly. Those folks in the spectator seats are paid extras (often aspiring actors) who earn $8 per hour to sit and look attentive. Prospective audience members apply for the limited amount of seats by emailing their contact information along with a clear headshot to one of Judge Judy’s production coordinators (sorry, we cannot provide that info). If chosen, the spectator must dress appropriately (business casual or better) and arrive promptly for the 8:30 a.m. call time. Audience members must pass through metal detectors on their way in and are not allowed to bring cell phones or any electronic devices with them, and food, drinks and chewing gum are also verboten. Spectators are rearranged after each case so it’s not as obvious that it’s the same group of people, and the most attractive folks are always seated in the front row (it’s Hollywood, after all). The audience is instructed to talk animatedly amongst themselves in between each case so that Officer Byrd’s “Order in the court!” admonition has more impact. Bad behavior is grounds for immediate expulsion (in front of 10 million viewers, as Judge Judy likes to remind us).

7. JUDGE JUDY DRESSES CASUALLY FOR THE JOB.

Sheindlin has been known to publicly chastise litigants who come to her courtroom in skimpy clothing or “beach attire,” but behind that bench and under that robe she is usually sporting jeans and a tank top or T-shirt.

8. OFFICER BYRD IS A REAL BAILIFF.

Brooklyn native Petri Hawkins Byrd earned his B.Sc. degree from the John Jay College of Criminal Justice in 1989 and started working in the Brooklyn Family Court system. He first worked with Judge Sheindlin when he transferred to the Manhattan Family Court. “We [the court officers] used to call her the Joan Rivers of the judicial system,” he recalled in a 2004 interview. “She was just hilarious.” Byrd relocated to San Mateo, California in 1990 to work as a Special Deputy U.S. Marshal and a few years later he read an item in Liz Smith’s gossip column about Sheindlin’s upcoming TV show. He sent his old colleague a congratulatory letter and added, “If you need a bailiff, I still look good in uniform.”

9. DESPITE HIS SOMETIMES IMPOSING COURTROOM DEMEANOR, OFFICER BYRD IS ALSO A VERY FUNNY GUY.

He is a talented impressionist, but his sense of humor almost cost him his job—or so he thought at the time. Once, back when he was working with the feisty Judge Sheindlin in New York, he donned her robe and reading glasses to entertain his co-workers with a barrage of Judyisms. Of course, as always seems to happen when one mocks the boss in the workplace, he was caught in the act.

10. THE OCCASIONAL CELEBRITY RELIES ON JUDGE JUDY’S BRAND OF JUSTICE.

Depending upon your own definition of “celebrity”, of course. Actress Roz Kelly (Pinky Tuscadero on Happy Days) appeared on the show in 1996 as the plaintiff, suing her plastic surgeon for a leaky breast implant that was impeding her acting career. One year later, former Sex Pistol John Lydon (a.k.a. Johnny Rotten) appeared as a defendant when drummer Robert Williams, who was hired to support Lydon on a solo tour, sued the singer for lost wages and an assault. Despite Lydon’s occasional bad courtroom behavior, the decision was made in his favor.

11. THE STAR ORIGINALLY DIDN’T WANT THE SHOW NAMED AFTER HER.

Sheindlin first envisioned calling her show Hot Bench, a term used frequently in the appellate court, but the producers wisely advised her that the term was meaningless to TV viewers who didn’t work in the legal system. Her next thought was Judy Justice, since she’d overheard her court officers warning deadbeat parents who were delinquent in child support payments that they were in for a load of "Judy Justice" if they weren’t prepared to cough up some money. In retrospect, Sheindlin realized the wisdom in calling the show Judge Judy: She couldn’t be easily replaced, as the various judges had been on The People’s Court. However, after 19 years on the air, she still does not refer to herself by that sobriquet; whether introducing herself to someone or advertising her show in a promotional clip, she is always either “Judge Sheindlin” or “Judge Judy Sheindlin.”

12. JUDGE SHEINDLIN INHERITED HER SENSE OF HUMOR FROM HER FATHER.

Murray Blum, Judy’s beloved father, was a dentist whose office was in the family home. In those days—before sedation dentistry was an option—a dentist’s best tool to distract nervous patients was the gift of gab, and Murray became a master storyteller out of necessity. Years of listening to her father at the dinner table and at family gatherings taught Judy how to deliver a punchline. One evening outside of a hotel in Hollywood, Sheindlin was approached by a woman who introduced herself as Lorna Berle. She told the judge that her husband Milton was a huge fan and asked if she would mind talking to him for a moment. The elderly comic slowly emerged from a limo and Judy greeted him by singing the theme song to Texaco Star Theater, her favorite TV show as a child. Milton Berle complimented her in return, saying “Kid, you’ve got great comic timing.”

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