12 Spine-Tingling Facts About Tales From the Crypt

HBO
HBO

Yanked from the tasteless, imaginative, and classic E.C. comics that incited a Congressional investigation in the 1950s, HBO’s Tales from the Crypt—which premiered on June 10, 1989—was one of the few television shows where A-list Hollywood talent appeared. Robert Zemeckis (Back to the Future) was an executive producer, along with Richard Donner (Lethal Weapon, Superman: The Movie) and Walter Hill (The Warriors). Each week, the anthology series would deal out a bloody morality tale, framed by the cackling Crypt Keeper (voiced by John Kassir). Boils and ghouls curious about the show’s history should keep reading, or more puns will follow.

1. Lethal Weapon is partly responsible for the show.

Producer Joel Silver was on the set of 1987’s Lethal Weapon when he and director Richard Donner began talking about Silver’s failed attempts to adapt Tales from the Crypt as a feature film: the disappointing reception to 1983’s Twilight Zone: The Movie and 1982’s Creepshow had lessened enthusiasm for horror anthologies. Unmoved by those failures, Donner said he’d be interested in joining the project. When the series idea was brought to HBO, they were intrigued that so many feature film talents were backing the idea. When Zemeckis—who was working with Silver on 1988’s Who Framed Roger Rabbit?—got involved, the network agreed to move forward with the show.

2. The Crypt Keeper has Chucky's eyes.

When a film or television show needs a creepy animatronic puppet, they usually call Kevin Yagher. As horror’s Jim Henson, the prolific special effects expert has been responsible for the Crypt Keeper, Chucky of the Child’s Play films, and various versions of the Freddy Krueger make-up. To create Tales from the Crypt’s decomposing host, Yagher used the clear blue eyes from his Chucky fabrication; it took six puppeteers to make him fully operational.

3. Arnold Schwarzenegger directed an episode of the series.


HBO

Tales from the Crypt was famous for luring a number of noted feature directors to television at a time when it was considered a step down from movies. While having producers like Donner and Zemeckis making phone calls helped, the primary attraction was getting to shoot what amounted to a short film with minimal interference. For actors, it was also a chance to step behind the camera without the burden of an extended shoot. Arnold Schwarzenegger, who was paid scale ($15,000) to direct an episode, said at the time “It was, I would say, the greatest joy I’ve ever had in the movie business."

4. The series brought Humphrey Bogart back from the dead.

Zemeckis’s involvement often meant that Tales from the Crypt would take any opportunity to explore new techniques for visual effects. In the episode “You, Murderer,” a career criminal murdered by his wife and best friend posthumously narrates the events leading up to his demise. When the character looks in the mirror—the show takes place from his POV—viewers see the resurrected features of Humphrey Bogart. Zemeckis used footage from Casablanca, The Maltese Falcon, and other Bogart films to capture footage and digitally insert it into the frame. During wraparounds, the Crypt Keeper also converses with a seemingly above-ground Alfred Hitchcock.

5. It helped create the "It's not TV, it's HBO" tag.

Free from the restrictions of broadcast networks, HBO had no problems pushing boundaries in its content. When the channel enlisted a new ad agency to develop a marketing campaign for Tales from the Crypt, they screened a collection of racy footage from the show along with other original programming. When the lights came up, someone said, “It’s not TV.” Another person said, “No, it’s HBO."

6. Two versions of each episode of the show were shot.

For Zemeckis, Donner, and the rest of the show's high-profile producers, the financial payoff was always thought to be a move to syndication. Because HBO was more permissive in terms of content, they needed to prepare for an eventual screening on broadcast TV stations. When Tales from the Crypt was bought by Fox for a late-night Saturday slot in 1994, the episodes were re-edited to include alternate takes that eliminated most of the original episodes' gore and nudity. The show also had actors loop non-profane dialogue during shooting. While HBO normally values exclusivity, it didn’t mind the deal: uncut episodes were still an attraction and, as one executive pointed out, “The show is called HBO’s Tales From the Crypt.” Free advertising never hurt.

7. Tales From the Crypt's axe-wielding Santa had been seen before.


HBO

One of the show’s earliest episodes featured Larry Drake (L.A. Law) as a murderous Santa Claus stalking a woman who had just murdered her husband and couldn't exactly plead with the police for assistance. While the premise was based on an E.C. story, it wasn’t the first time it had been filmed. In 1972, a production company named Amicus released a Tales From the Crypt feature: in one segment, Joan Collins appears as the freshly widowed wife being hunted by a significantly less sinister-looking Santa.

8. John Kassir called into radio shows in charater.

As an anthology show, Tales from the Crypt didn’t have any recurring cast members to help drum up publicity. The only familiar face (and voice) was Kassir's. So HBO had him make the media rounds at the start of each season, calling into radio shows as the Crypt Keeper. “We would launch a new season and I would spend a week in the morning doing 50 or 60 radio interviews as the Crypt Keeper,” he told CrypticRock.com. “I would naturally have to improvise all of that. I would have some bullet points and all that to talk about when the show was coming on ... [the Crypt Keeper] would sit there and talk. ‘How are you Frank? Ha ha ha.’”

9. The series moved to the UK for its final season.

And not, as some suspected, because it was cheaper. After six seasons, Tales from the Crypt had more or less exhausted California’s reserve of actors and filmmakers. For its final season, the production moved to Ealing Studios in West London. Producer Gil Adler endorsed the switch for enabling new faces and locations to be utilized. As a result of the change, Ewan McGregor and Bob Hoskins were among the actors who popped up on the series.

10. It got G-rated for an animated series.

The success of Tales from the Crypt in live-action prompted Silver to consider alternative revenue streams for its popular host, who once sat in with The Tonight Show band. In 1993, ABC aired a Saturday morning cartoon show, Tales From the Cryptkeeper, that featured a somewhat softer approach to the morbid material: characters didn’t die, and being dismembered was off-limits. Originally intended to be introduced by the puppet version, concerns over his appearance—the Crypt Keeper is essentially a rotting corpse, which might disturb children—led producers to replace him with an animated substitute. John Kassir remained the voice. The light alternative didn’t resonate with viewers, who tuned out after two seasons.

11. It also spawned a game show.

The unwieldy title was probably a fair warning: Secrets of the Crypt Keeper’s Haunted House was a 1996 production that featured Kassir and his puppet alter ego in a game show that aired on CBS on Saturday mornings. Shot at Universal Studios Florida, teams of contestants awkwardly interacted with a green screen and 1990s-era computer graphics while the Crypt Keeper taunted them. The effects were so peculiar that the show’s premiere was delayed by a month while technical difficulties were sorted out. It lasted a season, but that was enough to make some kind of TV history: by this point, the character had appeared on ABC, CBS, Fox, and HBO.

12. There was also a Christmas album.

Reminded that Freddy Krueger once performed with the Fat Boys, Kassir recorded several albums in character for Warner Bros. The first, Have Yourself a Scary Little Christmas, was released in 1994. (Sample track: “Deck the Halls with Parts of Charlie.”) Kassir has said his father, a surgeon, enjoyed playing the holiday record during procedures.

The First Full Trailer for The Crown Season 3 Is Here

Des Willie, Netflix
Des Willie, Netflix

Star Wars obsessives aren't the only people in for a trailer treat today: Nearly two years after the second season of The Crown debuted, the award-winning series about the early days of Queen Elizabeth II's reign is just weeks away from its return. And on Monday morning, Netflix released the first full trailer for The Crown's new season.

While we've known some of the basic details about the new season—like the time frame in which it takes place and that Olivia Colman and Tobias Menzies would be taking over the roles of Queen Elizabeth and Prince Philip—this is the first in-depth glimpse we've gotten at what's in store for season 3.

The role duty plays in the lives of the British royal family appears to be an overarching theme, with the trailer showing the country in distress but each of the characters putting on a smiling face for the public. While Elizabeth and Philip's relationship will continue to take center stage in the pricey period drama, Princess Margaret (now played by Helena Bonham Carter) will struggle with her role of being the Queen's sister. And Prince Charles (Josh O'Connor) will have to choose between his love for Camilla Parker Bowles (played by Killing Eve writer Emerald Fennell) and his duty as the heir apparent to the throne.

Netflix will debut The Crown season 3 on November 17, 2019.

10 Facts About the Beastie Boys's 'Sabotage' Video

Beastie Boys via YouTube
Beastie Boys via YouTube

With their raucous mix of rock and hip-hop, the Beastie Boys were a band everyone could love. They also made killer music videos, and their 1994 video for “Sabotage” is arguably one of the greatest in the history of the medium. Directed by Spike Jonze and inspired by ‘70s cop shows, “Sabotage” finds the Beasties in cheesy suits, wigs, and mustaches, cavorting around L.A. like a bunch of bootleg Starskys and Hutches. If you were alive in the ‘90s, you’ve seen “Sabotage” a million times, but there’s a lot you might not know about this iconic video.

1. It all began with a photo shoot.

Spike Jonze met the Beastie Boys when he photographed them for Dirt magazine in the early 1990s. The band showed up with its own concept. “For years, Beastie Boy Adam Horovitz had been talking about doing a photo session as undercover cops—wearing ties and fake mustaches and sitting in a car like we were on a stakeout,” Adam “MCA” Yauch told New York Magazine. Jonze loved the idea so much he tagged along when the Beasties went wig shopping. “Then, while he was taking the pictures, he was wearing this blond wig and mustache the whole time,” Yauch said. “For no apparent reason.” So was born a friendship that begat “Sabotage.”

2. Spike Jonze filmed “Sabotage” without permits.

The Beasties weren’t big fans of high-budget music videos with tons of people on the set. So they asked Jonze to hire a couple of assistants and run the whole production out of a van. “Then we just ran around L.A. without any permits and made everything up as we went along,” MCA told New York. They’re lucky the real cops never showed up.

3. The Beastie Boys did all their own stunt driving.

After binge-watching VHS tapes of The Streets of San Francisco and other ‘70s cop shows, the Beasties knew they needed some sweet chase scenes. “We bought a car that was about to die,” Mike D told Vanity Fair. “We just drove the car ourselves. We almost killed the car a couple of times, but we definitely didn’t come close to killing ourselves.”

4. “Sabotage” inspired the opening sequence of Trainspotting.

Danny Boyle's 1996 film Trainspotting famously opens with Ewan McGregor and his buddies running through the streets of Edinburgh to the tune of Iggy Pop’s “Lust for Life.” In the DVD commentary, Boyle revealed that the scene was inspired by “Sabotage.”

5. Two cameras were harmed in the making of “Sabotage.”

“Sabotage” was supposed to be a low-budget affair—and it would’ve been, had Jonze been a little more careful with his rented cameras. He destroyed a Canon Scoopic when the Ziploc bag he used to protect the camera during an underwater shot proved less than airtight. He apparently told the rental agency the camera stopped working on its own, but he wasn’t as lucky when an Arriflex SR3 fell out of a van window. That cost $84,000, effectively tripling the cost of the video.

6. MCA crashed the stage of the MTV Video Music Awards to protest “Sabotage” being shut out.

At the 1994 MTV VMAs, “Sabotage” was nominated for five awards, including Video of the Year. In one of the great injustices of all time, it lost in all five categories. When R.E.M.’s “Everybody Hurts” won Best Direction, MCA invaded the stage dressed as Nathanial Hörnblowér, his Swiss uncle/filmmaker alter-ego. “Since I was a small boy, I had dreamed that Spike would win this,” MCA said as a confused Michael Stipe looked on. “Now this has happened, and I want to tell everyone this is a farce, and I had the ideas for Star Wars and everything.”

7. There’s a “Sabotage” comic book you can download for free.

After MCA’s death in 2012, artist Derek Langille created a seven-page “Sabotage” comic book in tribute to the fallen musician and filmmaker. You can download it for free here.

8. There’s also a “Sabotage” novel.

To celebrate the 25th anniversary of “Sabotage,” Oakland-based author and Beasties super-fan Jeff Gomez wrote a five-act novel inspired by the video. He spent months researching cop movies and real-life police lingo, and he watched “Sabotage” about 100 times, keeping a detailed spreadsheet of all the action unfolding onscreen. “They created a really great universe, and I just wanted to play around in it for a little bit,” Gomez told PBS.

9. There’s a “Sabotage”/Sesame Street mashup on YouTube.

In 2017, YouTuber Is This How You Go Viral, a.k.a. Adam Schleichkorn, created the video “Sesametage,” a reimagining of “Sabotage” made with edited bits of Sesame Street. It stars Big Bird as himself, The Count as Cochese, and Oscar the Grouch as Bobby, “The Rookie.” Super Grover, Telly, Cookie Monster, and Bert and Ernie also turn up in this hilarious spoof of a spoof.

10. “Sabotage” nearly became a movie—kind of.

Jonze and the Beasties had such a blast making “Sabotage” that they wrote a script for a feature film called We Can Do This. The movie, which they later abandoned, was set to feature MCA in two roles: Sir Stuart Wallace, one of his “Sabotage” characters, and Nathaniel Hörnblowér (whom he portrayed during that 1994 VMAs protest). Jonze told IndieWire the film would’ve been “ridiculous and fun,” which sounds like the understatement of the century. “There were no 1970s cops in it, but it was definitely in the same spirit,” he said.

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