Walt Disney Pictures
Walt Disney Pictures

7 Movies That Sent People Running Out of Theaters

Walt Disney Pictures
Walt Disney Pictures

The Lumière brothers were said to have caused quite a stir when their 50-second short film, The Arrival of a Train at La Ciotat, premiered in Paris in 1896. Unaccustomed to the sensory experience of moving footage, audiences experienced a jolt of panic when an oncoming train seemed to be speeding directly toward them.

Over the years, the story has morphed into people fleeing from the theater entirely, though that’s not likely. Since the Lumières, however, many filmmakers have been successful in driving moviegoers out of their seats. The latest addition: Robert Zemeckis, whose film The Walk is quickly becoming notorious for its dizzying depiction of wire-walker Philippe Petit’s journey between the Twin Towers in 1974. The perspective of Petit more than 1300 feet in the air is reportedly too much for some to take. Here are seven other films that couldn’t keep audiences in the dark for long.   

1. THE EXORCIST (1973)

Lines wrapped around the block for the film adaptation of William Peter Blatty’s bestselling novel about a young woman possessed by a demon. They quickly realized it was the cinematic equivalent of a hot pepper: something to be endured rather than enjoyed. News footage like the compilation above portrayed stricken filmgoers who had fled screening rooms out of sheer terror; one fainted in the lobby. “I just found it really horrible and had to come out,” one says. “I couldn’t take it anymore.” By the time the film premiered in London, ambulances were parked outside.


Launching the found-footage genre with an economical story about filmmakers threatened by an unseen force, The Blair Witch Project was a sizable box office hit and remains one of the most profitable films ever ($22,000 budget, $240 million gross). But the documentary-style format, with actors jogging or falling over with a camera in hand, prompted waves of people getting motion sickness in aisles, lobbies, and bathrooms. The Associated Press reported Atlanta-area theaters were on puke patrol for most of opening weekend. “Someone threw up in the men’s restroom, the women’s restroom, and in the hallway,” said a theater manager. In Cambridge, Massachusetts, another theater manager made announcements before screenings to please vomit outside of the screening room.

By the time Cloverfield's (2008) handheld photography was churning stomachs a decade later, theaters wisely posted signs warning of a "roller coaster" effect. Instead of barf bags, theaters handed out refunds.

3. 127 HOURS (2010)

film still from 127 hours
Fox Searchlight

From the get-what-you-pay-for department: Audiences that streamed in for director Danny Boyle’s account of hiker Aron Ralston, who got himself wedged in a cave and had to amputate his own arm with a pocketknife, found themselves bearing witness to James Franco wedged in a cave and amputating his own arm with a pocketknife. Many, many people fainted; some vomited; one person fainted, was hauled away in an ambulance, and returned to the theater to declare the film “excellent.”


It’s not necessarily shocking that the unflinching violence of a Quentin Tarantino movie would prompt audience evacuations: 1994’s Pulp Fiction lost patrons when Uma Thurman got a shot of adrenaline in her heart. But Reservoir Dogs is notable for the people it pulled from their seats. When Michael Madsen’s character began an unsolicited ear amputation of a hostage during an industry screening, the late Wes Craven (creator of The Last House on the Left and A Nightmare on Elm Street) fled the theater.  

5. FREAKS (1932)

Freaks film
Metro-Goldwyn-Mayer Studios

Tod Browning’s infamous portrayal of a circus sideshow with revenge in mind was a harrowing experience for filmgoers. Not strictly a horror film, its large cast of “actual” circus performers with a myriad of deformities was unsettling. Freaks suffered mass walkouts upon release, viewers unnerved by missing limbs; MGM insisted on editing the film after a woman claimed she was so aggrieved during a screening that she suffered a miscarriage.  


Panned for its depiction of a brutal assault, this revenge film from director Gaspar Noé prompted viewers to head for the exits—but not necessarily because of what was shown onscreen. Noé admitted to using a 27 hertz frequency of bass that can’t be picked up by the human ear during the movie’s first 30 minutes. Known as infrasound, it's been known to induce panic and anxiety in a manner similar to vibrations created by earthquakes. Paranormal Activity (2007) used a similar technique.

7. THE LION KING (1994)

the lion king
Walt Disney Pictures

In the proud Disney tradition of maiming parents came The Lion King, where tiny Simba learns to fend for himself after his father is trampled during a stampede. The animated tragedy proved so intense for younger viewers—Disney’s key demographic—that they had to be temporarily relocated to the lobby until they calmed down.  

9 Curses for Book Thieves From the Middle Ages and Beyond

It may seem extreme to threaten the gallows for the theft of a book, but that's just one example in the long, respected tradition of book curses. Before the invention of moveable type in the West, the cost of a single book could be tremendous. As medievalist Eric Kwakkel explains, stealing a book then was more like stealing someone’s car today. Now, we have car alarms; then, they had chains, chests … and curses. And since the heyday of the book curse occurred during the Middle Ages in Europe, it was often spiced with Dante-quality torments of hell.

The earliest such curses go back to the 7th century BCE. They appear in Latin, vernacular European languages, Arabic, Greek, and more. And they continued, in some cases, into the era of print, gradually fading as books became less expensive. Here are nine that capture the flavor of this bizarre custom.


A book curse from the Arnstein Bible, circa 1172
A curse in the Arnstein Bible
British Library // Public Domain

The Arnstein Bible at the British Library, written in Germany circa 1172, has a particularly vivid torture in mind for the book thief: “If anyone steals it: may he die, may he be roasted in a frying pan, may the falling sickness [i.e. epilepsy] and fever attack him, and may he be rotated [on the breaking wheel] and hanged. Amen.”


A 15th-century French curse featured by Marc Drogin in his book Anathema! Medieval Scribes and the History of Book Curses has a familiar "House That Jack Built"-type structure:

“Whoever steals this book
Will hang on a gallows in Paris,
And, if he isn’t hung, he’ll drown,
And, if he doesn’t drown, he’ll roast,
And, if he doesn’t roast, a worse end will befall him.”


A book curse excerpted from the 13th-century Historia scholastica
A book curse from the Historia scholastica
Yale Beinecke Library // Public Domain

In The Medieval Book, Barbara A. Shailor records a curse from Northeastern France found in the 12th-century Historia scholastica: “Peter, of all the monks the least significant, gave this book to the most blessed martyr, Saint Quentin. If anyone should steal it, let him know that on the Day of Judgment the most sainted martyr himself will be the accuser against him before the face of our Lord Jesus Christ.”


Drogin also records this 13th-century curse from a manuscript at the Vatican Library, as notes. It escalates rapidly.

"The finished book before you lies;
This humble scribe don’t criticize.
Whoever takes away this book
May he never on Christ look.
Whoever to steal this volume durst
May he be killed as one accursed.
Whoever to steal this volume tries
Out with his eyes, out with his eyes!"


A book curse from an 11th century lectionary
A book curse from an 11th century lectionary
Beinecke Library // Public Domain

An 11th-century book curse from a church in Italy, spotted by Kwakkel, offers potential thieves the chance to make good: “Whoever takes this book or steals it or in some evil way removes it from the Church of St Caecilia, may he be damned and cursed forever, unless he returns it or atones for his act.”


This book curse was written in a combination of Latin and German, as Drogin records:

"To steal this book, if you should try,
It’s by the throat you’ll hang high.
And ravens then will gather ’bout
To find your eyes and pull them out.
And when you’re screaming 'oh, oh, oh!'
Remember, you deserved this woe."


This 18th-century curse from a manuscript found in Saint Mark’s Monastery, Jerusalem, is written in Arabic: “Property of the monastery of the Syrians in honorable Jerusalem. Anyone who steals or removes [it] from its place of donation will be cursed from the mouth of God! God (may he be exalted) will be angry with him! Amen.”


A book curse in a 17th century manuscript cookbook
A book curse in a 17th century cookbook

A 17th-century manuscript cookbook now at the New York Academy of Medicine contains this inscription: "Jean Gembel her book I wish she may be drouned yt steals it from her."


An ownership inscription on a 1632 book printed in London, via the Rochester Institute of Technology, contains a familiar motif:

“Steal not this Book my honest friend
For fear the gallows be yr end
For when you die the Lord will say
Where is the book you stole away.”


One of the most elaborate book curses found on the internet runs as follows: "For him that stealeth a Book from this Library, let it change to a Serpent in his hand and rend him. Let him be struck with Palsy, and all his Members blasted. Let him languish in Pain, crying aloud for Mercy and let there be no surcease to his Agony till he sink to Dissolution. Let Book-worms gnaw his Entrails in token of the Worm that dieth not, and when at last he goeth to his final Punishment let the Flames of Hell consume him for ever and aye.”

Alas, this curse—still often bandied about as real—was in fact part of a 1909 hoax by the librarian and mystery writer Edmund Pearson, who published it in his "rediscovered" Old Librarian's Almanack. The Almanack was supposed to be the creation of a notably curmudgeonly 18th-century librarian; in fact, it was a product of Pearson's fevered imagination.

5 Things We Know About Deadpool 2

After Deadpool pocketed more than $750 million worldwide in its theatrical run, a sequel was put on the fast track by Fox to capitalize on the original's momentum. It's a much different position to be in for a would-be franchise that was stuck in development hell for a decade, and with Deadpool 2's May 18, 2018 release date looming, the slow trickle of information is going to start picking up speed—beginning with the trailer, which just dropped. Though most of the movie is still under wraps, here's what we know so far about the next Deadpool.


The tendency with comic book movie sequels is to keep cramming more characters in until the main hero becomes a supporting role. While Deadpool 2 is set to expand the cast from the first film with the addition of Domino (Zazie Beetz), the return of Colossus and Negasonic Teenage Warhead, and the formation of X-Force, writer Rhett Reese is adamant about still making sure it's a Deadpool movie.

"Yeah, it’ll be a solo movie," Reese told Deadline. "It’ll be populated with a lot of characters, but it is still Deadpool’s movie, this next one."


Fans have been waiting for Cable to come to theaters ever since the first X-Men movie debuted in 2000, but up until now, the silver-haired time traveler has been a forgotten man. Thankfully, that will change with Deadpool 2, and he'll be played by Josh Brolin, who is also making another superhero movie appearance in 2018 as the villain Thanos in Avengers: Infinity War. In the comics, Cable and Deadpool are frequent partners—they even had their own team-up series a few years back—and that dynamic will play out in the sequel. The characters are so intertwined, there were talks of possibly having him in the original.

"It’s a world that’s so rich and we always thought Cable should be in the sequel," Reese told Deadline. "There was always debate whether to put him in the original, and it felt like we needed to set up Deadpool and create his world first, and then bring those characters into his world in the next one."

Cable is actually the son of X-Men member Cyclops and a clone of Jean Grey named Madelyne Pryor (that's probably the least confusing thing about him, to be honest). While the movie might not deal with all that history, expect Cable to still play a big role in the story.


Although Deadpool grossed more than $750 million worldwide and was a critical success, it still wasn't enough to keep original director Tim Miller around for the sequel. Miller recently came out and said he left over concerns that the sequel would become too expensive and stylized. Instead, Deadpool 2 will be helmed by John Wick (2014) director David Leitch. Despite the creative shuffling, the sequel will still feature star Ryan Reynolds and writers Rhett Reese and Paul Wernick.

“He’s just a guy who’s so muscular with his action," Reynolds told Entertainment Weekly of Leitch's hiring. "One of the things that David Leitch does that very few filmmakers can do these days is they can make a movie on an ultra tight minimal budget look like it was shot for 10 to 15 times what it cost,"


No, this won't be the title of the movie when it hits theaters, but the working title for Deadpool 2 while it was in production was, appropriately, Love Machine.


The natural instinct for any studio is to make the sequel to a hit film even bigger. More money for special effects, more action scenes, more everything. That's not the direction Deadpool 2 is likely heading in, though, despite Miller's fears. As producer Simon Kinberg explained, it's about keeping the unique tone and feel of the original intact.

"That’s the biggest mandate going into on the second film: to not make it bigger," Kinberg told Entertainment Weekly. "We have to resist the temptation to make it bigger in scale and scope, which is normally what you do when you have a surprise hit movie."


More from mental floss studios