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12 Very Special Facts About Punky Brewster

Shout! Factory
Shout! Factory

Sitcoms about orphans abandoned by their parents and left to fend for themselves are few and far between. Fortunately, Punky Brewster, which ran from 1984 to 1988, was able to fill that need. Starring Soleil Moon Frye as the aggressively optimistic Punky and George Gaynes as her adoptive father, Henry, the show was famous for Punky’s distinctive fashion palette and its obsession with Very Special Episodes. (In “Urban Fear,” Punky learns a serial killer is stalking her neighborhood; in another, Punky learns a valuable lesson about peer pressure and drug use.)

Check out these 12 facts on alternative casting, a failed spinoff, and the real origin of the infamous refrigerator episode.

1. PUNKY IS A REAL PERSON.

Though she probably didn’t dress like a rainbow vomited on her. In the mid-1980s, the Federal Communications Commission insisted that networks use the 7 and 7:30 p.m. slots on Sunday for news or children’s programming. Instead of competing against CBS’ 60 Minutes with more topical content, NBC President Brandon Tartikoff decided to counter-program with a show about a spunky little girl. He wanted to name her after a teacher's daughter he knew in prep school, Peyton “Punky” Brewster: Peyton gave NBC lawyers her approval. As reported by mental_floss's own Stacy Conradt, the "real" Punky even appeared in a later episode as a teacher.   

2. VICKI THE ROBOT AUDITIONED FOR THE ROLE.

When NBC’s casting call went out for Punky, more than 3000 adorable, elfin actors campaigned for the role. Among them was Tiffany Brissette, who later appeared as the monotone Vicki in the kid-robot series Small Wonder; Melissa Joan Hart (Clarissa Explains It All) was also a contender. But producers knew the relatives of Soleil Moon Frye, a 7-year-old with three TV movies under her tiny belt, and decided she had sufficient Punky Power.

3. HERMAN MUNSTER WAS UP FOR THE HENRY PART.

Before actor George Gaynes (Police Academy, Tootsie) was awarded the role of Punky’s adoptive father, Henry, producers were fielding another possibility: Fred Gwynne, best known as Herman Munster on The Munsters. Gwynne was said to be eager to distance himself from Munster and agreed to audition with Frye. But when the actress asked if he was Herman Munster, a disappointed Gwynne slinked out.   

4. THE SHOW WAS KIND OF GRIM.

When Tartikoff had the idea for a kid show, he passed it along to writer David Duclon, a producer on the network’s hit series Silver Spoons. Duclon told TV Guide in 1986 that he researched topical issues and found an alarming number of girls were victims of abandonment. It was decided Punky’s parents would be deadbeats; future episodes threatened to have her locked away in an orphanage, helping Henry cope with a bleeding ulcer, and addressing his sleeping pill addiction—unless, of course, she was busy tending to her dog, Brandon, who was hit by a car.

5. COLUMBIA PICTURES SUED FRYE FOR $80 MILLION DOLLARS.

Being precocious apparently isn’t enough to keep a battalion of lawyers from trying to devour you. According to the Associated Press, Columbia Pictures (which took over production of the show when it went into syndication for its third season) sued Soleil Moon Frye for $80 million in 1986. The reason? Frye failed to report to work. Her attorney, Dennis Ardi, asserted Frye was under no legal obligation to perform once the series left NBC. Since the show ran for two more years, it's safe to say things were worked out and no Punky punitive damages were assessed.

6. THE INFAMOUS FRIDGE EPISODE WAS THOUGHT UP BY A KID.

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To help stir up publicity for the series, NBC ran a contest in 1985 that solicited story ideas from kids. The winner was Jeremy Reams, who submitted a premise that involved Punky having to perform CPR on her friend, Cherie, who had gotten trapped inside an abandoned refrigerator. While this was an actual danger for older appliances with latches that couldn’t be opened from the inside, by 1956 the government mandated magnetic handles. In New York State, it was also illegal to discard fridges without removing the door.

7. SOME EPISODES WERE ONLY 15 MINUTES LONG. (THANKS, KNIGHT RIDER.)

While Punky usually occupied the normal 30-minute sitcom slot, the fall arrival of football on NBC prompted some format changes. Because games airing in the afternoon often run late, NBC decided to avoid joining a program in progress by scheduling 15-minute mini-Punky episodes to follow NFL broadcasts: It also guaranteed their hit Knight Rider would start on time at 8 p.m. Three episodes were structured to be “broken" in half, making for six truncated installments. It was the first time a major network had aired a 15-minute show since news programs in the 1960s.  

8. T.K. CARTER (A.K.A. “MIKE FULTON”) WAS ARRESTED FOR STEALING A CAR.

Fans may remember actor Thomas Kent Carter as Punky's “cool” teacher Mike Fulton. According to the Associated Press, Carter behaved in a very uncool manner when he approached a woman in December of 1991 and demanded her car. She refused; he allegedly punched her in the stomach before speeding away. Carter was arrested after a high-speed chase and having taken out two highway dividers. He was released on $10,000 bail.

9. PUNKY RETURNED AS A WEB COMIC.

Punky Power could not be suffocated for long: in 2014, publisher Lion Forge obtained the license to a number of 1980s series (Miami Vice, Airwolf) and began churning out a line of digital comics. The prequel sees Punky homeless in Chicago after being abandoned by her mother, “sleeping in empty apartments and mattress stores.” Eight issues have been released.   

10. IT ADDRESSED THE CHALLENGER EXPLOSION.

When the space shuttle Challenger exploded in 1986—killing all seven people on board—it left a lot of people shaken. The producers of Punky Brewster quickly packaged an episode with the help of psychologists that depicted Punky watching the telecast with her classmates and then struggling to cope with her feelings over the tragedy. Buzz Aldrin appeared in the episode as himself.    

11. THERE WAS A SPINOFF ABOUT AN ORPHANAGE.

During Punky’s first season, NBC considered a spinoff, Fenster Hall, about an orphanage full of wayward kids. T.K. Carter was set to reprise his role as Mike Fulton; producers also invited a pre-Saturday Night Live Dana Carvey to join the cast. (He declined.) The series was considered for a fall 1985 premiere but never made it to air.

12. IN 2009, FRYE DRESSED AS PUNKY FOR HER TWITTER FOLLOWERS.

Soleil Moon Frye via Twitter

After hitting a milestone one million followers on her Twitter account in 2009, Frye celebrated by dressing in her signature Punky gear. The then-33-year-old filmed a five-minute video thanking her fans and pointed out that Punky’s many bandanas were “gangster before there was gangster.”

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25 Dapper Outfit Choices for Fashionable Pets
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Lavishing your furry friends with adorable attire is a benefit of pet ownership that they don't mention on the adoption forms. Whether you prefer practical clothing like sweaters and jackets or statement pieces like bow ties and tutus, these dapper duds are perfect for a howl-iday or "gotcha day" gift, or simply for saying, "Who's the cutest little pupper in pajamas? You are!"

1. CASHMERE DOG SWEATER; FROM $165

dog in sweater
Canine Styles

This classic cable-knit cashmere sweater is a sophisticated look for Fido or Finn. Get it from Canine Styles, a luxury dog emporium in New York City that has plenty of posh and preppy outfits.

Find It: Canine Styles

2. TOGGLE DOG COAT; $85

dog in coat
Canine Styles

This toggle coat (available in orange, navy, and tan) is as fashionable as it is warm. Made of Melton wool, it has Velcro closures to make getting dressed easy. It's great for long walks in the country.

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3. DOG TUXEDO; FROM $90

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Etsy

This satin tuxedo is perfect for the canine members of your wedding party, though it will brighten up any other occasion as well. The custom, handmade outfit comes complete with a snappy bow tie.

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4. DOG BELLE DRESS; FROM $45

Dog Belle Dress
Etsy

The queen of your castle can feel like a Disney princess in her very own version of Belle's iconic yellow dress from Beauty and the Beast. This ball gown is made from yellow crepe satin with chiffon overlay on the bodice and features hand-painted gold detailing on the skirt. Enchanted rose not included.

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5. POODLE SKIRT OUTFIT FOR DOGS; $26

Rubies Pink Fifties Girl Pet Costume
Amazon

What if you could buy a 1950s poodle skirt for your poodle? This retro dress is comprised of a pink poodle skirt, striped bodice, and sequined belt, and comes with a bow headband.

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6. RIBBED CROCHET BUNNY SWEATER; $25

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Etsy

Your snuggle-bunny will look like a little fancy-pants in this ribbed crochet sweater. Choose from seven colors, including this dashing deep red.

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7. BESPOKE MONOGRAM DOG SWEATER; FROM $155

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Ruby Rufus

Bespoke clothing isn't just for humans: British luxury dog clothing brand Ruby Rufus will make your pooch a custom monogram sweater made with 100 percent Italian cashmere. You can even order it in your dog's favorite color.

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8. HOT PINK DOG TUTU; $17

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Etsy

Tutus look absolutely adorable on tiny humans and animals alike. If your pooch wants to get in touch with its inner ballerina, then grab this hot pink number from Etsy. Rave reviews are a sure thing.

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9. PINK DOG POLO SHIRT; $35

Dog Pink Polo Shirt
Canine Styles

This pink polo shirt is perfect for your preppy fur baby. It features not one but a veritable multitude of crocodiles. They'll be the most dapper dog at the country club.

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10. DOG BARN COAT WITH BROWN CORDUROY COLLAR; $85

Dog in barn coat
Canine Styles

When it's time for a walk, your dog will look effortlessly chic in this fancy barn coat. It comes in navy, cranberry, orange, hot pink, and loden and features convenient pockets for anyone with opposable thumbs.

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11. WHITE PET NECK RUFF; $26

Pet Neck Ruff
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Your canine or kitty will look like their painting belongs in London's National Portrait Gallery with this Elizabethan neck ruff.

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12. CHICKEN SWEATER; $25

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Etsy

Chickens can get cold when they're strutting around outside. A sweater (well, more like sweater vest) for your bird can also help prevent feather picking during molting season. Or, it can simply keep them warm while they stare pensively across a snowy landscape.

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13. PET CIRCLE SCARF; $15

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Etsy

An infinity scarf is a perfect burst of color on a dreary early morning walk. The proprietor of Mitten Made on Etsy originally designed this wool snood for her miniature Dachshund to help keep her warm during the long, cold winters in Michigan.

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14. FAB DOG TRAVEL RAINCOAT; FROM $18

Fab Dog Travel Raincoat
Chewy

This timeless yellow rain slicker will look great on any puppy when it's raining cats and dogs. It's made of 100 percent waterproof nylon shell that keeps fur dry. Bonus: It's perfect for an It Halloween costume.

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15. LACE CAT OR DOG COLLAR; FROM $10

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Etsy

This handmade, white lace collar is a must-have for fancy felines. It's also embellished with a large rhinestone.

Find It: Etsy

16. FITWARM PENGUIN PAJAMAS FOR DOGS; FROM $10

Fitwarm Cute Penguin Xmas Dog Pajamas
Amazon

Keep your pupper warm on cold winter nights with these penguin PJs. They're great for doggie sleepovers or lazy weekends on the couch watching Netflix.

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17. PLAID CASHMERE DOG COAT; FROM $225

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Canine Styles

Your dog will look like a proper gentleman in this smart plaid peacoat. This fine garment is made of cashmere with a faux fur lining and leather buttons, and is a perfect shield against chill and fog.

Find It: Canine Styles

18. SATIN PET BOW TIE; FROM $8

Satin Bow Tie for Dog
Etsy

This satin doggie bow tie is perfect for any occasion. It comes in several colors and features a Velcro fastener that makes it easy to attach to a collar. Plus, 10 percent of every sale goes to charity: specifically to SPCA (Society for the Prevention of Cruelty to Animals) and Feeding Pets of the Homeless.

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19. RED DOG DRESS; FROM $34

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Your good boy or girl will look red carpet-ready in this elegant gown. The voluminous tulle skirt is to die for, and each bow is embellished with beads. Custom orders are also available.

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20. DOG TIE; FROM $13

Dog tie
Etsy

Your pooch will be ready to stun at any black tie event. This tie is designed like a collar, making it easy to dress your four-legged friend. This Etsy store gives back: 10 perfect of all sales are donated to an animal protection association.

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21. NAUTICAL DOG DRESS WITH MATCHING LEASH; $20

Dog sailor dress
BaxterBoo

Perfect for a day on the town or setting sail in a schooner, this is the sailor outfit you never knew your best furry friend needed. This vintage throwback also comes with a matching leash.

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22. TARTAN FLANNEL PET BOW TIE; $5.50

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Etsy

Your dog or cat will turn heads in this flannel tartan bow tie. It has a convenient elastic loop that slides over your pup's collar.

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23. PUCCI DOG SHIRT; $23

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Etsy

Only the fanciest dogs wear, err, Pucci. Grab this punny "designer" t-shirt for your pup. This high-quality cotton statement piece is perfect for small breeds.

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24. PINK POLKA DOT AND LACE DOG HARNESS DRESS; $20

Pink Polka Dot and Lace Designer Dog Harness Dress
BaxterBoo

This feminine pink polka dot dress is simply adorable. It features a convenient built-in harness and comes with a matching leash.

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25. PET SWEATER VEST; $6

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Amazon

Your dog or cat will look like an erudite Oxford professor in this sweater vest. Note that the button on the pocket is shaped like a bone.

Find It: Amazon

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20 John Carpenter Quotes About Horror Movies
Amy Sussman/Getty Images for Tribeca Film Festival
Amy Sussman/Getty Images for Tribeca Film Festival

Though he’s made a variety of movies—from fantasy to science fiction films—John Carpenter will forever be known as a master of horror, thanks in large part to the role he played in reinventing the genre with 1978’s Halloween. To celebrate the award-winning filmmaker’s 70th birthday, we’ve gathered up 20 of his most memorable quotes about Hollywood.

1. ON THE DEFINITION OF HORROR

“Horror is a reaction; it's not a genre.”

—From a 2015 interview with Interview Magazine

2. ON THE RULES OF MOVIEMAKING

“I think the rules of filmmaking are essentially the same as they were since, I guess, The Birth Of A Nation. The way you make movies: long shot, close-up, camera movement, structure—it’s all the same. Not much has changed. But the technology of movies has vastly changed. From 35mm black-and-white to color, from nitrate film to safety film and now into digital—and yet we’re still breaking scenes into master shots and close-ups. The cinema narrative has not changed that much since the silent film.”

—From a 2015 interview with The A.V. Club

3. ON THE TWO TYPES OF HORROR STORIES

“There are two different stories in horror: internal and external. In external horror films, the evil comes from the outside, the other tribe, this thing in the darkness that we don’t understand. Internal is the human heart.”

—From a 2011 interview with Vulture

4. ON THE IMPORTANCE OF NIGHT OF THE LIVING DEAD

“One movie that showed me it was possible to make a low-budget horror movie was Night of the Living Dead (1968). When I saw that, I was like, 'Wow, that's really effective, but it's obviously low budget.' They didn't have any money but they actually made something cool. That was inspirational to me when I was in film school.”

—From a 2015 interview with Interview Magazine

5. ON THE TRUTH ABOUT HOLLYWOOD

“Film buffs who don't live in Hollywood have a fantasy about what it's like to be a director. Movies and the people who make movies have such glamor associated with them. But the truth is, it's not like that. It's very different. It's hard work. If you were suddenly catapulted into that situation—without any training—you would say after it was over: 'Oh, God! You're kidding! You mean, this is what it's like? This is what they put you through?' Yes, as a matter of fact, it is like this—and it's often worse. People have tried to describe the film business, but it's impossible to describe because it's so crazy. You must know your craft inside out and then pick up the rules as you go along.”

—From an essay for Santa Fe Studios

6. ON THE HORROR OF WATCHING HIS OWN MOVIES

“I don't watch my films. I've seen 'em enough after cutting them and putting the music on. I don't ever want to see them again.”

—From a 2012 interview with Entertainment Weekly

7. ON THE EMOTIONAL TOLL MAKING MOVIES CAN TAKE ON A DIRECTOR

“I’ve been feeling old for years and years, and I think the movie business did it to me. At one point I just did movie after movie, and it starts tearing you down physically—emotionally too, if you do one after another. The stress, the emotional exertion of dealing with others. I’ve worked with really great actors and really difficult actors. The difficult ones are no fun. And the style of the movies today have changed a great deal. To me, I’m not a big fan of handheld. That’s just my tastes. That’s a quick fix for low budget. Let the operator direct it! Walk around. That’s how you burn through the pages. And found footage—how many times do we need to do that?”

—From a 2014 interview with Deadline

8. ON WHAT MAKES A GOOD HORROR FILM

“There’s a very specific secret: It should be scary.”

—From a 2015 interview with The A.V. Club

9. ON THE PERCEPTION OF A MOVIEMAKER

“In England, I'm a horror movie director. In Germany, I'm a filmmaker. In the U.S., I'm a bum.”

—From The Films of John Carpenter

10. ON STANDING OUT

“I don't want to be in the mainstream. I don't want to be a part of the demographics. I want to be an individual. I wear each of my films as a badge of pride. That's why I cherish all my bad reviews. If the critics start liking my movies, then I'm in deep trouble.”

—From an essay for Santa Fe Studios

11. ON MAINTAINING CONTROL

“My years in the business have taught me not to worry about what you can’t control.”

—From a 2007 interview with MovieMaker Magazine

12. ON HIS FAVORITE MOVIES

“I have two different categories of favorite films. One is the emotional favorites, which means these are generally films that I saw when I was a kid; anything you see in your formative years is more powerful, because it really stays with you forever. The second category is films that I saw while I was learning the craft of motion pictures.”

—From a 2011 interview with Rotten Tomatoes

13. ON BEING STUCK IN THE 1980S

“Well, They Live was a primal scream against Reaganism of the '80s. And the '80s never went away. They're still with us. That's what makes They Live look so fresh—it's a document of greed and insanity. It's about life in the United States then and now. If anything, things have gotten worse.”

—From a 2012 interview with Entertainment Weekly

14. ON THE IMPORTANCE OF INSTINCT

“I think every director depends primarily on his instincts. That’s what’s got him where he is, what’s going to carry him through the good times and the bad. I generally go with what I instinctually think I can do well.”

—From a 2011 interview with Vulture

15. ON BEING TYPECAST AS A DIRECTOR

“I haven't just made horror. I've made all sorts of movies. There have been fantasy movies, thrillers, horrors, science fiction. In terms of the ultimate reward, listen, man, when I was a kid, when I was 8 years old, I wanted to be a movie director, and I got to be a movie director. I lived my f*cking dream, you can't get better than that. That's the ultimate.”

—From a 2015 interview with Interview Magazine

16. ON THE REALITY OF MONSTERS

“Monsters in movies are us, always us, one way or the other. They’re us with hats on. The zombies in George Romero’s movies are us. They’re hungry. Monsters are us, the dangerous parts of us. The part that wants to destroy; the part of us with the reptile brain. The part of us that’s vicious and cruel. We express these in our stories as these monsters out there.”

—From a 2011 interview with the Buenos Aires Herald

17. ON MOVIES AS A SENSORY EXPERIENCE

“A movie’s not just the pictures. It’s the story and it’s the perspective and it’s the tempo and it’s the silence and it’s the music—it’s all the stuff that’s going on. All the sensory stuff. Sometimes you can get a lot of suspense going in a non-horror film. It all depends. But, look, if there was one secret way of doing a horror movie then everybody would be doing it.”

—From a 2015 interview with The A.V. Club

18. ON THE UNIVERSAL LANGUAGE OF HORROR

"Horror is a universal language; we're all afraid. We're born afraid, we're all afraid of things: death, disfigurement, loss of a loved one. Everything that I'm afraid of, you're afraid of and vice versa. So everybody feels fear and suspense. We were little kids once and so it's taking that basic human condition and emotion and just f*cking with it and playing with it. You can invent new horrors."

—From a 2015 interview with Interview Magazine

19. ON THE REMAKE TREND

“It’s a brand new world out there in terms of trying to get advertising. There’s so much going on that if you come up with a movie that people have never heard of they don’t pay attention to it—no matter how good it is. So it becomes, 'Let’s remake something that maybe rings a bell and that you’ve heard of before.' That way, you’re already ahead. I’m flattered, but I understand what’s going on. They’re picking everything to remake. I think they’ve just run down the list of other titles and have finally got to mine.”

—From a 2007 interview with MovieMaker Magazine

20. ON THE LASTING INFLUENCE OF HALLOWEEN

“I didn’t think there was any more story [to Halloween], and I didn’t want to do it again. All of my ideas were for the first Halloween—there shouldn’t have been any more! I’m flattered by the fact that people want to remake them, but they remake everything these days, so it doesn’t make me that special. But Michael Myers was an absence of character. And yet all the sequels are trying to explain that. That’s silliness—it just misses the whole point of the first movie, to me. He’s part person, part supernatural force. The sequels rooted around in motivation. I thought that was a mistake. However, I couldn’t stop them from making sequels. So my agents said, ‘Why don’t you become an executive producer and you can share the revenue?’ But I had to write the second movie, and every night I sat there and wrote with a six-pack of beer trying to get through this thing. And I didn’t do a very good job, but that was it. I couldn’t do any more."

—From a 2014 interview with Deadline

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