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The 10 Slimiest Stunts of Double Dare

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Cats and babies. According to Byron Taylor, the art director who spent seven years involved in the creation of the slippery, weirdly ingenious obstacles that populated Nickelodeon’s Double Dare, those were virtually the only themes considered off limits.

“The lawyers had what they called an attractive nuisance,” he says. “That’s when a kid might see something on TV and then try to imitate it at home. We had a game where we tossed plush cats into these big clown pants, and another where we threw pudding at a doll. You couldn’t do either one. They were afraid kids would pick cats up by their tail and swing them around or throw food at real babies.”

Over the course of roughly 500 episodes of the 1986-93 original series and its many spin-offs, the crew got to do pretty much everything else involving replica mucus. “That period of time was sort of a transition," he says. "Now it’s commonplace to have all kinds of fart jokes. The level of taste has gone down in the last 30 years. I guess we were part of that.”

Affectionately known as the "Glopmaster" on set, Taylor was kind enough to take us through some of the show’s most innovative (and disgusting) courses.

1. THE ONE TON HUMAN HAMSTER WHEEL

After graduating from New York University in 1985, Taylor got a call from Jim Fenhagen, a friend he met at local print shop who had just designed the stage for a new game show and needed help. Shortly, Fenhagen was off to ABC News; Taylor was playing in baked beans at a PBS station in Philadelphia. Among the stunts already sketched out: the human hamster wheel. “I think they had hired a writer in Los Angles who had worked on Beat the Clock to come up with some of them,” Taylor says. “It was solid, but what we learned was, you couldn’t get any traction on the drum coming off a gooey obstacle—not if your feet were covered in eggs and flour. We eventually had to add grip tape inside so that kids had a chance of getting this thing going.”

The Wheel was among the obstacles that cost several thousand dollars to fabricate, forcing the production to sprinkle in more economical courses to stay within budget: “It’s cheap to have someone run through tires filled with cake mix.”

2. PICK IT

The giant, snot-filled nose is reviled in Double Dare fandom not for its questionable taste but for the way it slowed the game down. “Once you stuff pudding up the nose and shove a flag in there, you cannot tell the difference between the vinyl flag material and goop, Taylor says. It would stick to the nostril. People were scraping, pulling, and grabbing. We eventually had to add an air cannon to just blow it out.” The nose seemed to grow more obscene with each passing season, going from relatively clean to encrusted in green phlegm even before contestants got to it. “I think we once added a zit filled with vanilla pudding, Taylor says. That was bizarre.”    

3. KID FARM

Taylor says the idea for this kid-sized habitat came from David Letterman. “If you remember his old late night show, he had an ant farm for dogs. My thought was, ‘Let’s do one scaled big enough to put a kid through.’ We did it without any approval from the ant farm people, but I think we later gave some of those away as prizes.” According to Mathew Klickstein’s book, Slimed! An Oral History of Nickelodeon’s Golden Age, one adult employee tried it out and got stuck. Wouldn’t surprise me, Taylor says. It was meant for 80-pound kids.”

4. SODA JERK

Double Dare was fond of super-sizing mechanical objects, including a typewriter, personal computer, and a mailbox. “I’m not sure kids would even know what a soda fountain looks like today,” Taylor says. “And some kids then didn’t know what a foot-activated pedal was.” You had to step on the right one to release two gallons of soda and a flag. “The bucket was essentially toilet apparatus," Taylor says. "When the pedal was hit, the flap would open. Getting the right amount of liquid was a problem.” Is Taylor surprised the show never worked in a gigantic toilet? “I can’t remember being told, ‘No toilets.’ We probably stayed away because it fell in the category of an attractive nuisance.”

5. THE WRINGER

Built in homage to the clunky (and dangerous) clothes wringers of the early 20th century, Taylor says the device was a cautionary tale when it came to using absorbent, open-celled foam. “We were just improvising and got some cheap mattress-type foam, he says. We didn’t know how to upholster something so it was airtight, and this thing just became like a big, soppy, stinking sponge you’d carry around. No matter how powerful an industrial cleaner you used, it would rot and smell.”

6. THE SUNDAE SLIDE

If Double Dare’s appeal needs to be condensed into one idea, it’s that it's the one place kids are rewarded for playing with their food. A fixture of the show, the Slide deposited players right into a six-foot diameter sundae. The piece was actually made of playground equipment modified so it could sit on a weighted base instead of being bolted to the ground. (All of the courses needed to be mobile.) “It was a signature piece," Taylor says. "We had to use a non-dairy whipped topping called Baker’s Cream because the real stuff would just melt under the lights. Over time, we developed a kitchen where we’d whip up gallons of the stuff. We had to find an 80-quart mixer."

7. SANDWICHES, WAFFLES, AND OTHER OVERSIZED FOODSTUFFS 

Marinating latex foam props in condiments always made for an excellent visual, but the show learned early on to make them with colored pudding: Actual mustard and ketchup hurts. “On the first episode, we used the real stuff, and if you get it on your hands and feet and then touch your eye, it’s painful without eye protection," Taylor says. "We learned that very quickly.” Some “breads” would be too big to drag out and hose down. If they got a hole where food could enter, it could proceed to sit and stew until the following season. “It’s not a problem over three weeks," Taylor says, "but if you stick it in a hot warehouse for six months, it will smell. Yes.”

8. GUM DROP

Marc Summers’ favorite obstacle, and possibly the most visually interesting of the lot: Kids would leap into a vertical ball bit and come tumbling out of the bottom. “We’d come up with ideas just riding the train into the Philadelphia studio from New York,” Taylor says. “After so many years, it’s like, what else can we do?” The drawback was the door, which had to be opened by a stagehand with a switch. “Early on, we learned a kid could hit his head riding the balls down and smacking into the door, so we padded it,” Taylor says.

The balls came from a local outdoor amusement park that let the show scoop up their inventory during the winter months, and, says Taylor, “they would be covered in snow and ice. We’d have to thaw them out. Eventually, we realized the name and number of the company was printed on every one. So once someone looked at the ball, we called and ordered them directly.”

9. DOWN THE HATCH

Possibly the only obstacle designed after a celebrity, this slime-caked maw was inspired by an illustration of Diana Ross. “What happened was, I saw a caricature of her and just copied it as closely as I could,” Taylor says. Eventually, the teeth began to suffer from rot: “The bodies were rubbing all over the teeth and they just started to come apart. We did this, the nose, a foot. We went through as many body parts as we could put on air.”

10. FANCY FOOTWORK

A common image in clown-themed nightmares, the shoes tried to stomp contestants as they crawled across the platform. “That was incredibly complicated to do," Taylor says. "It was basically a blatant rip-off of old Rube Goldberg cartoons. The shoes were on pistons, so the rods could get bent by kids and then not retract.” Over time, toilet paper and gum began to appear on their bottoms. That level of repulsive detail was usually up to producers or stagehands—and occasionally Summers himself. "Obviously," one parent wrote in, "you cannot eat and watch Double Dare at the same time." 

All images courtesy of Nickelodeon.

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10 Unforgettable Facts About The Notebook
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New Line Cinema

In 1996, Nicholas Sparks published his first book, The Notebook. He would go on to write several more romance novels, many of which would be adapted into films. But 2004’s film adaption of The Notebook remains the highest-grossing Sparks adaptation, making $115 million worldwide against a $25 million budget. It was Rachel McAdams' breakout lead role (it was released just a few months after Mean Girls); it solidified Ryan Gosling as a “hey girl” heartthrob; and it swept all eight categories it was nominated for at the 2005 Teen Choice Awards, winning in categories like Choice Movie Love Scene and Choice Movie Liplock.

The book and movie follow a young couple named Noah (Gosling) and Allie (Adams) in 1940s North Carolina (the movie was filmed in South Carolina). Despite some obstacles, the couple fall in love, marry, and spend the next 60 years together. In present day, it’s revealed that Allie, now an old woman (played by Gena Rowlands), has Alzheimer’s, and her doting husband (James Garner, as an elderly Noah) helps her remember their storied past. In 2003, Sparks published a loose sequel called The Wedding, featuring the characters Allie and Noah. Here are 10 facts about the beloved romance.

1. IT WAS BASED ON A TRUE STORY.

Nicholas Sparks’s book was based on his then-wife Cathy's grandparents, who spent more than 60 years together. Cathy was close to her grandparents, and visited them frequently. The grandparents were too ill to attend their wedding, in 1989, so the newly-married couple brought the wedding to them. They dressed up in their wedding clothes and surprised them at their house. Cathy's grandparents told the Sparks how they met and fell in love, decades ago.

“But though their story was wonderful, what I most remember from that day is the way they were treating each other,” Sparks wrote on his website. “The way his eyes shined when he looked at her, the way he held her hand, the way he got her tea and took care of her. I remember watching them together and thinking to myself that after 60 years of marriage, these two people were treating each other exactly the same as my wife and I were treating each other after 12 hours. What a wonderful gift they’d given us, I thought, to show us on our first day of marriage that true love can last forever.”

Unfortunately for Nicholas and Cathy, their love didn’t last forever—they divorced in 2015

2. NICHOLAS SPARKS THINKS THE BOOK WAS SUCCESSFUL BECAUSE IT WAS RELATABLE.

Photo by Jason Merritt/Getty Images

“It seems that nearly everyone I spoke with about the novel knew a ‘Noah and Allie’ in their own life,” Sparks wrote on his website. He also said the book was short enough (224 pages) for people to read it quickly. “I think that readers also appreciate that the novel didn’t include foul language and its love scene was tasteful and mild compared to what’s found in many other novels,” he said. “These factors made people feel comfortable about recommending it to others.”

3. THE SCREENWRITER HAD TO WORK HARD TO MAKE THE CHARACTERS SEEM REAL.

The Notebook screenwriter Jeremy Leven had the daunting task of adapting Sparks's book into a script. “The problem with the book is that it’s melodramatic and sweet, and you have to find a way to appeal to an audience that is apprehensive about yet another sweet movie,” Leven told The Harvard Crimson. “So you have to give it an edge, make it real, and make the choices the characters face real.” That “edge” probably includes the love scene in the rain.

4. RACHEL MCADAMS AND RYAN GOSLING DIDN’T GET ALONG—AT FIRST.

Melissa Moseley/New Line Cinema

Even though they played lovers in the movie and then began dating in real life, the couple clashed during production. Director Nick Cassavetes told MTV a story about an incident when Gosling and McAdams weren’t getting along on the set one day: “Ryan came to me, and there’s 150 people standing in this big scene, and he says, ‘Nick come here,’” Cassavetes shared. “And he’s doing a scene with Rachel and he says, ‘Would you take her out of here and bring in another actress to read off camera with me?’ I said, ‘What?’ We went into a room with a producer; they started screaming and yelling at each other ... The rest of the film wasn’t smooth sailing, but it was smoother sailing.”

5. MCADAMS AND GOSLING’S ON-SCREEN CHEMISTRY PROBABLY WASN’T REAL.

“[Our later relationship] certainly wasn’t something that either of us had expected would come out of that filmmaking experience,” McAdams said, “which goes to show you that you can engineer chemistry on-screen just by telling the audience that these two people love each other.” She said it was attributed to the acting. “As an actor you don’t have to feel it. You don’t have to feel anything. Just imagine it.”

6. JESSICA BIEL WAS BUMMED SHE DIDN’T GET TO PLAY ALLIE.

Photo by Theo Wargo/Getty Images for NBC

Unlike Gosling, McAdams had to audition for the role of Allie, and so did Jessica Biel. “I was in the middle of shooting Texas Chainsaw Massacre, and I auditioned with Ryan Gosling in my trailer—covered in blood,” Biel told Elle. “That’s one that I wanted so badly. But there’s a million that get away. We’re gluttons for punishment. It’s just rejection.”

7. MCADAMS FELT A LOT OF PRESSURE TO DELIVER A GOOD PERFORMANCE.

The actress told Film Monthly she knew she had to be good in the movie, because she had to carry it. “At first I put way too much pressure on myself and realized that it wasn’t getting me anywhere,” she said. “I was just a ball of stress, and eventually the character kicked in where she’s sort of free-spirited, doesn’t care what people think, and chases down those things she wants.” She eventually found the right balance.

8. JAMES MARSDEN THOUGHT THE MOVIE WAS GOING TO BE “SCHMALTZY.”

Melissa Moseley/New Line Cinema

James Marsden played Allie’s fiancé—and Noah’s rival—Lon Hammond Jr. The actor told Out Magazine how he tries not to make a bad movie, but they sometimes turn out that way. “Then there are some movies that I’ve been in that I was sure people would laugh at, that have become huge,” he said. “I thought The Notebook was going to be a schmaltzy Movie of the Week–type thing, and here we are!”

9. NICK CASSAVETES WAS THE FOURTH CHOICE TO DIRECT THE MOVIE.

New Line Cinema acquired the rights to Sparks's novel in 1995, before the book was even published. In 1998, Variety reported that Steven Spielberg wanted to direct the film. Jim Sheridan was also interested, but he decided to direct In America instead. In 2001, The Mask of Zorro and GoldenEye director Martin Campbell almost signed on, but in 2002 New Line brought Cassavetes aboard.

10. JAMES GARNER RUINED HIS FIRST TAKE SHOOTING WITH GENA ROWLANDS.

Melissa Moseley/New Line Cinema

Nick Cassavetes—son of legendary director John Cassavetes—cast his mother, the great Gena Rowlands, as the elderly Allie. Garner recalled the first day he and Gena filmed together. “She's going to come out and I’m sitting on the porch in a chair or something. And I hear Nick say, ‘Okay, mom. Action.’ Well, I ruined that take because I just broke up. That was so funny. That tickled me to death. But he showed his mother great respect. He was gentle with her and worked with her. What I loved about it is that she listened to him. Here’s a professional actress who’s one of the best ever, and she’s listening to her son tell her about things. I really admired that in both of them.”

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13 Spooky Facts About The Monster Squad
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One part The Goonies, one part Ghostbusters, and one part Abbott and Costello Meet Frankenstein, after being overlooked in its initial release, The Monster Squad has been reanimated as a cult classic. On the 30th anniversary of its release, let's take a look back at some of its behind-the-scenes trivia.

1. DIRECTOR FRED DEKKER WAS REJECTED BY TWO FILM SCHOOLS.

As a teenager, Fred Dekker applied to become a film student at both USC and UCLA. However, those universities both had other ideas. “Both film schools rejected me,” said Dekker on The Monster Squad’s 20th anniversary DVD, “but both accepted me in their curriculum, so I just couldn’t necessarily be in the film department.” The aspiring director enrolled at USC, where he reluctantly pursued a bachelor’s degree in English. “The fact that I was an English major was just kind of a nuisance. What I really wanted to do was just hang with my friends and make movies.”

2. THE FLICK GOT A BRIEF SHOUT-OUT IN NIGHT OF THE CREEPS.

When he received the greenlight for The Monster Squad (which he’d co-written with Shane Black), Dekker was busy shooting 1986’s Night of the Creeps. The cult classic involves alien parasites that enter their victims’ mouths and turn them into walking, braindead corpses. Pause the above trailer at the 29-second mark and, in a shameless plug, you’ll notice the words “Go Monster Squad!” conspicuously graffitied onto the bathroom wall.

3. THE CREATURE DESIGNERS WORKED HARD TO AVOID LEGAL PROBLEMS WITH UNIVERSAL.

First and foremost, The Monster Squad is an affectionate tribute to Universal’s iconic horror movies of the 1930s, ‘40s, and ‘50s. Nevertheless, the studio passed on producing the film, which was ultimately picked up by TriStar. This forced The Monster Squad’s visual effects team to get creative.

“Although we were doing a movie that was a takeoff on the Universal classics,” said legendary monster creator Stan Winston, “… none of our designs infringed on the original designs of the Universal characters. There were subtle changes; we had to be sure that nothing about them could be considered a copyright infringement of a design.” Which is why Dracula has no Lugosi-esque widow’s peak, Frankenstein monster’s neck bolts have migrated to his temples, and Wolfman has pointy ears and a face that Dekker describes as “more lupine” than what Universal had come up with.

4. CASTING THE MUMMY INVOLVED A BIZARRE WANT AD.

Mummies aren’t usually noted for their girth. “I’ve always been super skinny,” says actor Michael Reid MacKay. One fateful day, a friend pointed out an unusual casting advertisement in Variety. “It said, ‘Looking for an extremely thin actor on the verge of anorexia,” MacKay recalled. He headed straight for the studio and, after showing off some creepy gestures, won the part of the Mummy.

5. ASHLEY BANK TURNED DOWN A ROLE IN FATAL ATTRACTION TO PLAY FIVE-YEAR-OLD PHOEBE.

Lionsgate Home Entertainment

“Monster made me an offer first,” remembers Ashley Bank. “Had Fatal Attraction been shot in Los Angeles, I probably would have done both, but it was in New York, so I had to do The Monster Squad. My parents wanted me to have more fun. It was a bigger part, and it would be a kids’ movie that I could actually see … I never regretted it at all.”

6. AN EARLY DRAFT OF THE SCRIPT INVOLVED VAN HELSING FIGHTING DRACULA WITH MACHINE GUNS.

The Monster Squad co-writer Shane Black initially wanted a far more overblown—and expensive—opening scene. In the 2007 DVD documentary Monster Squad Forever, Dekker recalled that Black envisioned Van Helsing laying siege to Dracula’s castle “on a zeppelin with machine guns.” Racing out to meet him would be “40 vampire brides riding horses.” Dekker quickly burst Black’s bubble. “‘I said, ‘We can’t make this. This is the first five minutes of the movie and [we’d have] already spent … $100 million!’”

7. THE MONSTER SQUAD’S TREEHOUSE IS LITTERED WITH HORROR EASTER EGGS.

You’ve got to hand it to these kids: they know how to decorate. Wallpapering their arboreal hangout spot are posters and stills from movies that span the history of horror, including fan favorites like This Island Earth (1955), Vampire Circus (1972), and The Being (1983).

8. DUNCAN REGEHR BEAT OUT LIAM NEESON FOR THE ROLE OF DRACULA.

In 1986, Liam Neeson was still a relative unknown and, like many struggling actors, decided to try out for a horror movie. Apparently, he nailed his audition with a superb take on the Count. “We thought for sure we [were] going to hire this guy,” producer Jonathan Zimbert revealed in Monster Squad Forever. “Then Duncan came in and was not only as brilliant, but he was terrifying also.” Twenty years later, Wizard magazine named Regehr the “greatest Dracula of all time” for his chilling performance in The Monster Squad.

9. GILLMAN KO’D A STUNT MAN DURING THE FILM'S CLIMAX.

Creature builder Tom Woodruff, Jr. had always wanted to climb into a monster suit and wreak havoc in a major motion picture. With The Monster Squad, he smelled a golden opportunity. Late in the pre-production phase, nobody had yet been cast as Gillman (a.k.a. the Creature from the Black Lagoon). So Woodruff, who was working on Wolfman’s animatronics, asked to be considered for the job.

His wish was granted, but the gig wasn’t all fun and games. The Monster Squad’s final battle sees a few sherriff’s deputies clubbing the fishy humanoid. Though these prop weapons were soft on the outside, they had hard interiors. As sculptor Matt Rose notes 25 minutes into the clip below, Woodruff winced with every strike.

“They were wailing on him,” Rose recalled. “They’d stop and Tom would just say through the Gill mask ‘Hey guys, do you mind just taking it easy a little bit?” Alas, these pleas fell on deaf ears. After a few tiring takes, Rose remembers that, “One of the bigger guys was in the wrong place at the wrong time.” Since Woodruff’s vision was limited by the suit, he didn’t see the stunt man and accidentally slugged him right in the face.

“[He] fell like a sack of potatoes, straight on his a**,” said Rose. For a few unsettling moments, the stunt man just laid there with a glazed look in his eyes. Evidently, there was a pair of badly-placed rivets on the inside of his helmet. The blow drove these into his forehead and, once the hat was removed, two streams of blood spurted forth. Thankfully, he wasn’t seriously hurt.

10. DRACULA AND FRANKENSTEIN’S MONSTER NEVER BROKE CHARACTER IN FRONT OF THE KIDS.

Tom Noonan (Frankenstein’s Monster) made it a point to never greet the young stars with anything more than a grunt, and he never let them see him without his monstrous makeup. “The first time that I met Tom, I was 25,” Ashley Bank quipped. “I never met Tom [on the set]. I only met Frankenstein.”

Regehr, too, always stayed in costume around the children. Yet, he did make one minor adjustment whenever Bank walked by: Near the end of the picture, the script calls for Dracula to lift up Phoebe by the chin; as he clutches her, his teeth sharpen, his eyes redden, and he lets loose a mighty hiss. To really get a good scare out of her, Regehr made sure that Bank never saw him wearing his fangs or crimson contact lenses. When the time came to shoot the moment in question, he put them on when she wasn’t looking.

Dekker—who knew all about Regher’s plan—told Bank “You’re gonna have to scream in this scene.” “When?” she asked. “Oh, you’ll know,” he replied. And sure enough, she did. Bank’s terrified cry was, in her own words, “100 percent real.”

11. WHILE DELIVERING THE FINAL LINE, ANDRE GOWER WAS TOLD TO IMITATE CLINT EASTWOOD.

Moments before the credits roll, a victorious Sean (Andre Gower) looks squarely at the camera lens and says “We’re The Monster Squad.” Wanting the line to sound cool without getting campy, Dekker instructed Gower to “do it like Clint.”

12. THE MOVIE SPENT JUST TWO WEEKS IN THEATERS.

Released on August 14, 1987, The Monster Squad was both a commercial and critical flop. Vincent Camby of The New York Times called it “a silly attempt to cross breed an Our Gang comedy with a classic horror film, which usually means that both genres have reached the end of the line.” After a two-week theatrical run, the movie was pulled. However, it slowly built a following via video rentals and cable broadcasts.

Today, The Monster Squad commands a dedicated fan base. When the cast and crew reunited for a special two-night showing at Austin’s Alamo Drafthouse Cinema in 2006, both screenings sold out. As Dekker once put it, “It took 20 years for the movie to find its audience.”

13. TRAGICALLY, BRENT CHALEM (“HORACE”) DIED OF PNEUMONIA AT AGE 22.

He’ll always be remembered for his talent, his warmth, and the immortal line “Wolfman’s got nards!”

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