Halt, Citizen! 15 Facts About RoboCop


People walking into Paul Verhoeven's bombastic action film RoboCop expecting an opera of exaggerated violence were not disappointed. But that’s not all audiences got: A sharp observation on militarized law enforcement and corporate excess, RoboCop—which hit theaters 30 years ago today—executed satire with as much skill as it had explosions. Check out these 15 facts (or there will be trouble).


Ed Neumeier was so restless as a Universal Pictures story editor that he began to toy with an idea of his own about a robot police officer. Film student Michael Miner had a similar notion that he called SuperCop; the two brought their ideas together on a script, RoboCop: The Future of Law Enforcement. Despite its satirical bent, the title was so ludicrous they had trouble garnering interest until Orion Pictures—which had just had a hit with The Terminator in 1984—decided to run with it.


While Neumeier has said that being on the set of Blade Runner gave him inspiration for the idea of robots in law enforcement, RoboCop’s stoic mannerisms and single-minded action owes a considerable debt to Judge Dredd, the British comic book cop who presides over a diseased urban landscape. Production artists even borrowed heavily from Dredd’s helmet (above) before settling on the sleek suit seen in the film.


In 1984, Neumeier decided to see if he could spin the RoboCop script into a comic book to use as a launching pad for a feature. He ran the idea by Stan Lee; before Lee could commit one way or the other, he and Neumeier attended an early screening of The Terminator, which also had a humanoid as the main character. An impressed Lee told the writer, “Boy, you’re never going to top that!” and passed.  


Knowing the suit (which was still being fabricated) would limit his facial expressions, Orion Pictures head Mike Medavoy suggested to lead actor Peter Weller that he seek out a mime coach in order to become more physically expressive. After interviewing several in what amounted to a mime-off, Weller settled on Moni Yakim, a performer who taught at Juilliard. The two worked for months on fluid, balletic movements that incorporated dance training; Weller even suited up in football gear and walked around Central Park to get a feel for moving with added bulk. Unfortunately …


After protracted design debates with director Paul Verhoeven, effects artist Rob Bottin was unable to deliver the suit until the day they were to begin shooting with it. It took Weller nearly 11 hours to squeeze himself into it, at which point he spent an hour trying to catch a set of car keys for a fleeting shot. Cumbersome beyond his expectations, all of Weller’s mime work had gone out the window; Yakim took the frustrated actor aside and told him to begin thinking of himself as a "beast." Production was halted for several days so that Weller could grow comfortable with his movements.



While the film was set in Detroit, Michigan to reflect the industrial collapse of the city’s automobile industry, it didn’t do much shooting there, as location scouts determined the Motor City's skyline didn’t look appropriately futuristic. Instead, the production was based primarily in Dallas, where summer temperatures regularly exceeded 100 degrees. Weller could lose eight pounds in a day; much of his time between takes was spent re-hydrating or having cool air hoses stuffed into the suit.


According to co-star Miguel Ferrer, Weller instructed the producers to issue a memo to the cast and crew advising that no one should refer to him by his real name; he preferred to be called by his character’s name, Murphy, or “Robo.” Ferrer went on to say that, having known Weller for years prior to the film, he enjoyed greeting him with “Hey, Pete.” Weller ignored him.


According to Weller, the modified 9 millimeter Beretta automatic sidearm that RoboCop keeps in his thigh had to be approved by the FBI for entry into the United States. The actor, who had handled weapons as a teenager and was able to twirl handguns, said trying to spin the piece was like “trying to twirl half of a baseball bat.”


In addition to having a very narrow field of vision and practically sautéing in his own sweat, Weller also had trouble hearing in the suit. For a shootout with drug dealers, Weller decided to set the mood by putting on headphones attached to a Walkman and playing Peter Gabriel’s “Red Rain.” Weller called the moment “wildly, psychotically enjoyable.”  


Verhoeven thought he had sensationalized the violence to a comedic degree, particularly in a scene where an office executive is the victim of a “glitch” in law enforcement machine ED-209. The robot essentially tears him to shreds by firing high-caliber ballistics, at which point someone asks for a medic. The MPAA did not find this as amusing as Verhoeven did and asked him to cut down the scene, as well as the murder of Weller’s Officer Murphy. In all, Verhoeven submitted the film eight times before finally receiving an R rating.


Kurtwood Smith and Ray Wise had been standing in such close proximity to a building explosion that the production—without any sense of humor—paid both men for “stunt work,” which amounted to roughly $400 apiece for the scene. But the actors didn’t feel their pay justified the risk to their lives; neither was aware the explosion would be that big, and Smith’s coat ended up catching on fire.  


RoboCop opened in theaters on July 17, 1987, with the only other new release being Jaws: The Revenge, the fourth entry in the shark franchise. RoboCop won the weekend with just over $8 million, slightly more than third-place Jaws and Disney’s reissue of Snow White and the Seven Dwarfs. When all tickets were counted, the film made roughly $53 million—enough to crack the top 20 for the year, coming in at number 16, but still not enough to topple the 15th highest-grossing movie of the year: La Bamba.  


While he may not actually possess a stomach, there’s just no killing RoboCop's appetite for chicken: RoboCop shilled for a Korean frozen food company in the 1980s, terrorizing a housewife before making off with the entire refrigerator. In a noodle commercial, RoboCop can be seen exercising his nonexistent abdominal muscles on a beach.


As the years went on, RoboCop’s place as social satirist gave way to a more one-dimensional portrayal of the character as a shellacked action hero in sequels, animation, and television. His nadir probably came in 1990, when an actor in the outfit emerged from backstage to assist professional wrestler Sting for a World Championship Wrestling pay per view event. Fortunately, he was able to restore order without opening fire.


In 2012, word began to spread about a campaign to erect a RoboCop statue in Detroit—this despite the fact that the city was not exactly portrayed in the most flattering way in the films. A Kickstarter campaign was successful, and work on the statue has begun, but there’s still no ETA for the unveiling.

Additional Sources:
“On the Beat with RoboCop,” Starlog #117; “RoboCop: The Strong Arm of the Law,” Starlog #123; Flesh + Steel: The Making of RoboCop.

10 Bold Breaking Bad Fan Theories

Bryan Cranston as Walter White and Aaron Paul as Jesse Pinkman in Breaking Bad.
Bryan Cranston as Walter White and Aaron Paul as Jesse Pinkman in Breaking Bad.
Ben Leuner, AMC

It’s been nearly six years since Breaking Bad went out in a blaze of gunfire, but fans still haven’t stopped thinking about the award-winning crime drama. What really happened to Walter White in the series finale? What’s the backstory on Gus Fring? And what did Jesse Pinkman’s doodles mean?

While El Camino, Vince Gilligan's new Breaking Bad movie, offers definitive answers to at least one of these questions, these fan theories offer some alternative answers—even if they strain the limits of logic and sanity along the way. Read on to discover the surprising source of Walt’s cancer diagnosis, and why pink is always bad news.

1. Walter White picks up traits from the people he kills.

Walter White is an unpredictable guy, but he’s weirdly consistent on one thing: After he kills someone, he kind of copies them. Remember how Krazy-8 liked his sandwiches without the crust? After Walt murdered him, he started eating crustless PB&Js. Walt also lifted Mike Ehrmantraut’s drink order and Gus Fring’s car, leading many fans to wonder if Walt steals personal characteristics from the people he kills.

2. Gus Fring worked for the CIA.

Gus Fring (Giancarlo Esposito) and Juan Bolsa (Javier Grajeda) in Breaking Bad
Giancarlo Esposito and Javier Grajeda in Breaking Bad.
Ursula Coyote, AMC

Who was Gus Fring before he became the ruthless leader of a meth/fried chicken empire? Well, we know he’s from Chile. We also know that any records of his time there are gone. And we know that cartel kingpin Don Eladio refused to kill him when he had the chance. Since Don Eladio has no qualms about eliminating the competition, Gus must have some form of protection. Could it be from the U.S. government? A detailed Reddit theory suggests that Gus was once a Chilean aristocrat who helped the CIA install the dictator Augusto Pinochet in power. Once Pinochet became a liability, Gus went to Mexico at the CIA’s behest to infiltrate a drug cartel. His alliance with U.S. intelligence kept him alive even as his work got more violent, and helped him bypass the normal immigration issues you'd typically encounter when you’ve murdered a bunch of people.

3. Madrigal built defective air filters that gave Walter white cancer.

Madrigal Electromotive is a corporation with varied interests. The German parent company of Los Pollos Hermanos dabbles in shipping, fast food, and industrial equipment … including air filters. According to one fan theory, Gray Matter—the company Walter White co-founded with Elliott Schwartz—purchased defective air filters from Madrigal and installed them while Walt still worked at the company. The filters ultimately caused Walt’s lung cancer, pushing him into the illegal drug trade and, eventually, business with Madrigal.

4. Color is a crucial element in the series.

Marie Schrader (Betsy Brandt) and Hank Schrader (Dean Norris)
Betsy Brandt and Dean Norris as Marie and Hank Schrader in Breaking Bad.
Ben Leuner, AMC

Color is a code on Breaking Bad. When a character chooses drab tones, they’re usually going through something, like withdrawal (Jesse) or chemo (Walt). Their wardrobe might turn darker as their stories skew darker—like when Marie ditched her trademark purple for black while she was under protective custody. Also, pink signals death, whether it’s on a teddy bear or Saul Goodman’s button down shirt.

5. Breaking Bad and The Walking Dead exist in the same universe.

Breaking Bad and The Walking Dead both aired on AMC, but according to fans, that’s not all they have in common. There’s an exhaustive body of evidence connecting the two shows—and one of the biggest links is Blue Sky. The distinctively-colored crystal meth is Walt and Jesse’s calling card on Breaking Bad, but it’s also Merle Dixon’s drug of choice on The Walking Dead. Coincidentally, his drug dealer (“a janky little white guy” who says “bitch”) sounds a lot like Jesse.

6. Walter white froze to death and hallucinated Breaking Bad's ending.

Bryan Cranston in the 'Breaking Bad' series finale
Ursula Coyote, AMC

In her review of the Breaking Bad series finale “Felina,” The New Yorker critic Emily Nussbaum suggested an alternate ending in which Walt died an episode earlier, as the police surrounded his car in New Hampshire. He could’ve frozen to death “behind the wheel of a car he couldn’t start,” she theorized, and hallucinated the dramatic final shootout in “Felina” in his dying moments. This reading has gained traction with multiple fans, including SNL alum Norm Macdonald.

7. Jesse’s superheroes are a peek into his inner psyche.

In season 2 of Breaking Bad, we discover that Jesse Pinkman is a part-time artist. He sketches his own superheroes, including Backwardo/Rewindo (who can run backwards so fast he rewinds time), Hoverman (who floats above the ground), and Kanga-Man (who has a sidekick in his “pouch”). The characters are goofy, just like Jesse, but they may also reveal what’s going on in his head. Backwardo represents Jesse’s tendency to run from conflict. Hoverman reflects his lack of direction or purpose, while Kanga-Man hints at his codependency.

8. Madrigal was founded by Nazi war criminals.

Walter White (Bryan Cranston) and Uncle Jack (Michael Bowen) in 'Breaking Bad'
Bryan Cranston and Michael Bowen in Breaking Bad.
Ursula Coyote, AMC

This might be one of the wilder Breaking Bad theories, but before you write it off, consider Werner Heisenberg: The German physicist, who helped pioneer Hitler’s nuclear weapons program, is the obvious inspiration for Walt’s meth kingpin moniker. While Heisenberg only appears in name, there are plenty of literal Nazis on the show. Look no further than Uncle Jack and the Aryan Brotherhood, who served as the Big Bad of season 5. At least one Redditor thinks all these Nazi references are hinting at something bigger, a conspiracy that goes straight to the top. The theory starts in South America, where many Nazis fled after World War II. A group of them supposedly formed a new company, Madrigal, through their existing connections back in Germany. Eventually, a young Chilean named Gus Fring worked his way into the growing business, and the rest is (fake) history.

9. Walter white survived, but paid the price.

Lots of Breaking Bad theories concern Walt’s death, or lack thereof. But if Walt actually lived through his seemingly fatal gunshot wound in “Felina,” what would the rest of his life look like? According to one Reddit theory, it wouldn’t be pretty. The infamous Heisenberg would almost certainly stand trial and go to prison. Although he tries to leave Skyler White with information to cut a deal with the cops, she could also easily go to jail—or lose custody of her children. The kids wouldn’t necessarily get that money Walt left with Elliott and Gretchen Schwartz, either, as they could take his threats to the police and surrender the cash to them. Basically it amounts to a whole lot of misery, making Walt’s death an oddly optimistic ending. (This is one theory El Camino addresses directly.)

10. Breaking Bad is a prequel to Malcolm in the Middle.

Bryan Cranston in the series premiere of 'Breaking Bad'
Bryan Cranston in the series premiere of Breaking Bad.
Doug Hyun, AMC

Alright, let’s say Walt survived the series finale and didn’t stand trial. Maybe he started over as a new man with a new family. Three boys, perhaps? This fan-favorite theory claims that Walter White assumed a new identity as Malcolm in the Middle patriarch Hal after the events of Breaking Bad, making the show a prequel to Bryan Cranston’s beloved sitcom. The Breaking Bad crew actually liked this idea so much they included an “alternate ending” on the DVD boxed set, where Hal wakes up from a bad dream where "There was a guy who never spoke! He just rang a bell the whole time! And then there was another guy who was a policeman or a DEA agent, and I think it was my brother or something. He looked like the guy from The Shield."

Fan Notices Hilarious Connection Between Joaquin Phoenix's Joker and Superbad's McLovin

Sony Pictures Home Entertainment
Sony Pictures Home Entertainment

There seems to be exactly one funny thing about Todd Phillips's latest film, Joker.

As reported by Geek.com, someone on Twitter by the name of @minalopezavina brilliantly pointed out that Arthur Fleck from Joker and McLovin from Superbad are pretty much in the same costume.

This meme is a nice moment of comic relief in an otherwise very serious movie. In fact, Joker is so dark that the United States Army had issued warnings about possible shootings at theaters playing the film. The warnings coincided with criticisms that the film might be too violent, with fears that the villain-led storyline would result in copycat events in real life.

Both Phillips and star Joaquin Phoenix have weighed in on the controversy, with the director explaining to The Wrap, "It wasn’t, ‘We want to glorify this behavior.’ It was literally like ‘Let’s make a real movie with a real budget and we’ll call it f**king Joker’. That’s what it was.”

All we can say is the amount of chatter behind Joker certainly led to both packed theaters, and endless memes online.

[h/t Geek.com]