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7 Stories Stephen King Refuses to Publish

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Legendary horror writer Stephen King has sold over 300 million books, and while his prolific output might lead you to believe he publishes every page he produces, that’s not exactly true. Here are seven tales that King fans are highly unlikely to ever see.

1. The Aftermath  

King completed his first novel at just 16 years old, and at 50,000 words, it’s just a fraction of some of the doorstoppers he would later publish. In a post-nuclear war landscape, a young man attempts to sabotage the Sun Corps, a military force that’s secretly a race of aliens called the Denebians. King considers it a highly juvenile piece of work that he’s content to let rest at the Fogler Archive at the University of Maine: you can read it there, provided you get permission from King.

2. I Hate Mondays

While King has collaborated with Peter Straub and X-Files producer Chris Carter, he’s generally a solo act. Exceptions can be made, however, if you happen to be related: He’s co-written works with sons Joe and Owen as a way of fostering their interest in writing. As a child, the latter helped King—or rather, King helped Owen—on I Hate Mondays, a short story about two misfits who are kidnapped by a goon named Doctor Mindbender and forced to give up the combination to a safe. It also resides in the Fogler Archive.  

3. Squad D

In the late 1970s, King contributed a short story for Harlan Ellison’s anthology, Last Dangerous Visions. The collection was never published, and King has never bothered to find another home for Squad D, his tale about the only survivor of a Vietnam platoon who missed the battle that killed them all because he was in the infirmary for hemorrhoids. Guilt-ridden, the soldier contacts the families of the deceased to apologize, with a Twilight Zone-ish result. The story has found its way into margins of the Internet, where one could find it if so inclined.

4. The Cannibals

Before writing Under the Dome—about a town suddenly inhibited by a giant sphere—King played with the concept in other incarnations. He took two passes at a similar premise titled The Cannibals, which was nearly completed in 1981 and clocked in at around 500 pages before he wound up losing the manuscript. It turned up in 2009, leading to Dome. Owing to fan curiosity—and to put to bed rumors Dome was lifted from the plot of The Simpsons Movie, which saw Springfield encased in a giant bubble—King allowed excerpts to be posted on his official website.

5. The House on Value Street

After King had established himself with the success of Carrie and ‘Salem’s Lot, he attempted to write a fictionalized account of the Patty Hearst kidnapping. Never quite able to get a handle on the story, he set it aside, unfinished. With the Hearst story no longer a contemporary reference, whatever remains of Value Street has likely outdated itself. (King fans are probably thankful: Abandoning Value Street led to work on The Stand.)

6. Phil and Sundance

King started work on this novella circa 1987 and never completed it. Its existence was unknown until 2013, when a French Stephen King fansite pulled it out of obscurity courtesy of a man who claimed he obtained it after meeting King via the Make a Wish Foundation. According to Cemetery Dance, the publisher that acquired the original, King has no plans to revisit it.  

7. Sword in the Darkness

King completed this 150,000 word novel while he was a senior at the University of Maine in 1970. In it, a gang plans a race riot to mask their plan for a series of heists. Twelve publishers rejected it, including Doubleday, which would later prove to be a lucrative partner for King. Disappointed at the time, King later reflected that it was "tawdry" and that he never bothered to have it critiqued in his literature class.

Additional Sources: Stephen King: Uncollected, Unpublished.

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15 Powerful Quotes From Margaret Atwood
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MICHAL CIZEK/AFP/Getty Images

It turns out the woman behind such eerily prescient novels as The Handmaid’s Tale and Oryx and Crake is just as wise as her tales are haunting. Here are 15 of the most profound quips from author, activist, and Twitter enthusiast Margaret Atwood, who was born on this day in 1939.

1. On her personal philosophy

 “Optimism means better than reality; pessimism means worse than reality. I’m a realist.”

— From a 2004 interview with The Guardian

2. On the reality of being female

“Men often ask me, Why are your female characters so paranoid? It’s not paranoia. It’s recognition of their situation.”

— From a 1990 interview with The Paris Review

3. On limiting how her politics influence her characters

“You know the myth: Everybody had to fit into Procrustes’ bed and if they didn’t, he either stretched them or cut off their feet. I’m not interested in cutting the feet off my characters or stretching them to make them fit my certain point of view.”

— From a 1997 interview with Mother Jones

4. On so-called “pretty” works of literature

“I don’t know whether there are any really pretty novels … All of the motives a human being may have, which are mixed, that’s the novelists’ material. … We like to think of ourselves as really, really good people. But look in the mirror. Really look. Look at your own mixed motives. And then multiply that.”

— From a 2010 interview with The Progressive

5. On the artist’s relationship with her fans

“The artist doesn’t necessarily communicate. The artist evokes … [It] actually doesn’t matter what I feel. What matters is how the art makes you feel.”

— From a 2004 interview with The Guardian

6. On the challenges of writing non-fiction

“When I was young I believed that ‘nonfiction’ meant ‘true.’ But you read a history written in, say, 1920 and a history of the same events written in 1995 and they’re very different. There may not be one Truth—there may be several truths—but saying that is not to say that reality doesn’t exist.”

— From a 1997 interview with Mother Jones

7. On poetry

“The genesis of a poem for me is usually a cluster of words. The only good metaphor I can think of is a scientific one: dipping a thread into a supersaturated solution to induce crystal formation.”

— From a 1990 interview with The Paris Review

8. On being labeled an icon

“All these things set a standard of behavior that you don’t necessarily wish to live up to. If you’re put on a pedestal you’re supposed to behave like a pedestal type of person. Pedestals actually have a limited circumference. Not much room to move around.”

— From a 2013 interview with The Telegraph

9. On how we’re all born writers

“[Everyone] ‘writes’ in a way; that is, each person has a ‘story’—a personal narrative—which is constantly being replayed, revised, taken apart and put together again. The significant points in this narrative change as a person ages—what may have been tragedy at 20 is seen as comedy or nostalgia at 40.”

— From a 1990 interview with The Paris Review

10. On the oppression at the center of The Handmaid's Tale

“Nothing makes me more nervous than people who say, ‘It can’t happen here. Anything can happen anywhere, given the right circumstances.” 

— From a 2015 lecture to West Point cadets

11. On the discord between men and women

“‘Why do men feel threatened by women?’ I asked a male friend of mine. … ‘They’re afraid women will laugh at them,’ he said. ‘Undercut their world view.’ … Then I asked some women students in a poetry seminar I was giving, ‘Why do women feel threatened by men?’ ‘They’re afraid of being killed,’ they said.”

— From Atwood’s Second Words: Selected Critical Prose, 1960-1982

12. On the challenges of expressing oneself

“All writers feel struck by the limitations of language. All serious writers.”

— From a 1990 interview with The Paris Review

13. On selfies

“I say they should enjoy it while they can. You’ll be happy later to have taken pictures of yourself when you looked good. It’s human nature. And it does no good to puritanically say, ‘Oh, you shouldn’t be doing that,’ because people do.”

— From a 2013 interview with The Telegraph

14. On the value of popular kids' series (à la Harry Potter and Percy Jackson)

"It put a lot of kids onto reading; it made reading cool. I’m sure a lot of later adult book clubs came out of that experience. Let people begin where they are rather than pretending that they’re something else, or feeling that they should be something else."

— From a 2014 interview with The Huffington Post

15. On why even the bleakest post-apocalyptic novels are, deep down, full of hope

“Any novel is hopeful in that it presupposes a reader. It is, actually, a hopeful act just to write anything, really, because you’re assuming that someone will be around to [read] it.”

— From a 2011 interview with The Atlantic 

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China's New Tianjin Binhai Library is Breathtaking—and Full of Fake Books
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FRED DUFOUR/AFP/Getty Images

A massive new library in Tianjin, China, is gaining international fame among bibliophiles and design buffs alike. As Arch Daily reports, the five-story Tianjin Binhai Library has capacity for more than 1 million books, which visitors can read in a spiraling, modernist auditorium with floor-to-ceiling bookshelves.

Several years ago, municipal officials in Tianjin commissioned a team of Dutch and Japanese architects to design five new buildings, including the library, for a cultural center in the city’s Binhai district. A glass-covered public corridor connects these structures, but the Tianjin Binhai Library is still striking enough to stand out on its own.

The library’s main atrium could be compared to that of the Frank Lloyd Wright-designed Guggenheim Museum in New York City. But there's a catch: Its swirling bookshelves don’t actually hold thousands of books. Look closer, and you’ll notice that the shelves are printed with digital book images. About 200,000 real books are available in other rooms of the library, but the jaw-dropping main room is primarily intended for socialization and reading, according to Mashable.

The “shelves”—some of which can also serve as steps or seating—ascend upward, curving around a giant mirrored sphere. Together, these elements resemble a giant eye, prompting visitors to nickname the attraction “The Eye of Binhai,” reports Newsweek. In addition to its dramatic main auditorium, the 36,000-square-foot library also contains reading rooms, lounge areas, offices, and meeting spaces, and has two rooftop patios.

Following a three-year construction period, the Tianjin Binhai Library opened on October 1, 2017. Want to visit, but can’t afford a trip to China? Take a virtual tour by checking out the photos below.

A general view of the Tianjin Binhai Library
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People visiting China's Tianjin Binhai Library.
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A general view of China's Tianjin Binhai Library.
FRED DUFOUR/AFP/Getty Images

A woman taking pictures at China's Tianjin Binhai Library.
FRED DUFOUR/AFP/Getty Images

A man visiting China's Tianjin Binhai Library.
FRED DUFOUR/AFP/Getty Images

A woman looking at books at China's Tianjin Binhai Library.
FRED DUFOUR/AFP/Getty Images

A general view of China's Tianjin Binhai Library.
FRED DUFOUR/AFP/Getty Images

People visiting China's Tianjin Binhai Library.
FRED DUFOUR/AFP/Getty Images

[h/t Newsweek]

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