CLOSE

Allied Ships Bombard Turkish Forts

The First World War was an unprecedented catastrophe that shaped our modern world. Erik Sass is covering the events of the war exactly 100 years after they happened. This is the 169th installment in the series.

February 19, 1915: Allied Ships Bombard Turkish Forts

The tragedy of Gallipoli was the result of a series of errors and misjudgments by British civilian leaders and military commanders, which began to unfold on February 19, 1915, with the first Allied bombardment of Turkish defenses at the Dardanelles.

With the Western Front in stalemate and Russia on the defensive in the east, First Lord of the Admiralty Winston Churchill wanted to use British naval power to make a breakthrough on the flanks of the Central Powers. Churchill convinced his fellow cabinet members that the Royal Navy could decisively alter the strategic balance by forcing the Turkish straits and capturing Constantinople, thus knocking the Ottoman Empire out of the war and reopening the maritime supply route to Russia through the Black Sea.

Crucially the original plan called for an amphibious element, with ground forces landing on the Gallipoli peninsula to attack Turkish positions from the rear; however Secretary of War Lord Kitchener refused to divert any troops from the precarious Western Front, so the cabinet eventually approved a purely naval operation, pitting an Allied fleet against interlocking Turkish defenses including forts, mobile artillery, mine fields, and submarine nets. Everyone involved recognized from the beginning that the plan was risky, but they were persuaded by the promise of huge gains—maybe even an end to the war.

In mid-February a formidable Allied naval force gathered in the Aegean Sea, under the overall command of Admiral Sir Sackville Carden. The British fleet consisted of the super-dreadnought HMS Queen Elizabeth; three battle-cruisers; twelve older (“pre-dreadnought”) battleships; four cruisers; 16 destroyers; five submarines; seven minesweeping trawlers; and the aircraft carrier HMS Ark Royal with six seaplanes aboard. The French contingent consisted of four “pre-dreadnought” battleships, two destroyers, one submarine, and fourteen minesweepers.

Carden had divided the attack into a number of phases, aiming to methodically dismantle the various layers of Turkish defenses one by one. In the first phase, battleships would bombard the Turkish forts protecting the entrance to the straits with their heavy guns at long distance, outside the range of the Turkish coastal artillery. In the second phase, they would press ahead into the mouth of the straits, where the minesweepers would begin clearing the minefields so the battleships could destroy the mobile artillery batteries protecting “the Narrows,” the strategic choke point where the channel was less than two kilometers wide.

Operations for the first phase began on the morning of February 19, 1915, with long-range shelling of the four forts covering the entrance to the straits—two located on Cape Helles at the tip of the Gallipoli Peninsula on the European side, the others at Kumkale on the Asian side, not far from the ruins of Troy (below, a Turkish gun at Kumkale today).

Although they scored a number of hits, British and French commanders were dissatisfied with their gunnery, believing minimal damage had been inflicted; in fact the damage was substantial, but the Allies had no way of observing this. When they finally approached for close-range bombardment, Turkish forts laid down a heavy return fire and kept the Allied ships moving, making it even more difficult to target effectively (luckily for the Turks, the Allied commanders were also unaware that the forts were running low on ammunition).

After a delay caused by storms and rough seas, the Allies would return to the attack a week later, on February 25, 1915, and again in early March (top, HMS Agamemnon fires at the Turkish fort at Sedd el Bahr on March 4, 1915; above, Agamemnon under fire on February 25). These attacks, combined with landings by British marines, finally managed to subdue the outer forts—but now the fleet ran into fierce defensive fire from the well-hidden mobile artillery batteries protecting the inner entrance to the strait. These proved much more difficult to clear, in part because the Turks moved them at night—which meant, in turn, that the relatively defenseless minesweepers couldn’t clear the minefields before the Narrows. The plan was stalling at the second phase.

In mid-March these obstacles would force the Allies to adopt a new, even riskier strategy: the minesweepers would clear the minefields by night, so the battleships could destroy the mobile batteries and rush the Narrows in one fell swoop. However the nighttime minesweeping missions were unsuccessful; even worse, unbeknownst to the Allies the Turks managed to lay a new minefield in Erenköy Bay, along the eastern approach to the Narrows. On March 18, 1915, this would result in disaster for the Allies.

See the previous installment or all entries.

nextArticle.image_alt|e
getty images (March and Beery)/ istock (oscar)
arrow
entertainment
6 Times There Were Ties at the Oscars
getty images (March and Beery)/ istock (oscar)
getty images (March and Beery)/ istock (oscar)

Only six ties have ever occurred during the Academy Awards' near-90-year history. The Academy of Motion Picture Arts and Sciences (AMPAS) members vote for nominees in their corresponding categories; here are the six times they have come to a split decision.

1. BEST ACTOR // 1932

Back in 1932, at the fifth annual Oscars ceremony, the voting rules were different than they are today. If a nominee received an achievement that came within three votes of the winner, then that achievement (or person) would also receive an award. Actor Fredric March had one more vote than competitor Wallace Beery, but because the votes were so close, the Academy honored both of them. (They beat the category’s only other nominee, Alfred Lunt.) March won for his performance in horror film Dr. Jekyll and Mr. Hyde (female writer Frances Marion won Best Screenplay for the film), and Beery won for The Champ, which was remade in 1979 with Ricky Schroder and Jon Voight. Both Beery and March were previous nominees: Beery was nominated for The Big House and March for The Royal Family of Broadway. March won another Oscar in 1947 for The Best Years of Our Lives, also a Best Picture winner. Fun fact: March was the first actor to win an Oscar for a horror film.

2. BEST DOCUMENTARY SHORT SUBJECT // 1950

By 1950, the above rule had been changed, but there was still a tie at that year's Oscars. A Chance to Live, an 18-minute movie directed by James L. Shute, tied with animated film So Much for So Little. Shute’s film was a part of Time Inc.’s "The March of Time" newsreel series and chronicles Monsignor John Patrick Carroll-Abbing putting together a Boys’ Home in Italy. Directed by Bugs Bunny’s Chuck Jones, So Much for So Little was a 10-minute animated film about America’s troubling healthcare situation. The films were up against two other movies: a French film named 1848—about the French Revolution of 1848—and a Canadian film entitled The Rising Tide.

3. BEST ACTRESS // 1969

Probably the best-known Oscars tie, this was the second and last time an acting award was split. When presenter Ingrid Bergman opened up the envelope, she discovered a tie between newcomer Barbra Streisand and two-time Oscar winner Katharine Hepburn—both received 3030 votes. Streisand, who was 26 years old, tied with the 61-year-old The Lion in Winter star, who had already been nominated 10 times in her lengthy career, and won the Best Actress Oscar the previous year for Guess Who’s Coming to Dinner. Hepburn was not in attendance, so all eyes fell on Funny Girl winner Streisand, who wore a revealing, sequined bell-bottomed-pantsuit and gave an inspired speech. “Hello, gorgeous,” she famously said to the statuette, echoing her first line in Funny Girl.

A few years earlier, Babs had received a Tony nomination for her portrayal of Fanny Brice in the Broadway musical Funny Girl, but didn’t win. At this point in her career, she was a Grammy-winning singer, but Funny Girl was her movie debut (and what a debut it was). In 1974, Streisand was nominated again for The Way We Were, and won again in 1977 for her and Paul Williams’s song “Evergreen,” from A Star is Born. Four-time Oscar winner Hepburn won her final Oscar in 1982 for On Golden Pond.

4. BEST DOCUMENTARY FEATURE // 1987

The March 30, 1987 telecast made history with yet another documentary tie, this time for Documentary Feature. Oprah presented the awards to Brigitte Berman’s film about clarinetist Artie Shaw, Artie Shaw: Time is All You’ve Got, and to Down and Out in America, a film about widespread American poverty in the ‘80s. Former Oscar winner Lee Grant (who won the Best Supporting Actress Oscar in 1976 for Shampoo) directed Down and Out and won the award for producers Joseph Feury and Milton Justice. “This is for the people who are still down and out in America,” Grant said in her acceptance speech.

5. BEST SHORT FILM (LIVE ACTION) // 1995

More than 20 years ago—the same year Tom Hanks won for Forrest Gump—the Short Film (Live Action) category saw a tie between two disparate films: the 23-minute British comedy Franz Kafka’s It’s a Wonderful Life, and the LGBTQ youth film Trevor. Doctor Who star Peter Capaldi wrote and directed the former, which stars Richard E. Grant (Girls, Withnail & I) as Kafka. The BBC Scotland film envisions Kafka stumbling through writing The Metamorphosis.

Trevor is a dramatic film about a gay 13-year-old boy who attempts suicide. Written by James Lecesne and directed by Peggy Rajski, the film inspired the creation of The Trevor Project to help gay youths in crisis. “We made our film for anyone who’s ever felt like an outsider,” Rajski said in her acceptance speech, which came after Capaldi's. “It celebrates all those who make it through difficult times and mourns those who didn’t.” It was yet another short film ahead of its time.

6. BEST SOUND EDITING // 2013

The latest Oscar tie happened only three years ago, when Zero Dark Thirty and Skyfall beat Argo, Django Unchained, and Life of Pi in sound editing. Mark Wahlberg and his animated co-star Ted presented the award to Zero Dark Thirty’s Paul N.J. Ottosson and Skyfall’s Per Hallberg and Karen Baker Landers. “No B.S., we have a tie,” Wahlberg said to the crowd, assuring them he wasn’t kidding. Ottosson was announced first and gave his speech before Hallberg and Baker Landers found out that they were the other victors.

It wasn’t any of the winners' first trip to the rodeo: Ottosson won two in 2010 for his previous collaboration with Kathryn Bigelow, The Hurt Locker (Best Achievement in Sound Editing and Sound Mixing); Hallberg previously won an Oscar for Best Sound Effects Editing for Braveheart in 1996, and in 2008 both Hallberg and Baker Landers won Best Achievement in Sound Editing for The Bourne Ultimatum.

Ottosson told The Hollywood Reporter he possibly predicted his win: “Just before our category came up another fellow nominee sat next to me and I said, ‘What if there’s a tie, what would they do?’ and then we got a tie,” Ottosson said. Hallberg also commented to the Reporter on his win. “Any time that you get involved in some kind of history making, that would be good.”

nextArticle.image_alt|e
Amazon
arrow
Pop Culture
Mister Rogers Is Now a Funko Pop! and It’s Such a Good Feeling, a Very Good Feeling
Amazon
Amazon

It’s a beautiful day in this neighborhood for fans of Mister Rogers, as Funko has announced that, just in time for the 50th anniversary of Mister Rogers’ Neighborhood, the kindest soul to ever grace a television screen will be honored with a series of Funko toys, some of them limited-edition versions.

The news broke at the New York Toy Fair, where the pop culture-loving toy company revealed a new Pop Funko! in Fred Rogers’s likeness—he’ll be holding onto the Neighborhood Trolley—plus a Mister Rogers Pop! keychain and a SuperCute Plush.

In addition to the standard Pop! figurine, there will also be a Funko Shop exclusive version, in which everyone’s favorite neighbor will be wearing a special blue sweater. Barnes & Noble will also carry its own special edition, which will see Fred wearing a red cardigan and holding a King Friday puppet instead of the Neighborhood Trolley.

 

Barnes & Noble's special edition Mister Rogers Funko Pop!
Funko

Mister Rogers’s seemingly endless supply of colored cardigans was an integral part of the show, and a sweet tribute to his mom (who knitted all of them). But don’t go running out to snatch up the whole collection just yet; Funko won’t release these sure-to-sell-out items until June 1, but you can pre-order your Pop! on Amazon right now.

SECTIONS

arrow
LIVE SMARTER
More from mental floss studios