A Holy Crime: The Night Missionaries Smuggled One Million Bibles into China

iStock
iStock

On June 18, 1981, several thousand men and women watched from a coastline near Shantou, China as a tugboat that had been christened Michael towed a massive, 137-foot barge and came to a stop just a few dozen feet from land. The observers began wading into the water, some of them up to their necks, and retrieved the waterproof boxes the boat occupants were releasing into the sea. A handful of small boats pushed out toward the barge and were able to grab several at a time.

Under the cover of night, the barge and the tugboat began receding into the distance. The recipients hid the boxes where they could, including under trees and overgrowth. Others were handed off to co-conspirators, who were waiting nearby in idling vehicles.

All the subterfuge hinted at a drug transaction. While it was true the group was dealing with contraband, it wasn't of the narcotic variety. Each of the boxes contained 90 Bibles, written in Chinese characters, which were notoriously difficult to come by under the country's Communist rule. A group of foreign missionaries had spent millions of dollars and risked their lives smuggling the Bibles into China. It was now up to the subversive citizens who had retrieved them from the water to get the books into the hands of the devout before Chinese authorities arrived—and they were coming fast.

 

Smuggling scripture was something Andrew van der Bijl had plenty of practice in. Born in 1928 in the Netherlands, Bijl, or "Brother Andrew" as he was known to many, heeded a higher calling after being wounded in the Dutch army. Traveling around the Soviet Union and other Communist-ruled areas, Bijl would obscure hundreds of Bibles in a modified Volkswagen Beetle and talk his way through border or customs checkpoints.

It was an interesting juxtaposition—a man of faith breaking man's law to facilitate God's word—and Brother Andrew achieved a degree of notoriety for it after authoring his 1967 autobiography, God's Smuggler. But having a measure of celebrity meant his days of personally delivering Bibles to oppressed areas were over. Instead, he supervised the activities of Open Doors International, a missionary effort that services countries where Christianity is discouraged or persecuted.

In 1979, Open Doors learned that Protestants and Catholics in China were voicing concern over the limited availability of Bibles in the country. Since the Cultural Revolution of the 1960s and 1970s, many churches had been forcibly shut down and Bible production had come to a halt. Chinese officials never declared an outright ban on the religion, but they continued making empty promises of allowing more Bible distribution. By most accounts, there were simply not enough Bibles to put into the hands of the eight to 10 million Christians in China.

A Bible is open to reveal Chinese characters
iStock

Brother Andrew and Open Doors vice president Ed Neteland began plotting an attempt to satisfy demand on a scale that missionaries had never before attempted. Their first obstacle was the ambition to distribute a Chinese Bible, which was not something easily ordered through conventional means. According to a 1981 article in The New York Times, Neteland approached Thomas Nelson Publishers and asked an executive, Thomas Harris, if he would be willing to accept a printing job under a strict veil of secrecy. When Harris agreed, Neteland placed an order for roughly 1 million Bibles to be printed from a Chinese printing plate provided by Open Doors. (Another version of the story has Open Doors talking to Thomas Nelson's president Sam Moore, who demonstrated his Bible's toughness by throwing it against a wall and leaving a shrink-wrapped box in a tub of water over a lunch break.)

Harris handled the order—for which he charged Neteland $1 per Bible—by distributing the work between two plants: a Rand McNally facility in Chicago and another press in Grand Rapids, Michigan. After two months, Thomas Nelson delivered the 232-ton order to Open Doors in California.

Neteland had used the time it took to produce the books to raise funds for the project via mail order solicitations and television advertisements. (While such public methods of fundraising may have tipped off Chinese authorities to what Open Doors was planning, they couldn’t know when—or how—the volumes would get into the country.) In addition to the cost of Bibles, there was the expense of commandeering a barge, a crew, and other necessary transportation.

The Bibles were trafficked from California to the Philippines, where 20 volunteers from the United States, Europe, and England set course for the Chinese coast. Dragging their cargo through a maze of idle Chinese navy ships, they arrived at the Shantou beach on the evening of June 18, 1981. Flashlights flickered on and off between the boat occupants and those waiting on land. A steady cascade of Bibles, poly-wrapped to avoid saturation, flowed for two hours toward the people on the shore who were seeking the freedom to pursue their chosen religion.

 

As the Open Doors missionaries departed, the books' recipients began stowing, stashing, and moving the Bibles, picking hiding places on the beach or dispensing the boxes to waiting vehicles. As expected, Chinese Army patrol authorities were quick to catch on and arrived with menacing intentions. Some of the volunteers were beaten and hauled to jail. Others watched as the Bibles were pushed back into the water, only to be recovered later by fishermen who made a tidy profit selling them.

The Bibles that had managed to leak out into the general population were also targeted for disposal. Chinese authorities once dumped a cache of them into a cesspool, believing they were soiled beyond use. Quickly, Chinese Catholics who had witnessed the vandalism hosed them off and sprayed them with perfume. Such was the hunger for these Bibles that even waterlogged and pungent copies were in high demand.

In total, Open Doors estimated that the project had likely disseminated up to 80 percent of the million Bibles shipped to China. While many lauded the effort, others—especially those living inside the Communist regime—weren't so pleased. Han Wenzao of the China Christian Council argued that these efforts made religion seem even more of a threat in the eyes of the Chinese government, with Bibles being interpreted as contraband.

For Brother Andrew, it may have been the culmination of his life's work of making scripture available to individuals living in areas that were hostile to such religious freedom. Technology has made these attempts easier; for instance, missionaries have floated helium balloons into North Korea that have flash drives containing the Bible attached to them.

Despite these innovations, finding the word of God in China can still prove problematic. In April 2018, the country banned the sale of Bibles in online marketplaces. While it's legal to print the Bible, copies can only be purchased at church bookstores.

15 Uplifting Facts About the Wright Brothers

Smithsonian's National Air and Space Museum, Public Domain, Wikimedia Commons
Smithsonian's National Air and Space Museum, Public Domain, Wikimedia Commons

Before they built the world’s first powered, heavier-than-air, and controllable aircraft, Wilbur and Orville Wright were two ordinary brothers from the Midwest who possessed nothing more than natural talent, ambition, and imagination. In honor of Wright Brothers Day, here are 15 uplifting facts about the siblings who made human flight possible.

1. A TOY PIQUED THEIR PASSION.

From an early age, Wilbur and Orville Wright were fascinated by flight. They attribute their interest in aviation to a small helicopter toy their father brought back from his travels in France. Fashioned from a stick, two propellers, and rubber bands, the toy was crudely made. Nevertheless, it galvanized their quest to someday make their very own flying machine.

2. THEIR GENIUS WAS GENETIC.

While they were inspired by their father’s toy, the Wright brothers inherited their mechanical savvy from their mother, Susan Koerner Wright. She could reportedly make anything, be it a sled or another toy, by hand.

3. THEY WERE PROUD MIDWESTERNERS.

The Wright brothers spent their formative years in Dayton, Ohio. Later in life, Wilbur said his advice for those seeking success would be to “pick out a good father and mother, and begin life in Ohio.”

4. THEY NEVER GRADUATED HIGH SCHOOL.

While the Wright brothers were undoubtedly bright, neither of them ever earned his high school diploma. Wilbur became reclusive after suffering a bad hockey injury, and Orville dropped out of school.

5. THEY ONCE PUBLISHED A NEWSPAPER.

Before they were inventors, the Wright brothers were newspaper publishers. When he was 15 years old, Orville launched his own print shop from behind his house and he and Wilber began publishing The West Side News, a small-town neighborhood paper. It eventually became profitable, and Orville moved the fledgling publication to a rented space downtown. In due time, Orville and Wilbur ceased producing The West Side News—which they’d renamed The Evening Item—to focus on other projects.

6. THEY MADE A FORAY INTO THE BICYCLE BUSINESS.

One of these projects was a bike store called the Wright Cycle Company, where Wilbur and Orville fixed clients’ bicycles and sold their own designs. The fledgling business grew into a profitable enterprise, which eventually helped the Wright brothers fund their flight designs.

7. THEY WERE AUTODIDACTS.

The Wright brothers’ lifelong interest in flight peaked after they witnessed a successive series of aeronautical milestones: the gliding flights of German aviator Otto Lilienthal, the flying of an unmanned steam-powered fixed-wing model aircraft by Smithsonian Institution Secretary Samuel Langley, and the glider test flights of Chicago engineer Octave Chanute. By 1899, Wilbur sat down and wrote to the Smithsonian, asking them to send him literature on aeronatics. He was convinced, he wrote, “that human flight is possible and practical.” Once he received the books, he and Orville began studying the science of flight.

8. THEY CHOSE TO FLY IN KITTY HAWK BECAUSE IT PROVIDED WIND, SOFT SAND, AND PRIVACY.

The Wright brothers began building prototypes and eventually traveled to Kitty Hawk, North Carolina, in 1902 to test a full-size, two-winged glider with a moveable rudder. They chose this location thanks in part to their correspondence with Octave Chanute, who advised them in a letter to select a windy place with soft grounds. It was also private, which allowed them to launch their aircrafts with little public interference.

9. THEY ACHIEVED FOUR SUCCESSFUL FLIGHTS WITH THEIR FIRST AIRPLANE DESIGN.

The Wright brothers started testing various wing designs and spent the next few years perfecting their evolving vision for a heavier-than-air flying machine. In the winter of 1903, they returned to Kitty Hawk with their final model, the 1903 Wright Flyer. On December 17, they finally achieved a milestone: four brief flights, one of which lasted for 59 seconds and reached 852 feet.

10. THE 1903 WRIGHT FLYER NEVER TOOK TO THE SKIES AGAIN…

Before the brothers could embark on their final flight, a heavy wind caused the plane to flip several times. Because of the resulting damage, it never flew again. It eventually found a permanent home in the Smithsonian’s Air & Space Museum—even though Orville originally refused to donate it to the institution because it claimed that Smithsonian Secretary Samuel P. Langley’s own aircraft experiment was the first machine capable of sustained free flight.

11. …BUT A PIECE OF IT DID GO TO THE MOON.

An astronaut paid homage to the Wright brothers by carrying both a swatch of fabric from the 1903 Flyer’s left wing and a piece of its wooden propeller inside his spacesuit.

12. THE PRESS INITIALLY IGNORED THE KITTY HAWK FLIGHTS.

Despite their monumental achievement, the Dayton Journal didn’t think the Wright brothers’ short flights were important enough to cover. The Virginia Pilot ended up catching wind of the story, however, and they printed an error-ridden account that was picked up by several other papers. Eventually, the Dayton Journal wrote up an official—and accurate—story.

13. THE BROTHERS SHARED A CLOSE BOND...

Although the Wright brothers weren’t twins, they certainly lived like they were. They worked side by side six days a week, and shared the same residence, meals, and bank account. They also enjoyed mutual interests, like music and cooking. Neither brother ever married, either. Orville said it was Wilbur’s job, as the older sibling, to get hitched first. Meanwhile, Wilbur said he “had no time for a wife.” In any case, the two became successful businessmen, scoring aviation contracts both domestically and abroad.

14. …BUT WERE OPPOSITES IN MANY WAYS.

Although they were much alike, each Wright brother was his own person. As the older brother, Wilbur was more serious and taciturn. He possessed a phenomenal memory, and was generally consumed by his thoughts. Meanwhile, Orville was positive, upbeat, and talkative, although very bashful in public. While Wilbur spearheaded the brothers’ business endeavors, they wouldn’t have been possible without Orville’s mechanical—and entrepreneurial—savvy.

15. OHIO AND NORTH CAROLINA FIGHT OVER THEIR LEGACY.

Since the Wright brothers split their experiments between Ohio and North Carolina, both states claim their accomplishments as their own. Ohio calls itself the "Birthplace of Aviation,” although the nickname also stems from the fact that two famed astronauts hail from there as well. Meanwhile, North Carolina’s license plates are emblazoned with the words “First In Flight.”

This article originally ran in 2015.

15 Fascinating Facts About Schindler’s List

Universal Pictures
Universal Pictures

In 1993, Steven Spielberg’s Schindler’s List brought to the screen a story that had gone untold since the tragic events of the Holocaust. Oskar Schindler, a Nazi party member, used his pull within the party to save the lives of more than 1000 Jewish individuals by recruiting them to work in his Polish factory. Here are some facts about Spielberg’s groundbreaking film on its 25th anniversary.

1. The story was relayed to author Thomas Keneally in a Beverly Hills leather goods shop.

In October 1980, Australian novelist Thomas Keneally had stopped into a leather goods shop off of Rodeo Drive after a book tour stopover from a film festival in Sorrento, Italy, where one of his books was adapted into a movie. When the owner of the shop, Leopold Page, learned that Keneally was a writer, he began telling him “the greatest story of humanity man to man.” That story was how Page, his wife, and thousands of other Jews were saved by a Nazi factory owner named Oskar Schindler during World War II.

Page gave Keneally photocopies of documents related to Schindler, including speeches, firsthand accounts, testimonies, and the actual list of names of the people he saved. It inspired Keneally to write the book Schindler’s Ark, on which the movie is based. Page (whose real name was Poldek Pfefferberg) ended up becoming a consultant on the film.

2. Keneally wasn't the first person Leopold Page told about Oskar Schindler.

The film rights to Page’s story were actually first purchased by MGM for $50,000 in the 1960s after Page had similarly ambushed the wife of film producer Marvin Gosch at his leather shop. Mrs. Gosch told the story to her husband, who agreed to produce a film version, even going so far as hiring Casablanca co-screenwriter Howard Koch to write the script. Koch and Gosch began interviewing Schindler Jews in and around the Los Angeles area, and even Schindler himself, before the project stalled, leaving the story unknown to the public at large.

3. Schindler made more than one list.

Liam Neeson, Agnieszka Krukówna, Krzysztof Luft, Friedrich von Thun, and Marta Bizon in Schindler's List (1993)
Universal Pictures

Seven lists in all were made by Oskar Schindler and his associates during the war, while four are known to still exist. Two are at the Yad Vashem in Israel, one is at the US Holocaust Museum in Washington, D.C., and one privately owned list was unsuccessfully auctioned off via eBay in 2013.

The movie refers to the first two lists created in 1944, otherwise known as “The Lists of Life.” The five subsequent lists were updates to the first two versions, which included the names of more than 1000 Jews who Schindler saved by recruiting them to work in his factory.

4. Steven Spielberg first learned of Schindler in the early 1980s.

Former MCA/Universal president Sid Sheinberg, a father figure to Spielberg, gave the director Keneally’s book when it was first published in 1982, to which Spielberg allegedly replied, “It’ll make a helluva story. Is it true?”

Eventually the studio bought the rights to the book, and when Page met with Spielberg to discuss the story, the director promised the Holocaust survivor that he would make the film adaptation within 10 years. The project languished for over a decade because Spielberg was reluctant to take on such serious subject matter. Spielberg’s hesitation actually stopped Hollywood veteran Billy Wilder from making Schindler’s List his final film. Wilder tried to buy the rights to Keneally’s book, but Spielberg and MCA/Universal scooped them up before he could.

5. Spielberg refused to accept a salary for making the movie.

Though Spielberg is already an extremely wealthy man as a result of the many big-budget movies that have made him one of Hollywood’s most successful directors, he decided that a story as important as Schindler’s List shouldn’t be made with an eye toward financial reward. The director relinquished his salary for the movie and any proceeds he would stand to make in perpetuity, calling any such personal gains “blood money.” Instead, Spielberg used the film’s profits to found the USC Shoah Foundation, which was established in 1994 to honor and remember the survivors of the Holocaust by collecting personal recollections and audio visual interviews.

6. Before Spielberg agreed to make the movie, he tried to get other directors to make it.

Part of Spielberg’s reluctance to make Schindler's List was that he didn’t feel that he was prepared or mature enough to tackle a film about the Holocaust. So he tried to recruit other directors to make the film. He first approached director Roman Polanski, a Holocaust survivor whose own mother was killed in Auschwitz. Polanski declined, but would go on to make his own film about the Holocaust, The Pianist, which earned him a Best Director Oscar in 2003. Spielberg then offered the movie to director Sydney Pollack, who also passed.

The job was then offered to legendary filmmaker Martin Scorsese, who accepted. Scorsese was set to put the film into production when Spielberg had an epiphany on the set of the revisionist Peter Pan story Hook and realized that he was finally prepared to make Schindler’s List. To make up for the change of heart, Spielberg traded Scorsese the rights to a movie he’d been developing that Scorsese would make into his next film: the remake of Cape Fear.

7. The movie was a gamble for Universal, so they made Spielberg a dino-sized deal.

When Spielberg finally decided to make Schindler’s List, it had taken him so long that Sheinberg and Universal balked. The relatively low-budget $23 million three-hour black-and-white Holocaust movie was too much of a risk, so they asked Spielberg to make another project that had been brewing at the studio: Jurassic Park. Make the lucrative summer movie first, they said, and then he could go and make his passion project. Spielberg agreed, and both movies were released in 1993; Jurassic Park in June and Schindler’s List in December.

8. Spielberg didn't want a movie star with Hollywood clout to portray Schindler.

Kevin Costner and Mel Gibson auditioned for the role of Oskar Schindler, and actor Warren Beatty was far enough along in the process that he even made it as far as a script reading. But according to Spielberg, Beatty was dropped because, “Warren would have played it like Oskar Schindler through Warren Beatty.”

For the role, Spielberg cast then relatively unknown Irish actor Liam Neeson, whom the director had seen in a Broadway play called Anna Christie. “Liam was the closest in my experience of what Schindler was like,” Spielberg told The New York Times. “His charm, the way women love him, his strength. He actually looks a little bit like Schindler, the same height, although Schindler was a rotund man,” he said. “If I had made the movie in 1964, I would have cast Gert Frobe, the late German actor. That’s what he looked like.”

Besides having Neeson listen to recordings of Schindler, the director also told him to study the gestures of former Time Warner chairman Steven J. Ross, another of Spielberg’s mentors, and the man to whom he dedicated the film.

9. Spielberg did his own research.

In order to gain a more personal perspective on the film, Spielberg traveled to Poland before principal photography began to interview Holocaust survivors and visit the real-life locations that he planned to portray in the movie. While there, he visited the former Gestapo headquarters on Pomorska Street, Schindler’s actual apartment, and Amon Goeth’s villa.

Eventually the film shot on location for 92 days in Poland by recreating the Płaszów camp in a nearby abandoned rock quarry. The production was also allowed to shoot scenes outside the gates of Auschwitz.

10. The little girl in the red coat was real.

Promotional image for 25th anniversary rerelease of Schindler's List.
Universal Pictures

A symbol of innocence in the movie, the little girl in the red coat who appears during the liquidation of the ghetto in the movie was based on a real person. In the film, the little girl is played by actress Oliwia Dabrowska, who—at the age of three—promised Spielberg that she would not watch the film until she was 18 years old. She allegedly watched the movie when she was 11, breaking her promise, and spent years rejecting the experience. Later, she told the Daily Mail, “I realized I had been part of something I could be proud of. Spielberg was right: I had to grow up to watch the film.”

The actual girl in the red coat was named Roma Ligocka; a survivor of the Krakow ghetto, she was known amongst the Jews living there by her red winter coat. Ligocka, now a painter who lives in Germany, later wrote a biography about surviving the Holocaust called The Girl in the Red Coat.

11. The movie wasn't supposed to be in English.

For a better sense of reality, Spielberg originally wanted to shoot the movie completely in Polish and German using subtitles, but he eventually decided against it because he felt that it would take away from the urgency and importance of the images onscreen. According to Spielberg, “I wanted people to watch the images, not read the subtitles. There’s too much safety in reading. It would have been an excuse to take their eyes off the screen and watch something else.”

12. The studio didn't want the movie to be in black and white.

The only person at MCA/Universal who agreed with Spielberg and director of cinematography Janusz Kaminski’s decision to shoot the movie in black and white was Sheinberg. Everyone else lobbied against the idea, saying that it would stylize the Holocaust. Spielberg and Kaminski chose to shoot the film in a grimy, unstylish fashion and format inspired by German Expressionist and Italian Neorealist films. Also, according to Spielberg, “It’s entirely appropriate because I’ve only experienced the Holocaust through other people’s testimonies and through archival footage which is, of course, all in black and white.”

13. Spielberg's passion project paid off in Oscars.

Schindler’s List was the big winner at the 66th Academy Awards. The film won a total of seven Oscars, including Best Picture and Best Director awards for Spielberg. Neeson and Ralph Fiennes were both nominated for their performances, and the film also received nods for Costume Design, Makeup, and Sound.

14. Schindler's List is technically a student film.

Steven Spielberg gives a speech
Nicholas Hunt, Getty Images

Thirty-three years after dropping out of college, Spielberg finally received a BA in Film and Video Production from his newly minted alma mater, Cal State Long Beach, in 2002. The director re-enrolled in secret, and gained his remaining credits by writing essays and submitting projects under a pseudonym. In order to pass a film course, he submitted Schindler’s List as his student project. Spielberg describes the time gap between leaving school and earning his degree as his “longest post-production schedule.”

15. Spielberg thinks the film may be even more important to watch today.

In honor of the film's 25th anniversary, it's currently back in theaters. But Spielberg believes that the film may be even more important for today's audiences to see. "I think this is maybe the most important time to re-release this film," the director said in a recent interview with Lester Holt on NBC Nightly News. Citing the spike in hate crimes targeting religious minorities since
2016, he said, "Hate's less parenthetical today, it's more a headline."

Additional Sources:
The Making of Schindler’s List: Behind the Scenes of an Epic Film, by Franciszek Palowski

An earlier version of this article appeared in 2015.

SECTIONS

arrow
LIVE SMARTER