11 Collectible Facts About Funko

Mohammed Baroon, Flickr // CC BY-SA 2.0
Mohammed Baroon, Flickr // CC BY-SA 2.0

Since 1998, vinyl figure factory Funko has been making it extremely simple to gift the pop culture fan in your life with a small-scale representation of their favorite movie, TV show, or video game. Engineered for maximum cuteness, their Pop! toys adorn million of desks and have inspired a devout following. If you’ve ever wondered about the larger story behind those button eyes and block-shaped heads, check out some facts about Funko’s history, its massive Washington headquarters that's open to fans, and why Tom Cruise may have shot down a chance at plastic immortality.

1. IT STARTED WITH BOB’S BIG BOY.

A Bob's Big Boy bobblehead package
Amazon

Your familiarity with the Bob’s Big Boy burger franchise may depend on your age and geographical location. The chain’s mascot—a large, pompadour-sporting hamburger server—has become a nostalgic touchstone for many. One of Bob’s fans, Snohomish, Washington native and T-shirt designer Mike Becker, went in search of a collectible but found the vintage figurines on eBay too pricey. Becker realized he could simply buy the Bob’s license and produce his own bobblehead figures, which is exactly what he started doing in 1998. While Becker’s mom wasn’t enthused—she told her son no one was going to want the figure—the Big Boy helped launch Becker's toy venture, which he dubbed Funko.

2. AUSTIN POWERS PUT THEM ON THE MAP.

A Wacky Wobbler bobblehead of the Austin Powers character Fat Bastard
Amazon

Though Bob’s Big Boy did well, Funko wasn’t a success story out of the gate. Retailers leaving Becker with unpaid invoices cut into profits, and scores of unsold inventory were stacked in his garage. Looking to expand his bobblehead line, Becker put in a cold call to New Line Cinema to see if they had any properties available for license. They did: A sequel to 1997’s Austin Powers: International Man of Mystery was due in 1999, so Becker made a deal for $2500 to produce bobbleheads of Powers and some of the supporting cast. Funko shipped 100,000 of the toys, cementing them as a viable player in the collectibles category.

3. THEY TURNED DOWN A LOT OF BOBBLEHEADS.

A bobblehead of a Major League Baseball player
Amazon

As Funko continued to grow, licensors started seeking out Becker. Some were surprised he had the temerity to turn them down. Major League Baseball teams wanted to license bobbles to hand out during games, but Becker shied away from athletes and their penchant for troublemaking. He preferred to stick with fictional characters and food mascots. “I know Betty Boop isn’t going to get a DUI,” he said. Funko also vetoed offers from Disney—they were very strict in approving designs—as well as from adult film stars.

4. FANS HATED THE POPS! AT FIRST.

A Funko Pop! of Skeletor poses with his staff
House of Geekdom, Flickr // CC BY-ND 2.0

Having grown tired of the demanding work schedule of his modestly-staffed company, Becker stepped down from Funko in 2005; golfing partner Brian Mariotti took over. In 2009, Mariotti agreed to work with DC Comics on a line of “cute” plush dolls of popular superheroes like Batman and Superman. But designers within Funko decided their anime-style look was a better fit for vinyl. The resulting Pop! line debuted at the 2010 San Diego Comic-Con to a very tepid response. Funko fans were used to the bobblehead approach and kept their distance from the four-inch figurines. Licenses like Game of Thrones and The Walking Dead eventually brought in new fans, and the Pop! figures went from a company pariah to their most successful line.

5. SOME POPS! GO FOR FOUR FIGURES.

A Funko Pop! of Loki from 'The Avengers'
Funko

Like any collectible, supply and demand can force aftermarket prices on Funko Pops! to climb. A Loki figure from 2012’s The Avengers that was available only at that year’s San Diego Comic-Con routinely sells for over $1000. So does Headless Ned Stark, a gore-caked variant of the doomed Game of Thrones character. A glow-in-the-dark Green Lantern limited to just 240 figures was released in 2010; that one will set you back over $1500.

6. TOM CRUISE MAY HAVE SHOT DOWN A POP!

A Funko Pop! figure of Tom Cruise as Nick Morton from 'The Mummy'
Funko

When Universal was aiming to create a monstrous cinematic universe with 2017’s The Mummy, the studio struck a deal with Funko to create a line of Pops! based on the film. In addition to two versions of the title character, Funko also designed a Nick Morton, the character played by Tom Cruise in the film. The mummies escaped, but the Cruise figure—his first Pop!—never saw the light of day. No official reason was disclosed, but some speculated that the actor rarely allows his likeness to be used on merchandising and may have intervened.

7. THEY HANDLE BUSINESS FOR OTHER TOY COMPANIES.

A Funko Dorbz figure of He-Man
Funko

Funko’s streamlined approach to toymaking has impressed companies that might be considered rivals. With a design able to go from paper to shelves in as little as 70 days and sporting a distinctive face attractive to collectors, some brands like Hasbro and Mattel have licensed out their characters for the Pop! treatment. Transformers and Masters of the Universe are among the properties doing brisk business.

8. THERE’S A SCIENCE TO THE CUTENESS.

A Funko Pop! of Vault Boy
Tom Crouse, Flickr // CC BY 2.0

Most Funko figures provoke an “Aww” reaction from people, and that’s purely by design. Funko art director Sean Wilkinson has said that putting the nose just below the line of the eyes results in a more endearing expression. Characters that appear generic can also be individualized by focusing on their hairline or using accessories. The otherwise nondescript Joey from Friends, for example, gets an identity boost by being packaged with his pet duck.

9. THEY MAKE CEREAL NOW.

A Funko Pop! figure of Beetlejuice
Funko

Eager to explore new corners of pop culture, Funko is getting into the breakfast cereal game. Boxes of edible puffed corn are due to hit comic specialty shops this June based on movies like Beetlejuice, A Nightmare on Elm Street, Gremlins, and Stephen King’s It. True to their overly-sweetened influences, many of the cereals will turn the milk a distinctively gross color: Freddy Krueger’s is blood red. The boxes will also come with their own mini-Pop! figure.

10. THEIR WASHINGTON HEADQUARTERS IS A FAN’S PARADISE.

A look inside the Funko gift shop in Everett, Washington
Funko

Part business tower and part tourist destination, Funko’s home base in Everett, Washington is a collector’s paradise. The 17,000-square-foot ground-floor store has oversized Pop! figures, custom toys, and themed areas based on popular licenses like Star Wars and Harry Potter. Some of the nods are less stylized: There’s a full-scale Batmobile based on the 1960s TV series that’s screen-accurate and even sports a replica Adam West in the driver’s seat. (Yes, you can take a photo next to him.) Funko staffers also host free workshops on weekends for people in Everett who want to learn more about art, sculpting, and illustration.

11. THERE’S ONE FIGURE THAT HAS ELUDED THEM.

A blank Funko Pop! figure is pictured
Funko

Funko Pops! number in the thousands and span virtually every recognizable license in entertainment, but there’s still one figure the company hasn’t been able to realize. According to vice president of creative Ben Butcher, a Pop! of Bruce Willis as the title character in the 1991 action-comedy Hudson Hawk is still on top of his wish list. Apparently, the rest of the company needs convincing.

15 Fascinating Facts About Schindler’s List

Universal Pictures
Universal Pictures

In 1993, Steven Spielberg’s Schindler’s List brought to the screen a story that had gone untold since the tragic events of the Holocaust. Oskar Schindler, a Nazi party member, used his pull within the party to save the lives of more than 1000 Jewish individuals by recruiting them to work in his Polish factory. Here are some facts about Spielberg’s groundbreaking film on its 25th anniversary.

1. The story was relayed to author Thomas Keneally in a Beverly Hills leather goods shop.

In October 1980, Australian novelist Thomas Keneally had stopped into a leather goods shop off of Rodeo Drive after a book tour stopover from a film festival in Sorrento, Italy, where one of his books was adapted into a movie. When the owner of the shop, Leopold Page, learned that Keneally was a writer, he began telling him “the greatest story of humanity man to man.” That story was how Page, his wife, and thousands of other Jews were saved by a Nazi factory owner named Oskar Schindler during World War II.

Page gave Keneally photocopies of documents related to Schindler, including speeches, firsthand accounts, testimonies, and the actual list of names of the people he saved. It inspired Keneally to write the book Schindler’s Ark, on which the movie is based. Page (whose real name was Poldek Pfefferberg) ended up becoming a consultant on the film.

2. Keneally wasn't the first person Leopold Page told about Oskar Schindler.

The film rights to Page’s story were actually first purchased by MGM for $50,000 in the 1960s after Page had similarly ambushed the wife of film producer Marvin Gosch at his leather shop. Mrs. Gosch told the story to her husband, who agreed to produce a film version, even going so far as hiring Casablanca co-screenwriter Howard Koch to write the script. Koch and Gosch began interviewing Schindler Jews in and around the Los Angeles area, and even Schindler himself, before the project stalled, leaving the story unknown to the public at large.

3. Schindler made more than one list.

Liam Neeson, Agnieszka Krukówna, Krzysztof Luft, Friedrich von Thun, and Marta Bizon in Schindler's List (1993)
Universal Pictures

Seven lists in all were made by Oskar Schindler and his associates during the war, while four are known to still exist. Two are at the Yad Vashem in Israel, one is at the US Holocaust Museum in Washington, D.C., and one privately owned list was unsuccessfully auctioned off via eBay in 2013.

The movie refers to the first two lists created in 1944, otherwise known as “The Lists of Life.” The five subsequent lists were updates to the first two versions, which included the names of more than 1000 Jews who Schindler saved by recruiting them to work in his factory.

4. Steven Spielberg first learned of Schindler in the early 1980s.

Former MCA/Universal president Sid Sheinberg, a father figure to Spielberg, gave the director Keneally’s book when it was first published in 1982, to which Spielberg allegedly replied, “It’ll make a helluva story. Is it true?”

Eventually the studio bought the rights to the book, and when Page met with Spielberg to discuss the story, the director promised the Holocaust survivor that he would make the film adaptation within 10 years. The project languished for over a decade because Spielberg was reluctant to take on such serious subject matter. Spielberg’s hesitation actually stopped Hollywood veteran Billy Wilder from making Schindler’s List his final film. Wilder tried to buy the rights to Keneally’s book, but Spielberg and MCA/Universal scooped them up before he could.

5. Spielberg refused to accept a salary for making the movie.

Though Spielberg is already an extremely wealthy man as a result of the many big-budget movies that have made him one of Hollywood’s most successful directors, he decided that a story as important as Schindler’s List shouldn’t be made with an eye toward financial reward. The director relinquished his salary for the movie and any proceeds he would stand to make in perpetuity, calling any such personal gains “blood money.” Instead, Spielberg used the film’s profits to found the USC Shoah Foundation, which was established in 1994 to honor and remember the survivors of the Holocaust by collecting personal recollections and audio visual interviews.

6. Before Spielberg agreed to make the movie, he tried to get other directors to make it.

Part of Spielberg’s reluctance to make Schindler's List was that he didn’t feel that he was prepared or mature enough to tackle a film about the Holocaust. So he tried to recruit other directors to make the film. He first approached director Roman Polanski, a Holocaust survivor whose own mother was killed in Auschwitz. Polanski declined, but would go on to make his own film about the Holocaust, The Pianist, which earned him a Best Director Oscar in 2003. Spielberg then offered the movie to director Sydney Pollack, who also passed.

The job was then offered to legendary filmmaker Martin Scorsese, who accepted. Scorsese was set to put the film into production when Spielberg had an epiphany on the set of the revisionist Peter Pan story Hook and realized that he was finally prepared to make Schindler’s List. To make up for the change of heart, Spielberg traded Scorsese the rights to a movie he’d been developing that Scorsese would make into his next film: the remake of Cape Fear.

7. The movie was a gamble for Universal, so they made Spielberg a dino-sized deal.

When Spielberg finally decided to make Schindler’s List, it had taken him so long that Sheinberg and Universal balked. The relatively low-budget $23 million three-hour black-and-white Holocaust movie was too much of a risk, so they asked Spielberg to make another project that had been brewing at the studio: Jurassic Park. Make the lucrative summer movie first, they said, and then he could go and make his passion project. Spielberg agreed, and both movies were released in 1993; Jurassic Park in June and Schindler’s List in December.

8. Spielberg didn't want a movie star with Hollywood clout to portray Schindler.

Kevin Costner and Mel Gibson auditioned for the role of Oskar Schindler, and actor Warren Beatty was far enough along in the process that he even made it as far as a script reading. But according to Spielberg, Beatty was dropped because, “Warren would have played it like Oskar Schindler through Warren Beatty.”

For the role, Spielberg cast then relatively unknown Irish actor Liam Neeson, whom the director had seen in a Broadway play called Anna Christie. “Liam was the closest in my experience of what Schindler was like,” Spielberg told The New York Times. “His charm, the way women love him, his strength. He actually looks a little bit like Schindler, the same height, although Schindler was a rotund man,” he said. “If I had made the movie in 1964, I would have cast Gert Frobe, the late German actor. That’s what he looked like.”

Besides having Neeson listen to recordings of Schindler, the director also told him to study the gestures of former Time Warner chairman Steven J. Ross, another of Spielberg’s mentors, and the man to whom he dedicated the film.

9. Spielberg did his own research.

In order to gain a more personal perspective on the film, Spielberg traveled to Poland before principal photography began to interview Holocaust survivors and visit the real-life locations that he planned to portray in the movie. While there, he visited the former Gestapo headquarters on Pomorska Street, Schindler’s actual apartment, and Amon Goeth’s villa.

Eventually the film shot on location for 92 days in Poland by recreating the Płaszów camp in a nearby abandoned rock quarry. The production was also allowed to shoot scenes outside the gates of Auschwitz.

10. The little girl in the red coat was real.

Promotional image for 25th anniversary rerelease of Schindler's List.
Universal Pictures

A symbol of innocence in the movie, the little girl in the red coat who appears during the liquidation of the ghetto in the movie was based on a real person. In the film, the little girl is played by actress Oliwia Dabrowska, who—at the age of three—promised Spielberg that she would not watch the film until she was 18 years old. She allegedly watched the movie when she was 11, breaking her promise, and spent years rejecting the experience. Later, she told the Daily Mail, “I realized I had been part of something I could be proud of. Spielberg was right: I had to grow up to watch the film.”

The actual girl in the red coat was named Roma Ligocka; a survivor of the Krakow ghetto, she was known amongst the Jews living there by her red winter coat. Ligocka, now a painter who lives in Germany, later wrote a biography about surviving the Holocaust called The Girl in the Red Coat.

11. The movie wasn't supposed to be in English.

For a better sense of reality, Spielberg originally wanted to shoot the movie completely in Polish and German using subtitles, but he eventually decided against it because he felt that it would take away from the urgency and importance of the images onscreen. According to Spielberg, “I wanted people to watch the images, not read the subtitles. There’s too much safety in reading. It would have been an excuse to take their eyes off the screen and watch something else.”

12. The studio didn't want the movie to be in black and white.

The only person at MCA/Universal who agreed with Spielberg and director of cinematography Janusz Kaminski’s decision to shoot the movie in black and white was Sheinberg. Everyone else lobbied against the idea, saying that it would stylize the Holocaust. Spielberg and Kaminski chose to shoot the film in a grimy, unstylish fashion and format inspired by German Expressionist and Italian Neorealist films. Also, according to Spielberg, “It’s entirely appropriate because I’ve only experienced the Holocaust through other people’s testimonies and through archival footage which is, of course, all in black and white.”

13. Spielberg's passion project paid off in Oscars.

Schindler’s List was the big winner at the 66th Academy Awards. The film won a total of seven Oscars, including Best Picture and Best Director awards for Spielberg. Neeson and Ralph Fiennes were both nominated for their performances, and the film also received nods for Costume Design, Makeup, and Sound.

14. Schindler's List is technically a student film.

Steven Spielberg gives a speech
Nicholas Hunt, Getty Images

Thirty-three years after dropping out of college, Spielberg finally received a BA in Film and Video Production from his newly minted alma mater, Cal State Long Beach, in 2002. The director re-enrolled in secret, and gained his remaining credits by writing essays and submitting projects under a pseudonym. In order to pass a film course, he submitted Schindler’s List as his student project. Spielberg describes the time gap between leaving school and earning his degree as his “longest post-production schedule.”

15. Spielberg thinks the film may be even more important to watch today.

In honor of the film's 25th anniversary, it's currently back in theaters. But Spielberg believes that the film may be even more important for today's audiences to see. "I think this is maybe the most important time to re-release this film," the director said in a recent interview with Lester Holt on NBC Nightly News. Citing the spike in hate crimes targeting religious minorities since
2016, he said, "Hate's less parenthetical today, it's more a headline."

Additional Sources:
The Making of Schindler’s List: Behind the Scenes of an Epic Film, by Franciszek Palowski

An earlier version of this article appeared in 2015.

The Most-Searched Holiday Movie in Every State, Mapped

iStock.com/chrispecoraro
iStock.com/chrispecoraro

Do you live in a Gremlins state or a Home Alone state? StreamingObserver is here to tell you. The streaming-industry site recently used Rotten Tomatoes and other public data sources to figure out the most popular Christmas movies in each state. Spoiler: It’s a Wonderful Life isn’t quite the Christmas classic you thought it was.

The list takes some liberties with what might be considered a “Christmas” movie. Die Hard (a favorite in Missouri and Wisconsin) made the list, as did Batman Returns (California’s most-searched movie) and Edward Scissorhands (popular in Nevada and Arizona). They aren’t quite the traditional Hallmark holiday fare, but they each include at least some nod to the Christmas season.

Then there’s the more standard Yuletide entertainment, like A Christmas Carol (Tennessee’s favorite) and Frosty the Snowman (South Dakota's pick). Christmas in Connecticut, oddly enough, is Montana’s favorite (unclear whether that’s the 1945 film or the 1992 TV movie), while Connecticut’s favorite is the 1983 Eddie Murphy film Trading Places. The Apartment, The Snowman, Miracle on 34th Street, and The Best Man Holiday also make an appearance. Seven states list Gremlins as their favorite, while six chose Home Alone and three chose Scrooged.

The data is based on Google searches, rather than surveys, so it's possible that the movie at the top of each state's list isn't so much beloved as it is curiosity-inspiring. It's possible that all these people are Googling Gremlins, then deciding not to watch it. But we feel fairly confident saying a lot of people will be watching Die Hard this Christmas season. (Tip: You can't stream it on Netflix right now, but you can rent it on Amazon.)

The 2018 results are fairly different from StreamingObserver's 2016 data, which you can compare here. Do you agree with your state's preferences?

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