6 Facts About William Faulkner's As I Lay Dying

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Released in 1930, author William Faulkner’s As I Lay Dying appeared to be an impossibly ambitious undertaking. The story of the death of a Mississippi matriarch named Addie Bundren and her family's struggles to give her a proper burial, the novel is comprised of 15 first-person narratives, with Faulkner alternating perspectives in each of the 59 chapters. It’s since become regarded as an American classic—and a bit of an endurance test for some readers. Here, some facts about the book and Faulkner’s very deliberate undertaking of writing a “classic.”

1. FAULKNER CLAIMED HE WROTE IT IN SIX WEEKS.

It can sometimes be difficult to sort William Faulkner’s own personal mythology from facts. The novelist, who was a high school and college dropout and taught himself to write, claimed he wrote As I Lay Dying while working at a Mississippi power plant. (His earlier novels, while well-regarded, did not provide much in the way of royalties.) For six weeks, he wrote from midnight until four in the morning while at the plant. And, allegedly, drunk. The book was composed on a wheelbarrow that he turned into a table.

2. FAULKNER SAID HE DELIBERATELY SET OUT TO WRITE A CLASSIC.

Faulkner was one of the more blunt novelists of his era, having little time or regard for self-promotion or any examination of his process. In discussing As I Lay Dying, he was fond of saying that he was very conscious of the novel’s potential to be embraced as a sprawling American classic. "I set out deliberately to write a tour-de-force,” he said.” Before I ever put pen to paper and set down the first word I knew what the last word would be and almost where the last period would fall.”

3. ONE CHAPTER IS COMPRISED OF JUST ONE SENTENCE.

In a contender for the world’s shortest book chapter, Faulkner composed chapter 19 of the book with just one sentence: “My mother is a fish.” The perspective is that of Vardaman Bundren, the son of the recently-deceased Addie Bundren, whom he compares to a sea creature due to her coffin floating on a river.

4. HE USED THE SAME FICTIONAL SETTING IN SEVERAL OF HIS BOOKS.

And it’s very hard to pronounce. Faulkner set many of his novels, including As I Lay Dying, in the fictional Yoknapatawpha County, a spell-check-threatening word that came from a Chickasaw term for water running through flatlands. While visiting students at the University of Virginia, he instructed students on its proper pronunciation:  YOK-na-pa-TAW-pha.

5. THE POWER PLANT HE WROTE IT IN WAS TORN DOWN.

The University of Mississippi power plant where Faulkner wrote the book stood as a monument to the late writer for several decades following his death in 1962. In 2015, the school announced it would be torn down to make room for a $135 million science building.

6. JAMES FRANCO TURNED IT INTO A MOVIE.


Alissa Whelan - © 2013 - RabbitBandini Productions

By the nature of its multiple perspectives and stream-of-consciousness narrative, As I Lay Dying was never seen as ideal movie material. Faulkner himself was a screenwriter (The Big Sleep, To Have and Have Not), but may have thought the odds of the book ever seeing the screen were slim. In 2013, actor/director James Franco released an adaptation that utilized split-screens, voiceover, and other techniques to try and maintain the spirit of the splintered story. Franco later adapted The Sound and the Fury, another Faulkner novel.

"I love Faulkner," Franco told The Hollywood Reporter in 2015. "I have loved Faulkner since I was a teenager, and I have just been drawn to his characters and his worlds. I think his experimental style and his very unusual structuring in his novels is the thing that actually attracted me. I knew it would be very difficult but I also knew from adapting his other book [As I Lay Dying] that if I tried to take on that writing style and structure in the movie that it would push me to find filmmaking solutions that I wouldn't have otherwise."

The One Harry Potter Character JK Rowling Regrets Killing Off

Angela Weiss, AFP/Getty Images
Angela Weiss, AFP/Getty Images

Spoiler alert for anyone who hasn't read or watched the Harry Potter series: Many beloved characters die. From Dobby to Snape to Dumbledore (and the list goes on), Potterheads have reason to shed a tear during nearly every book and/or film. It was surely upsetting for JK Rowling to write these deaths, but she has spoken out about the one character she actually regrets killing off.

According to IGN, Rowling once wrote on Pottermore about how she regretted killing Florean Fortescue. If you don't remember him, you're probably not alone; he's the owner of an ice cream parlor in Diagon Alley, and a minor character. So why, out of the multiple heartbreaking deaths she concocted, does the acclaimed author feel so strongly about killing off Florean?

"I originally planned Florean to be the conduit for clues that I needed to give Harry during his quest for the Hallows, which is why I established an acquaintance fairly early on," Rowling explained. "The problem was that when I came to write the key parts of Deathly Hallows, I decided that Phineas Nigellus Black was a much more satisfactory means of conveying clues. I seemed to have him kidnapped and killed for no good reason. He is not the first wizard whom Voldemort murdered because he knew too much (or too little), but he is the only one I feel guilty about, because it was all my fault."

So basically, Florean was created as a plot device that ultimately was not needed in the end. As he faces death "for no good reason" according to Rowling, it seems his character's demise was just the result of a little narrative reorganization. As Rowling of all people should know, there could have been worse ways to go.

A 17th-Century Noblewoman's Rare Poems About War-Torn England Can Be Read Online

Hajotthu, Wikimedia Commons // Public domain
Hajotthu, Wikimedia Commons // Public domain

Hester Pulter wasn't famous for anything in particular, but the 17th-century aristocrat's poems have historical value for other reasons. Pulter wrote about science, religion, politics, the English Civil War (fought from 1642 to 1651), and even the execution of Charles I, which wouldn't be all that unusual, except for the fact that she was a woman. And a woman of high social standing at that.

Although her poems can now be read online for free via The Pulter Project, the noblewoman probably never meant for them to be published back in the 1600s, according to Samantha Snively, a Ph.D candidate in Early Modern Literature at the University of California, Davis.

"In order to avoid slander, the few women who did publish usually wrote about topics more aligned with proper womanly values: household guides, devotional books and diaries, or memoirs of their husbands," Snively wrote for The Conversation. "An aristocratic woman like Hester would have been expected to behave modestly, keep quiet, and focus on her household rather than write about political conflicts and scientific experimentation."

According to Smithsonian magazine, Pulter's poems went largely unread for centuries until 1996, when a graduate student at the University of Leeds pulled them from the shelves of the university's Brotherton Library while undertaking a project to digitize 17th-century poetry manuscripts. The online portal includes both digital versions of Pulter's original manuscripts as well as transcriptions of her writings.

Pulter, who was likely born in or around Dublin in June 1605, wrote most of her poems in the 1640s and 1650s at the height of the English Civil War. As such, her poems reflect her "deeply felt responses to the carnage and chaos of the mid-seventeenth century, as to the afflictions and losses in her own life," The Pulter Project notes.

Despite being the daughter of a chief justice on the king's bench in Ireland, Pulter was critical of different political factions, including the Parliamentarians and the ruling class, while also revering monarchs like Charles I.

Snively noted that Pulter's body of work contains "early feminist ideas and addresses, in complex ways, how society constricts women's behavior, devalues their work, and diminishes their intellectual value."

Pulter—the daughter of James Ley, who became the first Earl of Marlborough—gave birth to 15 children and rarely left her home. In one poem, she laments, "Why must I thus forever be confined / Against the noble freedom of my mind?"

[h/t Smithsonian]

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