When MAD Magazine Got in Trouble for Printing Counterfeit Money

Cory Doctorow, Flickr // CC BY-SA 2.0
Cory Doctorow, Flickr // CC BY-SA 2.0

MAD magazine has always prided itself on being a subversive, counter-culture presence. Since its founding in 1952, many celebrated comedians have credited the publication with forming their irreverent sense of humor, and scholars have noted that it has regularly served as a primer for young readers on how to question authority. That attitude frequently brought the magazine to the attention of the FBI, who kept a file on its numerous perceived infractions—like offering readers a "draft dodger" card or providing tips on writing an effective extortion letter.

The magazine's "Usual Gang of Idiots" outdid themselves in late 1967, though, when issue #115 featured what was clearly a phony depiction of U.S. currency. In addition to being valued at $3—a denomination unrecognized by the government—it featured the dim-witted face of MAD mascot Alfred E. Neuman.

The infamous $3 bill published in a 1967 issue of 'Mad' magazine
MAD Magazine

When taken at its moronic face value, there was absolutely no way anyone with any sense could have confused the bill for actual money. But what MAD hadn't accounted for was that a machine might do exactly that. Around the time of the issue's release, automated coin change machines were beginning to pop up around the country. Used in laundromats, casinos, and other places where someone needed coins rather than bills, people would feed their dollars into the unit and receive an equal amount of change in return.

At that time, these machines were not terribly sophisticated. And as a few enterprising types discovered, they didn't have the technology to really tell Alfred E. Neuman's face from George Washington's. In Las Vegas and Texas, coin unit operators were dismayed to discover that people had been feeding the phony MAD bill into the slots and getting actual money in return.

How frequently this happened isn't detailed in any source we could locate. But in 1995, MAD editor Al Feldstein, who guided the publication from its origins as a slim comic book to netting 2.7 million readers per issue, told The Comics Journal that it was enough to warrant a visit from the U.S. Treasury Department.

"We had published a three-dollar bill as some part of an article in the early days of MAD, and it was working in these new change machines which weren't as sensitive as they are now, and they only read the face," Feldstein said. "They didn't read the back. [The Treasury Department] demanded the artwork and said it was counterfeit money. So Bill [Gaines, the publisher] thought this whole thing was ridiculous, but here, take it, here's a printing of a three-dollar bill."

Feldstein later elaborated on the incident in a 2002 email interview with author Al Norris. "It lacked etched details, machined scrolls, and all of the accouterments of a genuine bill," Feldstein wrote. "But it was, however, freakishly being recognized as a one-dollar bill by the newly-introduced, relatively primitive, technically unsophisticated change machines … and giving back quarters or whatever to anyone who inserted it into one. It was probably the owner of those machines in Las Vegas that complained to the U. S. Treasury Department."

Feldstein went on to say that the government employees demanded the "printing plates" for the bill, but the magazine had already disposed of them. The entire experience, Feldstein said, was "unbelievable."

The visit didn't entirely discourage the magazine from trafficking in fake currency. In 1979, a MAD board game featured a $1,329,063 bill. A few decades later, a "twe" (three) dollar bill was circulated as a promotional item. The bills were slightly smaller than the dimensions of actual money—just in case anyone thought a depiction of Alfred E. Neuman's gap-toothed portrait was evidence of valid U.S. currency.

Game of Thrones's The Mountain Needed a Stunt Double for the First Time Ever in Season 8

HBO
HBO

There’s no question that Game of Thrones's final season will be action-packed. But Iceland native Hafþór Júlíus Björnsson, who plays Gregor "The Mountain" Clegane in the TV series, recently confirmed just how much more hardcore the upcoming episodes will be.

In a recent interview with Mashable, Björnsson dished on the final season (as much as an actor sworn to secrecy can dish about a show). Though he couldn’t reveal any really juicy details, he did spill a very interesting piece of information about The Mountain. According to the 30-year-old strongman, the final season was "the hardest season I’ve filmed for Game Of Thrones."

Filming got so complicated that, for the first time in his four seasons on the show, Björnsson needed a stunt double to play The Mountain.

“All the seasons prior to this season that we just finished filming, I never had stunt doubles. I always did everything myself," Björnsson said. "But the last season I filmed, the season that hasn’t been shown on television, I had a stunt double there."

Though fans certainly wanted to hear more about the scene (or scenes) that required a stunt double for the actor, Björnsson—much like The Mountain—didn't budge. “I can’t go into detail ... but I had a stunt double there I can tell you that,” he said. "He was big. He was tall, not as muscular."

It couldn’t have been easy for the show's producers to find a match for Björnsson, who is a professional strongman when he's not acting. He stands 6 feet 9 inches tall, and currently holds the title of "World’s Strongest Man."

As Björnsson has never needed a stunt double before, we can’t help but wonder what exactly happens to The Mountain in season 8. We'll be looking forward to finding out when Game of Thrones returns on April 14, 2019.

[h/t: Mashable]

New Book Provides an Intimate Look at the Handwriting of Freud, Marie Antoinette, and Other Historical Figures

TASCHEN
TASCHEN

Handwriting analysts would have a field day with TASCHEN's latest book. Titled The Magic of Handwriting, the 464-page tome offers a rare glimpse into the intimate lives and correspondences of some of the most well-known names in history.

In modern times, handwriting is a dying art, which makes it all the more meaningful to see nearly 900 years' worth of writing preserved in vivid detail in the book. A letter penned a year before the French Revolution shows Marie Antoinette’s neat signature written in small letters. In contrast, French writer Marcel Proust’s handwritten manuscripts were frantically scrawled on whatever scraps of paper he could find. Charlie Chaplin sometimes included a sketch of his signature hat and cane while signing autographs, and Sitting Bull, the Hunkpapa Lakota leader who was known for his courage in battle, dotted his i’s with what look like hearts or v's.

A signed picture of Sitting Bull
TASCHEN

A letter signed by Marie Antoinette
A letter signed by Marie Antoinette
TASCHEN

A manuscript handwritten by Marcel Proust
Marcel Proust's writing
TASCHEN

These artifacts come from the collection of Pedro Corrêa do Lago, a Brazilian art historian and curator who has acquired thousands of handwritten letters, manuscripts, autographed photos, and musical compositions over the years. The book features over 100 items from his collection, which also went on display last year at the Morgan Library & Museum in New York City.

In addition to displaying different styles of handwriting, the book also highlights little-known facts about historical figures and insight into their personality. There’s a handwritten invoice from Sigmund Freud, who charged one client 2000 schillings (nearly $500 in 1934, or roughly $9400 today) for 20 hours of psychoanalysis. When his patient tried to negotiate a lower price, Freud reportedly replied, “I am still forced to make a living. I cannot do more than five hours of analysis daily; and I do not know how much longer I shall work at it.”

An invoice signed by Sigmund Freud
An invoice signed by Sigmund Freud
TASCHEN

Ernest Hemingway’s snark is on full display in a “Who’s Who” questionnaire he filled out for the publishing firm Scribner’s in 1930. Under the career section, he merely replied “yes." Under "hobbies," he listed skiing, fishing, shooting, and drinking.

For more stories like these, order a copy of The Magic of Handwriting from TASCHEN’s website or Amazon.

A cover of the book 'The Magic of Handwriting'
TASCHEN

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