8 Bizarre Places People Have Gotten Stuck

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iStock

Some days it just doesn’t pay to venture outside, particularly when you wind up the subject of a police and fire department rescue because you’ve somehow trapped yourself inside an ATM machine. Check out eight other strange environments that have ensnared bystanders and prompted emergency responses.

1. A CLAW MACHINE

A giant see-through container full of plush toys is any child’s idea of paradise, and they will attempt any means possible to inhabit it. For three-year-old Jamie Bracken-Murphy of Nenagh, Tipperary, Ireland, that meant crawling through the small flap from which the toys can be retrieved and finding himself lodged in a claw machine. Murphy was on display for about 10 minutes before an off-duty fireman was able to coax him back out the way he came in. Jamie’s father, Damien, expressed little surprise at his son’s predicament, saying that, "He's a very mischievous, sharp kid who's always pushing boundaries."

2. A TRAFFIC CONE

A man has a traffic cone over his head
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In 2013, a man in Hemel Hempstead, Hertfordshire, England thought he’d have a bit of fun by sticking a traffic cone—otherwise known as a bollard—on his head. To his dismay, the large cone slid down over and past his shoulders, entombing him in plastic. John Waterman, a witness to the incident, captured it all on his cell phone. "It was very random," Waterman told The Telegraph. "It's not the usual thing you see in the middle of Hemel Hempstead on a Sunday lunchtime." The man stumbled around for more than two hours before anyone bothered to call police.

3. A CEMENT HOPPER

Aurora, Illinois was the site of a recent cement mix-up, when an unidentified man became trapped in a cement hopper. The worker had climbed into the machine to clean it, but found he was unable to move when residual cement on the machine's floor began hardening around his legs. It took firefighters more than two hours to extricate him from the hopper. He was taken to a nearby hospital and treated for minor injuries, but released the same day, according to the local fire department.

4. A TOILET

A stock shot of a person stuck in a toilet
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In 2016, a Norwegian man named Cato Berntsen Larsen found himself in deep trouble after he tried lowering himself into a public toilet to retrieve a friend’s cell phone. The toilet’s tank was located underneath the seat, allowing enough room for Larsen to become trapped. To his dismay, the tank—which is not connected to a sewage system and is only emptied sporadically—was full of human waste. Adding to the putrid nature of his enclave, Larsen vomited and was bitten by an unknown animal: His situation did not improve until authorities were able to come and pull him out. "It was damn disgusting," Larsen said, "the worst I have experienced. There were animals down there, too."

5. A GIANT STONE VAGINA

Tourists and residents of Tübingen, Germany are quite familiar with Chacán-Pi, a giant stone sculpture of a vagina created by Peruvian artist Fernando de la Jara. The towering display sits just outside Tübingen University’s Institute for Microbiology and Virology and has attracted curious onlookers since 2001. In 2014, an unnamed American student decided to go spelunking in the 32-ton carving for a photo opportunity and became trapped, necessitating rescue by 22 firefighters. The Guardian called them “midwives” and reported that the student was “delivered by hand.”

6. A WASHING MACHINE

A man appears to be stuck inside a washing machine
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Sometimes, games of hide-and-seek can go very wrong. That was the case for a man near Melbourne, Australia in 2014, who climbed into his top-loading washing machine fully nude to surprise his partner. Unfortunately, he was unable to climb back out. Responders were able to grease him with a liberal application of olive oil and pull him out. First Constable Luke Ingram told the Australian Broadcasting Corporation that, as a rule, “My advice would be for people not to climb into appliances.” The warning went unheeded by another Australian man in 2015, who found himself lodged in a front-loading machine and had to wait while rescuers disassembled the entire unit in order to free him.

7. A BABY SWING

If you’re ever challenged by your adult friends to fit into a baby swing at a public park, you can confidently say that it won’t work. That’s because a man from Vallejo, California tried it in 2011. While he managed to slide into the seat using liquid laundry detergent, he couldn’t slide back out. As his legs began to swell, his friends abandoned him overnight. He wasn’t rescued until nine hours later, when a groundskeeper heard his screams for help at 6 o'clock the following morning. "The man sustained non-life threatening injuries to his body," the San Francisco Chronicle reported, "but there’s no word yet on the condition of his ego."

8. A CHIMNEY

A chimney sits on a rooftop
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There are many Santa jokes to be made, but when you’re the man trapped in your own home’s chimney for four hours, there probably isn’t a huge urge to start laughing. In late 2016, a Tucson, Arizona homeowner who had locked his keys in his home opted to retrieve them by re-entering his abode via the chimney. While it was a spectacularly bad idea, he actually almost made it: His feet were touching the floor of his fireplace before the space grew too narrow to allow for any further passage and he got stuck. Firefighters were able to pull him out from the roof, covered in soot but otherwise unharmed.

7 Ways Victorian Fashion Could Kill You

An 1862 engraving showing a skeleton gentleman at a ball asking a skeleton lady to dance, meant to represent the effect of arsenic dyes and pigments in clothing and accessories.
An 1862 engraving showing a skeleton gentleman at a ball asking a skeleton lady to dance, meant to represent the effect of arsenic dyes and pigments in clothing and accessories.

While getting dressed in the morning can seem like a hassle (pajamas are so much more comfortable), few of us worry about our clothes leading to our death. That wasn’t the case during the Victorian era, when fashionable fabrics and accessories sometimes came at great price for both makers and wearers. In Fashion Victims: The Dangers of Dress Past and Present, Alison Matthews David, a professor in the School of Fashion at Ryerson University in Toronto, outlines the many toxic, flammable, and otherwise highly hazardous components of high style during the 19th century. Here are a few of the worst offenders.

1. Poisonous Dyes

A drawing of Victorian fashions likely made with arsenic dyes
A drawing of Victorian fashions likely made with arsenic dyes
Bloomsbury Visual Arts

Before the 1780s, green was a tricky color to create on clothes, and dressmakers depended on a combination of yellow and blue dyes to produce the hue. But in the late 1770s a Swedish/German chemist named Carl Wilhelm Scheele invented a new green pigment by mixing potassium and white arsenic on a solution of copper vitriol. The pigment was dubbed Scheele’s Green, and later Paris Green, among other names, and it became a huge sensation, used to color walls, paintings, and fabrics as well as candles, candies, food wrappers, and even children’s toys. Not surprisingly, it also caused sores, scabs, and damaged tissue, as well as nausea, colic, diarrhea, and constant headaches.

Although fashionable women wore arsenic-dyed fabrics—even Queen Victoria was depicted in one—its health effects were worst among the textile and other workers who created the clothes and often labored in warm, arsenic-impregnated rooms day after day. (Some scholars have even theorized that Napoleon might have been poisoned by the arsenic-laced wallpaper hung in his St. Helena home.)

Arsenical dyes were also a popular addition to artificial flowers and leaves, which meant they were frequently pinned to clothes or fastened on heads. In the 1860s, a report commissioned by the Ladies’ Sanitary Association found that the average headdress contained enough arsenic to poison 20 people. The British Medical Journal wrote of the green-clad Victorian woman: “She actually carries in her skirts poison enough to slay the whole of the admirers she may meet with in half a dozen ball-rooms.” Despite repeated warnings in the press, and from doctors and scientists, the Victorians seemed in love with emerald green arsenic dyes; ironically, they acted like a reminder of the nature then swiftly being lost to industrialization, David says.

2. Pestilential Fabrics

Soldiers of the Victorian era (and earlier) were plagued by lice and other body parasites that carried deadly diseases such as typhus and trench fever. But soldiers weren’t the only victims of disease carried via fabric—even the wealthy sometimes wore clothing that was made or cleaned by the sick in sweatshops or tenements, and which spread disease as a result. According to David, the daughter of Victorian Prime Minister Sir Robert Peel died after her riding habit, given to her by her father as a gift, was finished in the house of a poor seamstress who had used it to cover her sick husband as he lay shivering with typhus-induced chills. Peel’s daughter contracted typhus after wearing the garment, and died on the eve of her wedding.

Women also worried about their skirts sweeping through the muck and excrement of city streets, where bacteria was rife, and some wore special skirt-fasteners to keep them up from the gunk. The poor, who often wore secondhand clothes, suffered from smallpox and other diseases spread by fabric that was recycled without being properly washed.

3. Flowing Skirts

Giant, ruffled, crinoline-supported skirts may have been fine for ladies of leisure, but they weren’t a great combination with industrial machinery. According to David, one mill in Lancashire posted a sign in 1860 forbidding the “present ugly fashion of HOOPS, or CRINOLINE, as it is called” as being “quite unfitted for the work of our Factories.” The warning was a wise one: In at least one printing office, a girl was caught by her crinoline and dragged under the mechanical printing press. The girl was reportedly “very slim” and escaped unharmed, but the foreman banned the skirts anyway. Long, large, or draped skirts were also an unfortunate combination with carriages and animals.

4. Flammable Fabrics

A woman with her crinoline on fire
Bloomsbury Visual Arts

The flowing white cotton so popular in the late 18th and 19th centuries had dangers to both maker and wearer: It was produced with often-brutal slave labor on plantations, and it was also more flammable than the heavy silks and wool favored by the wealthy in the previous centuries. One type of cotton lace was particularly problematic: In 1809 John Heathcoat patented a machine that made the first machine-woven silk and cotton pillow “lace” or bobbinet, now better known as tulle, which could catch fire in an instant. The tulle was frequently layered, to add volume and compensate for its sheerness, and stiffened with highly combustible starch. Ballerinas were particularly at risk: British ballerina Clara Webster died in 1844 when her dress caught fire at London’s Drury Lane theatre after her skirt came too close to sunken lights onstage.

But performers weren’t the only ones in peril: Even the average woman wearing the then-popular voluminous crinolines was at risk of setting herself ablaze. And the “flannelette” (plain cotton brushed to create a nap and resemble wool flannel) so popular for nightshirts and undergarments was particularly combustible if hit with a stray spark or the flame of a household candle. So many children burned in household accidents that one company came out with a specially treated flannelette called Non-Flam, advertised as being “strong’y recommended by Coroners.”

5. Arsenic-Ridden Taxidermy

Dead birds were a popular addition to ladies’ hats in the 19th century. According to David, “fashions in millinery killed millions of small songbirds and introduced dangers that may still make some historic women’s hats harmful to humans today.”

But it wasn’t the birds that were the problem—it was the arsenic used on them. Taxidermists of the day used arsenic-laced soaps and other products to preserve birds and other creatures. In some cases, entire birds—one or several—were mounted on hats. Some Victorian fashion commentators decried the practice, though not because of the arsenic involved. One Mrs. Haweis, a writer on dress and beauty, began an 1887 diatribe against “smashed birds” with the sentence: “A corpse is never a really pleasant ornament.”

6. Mercury

No upper-class man of the Victorian era was complete without his hat, but many of those hats were made with mercury. As David explains, “Although its noxious effects were known, it was the cheapest and most efficient way to turn stiff, low-grade fur from rabbits and hares into malleable felt.” Mercury gave animal fur its smooth, glossy, matted texture, but that velvety look came at a high cost—mercury is an extremely dangerous substance.

Mercury can rapidly enter the body through the skin or the air, and causes a range of horrible health effects. Hatters were known to suffer from convulsions, abdominal cramps, trembling, paralysis, reproductive problems, and more. (A chemistry professor studying toxic exposure at Dartmouth College, Karen Wetterhahn, died in 1996 after spilling just a few drops of a supertoxic type of mercury on her glove.) To make matters worse, hatters who drank while they worked (not an uncommon practice) only hastened mercury’s effects by hampering the liver’s ability to eliminate it. While scholars still debate whether Lewis Carroll’s “mad hatter” was meant to show the effects of mercury poisoning, his trembling limbs and wacky speech seem to fit the bill.

7. Lead

A Victorian facial cream containing lead
A Victorian facial cream containing lead
Bloomsbury Visual Arts

Pallor was definitely in during the Victorian era, and a face spackled with lead white paint was long favored by fashionable women. Lead had been a popular ingredient in cosmetics for centuries, David writes, because it “made colors even and opaque and created a desirable ‘whiteness’ that bespoke both freedom from hard outdoor labor and racial purity.” One of the most popular lead-laced cosmetic products was called Laird’s Bloom of Youth; in 1869, one of the founders of the American Medical Association treated three young women who had been using the product and temporarily lost full use of their hands and wrists as a result. (The doctor described the condition as “lead palsy,” although today we call it wrist drop or radial nerve palsy, which can be caused by lead poisoning.) One of the women’s hands was said to be “wasted to a skeleton.”

This article was republished in 2019.

The 25 Highest-Paying Entry-Level Jobs for New Graduates

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iStock/kali9

When they finish their final exams, college seniors can look forward to job hunting. Roughly 1.9 million students in the U.S. will receive their bachelor's degrees this school year, and while some new graduates may be happy to take the first job they're offered, others will be looking for something that pays well—even at the entry level. According to Glassdoor, recent grads qualified for the 25 jobs below will have the best luck.

To compile this list of the highest-paying entry-level jobs in the U.S., the job search website identified employment opportunities with the highest median bases salaries reported by users 25 or younger. Positions in the tech industry dominate the list. Aspiring data scientists can expect to make $95,000 a year at their first job out of college, while software engineers have a median annual base salary of $90,000. Other entry-level tech jobs like UX designer, Java developer, and systems engineer all start at salaries of $70,000 or more.

Banking and business positions, including investment banking analysta ($85,000), actuarial analysts ($66,250), and business analysts ($63,000), appear on the list as well. The only listed position that doesn't fall under the tech, finance, or business categories is for physical therapists, who report a median starting salary of $63,918.

You can check out the full list of the 25 highest-paying entry-level jobs below.

  1. Data Scientist // $95,000
  2. Software Engineer // $90,000
  3. Product Manager // $89,000
  4. Investment Banking Analyst // $85,000
  5. Product Designer // $85,000
  6. UX Designer // $73,000
  7. Implementation Consultant // $72,000
  8. Java Developer // $72,000
  9. Systems Engineer // $70,000
  10. Software Developer // $68,600
  11. Process Engineer // $68,258
  12. Front End Developer // $67,500
  13. Product Engineer // $66,750
  14. Actuarial Analyst // $66,250
  15. Electrical Engineer // $66,000
  16. Mechanical Engineer // $65,000
  17. Design Engineer // $65,000
  18. Applications Developer // $65,000
  19. Test Engineer // $65,000
  20. Programmer Analyst // $65,000
  21. Quality Engineer // $64,750
  22. Physical Therapist // $63,918
  23. Field Engineer // $63,750
  24. Project Engineer // $63,000
  25. Business Analyst // $63,000

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