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The 10 Best TV Shows on Amazon Prime Right Now

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Amazon

If you’re a subscriber to Amazon Prime, you’re entitled to free expedited shipping, free Kindle downloads, and lots of other perks. But some customers are perfectly content to relegate their use of the service to the company’s considerable streaming video options.

If you’ve already explored their extensive library of HBO classics like The Sopranos and The Wire, don’t worry—there’s plenty of binge-watching left. Check out our picks for 10 of the best TV shows on Amazon Prime right now.

1. HANNIBAL (2013-2015)

At first glance, Bryan Fuller’s (Pushing Daisies) take on the Thomas Harris novels featuring the gastronomic perversions of Hannibal Lecter seems like a can’t-win: How does anyone improve on The Silence of the Lambs and Anthony Hopkins’s portrayal of the diabolical psychiatrist? By not trying. Mads Mikkelsen’s Lecter is a study in composure; FBI agent Will Graham (Hugh Dancy) is the one who seems to be coming unhinged. While Fuller has time to explore the finer details of Harris’s novels, he also has the temerity to diverge from them. Hannibal’s brief three-season run is a tragedy, but what’s here is appetizing.

2. GOLIATH (2016-)

David E. Kelley (The Practice) wrote this eight-episode limited series about a downtrodden lawyer (Billy Bob Thornton) who brushes up against his former law firm when he tackles an accidental death case that turns into a sprawling conspiracy. Thornton won a Golden Globe for his performance; William Hurt should've won something for his portrayal as the diabolical firm co-founder who keeps pulling Thornton's strings from afar. A second season is set to premiere in 2018.

3. THE AMERICANS (2013-)

If Stranger Things stimulated your appetite for ‘80s paranoia, FX’s The Americans—about two Soviet spies (Matthew Rhys, Keri Russell) embedding themselves in suburban America—is bound to satisfy. As Russell and Rhys navigate a complex marriage that may be as phony as their birth certificates, their allegiance to Russia is constantly tested. Prime has the first four seasons, with the recently-aired fifth season due soon; the show's sixth and final season will air in 2018.

4. SIX FEET UNDER (2001-2005)

A celebration of life under the watch of death: Alan Ball’s Six Feet Under chronicles the Fishers, proprietors of a Los Angeles funeral home who struggle to carry on following the abrupt death of their patriarch. Darkly humorous and emotionally charged, it’s also got one of the most talked-about (and gut-wrenching) finales in television history.

5. JUSTIFIED (2010-2015)

Deputy U.S. Marshal Raylan Givens (Timothy Olyphant) makes his intentions clear in the opening moments of episode one: If he draws his weapon, he’s shooting to kill. That’s more or less what transpires in six seasons of this FX series, which ambles along like a modern-day Western but is transformed by the lyrical dialogue inspired by novelist Elmore Leonard. And like any good white hat, Givens needs his foil. He gets it in the form of Boyd Crowder (Walton Goggins), who stole the show on another FX series, The Shield, and does the same here. When the two finally face off after years of circling, it’s nothing you’ll have seen coming.

6. CURB YOUR ENTHUSIASM (2000-)

“Social assassin” Larry David is returning from a six-year sabbatical for a ninth season of Curb Your Enthusiasm in October. In the meantime, you can relive every awkward moment from the first decade of his loosely-improvised show. Ambling through Los Angeles, the selfish, abrasive David rarely encounters a situation he can’t make worse.

7. OZ (1997-2003)

Oz, HBO’s first hour-long drama, set the stage for a Golden Age of television, pulling no punches in its depiction of the fictional Oswald State Correctional Facility and its cast of scheming, volatile prisoners trying to survive in an experimental ward. Twenty years later, it might still be the most boundary-pushing series ever to air. 

8. MAD DOGS (2015-2016)

An Amazon original limited series that flew under the radar, Mad Dogs plays like a travelogue for a trip you never want to take. Friends gather in Belize at the behest of a friend (Billy Zane), whose connections with the country’s criminal element wind up being problematic for everyone involved.  

9. MR. SHOW WITH BOB AND DAVID  (1995-1998)

Bob Odenkirk and David Cross’s HBO series mixes surrealism with intricate plotting to produce some of the most inventive sketch comedy on television. If you don't believe us, check out "Pre-Taped Call-in Show" from the 10th episode of season three.

10. THE JOY OF PAINTING (1986-1994)

Happy trees and clouds await viewers of legendary painting instructor Bob Ross, whose canvases beam into your living rooms like digital Prozac.

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Jim Henson's Labyrinth Is Being Adapted Into a Stage Musical
Henson Company
Henson Company

More than 30 years after its cinematic debut, Labyrinth could be hitting the stage. In an interview with Forbes, Jim Henson's son and Henson Company CEO Brian Henson shared plans to transform the cult classic into a live musical.

While the new musical would be missing David Bowie in his starring role as Jareth the Goblin King, it would hopefully feature the soundtrack Bowie helped write. Brian Henson says there isn't a set timeline for the project yet, but the stage adaptation of the original film is already in the works.

As for a location, Henson told Forbes he envisions it running, "Not necessarily [on] Broadway, it could be for London's West End, but it will be a stage show, a big theatrical version. It’s very exciting."

Labyrinth premiered in 1986 to measly box office earnings and tepid reviews, but Jim Henson's fairytale has since grown into a phenomenon beloved by nostalgic '80s kids and younger generations alike. In the same Forbes interview, Brian Henson also confirmed the 2017 news that a long-anticipated Labyrinth sequel is apparently in development. Though he couldn't give any specifics, Henson confirmed that, "we are still excited about it but the process moves very slowly and very carefully. We're still excited about the idea of a sequel, we are working on something, but nothing that's close enough to say it's about to be in pre-production or anything like that."

While fans eagerly await those projects to come out, they can get their fix when the film returns to theaters across the U.S. on April 29, May 1, and May 2. Don't forget to wear your best Labyrinth swag to the event.

[h/t Forbes]

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John P. Johnson, HBO
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10 Wild Facts About Westworld
John P. Johnson, HBO
John P. Johnson, HBO

The hit HBO show about an android farm girl finding sentience in a fake version of the old West set in a sci-fi future is back for a second season. So grab your magnifying glass, study up on Lewis Carroll and Shakespeare, and get ready for your brain to turn to scrambled eggs. 

The first season saw Dolores (Evan Rachel Wood) and her robotic compatriots strive to escape bondage as the puppet playthings of a bored society that kills and brutalizes them every day, then repairs them each night to repeat the process for paying customers. The Maze. The Man in Black. The mysteries lurking in cold storage and cantinas. Wood described the first season as a prequel, which means the show can really get on the dusty trail now. 

Before you board the train and head back into the park, here are 10 wild facts about the cerebral, sci-fi hit. (Just beware of season one spoilers!)

1. IT’S NOT THE FIRST TV ADAPTATION OF THE MOVIE.

Though Westworld, the 1973 film written and directed by Michael Crichton, was a hit, its 1976 sequel Futureworld was a flop. Still, the name and concept had enough cachet for CBS to move forward with a television concept in 1980. Beyond Westworld featured Delos head of security John Moore (Jim McMullan) battling against the villainous mad scientist Simon Quaid (James Wainwright), who wants to use the park’s robots to, what else, take over the whole world. It would be a little like if the HBO show focused largely on Luke Hemsworth’s Ashley Stubbs, which just might be the spinoff the world is waiting for.

2. THE ORIGINAL GUNSLINGER HAS A CAMEO.

Ed Harris and Eddie Rouse in 'Westworld'
JOHN P. JOHNSON, HBO

The HBO series pays homage to the original film in a variety of ways, including echoing elements from the score to create that dread-inducing soundscape. It also tipped its ten-gallon hat to Yul Brynner’s relentless gunslinger from the original film by including him in the storage basement with the rest of the creaky old models.

3. QUENTIN TARANTINO, ARNOLD SCHWARZENEGGER, AND MANY OTHERS COULD HAVE REBOOTED IT.

Speaking of Brynner’s steely, murderous resolve: His performance as the robo-cowboy was one of the foundations for Arnold Schwarzenegger’s turn as the Terminator. Nearly 20 years later, in 2002, Schwarzenegger signed on to produce and star in a reboot of the sci-fi film from which he took his early acting cues. Schwarzenegger never took over the role from Brynner because he served as Governor of California instead, and the reboot languished in development hell.

Warner Bros. tried to get Quentin Tarantino on board, but he passed. They also signed The Cell director Tarsem Singh (whose old West would have been unbelievably lush and colorful, no doubt), but it fell through. A few years later, J.J. Abrams—who had met with Crichton about a reboot back in 1996—pitched eventual co-creators Jonathan Nolan and Lisa Joy on doing it as a television series. HBO bought it, and the violent delights finally made it to our screens.

4. IT COSTS $40,000 A DAY TO VISIT THE PARK. (AND THAT’S THE CHEAP PACKAGE.)

Thandie Newton and Angela Sarafyan in 'Westworld'
HBO

In season one, Logan (Ben Barnes) revealed that he’s spending $40,000 a day to experience Westworld. That’s in line with the 1973 movie, where park visitors spent $1000 a day, which lands near $38,000 once adjusted for inflation. Then again, we’re talking about 2052 dollars, so it might still be pricey, but not exorbitant in 2018 terms. But a clever Redditor spotted that $40,000 is the minimum you’d pay; according to the show’s website, the Gold Package will set you back $200,000 a day.

5. BEN BARNES BROKE HIS FOOT AND DIDN’T TELL ANYONE.

Once Upon a Time’s Eion Bailey was originally cast as Logan but had to quit due to a scheduling conflict, so Ben Barnes stepped in … then he broke his foot. The actor hid the injury for fear he’d lose the job, which is why he added a limp as a character detail. “I’m sort of hobbling along with this kind of cowboy-ish limp, which I then tried to maintain for the next year just so I could pretend it was a character choice,” Barnes said. “But really I had a very purple foot … So walking was the hardest part of shooting this for me.”

6. THE CO-CREATORS RICKROLLED FANS OBSESSED WITH UNCOVERING SPOILERS.

Eagle-eyed fans (particularly on Reddit) uncovered just about every major spoiler from the first season early on, which is why Nolan and Joy promised a spoiler video for anyone who wanted to know the entire plot of season two ahead of its premiere. They delivered, but instead of show secrets, the 25-minute video only offered a classy rendition of Rick Astley’s internet-infamous “Never Gonna Give You Up,” sung by Evan Rachel Wood with Angela Sarafyan on piano, followed by 20 minutes of a dog. It was a pitch-perfect response to a fanbase desperate for answers.

7. IT FEATURES AN ANCIENT GREEK EASTER EGG.

Amid the alternative rock tunes hammered out on the player piano and hat tips to classic western films, Westworld also referenced something from 5th century BCE Greece. Westworld, which is run by Delos Incorporated, is designed so that guests cannot die. Delos is also the name of the island where ancient Greeks made it illegal for anyone to die (or be born for that matter) on religious grounds. That’s not the only bit of wordplay with Greek either: Sweetwater’s main ruffian, Hector Escaton (Rodrigo Santoro), gets his last name from the Greek eschaton, meaning the final event in the divine design of the world. Fitting for a potentially sentient robot helping to bring about humanity’s destruction.

8. JIMMI SIMPSON FIGURED OUT HIS CHARACTER’S TWIST BECAUSE OF HIS EYEBROWS.

Evan Rachel Wood and Jimmi Simpson in 'Westworld'
HBO

In season one, the show’s many secrets were kept even from the main cast until the time they absolutely needed to know. Jimmi Simpson, who plays timid theme park neophyte William, had a hunch something was funny with his role because of a cosmetic change.

“I was with an amazing makeup artist, Christian, and he was looking at my face too much,” Simpson told Vanity Fair. “He had me in his chair, and he was just looking at my face, and then he said something about my eyebrows. ‘Would you be cool if we just took a couple hairs out of your eyebrows, made them not quite as arched?’” Guessing that they were making him look more like The Man in Black, Simpson said something to Joy, and she confirmed his hunch. “She looked kind of surprised I’d worked it out,” he said.

9. THE PLAYER PIANO MAY BE AN ALLUSION TO KURT VONNEGUT.

One of the show’s most iconic elements is its soundtrack of alternative rock songs from the likes of Radiohead, The Cure, and Soundgarden redone in a jaunty, old West style. In addition to adding a creepy sonic flavor to the sadistic vacation, they also may wink toward Kurt Vonnegut’s first novel, Player Piano, which deals with a dystopia of automation where machines do everything for humans, leading to an entrenched class struggle. The show’s resonant elements are clear, but Westworld also mentions that the world outside the theme park is one where there’s no unemployment and humans have little purpose. Like The Man In Black (Ed Harris), the protagonist of Player Piano also longs for real stakes in the struggle of life.

10. THERE ARE TWO JESSE JAMES CONNECTIONS.

Anthony Hopkins and Jeffrey Wright in 'Westworld'
HBO

Anthony Hopkins’s character Dr. Robert Ford is an invention for the new series, and he shares a name with the man who assassinated infamous outlaw Jesse James (a fact you may remember from the aptly named movie The Assassination of Jesse James by the Coward Robert Ford). The final episode of the first season flips the allusion when Ford is shot in the back of the head, which is exactly how the real-life Ford killed James.

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