10 Colorful Facts About the Gorgeous Ladies of Wrestling

Netflix
Netflix

A curiously compelling blend of pro wrestling and roller derby, the Gorgeous Ladies of Wrestling (GLOW) debuted in 1986 with the expectation that wrestling fans would flock to an all-female roster of grapplers with names like Matilda the Hun, Jail Bait, and Babe the Farmer’s Daughter.

Although it lasted four seasons, it never quite took off the way its organizers planned. GLOW, Netflix's fictionalized account of the promotion’s struggles, is set to debut its second season on June 29. To celebrate the return of the streaming hit, let's take a look at some facts about the all-women’s squared circle.

1. THEY CAST RANK AMATEURS.

GLOW was the brainchild of wrestling fan-turned-promoter David McLane and Jackie Stallone (Sylvester’s mom) who saw an opportunity to recreate the heyday of women’s wrestling in the 1950s by casting actresses as broad “types” like bullies, housewives, and Cold War-era spies. To fill out his roster for the 1986-1987 season, McLane auditioned women in Los Angeles by having them train three nights a week in a wrestling ring. Their trainer, former wrestler Mando Guerrero, was partial to grueling, highly physical sessions that included choking at least one trainee unconscious. One former GLOW star, Dawn Maetas, told the Toronto Star that the prep work “felt like my organs hurt.”

2. “BAD” WOMEN TRAVELED SEPARATELY FROM THE “GOOD” GIRLS.

To help perpetuate the rivalries featured on GLOW, the production insisted that the women favored by the audience traveled on a separate bus and were forbidden to fraternize with their onscreen enemies. But while they were filming in Las Vegas, the cast lived dorm-style—two to a room at the Riviera Hotel. In a bit of method wrestling, the women were also instructed to call themselves only by their character names regardless of whether they were performing or not.

3. THE WOMEN HAD CURFEWS.

Living at the Riviera in Vegas, the GLOW women were given a curfew in an attempt to keep them from indulging in the Sin City nightlife. According to women interviewed for the documentary GLOW: The Story of the Gorgeous Ladies of Wrestling, producers would fine the women $250 if they were caught coming back to the hotel past their allotted time.

4. IT WAS NOT VERY POLITICALLY CORRECT.

According to Jeanne Basone, who went by “Hollywood” in the GLOW ring, some of the match gimmicks were not exactly what anyone would consider tasteful. Basone and other wrestlers would invoke Nazi iconography by singing German marching songs and tossing gas masks at opponents; in another bit, a woman was forced into a straitjacket, which prompted angry viewer letters complaining that GLOW was mocking the mentally ill. Basone says the series toned down in later seasons, but during the first two years, “We got away with a lot.”

5. IT WAS ALSO PRETTY JUVENILE.

Scantily clad women putting one another in choke holds may never be considered legitimate athletics, but GLOW had no pretenses about its mission: Offer a campy, kitschy show that maximized the sex appeal of its stars. The wrestling bouts were interspersed with comedic skits, including ones in which the sore grapplers would visit team physicians Dr. Fiel and Dr. Grope.

6. THE SHOW WASN’T RESPECTED BY “REAL” FEMALE WRESTLERS.

While pro wrestling was already a sort of parody of itself, GLOW seemed to take it a step further, minimizing any serious choreography in favor of more bombastic comedy. That didn’t sit well with female wrestlers outside of the promotion, who perceived GLOW as denigrating their profession. Wrestler Malia Hosaka once commented that she “had no respect for [GLOW]. I actually had one GLOW girl tell me they were out there to make fun of women’s wrestling … Basically, you’re telling me that you’re out there to degrade those that have paved the way for you to have this.”

7. EVERY SHOW FEATURED A RAP.

As a result of the Chicago Bears releasing a successful single, “The Super Bowl Shuffle,” a few years earlier, the women of GLOW would typically begin each episode with a rap. There’s really no substitution for seeing it for yourself.

8. IT MAY HAVE BEEN ART.

Matt Cimber (actress Jayne Mansfield's ex-husband) was GLOW’s recurring director, and was aiming to create a kind of wrestling expressionist art piece. "If you look at GLOW carefully, especially the first two years, GLOW is existentialist," Cimber told Canoe Sports earlier this year. "The paintings on their faces, the symbolism of their characters, they're off the wall. And yet, the one thing is I always stayed in a guideline, make sure the audiences understands them. Don't make it so heady and so arty that people think it's a bunch of crap." Cimber also asserted that McLane wanted a more serious show and left during the second season to pursue other opportunities.

9. PIA ZADORA MAY HAVE KILLED IT.

While GLOW was a modest ratings success, none of the cast was asked back following the fourth season. The abrupt ending was reportedly the result of financier and Riviera hotel owner Meshulam Riklis withdrawing his participation in the project at the behest of his then-wife, entertainer Pia Zadora. (The GLOW property is currently owned by former performer Ursula Hayden, who portrayed Babe the Farmer’s Daughter on the original series and is a consultant on the Netflix series.)

10. FANS CAN WRESTLE “HOLLYWOOD” FOR A REASONABLE FEE.

Since GLOW went off the air in 1992, some cast members have continued to pursue business opportunities as a result of their notoriety. Earlier this year, Jeanne Basone, a.k.a. “Hollywood,” told Thrillist that she accepts engagements to wrestle fans in private, often in hotel rooms. “It’s mostly just fans from GLOW,” Basone said. “We are just wrestling. I make that clear from the start.”

Additional Sources:
GLOW: The Story of the Gorgeous Ladies of Wrestling

Richard Nixon Had a Speech Prepared In the Event That Apollo 11's Mission Failed

Neil Armstrong, Michael Collins, and Buzz Aldrin share a laugh with President Richard Nixon while aboard the USS Hornet on July 24, 1969.
Neil Armstrong, Michael Collins, and Buzz Aldrin share a laugh with President Richard Nixon while aboard the USS Hornet on July 24, 1969.
Richard Nixon Foundation via Getty Images

In July 1969, the world watched as the crew of Apollo 11 successfully entered lunar orbit, landed, then blasted off and returned to Earth. At each step of the way there were dangers and NASA had backup plans in case something went terribly wrong—though there wasn't much NASA could do from 384,403 kilometers away. In 1999, William Safire discussed the speech he wrote for President Richard Nixon just in case the mission failed. From Safire's article:

The most dangerous part of the trip was not landing the little module on the moon, but in launching it back up to the mother ship. If that failed, Neil Armstrong and Buzz Aldrin could not be rescued. Mission Control would have to "close down communications" and, as the world agonized, let the doomed astronauts starve to death or commit suicide.

Nixon aides H. R. Haldeman and Peter Flanigan told me to plan for that tragic contingency. On July 18, 1969, I recommended that "in event of moon disaster . . . the President should telephone each of the widows-to-be" and after NASA cut off contact "a clergyman should adopt the same procedure as a burial at sea, commending their souls to 'the deepest of the deep,' concluding with the Lord's Prayer." A draft Presidential speech was included.

Here's a scan of the speech:

And here's the text:

IN EVENT OF MOON DISASTER:

Fate has ordained that the men who went to the moon to explore in peace will stay on the moon to rest in peace.

These brave men, Neil Armstrong and Edwin Aldrin, know that there is no hope for their recovery. But they also know that there is hope for mankind in their sacrifice.

These two men are laying down their lives in mankind's most noble goal: the search for truth and understanding.

They will be mourned by their families and friends; they will be mourned by their nation; they will be mourned by the people of the world; they will be mourned by a Mother Earth that dared send two of her sons into the unknown.

In their exploration, they stirred the people of the world to feel as one; in their sacrifice, they bind more tightly the brotherhood of man.

In ancient days, men looked at stars and saw their heroes in the constellations. In modern times, we do much the same, but our heroes are epic men of flesh and blood.

Others will follow, and surely find their way home. Man's search will not be denied. But these men were the first, and they will remain the foremost in our hearts.

For every human being who looks up at the moon in the nights to come will know that there is some corner of another world that is forever mankind.

This story has been updated for 2019.

The Office Star Ellie Kemper Wants to Do a Reunion Episode

NBC - NBCUniversal Media
NBC - NBCUniversal Media

While rumors of The Office getting a reboot have been swirling around for years, the outlook on that happening any time soon doesn't look good. But a reunion episode might just be possible.

Ellie Kemper, who played Erin Hannon in the beloved series, recently stopped by Watch What Happens Live With Andy Cohen to dish about the sitcom and her thoughts on whether it might be making a return to the small screen: "I would love there to be a reboot, but I don't think there will be. So, that's a sad answer," Kemper admitted. "But maybe like a reunion episode? That would be fun."

E! News reports that Kemper isn’t the only cast member that wants to get the band back together. Jenna Fischer, who played Pam Beesly, also thinks a reunion episode would be a hit. “I think it's a great idea," Fischer said in 2018. "I would be honored to come back in any way that I'm able to.”

A key player in the series' success, however, is not so enthusiastic about the idea. Steve Carell, who played the infamous Michael Scott, doesn’t think a revival would be well-received. "The climate's different," Carell told Esquire back in 2018. "I mean, the whole idea of that character, Michael Scott, so much of it was predicated on inappropriate behavior. I mean, he's certainly not a model boss. A lot of what is depicted on that show is completely wrong-minded. That's the point, you know? But I just don't know how that would fly now.”

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