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5 Famous Bowling Alleys

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Shortly after bowling a 37 at the Pleasant Valley Lanes during a March campaign stop in Altoona, Pa., Barack Obama vowed to replace the White House's bowling alley with a full-size indoor basketball court if he were elected President. While it remains to be seen whether Obama will make good on this campaign promise after Tuesday's Inauguration, here's a look at five famous bowling alleys from the past and present.

1. The White House Lanes

The history of bowling in the White House dates back to 1947, when a two-lane alley was installed in the West Wing as a birthday gift to President Truman. While Truman wasn't much of a bowler, a league of White House staffers soon formed. The two-lane alley was moved to the Old Executive Office Building to clear space for a mimeograph room in 1955, but Nixon had a single-lane alley built below the driveway leading to the North Portico shortly after he came into office in 1969.

While bowling enthusiasts scoffed at Obama's comments, the nation's leading bowling organizations cast their differences aside and reached across the gutter to submit a joint proposal to renovate the existing alley (see image below). The proposal described an ultra-modern lane with "electronic bumpers (perfect to help both the President-Elect and his children adopt proper bowling technique)."
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Obama has since suggested that he might keep the alley, but it's a safe bet he won't unwind next week by chasing 300 "“ or 40 "“ in the White House basement.

2. Holler House

holler-house.jpgThe recent trend in the bowling industry has been to develop alleys that look more like nightclubs, where drinks are served in martini glasses instead of pitchers, and stilettos pass as bowling shoes. The nation's oldest bowling alley, the Holler House in Milwaukee, somehow missed the memo "“ and the one in 1936 announcing the invention of the automatic pinsetter. That's right "“ the Holler House, which celebrated its 100-year anniversary in 2008, still uses human pinsetters. Pin boys, as the locals call them, work for $30 per day, plus tips, reloading pins after each throw on the alley's two lanes.

There have been two perfect games in the history of the Holler House and the last one was rolled in 1934. That probably has something to do with the fact that the planks for the lanes are made of real wood and are oiled with a spray can. "I've seen a lot of 200 bowlers on their hands and knees here," bowler Tom Haefke recently told the Chicago Reader. "It's real "“ nothing sterile. The other day, the pin boy had to wipe up water because the roof was leaking." Obama might not break 20 at this place. There's no arcade or snack bar at the Holler House, but there is a small bar filled with bowling memorabilia above the lanes that Esquire rated one of the best bars in America. Just don't expect to be able to order a martini.

3. Rose Bowl

rose-bowl-lanes.jpgWhen the pink, multi-domed Rose Bowl opened its doors in 1962 to bowlers off of Route 66 in Tulsa, it looked something like the offspring of an airplane hangar and a bomb shelter. (It's a girl!) The 32,000-square-foot structure's two-and-a-half concrete domes rested on two support pillars, leaving ample space for lanes, a snack bar, a game room, and audience seating. The Rose Bowl attracted Tulsans and travelers alike for more than 40 years until it was shut down in 2005.

The structure was the target of vandalism and arson until local businessman Sam Baker bought it for $295,000 in 2006. Under the terms of the deal, Baker or any other owner was prohibited from using the Rose Bowl as a commercial bowling alley for the next 20 years. Baker immediately put the structure on eBay and set the minimum bid at $499,000, but it went unsold. Baker eventually decided to turn the structure into an event center, but the renovation process has been slow. In October, Baker estimated that the remaining costs could exceed $1.5 million. He hopes to raise at least some of the money through Route 66 preservation grants.

4. The National Bowling Stadium

bowling-stadium.jpgKnown as the "Taj Mahal of Tenpins," the $50 million National Bowling Stadium in Reno opened in 1995 and is home to numerous championship bowling tournaments each year. The stadium includes 78 lanes, spectator seating for 1,200, a 44-foot-high ceiling, and a 440-foot video screen comprised of high definition digital scoring systems above each lane. The facility also features a tracking system that provides bowlers with an evaluation of their performance and recommendations for improvement, a 10,000-square-foot concourse area, and a movie theater. Fog machines and laser lighting? Yeah, the stadium has those too.

Of all the matches that have been bowled at the NBS "“ including last weekend's National Bowling Stadium Championship "“ the greatest might have been between a pair of fictional characters. The final showdown between Ernie McCracken (Bill Murray) and Roy Munson (Woody Harrelson) in Kingpin took place in Reno. And if you're wondering, the bowling scenes in The Big Lebowski were all shot at the since-demolished Hollywood Star Lanes near Santa Monica.

5. Splitsville

splitsville.jpgAccording to their Web site, stale nachos, tacky carpeting, and retro shoes are a thing of the past at this Tampa hotspot, which opened in 2003. Splitsville features a contemporary design, four bars, plasma TVs, and 13 lanes arranged in clusters that resemble wheel spokes. In addition to providing a different perspective for bowlers, the unique layout of the lanes also creates "cozy nooks that are perfect for an intimate dinner setting." What's on the menu? Try sushi, oven fresh cookies and milk, and 10 types of sliders. In other words, Splitsville is what happens when swanky bowling goes to White Castle.

A giant bowling pin "“ purportedly the world's largest "“ greets bowlers at the entrance to Splitsville, where lane reservations run $85 per hour on Friday and Saturday nights. Among the celebrities who have rolled at Splitsville are Jenna Elfman, Susan Sarandon, DMX, and a Saudi prince. Less notable visitors include South Carolina head football coach Steve Spurrier, who may not be coming back after holding his radio show at Splitsville a few days before the Gamecocks rolled a gutter ball against Iowa in the Outback Bowl this year.

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12 Surprising Facts About Bela Lugosi
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On October 20, 1882—135 years ago today—one of the world's most gifted performers was born. In his heyday, Bela Lugosi was hailed as the undisputed king of horror. Eighty-five years after he first donned a vampire’s cape, Lugosi's take on Count Dracula is still widely hailed as the definitive portrayal of the legendary fiend. But who was the man behind the monster?

1. HE WORKED WITH THE NATIONAL THEATER OF HUNGARY.

To the chagrin of his biographers, the details concerning Bela Lugosi’s youth have been clouded in mystery. (In a 1929 interview, he straight-up admitted “for purposes of simplification, I have always thought it better to tell [lies] about the early years of my life.”) That said, we do know that he was born as Béla Ferenc Dezső Blaskó on October 20, 1882 in Lugoj, Hungary (now part of Romania). We also know that his professional stage debut came at some point in either 1901 or 1902. By 1903, Lugosi had begun to find steady work with traveling theater companies, through which he took part in operas, operettas, and stage plays. In 1913, Lugosi caught a major break when the most prestigious performing arts venue in his native country—the Budapest-based National Theater of Hungary—cast him in no less than 34 shows. Most of the characters that he played there were small Shakespearean roles such as Rosencrantz in Hamlet and Sir Walter Herbert in Richard III.

2. HE FOUGHT IN WORLD WAR I.

The so-called war to end all wars put Lugosi’s dramatic aspirations on hold. Although being a member of the National Theater exempted him from military service, he voluntarily enlisted in the Austro-Hungarian Army in 1914. Over the next year and a half, he fought against Russian forces as a lieutenant with the 43rd Royal Hungarian Infantry. While serving in the Carpathian mountains, Lugosi was wounded on three separate occasions. Upon healing from his injuries, he left the armed forces in 1916 and gratefully resumed his work with the National Theater.

3. WHEN HE MADE HIS BROADWAY DEBUT, LUGOSI BARELY KNEW ANY ENGLISH.

In December 1920, Lugosi boarded a cargo boat and emigrated to the United States. Two years later, audiences on the Great White Way got their first look at this charismatic stage veteran. Lugosi was cast as Fernando—a suave, Latin lover—in the 1922 Broadway stage play The Red Poppy. At the time, his grasp of the English language was practically nonexistent. Undaunted, Lugosi went over all of his lines with a tutor. Although he couldn’t comprehend their meaning, the actor managed to memorize and phonetically reproduce every single syllable that he was supposed to deliver on stage.

4. UNIVERSAL DIDN’T WANT TO CAST HIM AS COUNT DRACULA.

The year 1927 saw Bela Lugosi sink his teeth into the role of a lifetime. A play based on the novel Dracula by Bram Stoker had opened in London in 1924. Sensing its potential, Horace Liveright, an American producer, decided to create an U.S. version of the show. Over the summer of 1927, Lugosi was cast as the blood-sucking Count Dracula. For him, the part represented a real challenge. In Lugosi’s own words, “It was a complete change from the usual romantic characters I was playing, but it was a success.” It certainly was. Enhanced by his presence, the American Dracula remained on Broadway for a full year, then spent two years touring the country.

Impressed by its box office prowess, Universal decided to adapt the show into a major motion picture in 1930. Horror fans might be surprised to learn that when the studio began the process of casting this movie’s vampiric villain, Lugosi was not their first choice. At the time, Lugosi was still a relative unknown, which made director Tod Browning more than a little hesitant to offer him the job. A number of established actors were all considered before the man who’d played Dracula on Broadway was tapped to immortalize his biting performance on film.

5. MOST OF HIS DRACULA-RELATED FAN MAIL CAME FROM WOMEN.

The recent Twilight phenomenon is not without historical precedent. Lugosi estimated that, while he was playing the Count on Broadway, more than 97 percent of the fan letters he received were penned by female admirers. A 1932 Universal press book quotes him as saying, “When I was on the stage in Dracula, my audiences were composed mostly of women.” Moreover, Lugosi contended that most of the men who’d attended his show had merely been dragged there by female companions.   

6. HE TURNED DOWN THE ROLE OF FRANKENSTEIN’S MONSTER.

Released in 1931, Dracula quickly became one of the year's biggest hits for Universal (some film historians even argue that the movie single-handedly rescued the ailing studio from bankruptcy). Furthermore, its astronomical success transformed Lugosi into a household name for the first time in his career. Regrettably for him, though, he’d soon miss the chance to star in another smash. Pleased by Dracula’s box office showing, Universal green-lit a new cinematic adaptation of Mary Shelley’s Frankenstein. Lugosi seemed like the natural choice to play the monster, but because the poor brute had few lines and would be caked in layers of thick makeup, the actor rejected the job offer. As far as Lugosi was concerned, the character was better suited for some “half-wit extra” than a serious actor. Once the superstar tossed Frankenstein aside, the part was given to a little-known actor named Boris Karloff.

Moviegoers eventually did get to see Lugosi play the bolt-necked corpse in the 1943 cult classic Frankenstein Meets the Wolf Man. According to some sources, he strongly detested the guttural scream that the script forced him to emit at regular intervals. “That yell is the worst thing about the part. You feel like a big jerk every time you do it!” Lugosi allegedly complained.

7. LUGOSI’S RELATIONSHIP WITH BORIS KARLOFF WAS MORE CORDIAL THAN IT’S USUALLY MADE OUT TO BE.

It’s often reported that the two horror icons were embittered rivals. In reality, however, Karloff and Lugosi seemed to have harbored some mutual respect—and perhaps even affection for one another. The dynamic duo co-starred in five films together, the first of which was 1934’s The Black Cat; Karloff claimed that, on set, Lugosi was “Suspicious of tricks, fearful of what he regarded as scene stealing. Later on, when he realized I didn’t go in for such nonsense, we became friends.” During one of their later collaborations, Lugosi told the press “we laughed over my sad mistake and his good fortune as Frankenstein is concerned.”

That being said, Lugosi probably didn’t appreciate the fact that in every single film which featured both actors, Karloff got top billing. Also, he once privately remarked, “If it hadn’t been for Boris Karloff, I could have had a corner on the horror market.”

8. HE LOVED SOCCER.

In 1935, Lugosi was named Honorary President of the Los Angeles Soccer League. An avid fan, he was regularly seen at Loyola Stadium, where he’d occasionally kick off the first ball during games held there. Also, on top of donating funds to certain Hungarian teams, Lugosi helped finance the Los Angeles Magyar soccer club. When the team won a state championship in 1935, one newspaper wrote that the players were “headed back to Dracula’s castle with the state cup.” [PDF]

9. HE WAS A HARDCORE STAMP COLLECTOR.

Lugosi's fourth wife, Lillian Arch, claimed that Lugosi maintained a collection of more than 150,000 stamps. Once, on a 1944 trip to Boston, he told the press that he intended to visit all 18 of the city's resident philately dealers. “Stamp collecting,” Lugosi declared, “is a hobby which may cost you as much as 10 percent of your investment. You can always sell your stamps with not more than a 10 percent loss. Sometimes, you can even make money.” Fittingly enough, the image of Lugosi’s iconic Dracula appeared on a commemorative stamp issued by the post office in 1997.

10. LUGOSI ALMOST DIDN’T APPEAR IN ABBOTT AND COSTELLO MEET FRANKENSTEIN—BECAUSE THE STUDIO THOUGHT HE WAS DEAD.

The role of Count Dracula in this 1948 blockbuster was nearly given to Ian Keith—who was considered for the same role in the 1931 Dracula movie. Being a good sport, Lugosi helped promote the horror-comedy by making a special guest appearance on The Abbott and Costello Show. While playing himself in one memorable sketch, the famed actor claimed to eat rattlesnake burgers for dinner and “shrouded wheat” for breakfast.

11. A CHIROPRACTOR FILLED IN FOR HIM IN PLAN 9 FROM OUTER SPACE.

Toward the end of his life, Lugosi worked on three ultra-low-budget science fiction pictures with Ed Wood, a man who’s been posthumously embraced as the worst director of all time. In the 1953 transvestite picture Glen or Glenda?, Lugosi plays a cryptic narrator who offers such random and unsolicited bits of advice as “Beware of the big, green dragon who sits on your doorstep.” Then came 1955’s Bride of the Monster, in which Lugosi played a mad scientist who ends up doing battle with a (suspiciously limp) giant octopus.

Before long, Wood had cooked up around half a dozen concepts for new films, all starring Lugosi. At some point in the spring of 1956, the director shot some quick footage of the actor wandering around a suburban neighborhood, clad in a baggy cloak. This proved to be the last time that the star would ever appear on film. Lugosi died of a heart attack on August 16, 1956;  he was 73 years old.

Three years after Lugosi's passing, this footage was spliced into a cult classic that Wood came to regard as his “pride and joy.” Plan 9 From Outer Space tells the twisted tale of extraterrestrial environmentalists who turn newly-deceased human beings into murderous zombies. Since Lugosi could obviously no longer play his character, Wood hired a stand-in for some additional scenes. Unfortunately, the man who was given this job—California chiropractor Tom Mason—was several inches taller than Lugosi. In an attempt to hide the height difference, Wood instructed Mason to constantly hunch over. Also, Mason always kept his face hidden behind a cloak.

12. HE WAS BURIED IN HIS DRACULA CAPE.

Although Lugosi resented the years of typecasting that followed his breakout performance in Dracula, he asked to be laid to rest wearing the Count’s signature garment. Lugosi was buried under a simple tombstone at California's Holy Cross Cemetery.

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How to Carve a Pumpkin—And Not Injure Yourself in the Process
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Wielding a sharp knife with slippery hands around open flames and nearby children doesn't sound like the best idea—but that's exactly what millions of Halloween celebrations entail. While pumpkin carving is a fun tradition, it can also bring the risk of serious hand injuries. According to the American Society for Surgery of the Hand (ASSH), some wounds sustained from pumpkin misadventure can result in surgery and months of rehabilitation.

Fortunately, there are easy ways to minimize trauma. Both ASSH and CTV News have compiled safety tips for pumpkin carvers intended to reduce the chances of a trip to the emergency room.

First, it's recommended that carvers tackle their design with knives made specifically for carving. Kitchen knives are sharp and provide a poor grip when trying to puncture tough pumpkin skin: Pumpkin carving knives have slip-resistant handles and aren't quite as sharp, while kitchen knives can get wedged in, requiring force to pull them out.

Carvers should also keep the pumpkin intact while carving, cleaning out the insides later. Why? Once a pumpkin has been gutted, you’re likely to stick your free hand inside to brace it, opening yourself up to an inadvertent stab from your knife hand. When you do open it up, it's better to cut from the bottom: That way, the pumpkin can be lowered over a light source rather than risk a burn dropping one in from the top.

Most importantly, parents would be wise to never let their kids assist in carving without supervision, and should always work in a brightly-lit area. Adults should handle the knife, while children can draw patterns and scoop out innards. According to Consumer Reports, kids ages 10 to 14 tend to suffer the most Halloween-related accidents, so keeping carving duties to ages 14 and above is a safe bet.

If all else fails and your carving has gone awry, have a first aid kit handy and apply pressure to any wound to staunch bleeding. With some common sense, however, it's unlikely your Halloween celebration will turn into a blood sacrifice.

[h/t CTV News]

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