12 Facts About Rear Window On Its 65th Anniversary

Jimmy Stewart in Alfred Hitchock's Rear Window (1954).
Jimmy Stewart in Alfred Hitchock's Rear Window (1954).
Universal Pictures Home Entertainment

Alfred Hitchcock taught us all the dangers of spying on your neighbors with Rear Window, the critically-acclaimed thriller that was released on September 1, 1954. The single-set movie concerns L.B. "Jeff" Jefferies, a photojournalist stuck in his apartment thanks to a broken leg. He accidentally witnesses what he thinks is a murder, but must prove to the police, his nurse Stella, and his girlfriend Lisa that he isn't just imagining things.

Rear Window features performances from Hitchcock regulars Jimmy Stewart and Grace Kelly and couture costumes from fashion icon Edith Head. But before you settle in for 112 minutes of claustrophobia, here are a few facts about the movie’s gossip-laden production.

1. Rear Window's original story doesn't include Lisa or Stella.

Grace Kelly and Thelma Ritter in 'Rear Window' (1954)
Universal Pictures Home Entertainment

Rear Window was based on Cornell Woolrich's short story, “It Had to Be Murder.” In Woolrich’s version, the voyeuristic protagonist does not have a girlfriend or a nurse, although he does have a “day houseman” named Sam who checks in on him. Oh and his leg injury? It isn't explicitly mentioned until the very last line.

2. Alfred Hitchcock was inspired by two actual murder cases.

Although John Michael Hayes wrote the screenplay for the movie, Hitchcock helped with the actual crime at the center of the story. As he told François Truffaut, he lifted two news items from the British press: the 1910 case of Dr. Hawley Crippen and the 1924 case of Patrick Mohan. Crippen killed his wife, told friends she went to America, and then aroused suspicion by flaunting his secretary around town. Police later found body parts in the Crippen home and arrested the doctor for murder. (Some now believe Crippen was innocent.) Mohan also dismembered his pregnant girlfriend, throwing pieces of her body out a train window. But he didn’t know what to do with her head, and it was this gruesome detail that inspired Hitchcock to include a plot thread about digging up the neighbors’ flower bed for evidence.

3. Grace Kelly turned down the lead in On the Waterfront to star in Rear Window.

In the fall of 1953, Grace Kelly was offered the female lead in two films: one was Rear Window, the other was Elia Kazan’s On the Waterfront. Although she was dying to work with Hitchcock again, On the Waterfront would’ve allowed Kelly to stay in New York, which she preferred to Los Angeles. Still, she ultimately chose to play socialite Lisa Fremont over blue-collar Edie Doyle. Instead, the part went to Eva Marie Saint, who would become a Hitchcock blonde herself with North by Northwest.

4. Alfred Hitchcock modeled Rear Window's villain on a producer he hated.

Hitchcock had a long-standing grudge with his former producer, David O. Selznick. The director believed Selznick had meddled too much with his movies, so much so that Hitchcock effectively disowned his first film with the producer, Rebecca. His ties to Selznick ended with the 1947 movie The Paradine Case, though, so Hitch decided to enact a sly bit of revenge onscreen. It involved Raymond Burr, the actor playing Rear Window villain Lars Thorwald. Hitchcock gave Burr glasses just like Selznick’s and curly gray hair to match. He also instructed Burr to adopt many of the producer’s mannerisms, such as the way he cradled a telephone in his neck. When all was said and done, Burr’s murderous character looked a lot like Selznick, no doubt to the producer’s supreme annoyance.

5. Jimmy Stewart's wife didn't want him to make a movie with Grace Kelly.

Before she was Princess Grace of Monaco, Grace Kelly had a reputation (whether true or not) for having affairs with her male costars—even the married ones. One of those men was Ray Milland, whose spurned wife just happened to be good friends with Jimmy Stewart's wife, Gloria. Gloria was less than thrilled at the prospect of her husband working with Kelly, and developed a bit of paranoia. According to True Grace: The Life and Times of an American Princess, Gloria was on set constantly, watching for signs of an affair. Nothing materialized, although Rear Window cast member Thelma Ritter confirmed that Kelly was a huge flirt. “I think it took [Stewart] back to his fancy-free, footloose bachelor days,” she said. “I don’t say he flirted, but he didn’t seem to mind it, either.”

6. "Miss Torso" was a teenage ballerina.

Georgine Darcy in 'Rear Window' (1954)
Universal Pictures Home Entertainment

Georgine Darcy was 17 years old when she was cast as “Miss Torso,” Jeff’s dancing neighbor. Hitchcock picked her out of a pile of publicity photos; hers apparently caught his eye because she had paid extra for color prints. Darcy was fairly new in town, having left her home in Brooklyn just the year before to pursue ballet in California. So when Hitchcock met her, he suggested she get an agent. She didn’t, though, and was subsequently paid just $350 for her work. (That’s about $3150 in today's dollars.)

7. The "songwriter" was also one in real life.

Ross Bagdasarian played the pianist neighbor who is frequently seen composing new pieces. The credits bill him as “The Songwriter,” which is pretty appropriate, considering what Bagdasarian did when he wasn’t acting. He was also a pianist and composer himself, and made his name by creating Alvin and the Chipmunks. But before he recorded “The Chipmunk Song” in 1958, he helped Hitch with his Rear Window cameo. Watch the Songwriter’s apartment and you’ll see a portly fellow winding his clock.

8. Jeff and Lisa's romance is supposedly based on a real life Ingrid Bergman fling.

Rumor has it that Jeff and Lisa were based on war photographer Robert Capa and Ingrid Bergman. The pair dated while Bergman was filming Notorious with Hitchcock in 1946, so he saw the relationship firsthand. The affair ended within a year, but it clearly struck a chord with Hitchcock, who had what many described as an "acute, unrequited passion" for Bergman. Like Jeff, Capa was a photojournalist who lived in Greenwich Village. And in a particularly eerie twist of fate, they both suffered leg injuries while on the job.

9. Rear Window's elaborate set cost some serious cash.

Grace Kelly and James Stewart in 'Rear Window' (1954)
Universal Pictures Home Entertainment

The apartment complex seen in Rear Window was completely constructed on the Paramount Studios lot—and it cost a pretty penny. It reportedly cost an “unprecedented” $9000 to design and $72,000 to build. (About $728,805 total, when adjusted for inflation.) The final set included seven apartment buildings and three other buildings on the other side of the street. It also boasted 31 apartments, although only a handful were fully furnished.

10. Rear Window is the only film where Grace Kelly smokes on-screen.

Kelly refused to smoke cigarettes in her movies, but she made a slight exception for Hitchcock in Rear Window. In one scene, she’s seen with an unlit cigarette between her lips. The camera cuts to Stewart, then back to her. She’s suddenly holding a lit cigarette, which she soon puts out. This way, Hitchcock got his smoking scene, while Kelly never technically broke her rule.

11. Alfred Hitchcock deliberately misdirected his actors for laughs.

Each neighbor has a hook: Miss Torso is a dancer, Miss Lonelyhearts is severely single, the Songwriter is, well, a songwriter. Then there’s that random couple sleeping on the fire escape. Actors Sara Berner and Frank Cady played the unnamed pair, who spend most of the movie fidgeting on a mattress outdoors without incident. Until it rains. For this scene, Hitchcock intentionally messed with his actors. He told Berner to pull the mattress one way and Cady to pull it the other. Neither one knew the other had received conflicting directions. So when Hitchcock called "action," the pair struggled with the mattress until Cady accidentally flew into the window. Hitchcock thought it was so funny, he kept it in the movie.

12. The book Grace Kelly is reading at the end of Rear Window is a final wink.

In the final scene of Rear Window, Lisa is seen reading the book Beyond the High Himalayas by William O. Douglas. Douglas was an Associate Justice of the Supreme Court from 1939 through 1975, but Lisa wasn’t skimming that book for legalese. Douglas suffered from polio as a child, and was told by doctors that he would be crippled for life. But after taking up hiking, Douglas discovered that a) he could definitely walk and b) he loved nature. He wrote a few books about his adventures as an ode to the great outdoors. Beyond the High Himalayas was one of them.

Reviews.org Wants to Pay You $1000 to Watch 30 Disney Movies

Razvan/iStock via Getty Images
Razvan/iStock via Getty Images

Fairy tales do come true. CBR reports that Reviews.org is currently hiring five people to watch 30 Disney movies (or 30 TV show episodes) for 30 days on the new Disney+ platform. In addition to $1000 apiece, each of the chosen Disney fanatics will receive a free year-long subscription to Disney+ and some Disney-themed movie-watching swag that includes a blanket, cups, and a popcorn popper.

The films include oldies but goodies, like Fantasia, Bambi, and A Goofy Movie, as well as Star Wars Episodes 1-7 and even the highly-anticipated series The Mandalorian. Needless to say, there are plenty of options for 30 days of feel-good entertainment.

In terms of qualifications: applicants must be over the age of 18, a U.S. resident, have the ability to make a video reviewing the films, as well as a semi-strong social media presence. On the more fantastical side, they are looking for applicants who “really, really lov[e] Disney” and joke that the perfect candidate, “Must be as swift as a coursing river, with all the force of a great typhoon.” You can check out the details in the video below.

Want to put yourself in the running? Be sure to submit your application by Thursday, November 7 at 11:59 p.m. at the link here. And keep an eye out for Disney+, which will be available November 12.

16 Biting Facts About Fright Night

William Ragsdale stars in Fright Night (1985).
William Ragsdale stars in Fright Night (1985).
Columbia Pictures

Charley Brewster is your typical teen: he’s got a doting mom, a girlfriend whom he loves, a wacky best friend … and an enigmatic vampire living next door.

For more than 30 years, Tom Holland’s critically acclaimed directorial debut has been a staple of Halloween movie marathons everywhere. To celebrate the season, we dug through the coffins of the horror classic in order to discover some things you might not have known about Fright Night.

1. Fright Night was based on "The Boy Who Cried Wolf."

Or, in this case, "The Boy Who Cried Vampire." “I started to kick around the idea about how hilarious it would be if a horror movie fan thought that a vampire was living next door to him,” Holland told TVStoreOnline of the film’s genesis. “I thought that would be an interesting take on the whole Boy Who Cried Wolf thing. It really tickled my funny bone. I thought it was a charming idea, but I really didn't have a story for it.”

2. Peter Vincent made Fright Night click.

It wasn’t until Holland conceived of the character of Peter Vincent, the late-night horror movie host played by Roddy McDowall, that he really found the story. While discussing the idea with a department head at Columbia Pictures, Holland realized what The Boy Who Cried Vampire would do: “Of course, he's gonna go to Vincent Price!” Which is when the screenplay clicked. “The minute I had Peter Vincent, I had the story,” Holland told Dread Central. “Charley Brewster was the engine, but Peter Vincent was the heart.”

3. Peter Vincent is named after two horror icons.

Peter Cushing and Vincent Price.

4. The Peter Vincent role was intended for Vincent Price.

Roddy McDowall in Fright Night (1985)
Roddy McDowall as Peter Vincent in Fright Night (1985).
Columbia Pictures

“Now the truth is that when I first went out with it, I was thinking of Vincent Price, but Vincent Price was not physically well at the time,” Holland said.

5. Roddy McDowall did not want to play the part like Vincent Price.

Once he was cast, Roddy McDowall made the decision that Peter Vincent was nothing like Vincent Price—specifically: he was a terrible actor. “My part is that of an old ham actor,” McDowall told Monster Land magazine in 1985. “I mean a dreadful actor. He had a moderate success in an isolated film here and there, but all very bad product. Basically, he played one character for eight or 10 films, for which he probably got paid next to nothing. Unlike stars of horror films who are very good actors and played lots of different roles, such as Peter Lorre and Vincent Price or Boris Karloff, this poor sonofabitch just played the same character all the time, which was awful.”

6. It took Holland just three weeks to write the Fright Night script.

And he had a helluva good time doing it, too. “I couldn’t stop writing,” Holland said in 2008, during a Fright Night reunion at Fright Fest. “I wrote it in about three weeks. And I was laughing the entire time, literally on the floor, kicking my feet in the air in hysterics. Because there’s something so intrinsically humorous in the basic concept. So it was always, along with the thrills and chills, something there that tickled your funny bone. It wasn’t broad comedy, but it’s a grin all the way through.”

7. Tom Holland directed Fright Night out of "self-defense."

By the time Fright Night came around, Holland was already a Hollywood veteran—just not as a director. He had spent the past two decades as an actor and writer and he told the crowd at Fright Fest that “this was the first film where I had sufficient credibility in Hollywood to be able to direct ... I had a film after Psycho 2 and before Fright Night called Scream For Help, which … I thought was so badly directed that [directing Fright Night] was self-defense. In self-defense, I wanted to protect the material, and that’s why I started directing with Fright Night."

8. Chris Sarandon had a number of reasons for not wanting to make Fright Night.

Chris Sarandon stars in 'Fright Night' (1985)
Chris Sarandon stars in Fright Night (1985).
Columbia Pictures

At the Fright Night reunion, Chris Sarandon recalled his initial reaction to being approached about playing vampire Jerry Dandrige. "I was living in New York and I got the script,” he explained. “My agent said that someone was interested in the possibility of my doing the movie, and I said to myself, ‘There’s no way I can do a horror movie. I can’t do a vampire movie. I can’t do a movie with a first-time director.’ Not a first-time screenwriter, but first-time director. And I sat down and read the script, and I remember very vividly sitting at my desk, looked over at my then wife and said, ‘This is amazing. I don’t know. I have to meet this guy.’ And so, I came out to L.A. And I met with Tom [Holland] and our producer. And we just hit it off, and that was it.”

9. Jerry Dandridge is part fruit bat.

After doing some research into the history of vampires and the legends surrounding them, Sarandon decided that Jerry had some fruit bat in him, which is why he’s often seen snacking on fruit in the film. When asked about the 2011 remake with Colin Farrell, Sarandon commented on how much he appreciated that that specific tradition continued. “In this one, it's an apple, but in the original, Jerry ate all kinds of fruit because it was just sort of something I discovered by searching it—that most bats are not blood-sucking, but they're fruit bats,” Sarandon told io9. “And I thought well maybe somewhere in Jerry's genealogy, there's fruit bat in him, so that's why I did it.”

10. William Ragsdale learned he had booked the part of Charley Brewster on Halloween.

William Ragsdale had only ever appeared in one film before Fright Night (in a bit part). He had recently been considered for the role of Rocky Dennis in Mask, which “didn’t work out,” Ragsdale recalled. “But a few months later, [casting director] Jackie Burch tells me, ‘There’s this movie I’m casting. You might be really right for it.’ So, I had this 1976 Toyota Celica and I drove that through the San Joaquin valley desert for four or five trips down for auditioning. And in the last one, Stephen [Geoffreys] was there, Amanda [Bearse] was there and that’s when it happened. I had read the script and at the time I had been doing Shakespeare and Greek drama, so I read this thing and thought, ‘Well, God, this looks like a lot of fun. There’s no … iambic pentameter, there’s no rhymes. You know? Where’s the catharsis? Where’s the tragedy?’ … I ended up getting a call on Halloween that they had decided to use me, and I was delighted.”

11. Not being Anthony Michael Hall worked in Stephen Geoffreys's favor.

In a weird way, it was by not being Anthony Michael Hall that Stephen Geoffreys was cast as Evil Ed. “I actually met Jackie Burch, the casting director, by mistake in New York months before this movie was cast and she remembered me,” Geoffreys shared at Fright Fest. “My agent sent me for an audition for Weird Science. And Anthony Michael Hall was with the same agent that I was with, and she sent me by mistake. And Jackie looked at me when I walked into the office and said, ‘You’re not Anthony Michael Hall!’ and I’m like ‘No!’ But anyway, I sat down and I talked to Jackie for a half hour and she remembered me from that interview and called my agent, and my agent sent me the script while I was with Amanda [Bearse] in Palm Springs doing Fraternity Vacation, and I read it. It was awesome. The writing was incredible.”

12. Evil Ed wanted to be Charley Brewster.

Stephen Geoffreys stars in 'Fright Night' (1985).
Stephen Geoffreys stars in Fright Night (1985).
Columbia Pictures

Geoffreys loved the script for Fright Night. “I just got this really awesome feeling about it,” he said. “I read it and thought I’ve got to do this. I called my agent and said ‘I would love to audition for the part of Charley Brewster!’ [And he said] ‘No, Steve, you’re wanted for the part of Evil Ed.’ And I went, ‘Are you kidding me? Why? I couldn’t… What do they see in me that they think I should be this?' Well anyway, it worked out. It was awesome and I had a great time.”

13. Fright Night's original ending was much different.

The film’s original ending saw Peter Vincent transform into a vampire—while hosting “Fright Night” in front of a live television audience.

14. A ghost from Ghostbusters made a cameo in Fright Night.

Visual effects producer Richard Edlund had recently finished up work on Ghostbusters when he and his team began work on Fright Night. And the movie gave them a great reason to recycle one of the library ghosts they had created for Ghostbusters—which was deemed too scary for Ivan Reitman's PG-rated classic—and use it as a vampire bat for Fright Night.

15. Fright Night's cast and crew took it upon themselves to record some DVD commentaries.

Because the earliest DVD versions of Fright Night contained no commentary tracks, in 2008 the cast and crew partnered with Icons of Fright to record a handful of downloadable “pirate” commentary tracks about the making of the film. The tracks ended up on a limited-edition 30th anniversary Blu-ray of the film, which sold out in hours.

16. Vincent Price loved Fright Night.


Columbia Pictures

Holland had the chance to meet Vincent Price one night at a dinner party at McDowall’s. And the actor was well aware that McDowall’s character was based on him. “I was a little bit embarrassed by it,” Holland admitted. “He said it was wonderful and he thought Roddy did a wonderful job. Thank God he didn’t ask why he wasn’t cast in it.”

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