11 Sharp Facts About Annie Oakley

Getty
Getty

You probably know that Annie Oakley was an outstanding sharpshooter who became famous while performing in Buffalo Bill’s Wild West Show. But if your knowledge of her life is limited to Annie Get Your Gun, we’ve got you covered. In honor of her birthday, here are 11 facts about Oakley, the Little Sure Shot of the Wild West.

1. SHE MADE HER FIRST SHOT AT 8 YEARS OLD.

Born on August 13, 1860 in a rural part of western Ohio, Phoebe Ann Moses grew up poor. Her father’s death in 1866 meant that she had to contribute to help her family survive, so she trapped small animals such as quail for food. At eight years old, she made her first shot when she killed a squirrel outside her house. “It was a wonderful shot, going right through the head from side to side. My mother was so frightened when she learned that I had taken down the loaded gun and shot it that I was forbidden to touch it again for eight months,” she later said.

2. SHE USED HER SHOOTING SKILLS TO PAY OFF HER MOM’S MORTGAGE.

Despite Oakley’s top-notch shooting skills, her widowed mother struggled to make ends meet. She sent Oakley to work for another family in exchange for her daughter getting an education. As a teenager, Oakley returned home (after working as a servant for an abusive family) and continued to hunt animals. She sold the meat to an Ohio grocery store, earning enough money to pay her mom’s $200 mortgage. She later wrote: "Oh, how my heart leaped with joy as I handed the money to mother and told her that I had saved enough to pay it off!"

3. SHE BEAT HER FUTURE HUSBAND IN A SHOOTING MATCH.

At 15 years old, Oakley participated in a shooting match on Thanksgiving with Frank Butler, an Irish-American professional marksman. The match, which happened in Cincinnati, was a doozy. To Butler’s surprise, the teenage girl outshot him by one clay pigeon, and he lost the $100 bet he had placed. Rather than feel embarrassed or emasculated by his loss, Butler was impressed and interested, and the two married the following year.

4. DESPITE HER PROFESSION, SHE EMPHASIZED HER FEMININITY.


Getty Images

At the end of the 19th century, shooting was a predominantly male activity, and Oakley certainly stood out. But rather than dress or behave like a man to fit in, she emphasized her femininity. She wore her own homemade costumes on stage, behaved modestly, and engaged in "proper" female activities such as embroidery in her spare time.

5. SHE WAS ONLY FIVE FEET TALL.

In addition to Oakley’s gender, her diminutive stature made her stand out in the world of sharpshooting. In 1884, the Sioux chieftain Sitting Bull befriended Oakley when the two performers were traveling across the country. Acknowledging both her height and her shooting skill, Sitting Bull nicknamed Oakley Watanya Cicillia (English translation: Little Sure Shot). The American Indian warrior liked Oakley so much that he gave her his special moccasins to "adopt" her as his daughter.

6. SHE PERFORMED FOR KINGS AND QUEENS IN EUROPE.


Wikimedia Commons, Public Domain

Although the concept of the Wild West is firmly rooted in Americana, Oakley showed off her shooting skills across Europe as part of Buffalo Bill’s Wild West show. In 1887, she performed for Queen Victoria at the American Exposition in London, and the queen reportedly told Oakley that she was a "very clever little girl." In 1889, Oakley performed at the Paris Exposition and traveled to Italy and Spain. The press loved her, the king of Senegal wanted her to come help control the tiger population in his country, and Italy’s King Umberto I was a fan.

7. SHE OFFERED TO LEAD FEMALE SHOOTERS IN WORLD WAR I.

Wanting to use her shooting skills to serve her country, Oakley wrote a letter to President McKinley in 1898. She offered to provide 50 female sharpshooters (with their own arms and ammunition) to fight for the United States in the Spanish-American War, but she never got a response. Similarly, in 1917, she contacted the U.S. Secretary of War to offer her expertise to teach an army unit of women shooters to fight in World War I. She didn’t hear back, so she visited army camps, raised money for the Red Cross, and volunteered with military charities instead.

8. SHE SUED THE PRESS FOR PUBLICIZING HER (NONEXISTENT) DRUG ADDICTION.

In August 1903, two of William Randolph Hearst’s newspapers in Chicago reported that Oakley was a cocaine addict who was arrested for stealing a black man’s pants. Other newspapers ran the story, and Oakley—who was neither a drug addict nor a thief—was horrified. "The terrible piece … nearly killed me … The only thing that kept me alive was the desire to purge my character," she said.

The woman who had been arrested in Chicago was a burlesque performer whose stage name was Any Oakley. Most newspapers published retractions, but Hearst didn’t. He (unsuccessfully) hired a private investigator to uncover anything sordid about Oakley. Oakley sued 55 newspapers for libel, ultimately winning or settling 54 of them by 1910. Despite winning money from Hearst and other newspapers, costly legal expenses meant that she ultimately lost money to clear her name.

9. THANKS TO THOMAS EDISON, SHE BECAME A FILM ACTRESS.

In 1888, Oakley acted in Deadwood Dick, a financially unsuccessful play. At the Paris Exposition the next year, though, she met Buffalo Bill Cody’s friend Thomas Edison. In 1894, Oakley visited Edison in New Jersey and showed off her shooting skills for the inventor’s Kinetoscope. The resulting film, called The Little Sure Shot of the Wild West, featured Oakley shooting a rifle to break glass balls. Although she didn’t continue acting in film, she did act in The Western Girl, a play in which she portrayed a sharpshooter, in 1902 and 1903.

10. TWO SERIOUS ACCIDENTS HALTED HER CAREER.


Annie Oakley in 1922

Wikimedia Commons, Public Domain

In 1901, Oakley was injured in a train accident while traveling between North Carolina and Virginia for a performance. Although reports differ about the severity of her injuries, we do know that she took a year off from performing after the accident. Two decades later, Oakley was injured in a car accident in Florida. Her hip and ankle were fractured, and she wore a leg brace until 1926, when she passed away from pernicious anemia in Ohio at age 66. Frank Butler, her husband of 50 years, died 18 days later.

11. HER NAME BECAME AN IDIOMATIC EXPRESSION.

You know you’ve made it when your name becomes an idiom. Because of her shooting skills, the phrase "Annie Oakley" acquired a meaning of a free ticket to an event. Performing with Buffalo Bill’s Wild West show, Oakley shot holes in tiny objects, making targets out of everything from playing cards to a dime to a cigar dangling out of her husband’s mouth. Because free admission tickets for theatrical shows had holes punched in them (so they wouldn’t be sold to someone else), these tickets came to be called "Annie Oakleys."

9 Facial Reconstructions of Famous Historical Figures

A facial reconstruction of King Richard III unveiled by the Richard III Society in 2013
A facial reconstruction of King Richard III unveiled by the Richard III Society in 2013
Dan Kitwood/Getty Images

Why look at a painting of a historical figure when you can come face to face with one? Forensic facial reconstruction using scans of skeletal remains allows researchers to create 3D models of the face through a combination of science, history, and artistic interpretation. The results may be somewhat subjective, but they’re fascinating anyway. Here are nine facial reconstructions of famous people.

1. Richard III

In 2012, King Richard III’s skeleton was found below a parking lot in Leicester, England, where in 1485 he was hurriedly buried after dying in battle. A reconstruction (above) shows a young man, only 32 years old, with a gentle, approachable face. It’s a far cry from the child-murdering villain portrayed by Shakespeare and other writers. One thing they said does seem accurate, however: The skeleton had a curved spine from scoliosis, suggesting that Richard’s humpback may have been real.

2. Bach

J.S. Bach’s bust has sat on innumerable pianos for centuries, but he only posed for one portrait in his lifetime. So this reconstruction of his face—which was taken from a bronze cast of his skull—offers an interesting glimpse into the man beneath the 18th century wig. You get the same thick neck, underbite, and stern brow you see in the painting, but the reconstruction’s friendly, confused stare lacks the soul of the real man … and his music, for that matter.

3. Shakespeare

Apparently, no one knows anything about Shakespeare for sure—his hair color, his sexual orientation, how he spelled his name, whether he liked his wife, etc. Some people aren’t even sure whether he wrote his plays or not. So this rendering, taken from a death mask found in Germany, is bound to be controversial. But if it is Shakespeare, it’s pretty intriguing. It shows a man who suffered from cancer and had a sad, soulful face.

4. Dante

Maybe it’s because The Divine Comedy dealt with the ugliness of sin that Dante Alighieri is usually depicted as unattractive, with a pointy chin, buggy eyes, and enormous hooked nose. But a reconstruction done from measurements of the skull taken in 1921—the only time the remains have been out of the crypt—reveals a much more attractive Dante. The face has a rounder chin, pleasant eyes, and smaller nose than previously thought. It’s a face with character.

5. King Henri IV

The mummified head of France’s King Henri IV was lost after the French Revolution until a few years ago, when it showed up in a tax collector’s attic. In his day, Henri was beloved by everyone except the Catholic fundamentalists who murdered him in 1610. The hard-living king looks a bit old for his 56 years, but there’s a twinkle in his eyes. What the model cannot show, however, was how much the king stank—apparently he smelled of ”garlic, feet and armpits.”

6. Cleopatra’s Sister

Cleopatra hated her half-sister Arsinoe IV so much she had her dragged out of the temple of Artemis and murdered. In 2013, researchers said they had discovered what may be Arisone’s body, based on the shape of the tomb, carbon dating, and other factors. The resulting facial reconstruction shows a petite teenager of European and African blood. And yeah, maybe this is closer to what Arsinoe would look like if she were trapped in The Sims, but since Cleopatra’s remains are long gone, this may be the closest we get to knowing what she looked like.

7. King Tut

King Tutankhamun, whose famous sarcophagus has traveled far more than the “boy king” did in his 19-year lifetime, had buckteeth, a receding chin, and a slim nose, according to 3D renderings of his mummy. His weird skull shape is just within range of normal and was probably genetic—his father, Akhenaten, had a similarly shaped head. Tut’s body also had a broken leg, indicating he may have died from falling off a horse or chariot.

8. Copernicus

Nicolaus Copernicus, who challenged the belief that the sun revolved around the earth, died in 1543 at age 70. When his body was found in 2006 in a Polish church and confirmed by matching DNA to strands of his hair left in a book, the Polish police used their forensic laboratory to make this portrait. They made sure to include Copernicus’s broken nose and the scar above his left eye. Who knew that the Father of Astronomy looked so much like the actor James Cromwell?

9. Santa Claus

The remains of St. Nicholas, i.e. Santa Claus, have been in a church in Bari, Italy, since they were stolen from Turkey in 1087. This reproduction, taken from measurements of his skull, reveal that St. Nicholas had a small body—he was only 5’6”—and a huge, masculine head, with a square jaw and strong muscles in the neck. He also had a broken nose, like someone had beaten him up. This is consistent with accounts of St. Nicholas from the time: It turns out that Santa Claus had quite a temper.

A version of this list was first published in 2013.

Fabric Allegedly From Queen Elizabeth I’s Only Surviving Piece of Clothing Is Going on Display

© Historic Royal Palaces Courtesy of St. Faith's Church, Bacton
© Historic Royal Palaces Courtesy of St. Faith's Church, Bacton

When Eleri Lynn, curator of historic dress at Historic Royal Palaces, first laid eyes on the Bacton altar cloth, she had a feeling that it wasn’t your typical 16th-century altar cloth. She had come across it online while researching Welsh connections to the Tudor court, and decided to pay a visit to St. Faith’s Church in Bacton, Herefordshire, England, to see it in person.

“I knew immediately that it was something special,” she told The Telegraph. “As I examined it, I felt as though I had found the Holy Grail, the Mona Lisa of fashion.” After a year’s worth of careful analysis, experts believe it was originally part of a dress that Queen Elizabeth I wore in the Rainbow Portrait of 1602. That makes it the only known surviving piece of clothing worn by the Virgin Queen.

Elizabeth I Rainbow Portrait
Isaac Oliver, Wikimedia Commons // Public Domain

The cloth and Elizabeth I’s dress are both embroidered with roses, daffodils, and other flowers. The altar cloth shows animals like butterflies, frogs, squirrels, and bears, which Lynn thinks were added after the Rainbow Portrait was painted. Lynn also noticed that the altar cloth contains strands of gold and silver, which only the royal family could wear during Elizabeth I’s reign due to strict sumptuary laws.

Bacton altar cloth from Elizabeth I's dress
© Historic Royal Palaces Courtesy of St. Faith's Church, Bacton

Close-up on Bacton altar cloth from Elizabeth I's dress
© Historic Royal Palaces Courtesy of St. Faith's Church, Bacton

Since royal attire was so extravagant, it was often handed down to the next generation or reincarnated as upholstery. And, according to a statement from Hampton Royal Palaces, Elizabeth I sometimes gave her hand-me-downs to Blanche Parry, her Chief Gentlewoman of the Bedchamber and the woman who had nursed her from infancy. Parry, as it so happens, belonged to St. Faith’s Church. Lynn and her fellow historians posit that Elizabeth I may have even sent this particular fabric to St. Faith’s in memory of her companion.

While recycling or reusing clothing was sustainable, it has made it difficult for Lynn and her contemporaries to track down fashion relics from the Tudor dynasty. In addition to that, Lynn told The Telegraph, “Oliver Cromwell sold off every item of clothing in the royal stores, so the only things we have, including a hat which might have been worn by Henry VIII, have come back to Hampton Court after they have survived elsewhere.”

St. Faith’s has loaned the cloth to Historic Royal Palaces, the charity that oversees Hampton Court Palace, where you can see it on display along with the Rainbow Portrait and other Tudor artifacts from October 12, 2019, to February 23, 2020.

[h/t The Telegraph]

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