15 Fascinating Facts About Blood Simple

Janus Films
Janus Films

Ethan and Joel Coen hadn’t made a feature film of their own until they set out to write, direct, produce, and edit Blood Simple, a bloody Texas-set noir about a cuckold husband named Julian Marty (Dan Hedaya) who hires a private detective (M. Emmet Walsh) to murder his cheating wife (Frances McDormand) and her lover (John Getz). The filmmakers wanted a small budget like a horror film, but preferred making an entertaining B-film. Before production started, the Coens created a two-minute trailer and showed it to investors, which allowed them to raise an impressive $750,000 (which was half of the final budget).

In January of 1985, the movie was released in theaters and grossed $2,150,000. In its 2000 theatrical re-release, the movie added another $1.7 million to its box office haul. The low-budget film set the standard for the wave of American indie films to come, and it established the Coens as two of the most important voices in cinema. It also launched the careers of Frances McDormand and cinematographer Barry Sonnenfeld (who would later turn to directing).

Here are 15 facts about the noir thriller, which arrived in theaters on this day in 1985.

1. ITS TITLE WAS INSPIRED BY DASHIELL HAMMETT’S RED HARVEST.

“It’s an expression he used to describe what happens to somebody psychologically once they’ve committed murder,” Joel Coen told Time Out. “They go ‘blood simple’ in the slang sense of ‘simple,’ meaning crazy. But it’s left up to the audience to ponder the implications; they’re never spelled out in the film itself.”

2. THE COENS SPECIFICALLY WROTE THE PART OF LOREN VISSER FOR M. EMMET WALSH.

Blood Simple started something else that we’ve done pretty much on every subsequent movie, which was that we’ve always written parts for specific actors,” Joel Coen said in the book My First Movie. The brothers knew Walsh from the film Straight Time, in which he played a sleazy character. “Actually, it was a more interesting character than what we came up with in Blood Simple inasmuch as it was more ambiguous,” Joel said. They offered him the part without having him audition, but ran into a dilemma. “All I remember is we didn’t know what the hell to call him,” Ethan said. “I mean, what the hell do you call him when you meet him? M?”

3. THE COENS—AND MANY OF THE CAST AND CREW—HAD NEVER BEEN ON A FILM SET BEFORE.

Joel Coen admitted in My First Movie, “The first day of shooting on Blood Simple was the first time I’d ever been on a feature movie set in any capacity, even as a visitor.” Coen had previously worked as an assistant editor on horror films, including 1981’s The Evil Dead. Coen mentioned how Sonnenfeld would throw up after looking at the dailies, because he was so nervous working on the film. “Everyone was in the same boat,” Joel said. “The gaffer had never gaffered a feature. The sound guy, the mixer on the set, had never mixed a feature.”

4. THE COENS CHOSE TO MAKE A FILM NOIR BECAUSE OF THE GENRE’S PRACTICALITY.

Dan Hedaya and M. Emmet Walsh in 'Blood Simple' (1984)
Janus Films

The Coens liked hard-boiled fiction authors James M. Cain, Dashiell Hammett, and Raymond Chandler, and used them to their advantage in writing the script. “It’s certainly a genre that is entertaining, and we also picked it for very practical reasons,” Ethan said. “We knew we weren’t going to have a big budget. The financing would not allow it. We could build something on the genre and the appeal it has.”

“It’s also a genre that allows you to get by rather modestly in some ways,” Joel added. “You can limit the number of characters, put them into a confined set. There’s no need to go for large-scale effects or scatter them through the film, and those cost a lot of money. So it was a pragmatic decision that determined what film we would make.”

5. BUT THEY DIDN’T WANT TO PARODY FILM NOIR.

In a 1985 interview, featured in the book The Coen Brothers: Interviews, Ethan said, “When people call Blood Simple a film noir, they’re correct to the extent that we like the same kind of stories that the people who made those movies like. We tried to emulate the source that those movies came from rather than the movies themselves.” They didn’t want to make “a venetian blind movie,” but movies like The Conformist and The Third Man inspired the look of Blood Simple.

Because of the comedic elements in the film, some people might think the movie is trying to parody the thriller genre. “On one hand, it is a thriller, and, on the other, it is funny,” Ethan said. “But certainly the film is supposed to work as a thriller and I don’t think it would work as both at once.”

6. THEY BORROWED AN INVESTMENT TACTIC FROM SAM RAIMI.

Their friend Sam Raimi had shot a trailer for his film The Evil Dead and raised $60,000 toward the budget after showing it to investors. “He financed the movie using a common thing that people making exploitation movies had used, which was a limited partnership,” Joel said in My First Movie. “What we also borrowed from Sam and the other models was that I presented more of an action exploitation type movie than it ended up being, and in fact than we knew it would be.”

The Coens didn’t know many people, so they decided to take a projector and the trailer to entrepreneurs’ homes in New York, Texas, and Minnesota. “If you call people up and say, ‘Can you give me 10 minutes so I can present an opportunity to invest in a movie?’ They’re going to say, ‘No, I don’t need this,’ and hang up the phone,” Joel said in My First Movie. “But it’s slightly different if you call and say, ‘Can I come over and take 10 minutes and show you a piece of film?’ All of a sudden that intrigues them and gets your foot in the door.” Eventually, all 65 investors made a profit from their investment.

The investor trailer finally surfaced online and features Bruce Campbell in the Dan Hedaya role.

7. NONE OF THE MAJOR STUDIOS WANTED TO DISTRIBUTE IT.

The Coens took time editing the film, and started shopping the movie around in 1984. Warner Bros. rejected it, but an indie company agreed to distribute it with a slight change. “We took it to Crown International Pictures and the guy would say, ‘If you have some nudity you can put in there maybe we can distribute it,’” Joel said in My First Movie. “We saw everybody from the studios to the lowliest sleaze-bucket distributors in L.A. And they all said no.” Circle Films picked up the movie after seeing a screening of it at the Toronto Film Festival. When the movie came out with good reviews, Warner tried to buy it from Circle to no avail.

8. M. EMMET WALSH COULDN’T BLOW SMOKE RINGS.

At first the actor was skeptical of starring in a movie where he probably wouldn’t make any money, but he gave the Coens a chance. Joel asked Walsh if he could blow a smoke ring from cigarette smoke and he said he would try. “I just couldn’t do it,” Walsh said. “I worked and worked on it, but I started to make myself sick.” The Coens brought in a smoke machine to make the smoke rings but the machine broke during filming. “The script gal says, ‘Give me a damn cigar. I grew up with five brothers smoking behind a barn,’” Walsh said. “So they give her a cigar and she starts making these incredible smoke rings. I said to myself, ‘My God, this is how you make a movie!’ Later on, I went outside and saw her puking her brains out. That was Blood Simple.”

9. THE COENS HAD AN INCIDENT WITH ONE OF THEIR POTENTIAL INVESTORS.

“There was one investor we went to and we hit his car, parking,” Ethan said in My First Movie. “And we had this big debate out on the driveway [about] whether we should tell him we hit his car before the sales pitch or after the sales pitch. We decided that we wouldn’t tell him until we showed him the movie and made the sales pitch.” The investor decided against investing in the film.

10. FRANCES MCDORMAND REFUSED TO BE “THEATRICAL” IN THE MOVIE.

John Getz and Frances McDorman in 'Blood Simple' (1984)
Janus Films

Up until she starred in Blood Simple, the future Oscar-winner had mainly done theater and some TV. In an interview with William Dafoe for Bomb Magazine, she told him her approach to playing Abby Marty. “The only choice I made was not to be theatrical,” she said. “I never moved my face and my mouth’s always open like I’m terrified—I was a lot of the time. I just did whatever they told me to do, which was perfect for the character, but it’s not like I made that decision as a character choice. It was from not knowing what to do.”

11. JOEL COEN WOOED FRANCES MCDORMAND WITH LITERATURE.

Coen and McDormand fell in love while making Blood Simple and got married a couple of years later, after production wrapped. McDormand told The Daily Beast about the moment when she roped him in. “I’d only brought one book to read to Austin, Texas, where we were filming, and I asked him if there was anything he’d recommend,” she said. “He brought me a box of James M. Cain and Raymond Chandler paperbacks, and I said, ‘Which one should I start with?’ And he said, ‘The Postman Always Rings Twice.’ I read it, and it was one of the sexiest f*ckin’ books I’ve ever read. A couple of nights later, I said, ‘Would you like to come over and discuss the book?’ That did it. He seduced me with literature. And then we discussed books and drank hot chocolate for several evenings. It was f*ckin’ hot. Keep it across the room for as long as you can—that’s a very important element.”

12. THE COENS RELEASED A SHORTER VERSION OF THE FILM.

Blood Simple got the Director’s Cut treatment in 2001, but instead of adding material to the re-release of the movie, the Coens removed a few minutes from it. “We always thought it was rather kind of clumsy, the editing,” Joel told Hollywood.com. “It was interesting to go in and try to tighten the movie up.” “Before, the original version was like an old lady with a walker, and now it just has a cane,” Ethan said. The newer version also brought back the Four Tops’ “It’s the Same Old Song,” which had been in the original theatrical release but had been replaced with Neil Diamond’s “I’m a Believer” in the VHS release.

13. THE COENS THINK THE MOVIE IS “PRETTY DAMN BAD.”

A scene from 'Blood Simple' (1984)
Janus Films

Fifteen years after Blood Simple’s release, the Coens reflected upon their first feature, in the 2000 book My First Movie. “It’s crude, there’s no getting around it,” Ethan said. “On the other hand, it’s all confused with the actual process of making the movie and finishing the movie which, by and large, was a positive experience,” Joel said. “You never get entirely divorced from it that way. So, I don’t know. It’s a movie that I have a certain affection for. But I think it’s pretty damn bad!”

14. ZHANG YIMOU REMADE THE FILM.

Director Zhang Yimou—who directed House of Flying Daggers and Heroremade Blood Simple in 2009 as A Woman, A Gun and A Noodle Shop. The move is set in a Chinese noodle shop in a desert, and in similar fashion, the plot centers on a man trying to kill his wife and her lover.

15. BLOOD SIMPLE BEGAT RAISING ARIZONA AND FARGO.

Two years after Blood Simple was released, the Coens wrote-directed their follow-up, Raising Arizona, which wasn’t anything like Blood Simple. “In essence, after having completed Blood Simple, we wanted to make something completely different,” Ethan said. “We didn’t know what, but we wanted it to be something funny that had a very quick rhythm. We also wanted to use Holly Hunter, who has been a friend of ours for a long time. So it really wasn’t the story that was the origin of the project, but Holly Hunter, her personality and, by extension, the character we had conceived for her to play. In contrast, Blood Simple took shape from an idea for a screenplay.” It should be noted Hunter provided her voice on an answering machine in Blood Simple.

More than a decade after Blood Simple came out, the Coens released Fargo. The Coens’ dealings with investors for Blood Simple inspired the film’s businessmen. “It was raising money for Blood Simple that we met all of these business guys who could wear the suits, get bundled up in the park and slog out in the snow and meet us in these, like, coffee shops,” Joel said in My First Movie. “We came back to that whole thing in Fargo: the car salesman, the guy who owns the bowling alley, you know, whatever.”

8 Sequels That Received Oscar Nominations for Best Picture

Jasin Boland, Warner Bros. Entertainment Inc.
Jasin Boland, Warner Bros. Entertainment Inc.

It’s rare when a movie sequel manages to stand up to the original entry in a film series. Even rarer? When a sequel is so good that it nabs an Oscars nomination for Best Picture. Here are eight movies that did just that.

1. Mad Max: Fury Road (2015)

When Mad Max: Fury Road was released in theaters in 2015, no one thought that it would be a critical darling—or an awards contender . But when the Academy Award nominations were announced in 2016, the latest entry in George Miller’s Mad Max franchise earned a whopping 10 nominations, including Best Picture and Best Director. Fury Road is the fourth installment in the series and was the first to hit theaters in 30 years (since the release of 1985’s Mad Max Beyond Thunderdome). It’s also the first movie in the franchise to receive any recognition from the Academy.

2. Toy Story 3 (2010)

A still from 'Toy Story 3' (2010)
Disney/Pixar

In 2011, Toy Story 3 was nominated for five Oscars, including Best Picture and Best Animated Feature. Though The King’s Speech ended up taking the night’s top prize, Toy Story 3 (which was named Best Animated Feature) made history that night, as it was the third ever animated movie to score a Best Picture nod; 1991’s Beauty and the Beast and 2009’s Up are the other two films to earn the same accolade.

3. The Lord of the Rings: The Return of the King (2003)

Although the first two installments in The Lord of the Rings trilogy—2001’s The Fellowship of the Ring and 2002’s The Two Towers—were each nominated for Best Picture, it was the final movie that ended up winning the Academy Award in 2004. In fact, The Return of the King won 11 Oscars that year, sweeping every category in which it was nominated, and tying Ben-Hur and Titanic for the most awards received in one night.

4. The Lord of the Rings: The Two Towers (2002)

In 2003, The Two Towers won two of the six Oscars for which it was nominated, for Best Sound Editing and Best Visual Effects. Rob Marshall’s musical Chicago beat it out for Best Picture.  

5. The Silence of the Lambs (1991)

Anthony Hopkins as Hannibal Lecter in 'The Silence of the Lambs' (1991)
20th Century Fox Home Entertainment

In 1992, The Silence of the Lambs made a clean sweep of the “Big Five” categories: Best Picture, Best Director for Jonathan Demme, Best Actor for Sir Anthony Hopkins, Best Actress for Jodie Foster, and Best Adapted Screenplay for Ted Tally. Although The Silence of the Lambs isn’t a direct sequel to Michael Mann’s 1986 film Manhunter, it’s based on the sequel novel to author Thomas Harris’s Red Dragon, on which Manhunter was based. It also features the character Hannibal Lecter in a major role, who was played by Brian Cox in Manhunter—before Hopkins made the role his own. Got that?

6. The Godfather: Part III (1990)

Though it’s often considered the far inferior film in The Godfather trilogy, The Godfather: Part III received seven Academy Award nominations in 1991, including Best Picture and Best Director for Francis Ford Coppola. Ultimately, it lost to Kevin Costner’s Dances with Wolves, making it the only installment in The Godfather Saga not to win a Best Picture Oscar.

7. The Godfather: Part II (1974)

Al Pacino in 'The Godfather: Part II' (1974)
Paramount Pictures

In 1975, The Godfather: Part II became the first sequel in Oscar history to win the Academy Award for Best Picture. It won the coveted award two years after the original film was named Best Picture. The sequel was nominated for a total of 11 Oscars, with three separate nominations in the Best Supporting Actor category alone: one for Michael Vincenzo Gazzo (who played Frankie Pentangeli) and Lee Strasberg (as Hyman Roth), and one for Robert De Niro, who took home the statuette for playing the younger version of Vito Corleone.

8. The Bells of St. Mary's (1945)

Though it lost Best Picture to Billy Wilder’s The Lost Weekend at the 1946 Oscars, The Bells of St. Mary’s is the first movie sequel to be nominated for the Academy’s biggest prize. The film is a sequel to Leo McCarey’s previous film, 1944’s Going My Way, which won the Oscar for Best Picture a year earlier. While Going My Way and The Bells of St. Mary’s feature different stories and casts, Bing Crosby stars in both movies as Father Chuck O'Malley.

An earlier version of this article ran in 2016.

James Cameron Directed Entourage's Aquaman, But He Could Never Direct the Real One

Tommaso Boddi, Getty Images for AMC
Tommaso Boddi, Getty Images for AMC

Oscar-winning director James Cameron is no stranger to CGI. With movies like Avatar under his belt, you’d expect Cameron to find a particular sort of enjoyment in special effects-heavy movies like James Wan's Aquaman. But Cameron—who directed the fictional version of Aquaman featuring fictional movie star Vinnie Chase in the very real HBO series Entourage—has a little trouble with suspension of disbelief.

In a recent interview with Yahoo!, Cameron said that while he did enjoy Aquaman, he would never have been able to direct the movie itself because of its lack of realism.

"I think it’s great fun,” Cameron said. “I never could have made that film, because it requires this kind of total dreamlike disconnection from any sense of physics or reality. People just kind of zoom around underwater, because they propel themselves mentally, I guess, I don’t know. But it’s cool! You buy it on its own terms.”

"I’ve spent thousands of hours underwater," the Titanic director went on to say. "While I can enjoy that film, I don’t resonate with it because it doesn’t look real.”

While Aquaman was shot on a soundstage, Cameron will be employing state-of-the-art technology that will allow him to actually be underwater while shooting underwater scenes for his upcoming Avatar sequels.

[h/t Yahoo!]

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