13 Ingenious Facts About Rube Goldberg

You turn a fan on, and the air blows a tiny toy sailboat until it hits a domino, causing a chain reaction as hundreds of dominoes are knocked down. As the last domino falls, it pushes a lever that triggers a sharp blade to swing, cracking an egg onto a griddle. An overly elaborate contraption that accomplishes a simple task—in this case, cooking an egg—is an example of a Rube Goldberg Machine.

It's named for inventor and cartoonist Rube Goldberg, and although you’ve most likely seen funny sequences inspired by Goldberg’s machines in films, TV shows, music videos, and comics, you probably don’t know much about his life. In honor of what would be his 135th birthday, here are 13 ingenious facts about Goldberg.

1. HE EARNED AN ENGINEERING DEGREE FROM UC BERKELEY…

Born in San Francisco on July 4, 1883, Goldberg enjoyed drawing as a child and took art lessons from a sign painter. After studying engineering at UC Berkeley, he graduated in 1904 and mapped sewer pipes and water mains for the city of San Francisco. “I studied engineering because my father thought that all cartoonists were, you know, good-for-nothing, Bohemians, and couldn't make a living drawing pictures,” Goldberg revealed in a 1970 interview with Radio Smithsonian.

2. …BUT QUIT HIS JOB TO BECOME A CARTOONIST.

After just six months of work, Goldberg knew that engineering wasn’t the right fit for him. So he worked as a sports cartoonist at the San Francisco Chronicle before moving to New York City to be a cartoonist at The New York Evening Mail. Some of the comic strips and single-frame cartoons he created had names like "Boob McNutt," "Lala Palooza," and "Foolish Questions." Because his cartoons were nationally syndicated, he became famous and was extraordinarily well paid.

In the mid 1910s, he started illustrating complex contraptions, including a machine that automatically reduced a fat man’s weight and a sanitary way to lick a postage stamp. Between 1929 and 1931, he drew his absurd machine inventions for a series called “The Inventions of Professor Lucifer G. Butts,” which was inspired by his experiences in college engineering classes.

3. ONE OF HIS POLITICAL CARTOONS WON A PULITZER PRIZE.

In 1948, he won a Pulitzer Prize for a political cartoon called "Peace Today," in which he depicted the precarious balance between world control and destruction due to the atomic bomb. In a separate political cartoon (shown above), he drew a Rube Goldberg Machine to criticize President Franklin Delano Roosevelt’s strategy to fix the economy by creating multiple governmental agencies.

4. BECAUSE OF HATE MAIL HE RECEIVED, GOLDBERG CHANGED THE LAST NAMES OF HIS CHILDREN.

The Goldberg family in 1929. Wikimedia Commons

Goldberg and his wife, Irma Seeman, had two sons, George and Thomas Goldberg. During World War II, Goldberg, who was Jewish, was publishing a good amount of political satire; he began receiving large amounts of hate mail, which included numerous death threats. To safeguard his sons, Goldberg decided to change their last names. When Thomas, his older son, chose the last name "George," Goldberg's younger son, George, decided to choose the same surname so that the brothers would have a cohesive family name. Thus, Goldberg's sons became known as Thomas George and George W. George. 

5. HE WROTE A FILM FOR THE THREE STOOGES BEFORE THEY WERE FAMOUS.

Twentieth Century Fox hired Goldberg to write a script for a feature film involving his complex machines. After writing in Hollywood for three months, the film came out in 1930. Called Soup To Nuts, the film wasn’t hugely successful, but it starred a pre-fame Three Stooges. Before they were Moe, Larry, and Curly, the vaudeville group consisted of four men who called themselves Ted Healy and his Stooges. Besides Healy and his Stooges, Soup To Nuts featured machines such as an anti-burglar device and a self-tipping hat.

6. HE WENT TO JAIL FOR REFEREEING A FIGHT IN HARLEM.

Goldberg admitted that he went to jail once, during his early years as a cartoonist for The New York Evening Mail. While covering fights for the newspaper, another sports writer would occasionally earn extra money refereeing the (illegal) fights. Goldberg accompanied him to cover a fight in Harlem and ended up keeping time since he was the only person there with a stopwatch. Before long, cops raided the fight and arrested Goldberg for being the timekeeper. An older fighter from the ring paid Goldberg's $500 bond.

7. HIS NAME IS AN ADJECTIVE IN THE DICTIONARY.

In 1931, Merriam-Webster immortalized Goldberg by putting his name in the dictionary. According to Merriam-Webster, Rube Goldberg is an adjective that means "doing something simple in a very complicated way that is not necessary." Speaking about his unexpected fame, the cartoonist later said: "I incorporated those [chain reaction machine inventions] in my regular cartoons and, for some reason or other, they were taken up. They stood out and I'm typed as an inventor; I'm a crazy inventor … and my name is in the dictionary and I'm very pleased." According to Goldberg’s official website, he’s the only person in history to be listed as an adjective in Merriam-Webster (as just the name alone, as opposed to namesake adjectives like, say, Shakespearean or Machiavellian).

8. AT 80 YEARS OLD, HE BECAME A SCULPTOR.

Most people don’t begin entirely new careers in their 80s, but Goldberg decided to take up sculpture. “I just bought some clay, and some sticks, tools and all, and I didn't know you had to use an armature [a wire frame around which sculptors build the clay],” he told Radio Smithsonian. He viewed sculpting as a natural continuation of his engineering and cartooning work, and he even got commissions for his work. Goldberg molded busts of politicians, authors, and friends, and he had shows of his work in New York and California. In 1970, the Smithsonian's Museum of History and Technology featured an exhibition of his career; Goldberg died in December of that year at age 87.

9. THE REUBEN AWARD FOR CARTOONISTS IS NAMED AFTER HIM.

Musicians have Grammy Awards, actors have Oscars, and cartoonists have Reubens. Since 1954, the National Cartoonists Society has awarded the Reuben Award for Outstanding Cartoonist of the Year to a top cartoonist. Named after Goldberg, whose full name was Reuben Garret Lucius Goldberg, the award itself is a statue based on one of his sculptures. He later joked that the trophy looked grotesque, and although the award is named after him, it took him 22 years to win one himself.

10. HE GOT HIS OWN U.S. POSTAGE STAMP.

Goldberg’s black and white cartoon of a man using a self-operating napkin became a U.S. postage stamp in 1995. The colorized stamp shows the steps involved in the contraption: the man raises a spoon to his mouth, and a napkin wipes his mouth after a series of steps involving a string, ladle, cracker, parrot, seeds, cup, cord, clock, lighter, and sickle.

11. EACH YEAR, TEAMS COMPETE IN RUBE GOLDBERG MACHINE CONTESTS.

Since 1988, teams of students have competed each year in Rube Goldberg Machine Contests to build machines that evoke the spirit of Goldberg. Teams compete for prizes such as Best Design and Funniest Step (one step being a transfer from one action to another). Prior winners have built elaborate contraptions to zip a zipper, water a plant, erase a chalkboard, and open an umbrella.

12. YOU CAN USE AN APP TO CREATE A DIGITAL RUBE GOLDBERG MACHINE.

To try your hand at creating your own (digital) Rube Goldberg machine, download the Rube Works app on your phone. As the first officially licensed Goldberg game, Rube Works allows players to build machines to achieve simple goals, such as getting a glass of orange juice. The game incorporates puzzles, illustrations, physics, and logic, challenging players to build functional machines to get to the next level.

13. HIS FAMILY MEMBERS CONTINUE HIS LEGACY.

In the late 1980s, one of Goldberg’s sons started Rube Goldberg, Inc. (RGI), a company that keeps the cartoonist’s legacy alive via licensing and merchandising. RGI also hosts Rube Goldberg Machine Contests, created the official Rube Works app, and promotes science, technology, engineering, arts, and mathematics education. Today, Jennifer George, Rube’s granddaughter, serves as the company's legacy director and recently published a book on his work.

11 Memorable Facts About Cats the Musical

Mike Clarke/Getty Images
Mike Clarke/Getty Images

“It was better than Cats!” Decades after Andrew Lloyd Webber's famed musical opened on Broadway on October 7, 1982, this tongue-in-cheek idiom remains a part of our lexicon (thanks to Saturday Night Live). Although the feline extravaganza divided the critics, it won over audiences of all ages and became an industry juggernaut—one that single-handedly generated more than $3 billion for New York City's economy—and that was before it made a return to the Great White Way in 2016. In honor of Andrew Lloyd Webber's birthday on March 22, let’s take a trip down memory lane.

1. The work that Cats the musical is based on was originally going to include dogs.

Old Possum’s Book of Practical Cats, published in 1939, is a collection of feline-themed poems written by the great T. S. Eliot. A whimsical, lighthearted effort, the volume has been delighting cat fanciers for generations—and it could have become just as big of a hit with dog lovers, too. At first, Eliot envisioned the book as an assemblage of canine- and tabby-related poems. However, he came to believe that “dogs don’t seem to lend themselves to verse quite so well, collectively, as cats.” (Spoken like a true ailurophile.) According to his publisher, Eliot decided that “it would be improper to wrap [felines] up with dogs” and barely even mentioned them in the finished product.

For his part, Andrew Lloyd Webber has described his attitude towards cats as “quite neutral.” Still, the composer felt that Eliot’s rhymes could form the basis of a daring, West End-worthy soundtrack. It seemed like an irresistible challenge. “I wanted to set that exciting verse to music,” he explained. “When I [had] written with lyricists in the past … the lyrics have been written to the music. So I was intrigued to see whether I could write a complete piece the other way ‘round.”

2. "Memory" was inspired by a poem that T.S. Eliot never finished.

In 1980, Webber approached T.S. Eliot’s widow, Valerie, to ask for her blessing on the project. She not only said “yes,” but provided the songwriter with some helpful notes and letters that her husband had written about Old Possum’s Book of Practical Cats—including a half-finished, eight-line poem called “Grizabella, the Glamour Cat.” Feeling that it was too melancholy for children, Eliot decided to omit the piece from Practical Cats. But the dramatic power of the poem made it irresistible for Webber and Trevor Nunn, the show’s original director. By combining lines from “Grizabella, the Glamour Cat” with those of another Eliot poem, “Rhapsody on a Windy Night,” they laid the foundation for what became the powerful ballad “Memory.” A smash hit within a smash hit, this showstopper has been covered by such icons as Barbra Streisand and Barry Manilow.

3. Dame Judi Dench left the cast of Cats when her Achilles tendon snapped.

One of Britain’s most esteemed actresses, Dench was brought in to play Grizabella for Cats’s original run on the West End. Then, about three weeks into rehearsals, she was going through a scene with co-star Wayne Sleep (Mr. Mistoffelees) when disaster struck. “She went, ‘You kicked me!’” Sleep recalls in the above video. “And I said, ‘I didn’t, actually, are you alright?’” She wasn’t. Somehow, Dench had managed to tear her Achilles tendon. As a last-minute replacement, Elaine Paige of Evita fame was brought aboard. In an eerie coincidence, Paige had heard a recorded version of “Memory” on a local radio station less than 24 hours before she was asked to play Grizabella. Also, an actual black cat had crossed her path that day. Spooky.

4. To finance the show, Andrew Lloyd Webber ended up mortgaging his house.

Although Andrew Lloyd Webber had previously won great acclaim as one of the creative minds behind Jesus Christ Superstar and other hit shows, Cats had a hard time finding investors. According to choreographer Gillian Lynne, “[it] was very, very difficult to finance because everyone said ‘A show about cats? You must be raving mad.’” In fact, the musical fell so far short of its fundraising goals that Webber ended up taking out a second mortgage on his home to help get Cats the musical off the ground.

5. When Cats the musical came to Broadway, its venue got a huge makeover.

Cats made its West End debut on May 11, 1981. Seventeen months later, a Broadway production of the musical launched what was to become an 18-year run at the Winter Garden Theatre. But before the show could open, some major adjustments had to be made to the venue. Cats came with an enormous, sprawling set which was far too large for the theatre’s available performing space. To make some more room, the stage had to be expanded. Consequently, several rows of orchestra seats were removed, along with the Winter Garden’s proscenium arch. And that was just the beginning. For Grizabella’s climactic ascent into the Heaviside Layer on a giant, levitating tire, the crew installed a hydraulic lift in the orchestra pit and carved a massive hole through the auditorium ceiling. Finally, the theater’s walls were painted black to set the proper mood. After Cats closed in 2000, the original look of the Winter Garden was painstakingly restored—at a cost of $8 million.

6. Cats the musical set longevity records on both sides of the Atlantic.

The original London production took its final bow on May 11, 2002, exactly 21 years after the show had opened—which, at the time, made Cats the longest-running musical in the West End’s history. (It would lose that title to Les Miserables in 2006.) Across the pond, the show was performed at the Winter Garden for the 6138th time on June 19, 1997, putting Cats ahead of A Chorus Line as the longest-running show on Broadway. To celebrate, a massive outdoor celebration was held between 50th and 51st streets, complete with a laser light show and an exclusive after-party for Cats alums.

7. One theatergoer sued the show for $6 million.

Like Hair, Cats involves a lot of performer-audience interaction. See it live, and you might just spot a leotard-clad actor licking himself near your seat before the curtain goes up. In some productions, the character Rum Tum Tugger even rushes out into the crowd and finds an unsuspecting patron to dance with. At a Broadway performance on January 30, 1996, Tugger was played by stage veteran David Hibbard. That night, he singled out one Evelyn Amato as his would-be dance partner. Mildly put, she did not appreciate his antics. Alleging that Hibbard had gyrated his pelvis in her face, Amato sued the musical and its creative team for $6 million.

8. Thanks to Cats the musical, T.S. Eliot received a posthumous Tony.

Because most of the songs in Cats are almost verbatim recitations of Eliot’s poems, he’s regarded as its primary lyricist—even though he died in 1965, long before the show was conceived. Still, Eliot’s contributions earned him a 1983 Tony for Best Book of a Musical. A visibly moved Valerie Eliot took the stage to accept this prize on her late spouse’s behalf. “Tonight’s honor would have given my husband particular pleasure because he loved the theatre,” she told the crowd. Eliot also shared the Best Original Score Tony with Andrew Lloyd Webber.

9. The original Broadway production used more than 3000 pounds of yak hair.

Major productions of Cats use meticulously crafted yak hair wigs, which currently cost around $2300 apiece and can take 40 hours or more to produce. Adding to the expense is the fact that costumers can’t just recycle an old wig after some performer gets recast. “Each wig is made specifically for the actor,” explains wigmaker Hannah McGregor in the above video. Since people tend to have differently shaped heads, precise measurements are taken of every cast member’s skull before he or she is fitted with a new head of hair. “[Their wigs] have to fit them perfectly,” McGregor adds, “because of the amount of jumping and skipping they do as cats.” Perhaps it should come as no surprise that, over its 18-year run, the first Broadway production used 3247 pounds of yak hair. (In comparison, the heaviest actual yaks only weigh around 2200 pounds.)

10. A recent revival included hip hop.

In December 2014, Cats returned to the West End with an all-new cast and music. “The Rum Tum Tugger,” a popular Act I song, was reimagined as a hip hop number. “I’ve come to the conclusion, having read [Old Possum’s Book of Practical Cats] again, that maybe Eliot was the inventor of rap,” Webber told the press.

11. Another revival featured an internet-famous feline for one night only.

On September 30, Grumpy Cat made her Broadway debut in Cats, briefly taking the stage with the cast. Despite being named Honorary Jellicle Cat, she hated every minute of it.

11 Words That Started Out As Spelling Mistakes

A woman sneezing, which in Middle English would have been called a fneze instead.
A woman sneezing, which in Middle English would have been called a fneze instead.
iStock.com/Dirima

The word irregardless might not be to everyone’s taste, but there’s no denying that if you were to use it in a sentence, you’d be perfectly understood—and that’s more than enough evidence for it to have been accepted into many dictionaries (albeit flagged as non-standard or informal), including Oxford Dictionaries, Merriam-Webster, and even the hallowed Oxford English Dictionary, which has so far been able to trace it back as far as 1912. So despite it having its origins in an error, and irregardless of what you might think of it, there’s no denying irregardless is indeed a word—and it’s by no means alone.

1. Expediate

Meaning “to hasten” or “to complete something promptly,” the verb expediate is thought to have been invented by accident in the early 1600s when the adjective form of expedite, meaning “ready for action” or “alert,” was misspelled in an essay by the English politician Sir Edwin Sandys (it was later corrected).

2. Culprit

There are several different accounts of the origin of culprit, but all of them seem to agree that the word was born out of a mistake. Back when French was still the language of the law in England in the Middle Ages (a hangover from the days of the Norman Conquest), the phrase Culpable, prest d’averrer nostre bille—literally “guilty, ready to prove our case”—was apparently the stock reply given by the Clerk of the Crown whenever a defendant gave a plea of not guilty. In the court records, this fairly long-winded phrase was often abbreviated just to cul. prit., and, as the Oxford English Dictionary explains, “by a fortuitous or ignorant running together of the two,” the word culprit was born.

3. Despatch

Despatch is a chiefly British English variant of dispatch, often used only in formal contexts like the name of the political despatch box in the House of Commons. The e spelling apparently began as a phonetic variation of the original I spelling, but after Samuel Johnson included it in his Dictionary of the English Language in 1755, its use was legitimized and thrived in the 19th century. Because Johnson himself preferred the I spelling in his own writings, however, it's supposed that he included the e spelling by mistake and inadvertently popularized the error.

4. Nickname

Nicknames were originally called eke names, with the verb eke used here in the sense of “to make longer” or “to provide an addition.” Sometime in the 13th century, however, “an eke-name” was mistakenly interpreted as “a neke-name,” and the N permanently jumped across from the indefinite article an to the verb eke. The same error—known linguistically as “rebracketing” or “junctural metanalysis”—is responsible for nadders, numpires, and naprons all losing their initial Ns in the Middle English period.

5. Ammunition

Ammunition derives from a faulty division of the French la munition, which was incorrectly misheard as l'amonition by French soldiers in the Middle Ages, and it was this mistaken form that was borrowed into English in the 1600s.

6. Scandinavia

Scandinavia was originally called Scadinavia, without the first N, and is thought to take its name from an island, perhaps now part of the Swedish mainland, called Scadia. According to the Oxford English Dictionary, the extra N was added in error by the Roman scholar Pliny the Elder, and has remained in place ever since.

7. Syllabus

If all had gone to plan in the history of the word syllabus, those two Ls should really be Ts: Syllabus was coined as a Latin misreading of an Ancient Greek word, sittybos, meaning “a table of contents.”

8. Sneeze

Oddly, sneeze was spelled with an F and not an S, fneze, in Middle English, which gives weight to the theory that it was probably originally coined onomatopoeically. At least one explanation of why the letter changed suggests that this F inadvertently became an S sometime in the 15th century due to continual misreadings of the long lowercase f as the old-fashioned long S character, ſ.

9. Ptarmigan

The ptarmigan is a bird of the grouse family, found in mountainous and high-latitude environments. Its bizarre name with its initial silent P is something of a mystery, as the original Scots word from which it derives, tarmachan, shows no evidence of it and there’s little reason why one should ever have to have been added to it—except, of course, if it were a mistake. The P spelling first emerged in the late 1600s, and is thought to have been a mistaken or misguided attempt to ally the name to the Greek word for a wing, pteron, and eventually this unusual P spelling replaced the original one.

10. Sherry

Sherry takes its name from the southern Spanish port of Xeres (now Jerez de la Frontera in Cádiz) and was originally known as vino de Xeres, or “wine of Xeres.” This name then morphed into sherris when sherry first began to be talked about in English in the early 17th century, but because of that final S, it didn’t take long for that to be misinterpreted as a plural. Ultimately, a mistaken singular form, sherry, emerged entirely by mistake in the early 1600s.

11. Pea

Another word that developed from a plural-that-actually-wasn’t is pea. One pea was known as a pease in Middle English, but because of that final “s” sound, pease was quickly misinterpreted as a plural, giving rise to a misguided singular form, pea, in the 17th century. The actual plural of pease in Middle English, incidentally, was pesen.

This list first ran in 2016.

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