13 Fast Facts About Smokey and the Bandit

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Smokey and the Bandit—a film thought up and directed by Burt Reynolds's roommate/celebrated stuntman Hal Needham—combined the appeal of watching high speed chases with the appeal of watching Reynolds, Sally Field, and the comedic stylings of Jackie Gleason. It was the second highest-grossing movie of 1977, directly behind Star Wars. Here are some fast facts about the classic action comedy, which was released 40 years ago today.

1. IT WAS BASED ON A REAL COORS BANQUET BEER PROBLEM.

While Needham was in Georgia working as Reynolds' stunt double in Gator (1976), the driver captain on the set brought some Coors beer from California and brought a couple of cases to Needham's hotel room. After he noticed that the maid kept stealing the beers from the fridge, he remembered a TIME magazine article from 1974 about how Coors was unavailable east of the Mississippi River, because the beer was not pasteurized and needed constant refrigeration, and couldn't legally be sold outside of 11 western and southwestern U.S. states. Which made him realize that, "bootlegging Coors would make a good plotline for a movie."

2. BURT REYNOLDS'S FRIENDS BEGGED HIM NOT TO DO IT.

Needham—who had been living in Reynolds' pool house for 12 years (the two barely ran into each other due to their busy schedules)—presented his landlord and close friend with the script for Smokey and the Bandit, written on yellow legal pads. Reynolds told Needham that if he could get the money to shoot it, he'd star in it. The movie star's friends, according to Reynolds in his autobiography, "got down on their knees with tears in their eyes and begged me not to do it."

3. SALLY FIELD DID IT BECAUSE SHE WAS SEEN AS UGLY.

"I did Smokey and the Bandit because Sybil (1976) was coming out, and everyone said, 'Whoa, the work is extraordinary. It's really good work …' or something like that, '... but man is Sally Field ugly! Man!' And I thought, 'Oh God, okay,'" Sally Field explained of why she took the role of Carrie, a.k.a. "Frog." "And then Burt Reynolds, who was this really big box office star at the time, called me and said would I consider doing this, which I was completely flabbergasted that he would call me and do that. And there was no script. There was virtually no script. Since I wasn't a person that had come from the New York stage, and I came from this sort of weird unorthodox background, I wasn't one who stood on principle and said 'Hmm, there seems to be no script here.' So I just took a leap of faith, and thought, well, you know, 'If I play this character that Burt is supposed to think is attractive, maybe the world will think I'm attractive, and somebody else will hire me.' So I did it. And it was a great fun romp, journey, and certainly a good experience. And then it was all improv. It was almost entirely improvised."

4. NEEDHAM COULDN'T GET ALL THE CARS HE WANTED (AT LEAST FOR THE FIRST MOVIE).

Needham saw a picture of a Pontiac Trans Am in a magazine and thought up a product placement idea. He asked for six Trans Ams, but Pontiac would only agree to send four. Needham also asked for four Bonnevilles for Jackie Gleason's cars, but he only got two. By the time they shot the final scene, they had wiped out three Trans Ams and the fourth wouldn't start after all of the stunts, so another car was used to push it into the scene. For Smokey and the Bandit II (1980), Needham asked for and received 10 Trans Ams and 55 Bonnevilles with no trouble.

5. UNIVERSAL CUT THE BUDGET JUST AS PRODUCTION WAS ABOUT TO BEGIN.

Set with his $5.3 million budget, a studio "hatchet man" was sent to Atlanta to inform Needham his budget was cut by $1 million. With Reynolds making $1 million, Needham still had $3.3 million to make his film.

6. CARRIE'S ORIGINAL NAME WAS KATE.

In the original screenplay, Bandit's last name is LaRoue, Carrie's name was Kate, Cledus' was 'Bandit II', Big Enos and Little Enos were Kyle and Dickey, there was no Junior, Bandit's car was not a Trans Am, and the reward for making the run was a new truck, not $80,000.

Adding the Junior Justice character (Mike Henry) was Jackie Gleason's idea. "I can't be in the car alone," Gleason said. "Put someone in there with me to play off of."

7. THE STUDIO WANTED RICHARD BOONE TO PLAY SHERIFF BUFORD T. JUSTICE.

Reynolds wanted someone "a little crazier, a little more dangerous, and a lot funnier" than Richard Boone, so he suggested Gleason.

8. BUFORD T. JUSTICE WAS BASED ON SOMEONE REYNOLDS'S FATHER KNEW.

Reynolds' father was a Riviera Beach, Florida police chief, and he knew a Buford T. Justice type. One of the things the real Buford T. Justice said was "sumbitch." Reynolds told Gleason about the man's bastardization of "son of a bitch" and Gleason ran with it.

9. JACKIE GLEASON AD LIBBED.

It was Gleason's idea to have the toilet paper coming out of his pant leg when Buford left the Bar B-Q. Reynolds wrote that Gleason "never said a single word in the script."

10. GLEASON ENJOYED "HAMBURGERS" ON SET.

Gleason would often ask his assistant Mal for a "hamburger," which was code for a glass of bourbon.

11. REYNOLDS AND GLEASON WERE SUPPOSED TO SHARE MORE SCREEN TIME.

Variety reported that, "after shooting the first of what was intended to be a handful of scenes with Reynolds and Jackie Gleason on screen together, Reynolds demanded that the subsequent scenes be scrapped. Why? The question isn’t directly answered, or even indirectly addressed."

12. "EAST BOUND AND DOWN" WAS WRITTEN OVERNIGHT.

Jerry Reed (Cledus) also provided the hit song "East Bound and Down" for the film. After promising he would come up with a song, he didn't have one at the end of filming. After Needham asked him about it, Reed promised he would have something for him the following morning. Despite being out all night, Reed managed to sing his new song "East Bound and Down" for Needham the next day. When Needham didn't react right away, Reed said, "If you don't like it I can change it. "If you change one damn note, I'll f*ckin' kill you!" the director replied.

13. ALFRED HITCHCOCK WAS A BIG FAN OF THE FILM.

His daughter Patricia revealed that every Wednesday her father would screen films on the lot in his office. The last one he ever screened was Smokey and the Bandit, his favorite film of his last few years.

10 Facts About DodgeBall: A True Underdog Story For Its 15th Anniversary

Vince Vaughn stars in Dodgeball: A True Underdog Story (2004).
Vince Vaughn stars in Dodgeball: A True Underdog Story (2004).
Twentieth Century Fox

June 18, 2004 saw the release of two wildly different films in American cinemas: Steven Spielberg’s The Terminal and a goofy, cameo-filled, wrench-chucking sports comedy called DodgeBall: A True Underdog Story. Guess which one came out on top at the box office? The sleeper hit both saluted and skewered the sports movie genre. It also gave Chuck Norris the chance to enjoy a free helicopter ride.

1. Dodgeball's creator was inspired by the book Fast Food Nation.

DodgeBall writer/director Rawson Marshall Thurber considered DodgeBall an homage to some of his favorite flicks, including Revenge of the Nerds (1984), Rocky (1976), and Bull Durham (1988). Another source of inspiration was Eric Schlosser’s Fast Food Nation, the nonfiction bestseller about the modern obsession with greasy, ready-made cuisine. Published in 2001, Fast Food Nation sold more than 1.4 million copies within five years. It also left plenty of fingerprints on Thurber’s script.

"I really took a cue from that—there's an absolute love/fear relationship thing in our culture," Thurber told Film Freak Central in 2014. "We're so weight conscious, so image conscious, so youth-oriented—and wrapped up with all that psychosis are these ad images of it being so cool and all-American and sexy to eat McDonald's and drink pop and all that. It pulls people in all sorts of different directions, so I wanted [Ben Stiller’s character] White Goodman to be sitting there with a doughnut and the car battery attached to his nipples … That situation with food, with sports, with so much of our culture. [It’s] already almost too surreal to satirize."

2. The movie's actors went through some rigorous training.

To ready themselves for the movie, Ben Stiller, Vince Vaughn, and the rest of the actors ran indoor dodgeball drills at what many of them have since described as a “boot camp.” According to Stiller, this basically consisted of “us at a gym a few times a week playing dodgeball.” While that may not sound too intense, the physicality of these sessions took its toll on the performers. “It’s a game for the young,” Stiller said. “It’s one thing when you’re eight, but when you’re 38, it gets really exhausting. After three or four minutes, you’re fried.” Practicing at his side was Stiller’s wife, Christine Taylor, who plays Kate Veatch of the Average Joe’s squad in DodgeBall.

3. Ben Stiller took Christine Taylor down with a dodgeball ... twice.

As a general rule, it’s never a good idea to hit one’s spouse in the face with a rubber ball while playing any sport, but that’s exactly what Stiller did to Christine Taylor—twice. Blow number one came during the boot camp; the second strike occurred while filming the epic Globo Gym/Average Joe’s showdown. The latter ball was intended to strike Vaughn, who reflexively flinched to get out of the way. In any event, Stiller admits that those two incidents put a temporary damper on the couple’s marital harmony “for like a week, because there’s no way to not get upset with somebody after you’ve done that. It just sent us both back to eighth grade." (Though the couple announced that they were divorcing in 2017, the split has never been made official, and the couple is still regularly seen together—sparking rumors of a reconciliation.)

4. Stiller borrowed much of his character's personality from 1995's Heavyweights.

The fact that Stiller borrowed some of White Goodman’s traits from Tony Perkis, the fanatical fat camp owner he played in 1995’s Heavyweights, won’t surprise anyone who has seen both films. DodgeBall’s White Goodman (as played by Stiller) is a bombastic, egomaniacal fitness guru with some inherited wealth and major insecurities. The same description also applies to Perkis. A lighthearted family comedy, Heavyweights didn’t fare well at the box office, grossing a meager $17.6 million. As such, when Stiller copied a few of Perkis’s mannerisms in DodgeBall, he figured that no one would notice.

"I always thought, ‘Well, nobody ever saw Heavyweights, so I can do this,” Stiller recalled. “But a lot of people saw Heavyweights … Apparently, it shows on the Disney Channel a lot or something.” Regarding the two characters, Stiller has said that Perkis is “definitely a first or second cousin” to Goodman.

5. Justin Long suffered a minor concussion on the set.

Justin Long, who plays Justin in the film, took some hard knocks while making this movie. For starters, a prop wrench made with hard rubber left a nasty cut on his eyebrow when Rip Torn, as Patches O’Houlihan, threw it at his face in one scene. Then, while filming another section of DodgeBall’s training montage, the actor was pelted with enough high-speed balls to render him "slightly concussed."

"They didn’t want me to drive home at the end of the day because I was a little off," Long told Today in 2017. “So next time you’re watching that and laughing, know that you’re laughing at my pain.” Still, the experience wasn’t all bad. According to New York Magazine, Long can often be seen riding a scooter adorned with the words “Average Joe’s,” a gift from Stiller.

6. Hank Azaria and Rip Torn didn't even try to synchronize their Patches O'Houlihan voices.

Early in the film, we get to watch an instructional video about dodgeball (and social Darwinism) hosted by a young Patches O’Houlihan, who is played by Hank Azaria. For the remainder of the film, however, it’s Rip Torn who portrays the seven-time ADAA all-star. You may have noticed that the two actors use very different accents in their respective scenes: Azaria, who joined the cast at Stiller’s invitation, called his performance “essentially a bad Clark Gable impression.” At the time, Torn’s sequences hadn’t been shot yet, leading someone in the crew to pipe up and say “You know, it’d be funny if Rip tries to emulate that voice!” “I was like, ‘Yeah, good luck walking up to Rip Torn and suggesting that he change his vocal quality in any way. Let me know how that goes for you,’” Azaria replied.

7. The Average Joe's team colors are an homage to Hoosiers.

Thurber, a fan of David Anspaugh’s Oscar-nominated Hoosiers (1986), tipped his hat to the Hickory Huskers’ red and yellow uniforms by giving the Average Joe’s squad—led by Vince Vaughn’s Pete LaFleur—an almost identical color scheme. 

8. Chuck Norris was reluctant to make a cameo.

The action star’s only scene was shot in Long Beach, California. Geographically speaking, this was problematic for Norris. “I was in L.A. when they asked me to do the cameo,” Norris told Empire Magazine. “I said no at first because it was a three-hour drive to Long Beach.” Hearing this, Stiller called Norris and begged him to reconsider. “He goes, ‘Chuck, please, you’ve got to do this for me!’” Norris recalled, “My wife said he should send a helicopter for me and that's what happened. I didn't read the screenplay, just did my bit where I stick my thumb up.”

After post-production on DodgeBall wrapped and Norris got around to seeing the finished product, he found himself enjoying most of it. However, there was one little moment in the final credits that really caught him off-guard. “In the end, when Ben’s a big fatty and watching TV, the last line of the whole movie is, 'F***ing Chuck Norris!' My mouth fell open ... I said, 'Holy mackerel!' That was a shock, Ben didn't tell me about that!"

9. One villain was originally supposed to be a robot.

By far the most mysterious player in the Purple Cobras lineup is Fran Stalinovskovichdavidovitchsky, an Eastern European all-star whom Goodman calls “The deadliest woman on earth with a dodgeball.” What’s the secret to her success? Well, in an early version of the screenplay, it’s revealed that Fran is actually a robot in disguise. Thurber ended up dropping the gag, which he considered too ridiculous—even by DodgeBall’s standards. However, when Missi Pyle was cast as Fran, the big twist hadn’t yet been cut.

“Initially, in the first script I read, she was a robot, like a sexy-bodied robot” Pyle explained. The original plan was to slowly pan the camera up over a partly-exposed Robo-Fran—with her metallic face and fake breasts on full display—at some point in the climax.

10. Alan Tudyk weighed in on a fan theory about Steve the Pirate.

In 2012, Redditor Maized made the case Steve the Pirate, Alan Tudyk’s swashbuckling oddball, is actually an “ex-Navy sailor who suffers from PTSD.” As evidence, Maized cited Steve’s tattoos, which bear a striking resemblance to those frequently worn by U.S. Naval recruits. In theory, the Average Joe’s patron uses his pirate persona to cope with his condition.

During a 2016 interview with Screen Crush, Tudyk was asked to offer his thoughts on the theory. With a chuckle, Tudyk replied that it “doesn’t seem like it’s impossible.” Emphasizing that he didn’t wish to “insult Navy sailors who have PTSD,” the actor said he’d consider taking the Redditor’s idea into account if a DodgeBall sequel is ever made.

Game of Thrones Director Said He Wanted to 'Kill Everyone' During the Battle of Winterfell

Iain Glen and Emilia Clarke in Game of Thrones.
Iain Glen and Emilia Clarke in Game of Thrones.
Helen Sloan, HBO

Now that Game of Thrones is over, it’s time to talk about the nitty-gritty of the episodes, particularly “The Long Night.” While the Battle of Winterfell may have been nerve-wracking to watch, there ended up being surprisingly fewer deaths than fans expected, considering the living were fighting the entire army of the dead.

Miguel Sapochnik, who directed the episode, was no beginner with battle scenes before taking on “The Long Night,” as he was also responsible season 6's iconic “The Battle of the Bastards” as well as the memorable season 5 episode “Hardhome.” While his list of Game of Thrones accomplishments is long, it turns out that Sapochnik's choices haven't always been in line with what showrunners David Benioff and D.B. Weiss want.

According to IndieWire, Sapochnik’s aesthetic choices, such as the decision to shoot shoot Cersei and Tommen shadowed by prison-like bars to represent Tommen’s imprisonment in season 5, were not favored by the showrunners. “[Benioff and Weiss] said [it was] ‘so self-conscious and we hate it basically,'” Sapochnik revealed at the time. Because of disagreements like this, the pair “visually policed” the director.

There was a difference of opinion between the director and the creators again for “The Long Night,” Sapochnik revealed on IndieWire's Filmmaker's Toolkit podcast. “I wanted to kill everyone,” the director said, as reported by Esquire. “I wanted to kill Jorah in the horse charge at the beginning. I wanted it to be ruthless, so in the first 10 minutes you could say all bets are off, anyone could die. But David and Dan didn’t want to. There was a lot of back-and-forth on that."

Ultimately, Sapochnik gave in to Benioff and Weiss’s plan for the episode, and the Battle of Winterfell had far fewer casualties than most of the series's other battle scenes.

[h/t Esquire]

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