10 Hush-Hush Facts About L.A. Confidential

Warner Bros.
Warner Bros.

On this day 20 years ago, a rising star director, a writer who thought he’d never get the gig, and a remarkable cast got together to make a film about the corrupt underbelly of 1950s Los Angeles, and the men and women who littered its landscape. This was L.A. Confidential, a film so complex that its creator (legendary crime writer James Ellroy) thought it was “unadaptable.” In the end, it was one of the most acclaimed movies of the 1990s, a film noir classic that made its leading actors into even bigger stars, and which remains an instantly watchable masterpiece to this day. Here are 10 facts about how it got made.

1. THE SCRIPTING PROCESS WAS TOUGH.

Writer-director Curtis Hanson had been a longtime James Ellroy fan when he finally read L.A. Confidential, and the characters in that particular Ellroy novel really spoke to him, so he began working on a script. Meanwhile, Brian Helgeland—originally contracted to write an unproduced Viking film for Warner Bros.—was also a huge Ellroy fan, and lobbied hard for the studio to give him the scripting job. When he learned that Hanson already had it, the two met, and bonded over their mutual admiration of Ellroy’s prose. Their passion for the material was clear, but it took two years to get the script done, with a number of obstacles.

"He would turn down other jobs; I would be doing drafts for free,” Helgeland said. “Whenever there was a day when I didn't want to get up anymore, Curtis tipped the bed and rolled me out on the floor."

2. IT WAS ORIGINALLY INTENDED AS A MINISERIES.

When executive producer David Wolper first read Ellroy’s novel, he saw the dense, complex story as the perfect fodder for a television miniseries, and was promptly turned down by all the major networks at the time.

3. JAMES ELLROY DIDN’T THINK THE BOOK COULD BE ADAPTED.

Though Wolper was intrigued by the idea of telling the story onscreen, Ellroy and his agent laughed at the thought. The author felt his massive book would never fit on any screen.

“It was big, it was bad, it was bereft of sympathetic characters,” Ellroy said. “It was unconstrainable, uncontainable, and unadaptable.”

4. CURTIS HANSON SOLD THE FILM WITH CLASSIC LOS ANGELES IMAGES.

To get the film made, Hanson had to convince New Regency Pictures head Arnon Milchan that it was worth producing. To do this, he essentially put together a collage of classic Los Angeles imagery, from memorable locations to movie stars, including the famous image of Robert Mitchum leaving jail after his arrest for using marijuana.

"Now you've seen the image of L.A. that was sold to get everybody to come here. Let's peel back the image and see where our characters live,” Hanson said.

Milchan was sold.

5. KEVIN SPACEY WAS ON HANSON’S WISH LIST FOR YEARS.

Though the other stars of the film were largely discoveries of the moment, Kevin Spacey was apparently someone Hanson wanted to work with for years. Spacey described Hanson as a director “who’d been trying for years and years and years to get me cast in films he made, and the studio always rejected me.” After Spacey won an Oscar for The Usual Suspects, Hanson called the actor and said, “I think I’ve got the role, and I think they’re not gonna say no this time.”

6. SPACEY’S CHARACTER IS BASED ON DEAN MARTIN.


Warner Bros.

Though he cast relative unknowns in Russell Crowe and Guy Pearce, Hanson wanted an American movie star for the role of Jack Vincennes, and decided on Kevin Spacey. In an effort to convince Spacey to take the role, Hanson invited him to dine at L.A.’s famous Formosa Cafe (where scenes in the film are actually set). While at the cafe, Spacey asked a vital question:

“If it was really 1952, and you were really making this movie, who would you cast as Jack Vincennes?” Hanson said “Dean Martin.”

At that point, Spacey looked up at the gallery of movie star photos which line the cafe, and realized Martin’s photo was right above him.

“To this day, I don’t know whether he sat us in that booth on purpose, but there was Dino looking down at me,” Spacey said.

After his meeting with Hanson, Spacey watched Martin’s performances in Some Came Running (1958) and Rio Bravo (1959), and realized that both films featured characters who mask vulnerability with a layer of cool. That was the genesis of Jack Vincennes.

7. HANSON CHOSE MUCH OF THE MUSIC BEFORE FILMING.

To help set the tone for his period drama, Hanson began selecting music of the early 1950s even before filming began, so he could play it on set as the actors went to work. Among his most interesting choices: When Jack Vincennes sits in a bar, staring at the money he’s just been bribed with, Dean Martin’s “Powder Your Face With Sunshine (Smile! Smile! Smile!)” plays, a reference to both the character’s melancholy, and to Spacey and Hanson’s decision to base the character on Martin.

8. THE CINEMATOGRAPHY WAS INSPIRED BY ROBERT FRANK PHOTOGRAPHS.

To emphasize realism and period accuracy, cinematographer Dante Spinotti thought less about the moving image, and more about still photographs. In particular, he used photographer Robert Frank’s 1958 collection "The Americans" as a tool, and relied less on artificial light and more on environmental light sources like desk lamps.

"I tried to compose shots as if I were using a still camera,” Spinotti said. “I was constantly asking myself, 'Where would I be if I were holding a Leica?' This is one reason I suggested shooting in the Super 35 widescreen format; I wanted to use spherical lenses, which for me have a look and feel similar to still-photo work.”

9. THE FINAL STORY TWIST IS NOT IN THE BOOK.


Warner Bros.

[SPOILER ALERT] In the film, Jack Vincennes, Ed Exley, and Bud White are all chasing a mysterious crime lord known as “Rollo Tomasi,” who turns out to be their own LAPD colleague, Dudley Smith (James Cromwell). Though Vincennes, Exley, and White are all native to Ellroy’s novel, the Tomasi name is entirely an invention of the film.

10. ELLROY APPROVED OF THE MOVIE.

To adapt L.A. Confidential for the screen, Hanson and Helgeland condensed Ellroy’s original novel, boiling the story down to a three-person narrative and ditching other subplots so they could get to the heart of the three cops at the center of the movie. Ellroy, in the end, was pleased with their choices.

“They preserved the basic integrity of the book and its main theme, which is that everything in Los Angeles during this era of boosterism and yahooism was two-sided and two-faced and put out for cosmetic purposes,” Ellroy said. “The script is very much about the [characters'] evolution as men and their lives of duress. Brian and Curtis took a work of fiction that had eight plotlines, reduced those to three, and retained the dramatic force of three men working out their destiny. I've long held that hard-boiled crime fiction is the history of bad white men doing bad things in the name of authority. They stated that case plain.”

Additional Sources:
Inside the Actors Studio: Kevin Spacey (2000)

10 Bold Breaking Bad Fan Theories

Bryan Cranston as Walter White and Aaron Paul as Jesse Pinkman in Breaking Bad.
Bryan Cranston as Walter White and Aaron Paul as Jesse Pinkman in Breaking Bad.
Ben Leuner, AMC

It’s been nearly six years since Breaking Bad went out in a blaze of gunfire, but fans still haven’t stopped thinking about the award-winning crime drama. What really happened to Walter White in the series finale? What’s the backstory on Gus Fring? And what did Jesse Pinkman’s doodles mean?

While El Camino, Vince Gilligan's new Breaking Bad movie, offers definitive answers to at least one of these questions, these fan theories offer some alternative answers—even if they strain the limits of logic and sanity along the way. Read on to discover the surprising source of Walt’s cancer diagnosis, and why pink is always bad news.

1. Walter White picks up traits from the people he kills.

Walter White is an unpredictable guy, but he’s weirdly consistent on one thing: After he kills someone, he kind of copies them. Remember how Krazy-8 liked his sandwiches without the crust? After Walt murdered him, he started eating crustless PB&Js. Walt also lifted Mike Ehrmantraut’s drink order and Gus Fring’s car, leading many fans to wonder if Walt steals personal characteristics from the people he kills.

2. Gus Fring worked for the CIA.

Gus Fring (Giancarlo Esposito) and Juan Bolsa (Javier Grajeda) in Breaking Bad
Giancarlo Esposito and Javier Grajeda in Breaking Bad.
Ursula Coyote, AMC

Who was Gus Fring before he became the ruthless leader of a meth/fried chicken empire? Well, we know he’s from Chile. We also know that any records of his time there are gone. And we know that cartel kingpin Don Eladio refused to kill him when he had the chance. Since Don Eladio has no qualms about eliminating the competition, Gus must have some form of protection. Could it be from the U.S. government? A detailed Reddit theory suggests that Gus was once a Chilean aristocrat who helped the CIA install the dictator Augusto Pinochet in power. Once Pinochet became a liability, Gus went to Mexico at the CIA’s behest to infiltrate a drug cartel. His alliance with U.S. intelligence kept him alive even as his work got more violent, and helped him bypass the normal immigration issues you'd typically encounter when you’ve murdered a bunch of people.

3. Madrigal built defective air filters that gave Walter white cancer.

Madrigal Electromotive is a corporation with varied interests. The German parent company of Los Pollos Hermanos dabbles in shipping, fast food, and industrial equipment … including air filters. According to one fan theory, Gray Matter—the company Walter White co-founded with Elliott Schwartz—purchased defective air filters from Madrigal and installed them while Walt still worked at the company. The filters ultimately caused Walt’s lung cancer, pushing him into the illegal drug trade and, eventually, business with Madrigal.

4. Color is a crucial element in the series.

Marie Schrader (Betsy Brandt) and Hank Schrader (Dean Norris)
Betsy Brandt and Dean Norris as Marie and Hank Schrader in Breaking Bad.
Ben Leuner, AMC

Color is a code on Breaking Bad. When a character chooses drab tones, they’re usually going through something, like withdrawal (Jesse) or chemo (Walt). Their wardrobe might turn darker as their stories skew darker—like when Marie ditched her trademark purple for black while she was under protective custody. Also, pink signals death, whether it’s on a teddy bear or Saul Goodman’s button down shirt.

5. Breaking Bad and The Walking Dead exist in the same universe.

Breaking Bad and The Walking Dead both aired on AMC, but according to fans, that’s not all they have in common. There’s an exhaustive body of evidence connecting the two shows—and one of the biggest links is Blue Sky. The distinctively-colored crystal meth is Walt and Jesse’s calling card on Breaking Bad, but it’s also Merle Dixon’s drug of choice on The Walking Dead. Coincidentally, his drug dealer (“a janky little white guy” who says “bitch”) sounds a lot like Jesse.

6. Walter white froze to death and hallucinated Breaking Bad's ending.

Bryan Cranston in the 'Breaking Bad' series finale
Ursula Coyote, AMC

In her review of the Breaking Bad series finale “Felina,” The New Yorker critic Emily Nussbaum suggested an alternate ending in which Walt died an episode earlier, as the police surrounded his car in New Hampshire. He could’ve frozen to death “behind the wheel of a car he couldn’t start,” she theorized, and hallucinated the dramatic final shootout in “Felina” in his dying moments. This reading has gained traction with multiple fans, including SNL alum Norm Macdonald.

7. Jesse’s superheroes are a peek into his inner psyche.

In season 2 of Breaking Bad, we discover that Jesse Pinkman is a part-time artist. He sketches his own superheroes, including Backwardo/Rewindo (who can run backwards so fast he rewinds time), Hoverman (who floats above the ground), and Kanga-Man (who has a sidekick in his “pouch”). The characters are goofy, just like Jesse, but they may also reveal what’s going on in his head. Backwardo represents Jesse’s tendency to run from conflict. Hoverman reflects his lack of direction or purpose, while Kanga-Man hints at his codependency.

8. Madrigal was founded by Nazi war criminals.

Walter White (Bryan Cranston) and Uncle Jack (Michael Bowen) in 'Breaking Bad'
Bryan Cranston and Michael Bowen in Breaking Bad.
Ursula Coyote, AMC

This might be one of the wilder Breaking Bad theories, but before you write it off, consider Werner Heisenberg: The German physicist, who helped pioneer Hitler’s nuclear weapons program, is the obvious inspiration for Walt’s meth kingpin moniker. While Heisenberg only appears in name, there are plenty of literal Nazis on the show. Look no further than Uncle Jack and the Aryan Brotherhood, who served as the Big Bad of season 5. At least one Redditor thinks all these Nazi references are hinting at something bigger, a conspiracy that goes straight to the top. The theory starts in South America, where many Nazis fled after World War II. A group of them supposedly formed a new company, Madrigal, through their existing connections back in Germany. Eventually, a young Chilean named Gus Fring worked his way into the growing business, and the rest is (fake) history.

9. Walter white survived, but paid the price.

Lots of Breaking Bad theories concern Walt’s death, or lack thereof. But if Walt actually lived through his seemingly fatal gunshot wound in “Felina,” what would the rest of his life look like? According to one Reddit theory, it wouldn’t be pretty. The infamous Heisenberg would almost certainly stand trial and go to prison. Although he tries to leave Skyler White with information to cut a deal with the cops, she could also easily go to jail—or lose custody of her children. The kids wouldn’t necessarily get that money Walt left with Elliott and Gretchen Schwartz, either, as they could take his threats to the police and surrender the cash to them. Basically it amounts to a whole lot of misery, making Walt’s death an oddly optimistic ending. (This is one theory El Camino addresses directly.)

10. Breaking Bad is a prequel to Malcolm in the Middle.

Bryan Cranston in the series premiere of 'Breaking Bad'
Bryan Cranston in the series premiere of Breaking Bad.
Doug Hyun, AMC

Alright, let’s say Walt survived the series finale and didn’t stand trial. Maybe he started over as a new man with a new family. Three boys, perhaps? This fan-favorite theory claims that Walter White assumed a new identity as Malcolm in the Middle patriarch Hal after the events of Breaking Bad, making the show a prequel to Bryan Cranston’s beloved sitcom. The Breaking Bad crew actually liked this idea so much they included an “alternate ending” on the DVD boxed set, where Hal wakes up from a bad dream where "There was a guy who never spoke! He just rang a bell the whole time! And then there was another guy who was a policeman or a DEA agent, and I think it was my brother or something. He looked like the guy from The Shield."

Fan Notices Hilarious Connection Between Joaquin Phoenix's Joker and Superbad's McLovin

Sony Pictures Home Entertainment
Sony Pictures Home Entertainment

There seems to be exactly one funny thing about Todd Phillips's latest film, Joker.

As reported by Geek.com, someone on Twitter by the name of @minalopezavina brilliantly pointed out that Arthur Fleck from Joker and McLovin from Superbad are pretty much in the same costume.

This meme is a nice moment of comic relief in an otherwise very serious movie. In fact, Joker is so dark that the United States Army had issued warnings about possible shootings at theaters playing the film. The warnings coincided with criticisms that the film might be too violent, with fears that the villain-led storyline would result in copycat events in real life.

Both Phillips and star Joaquin Phoenix have weighed in on the controversy, with the director explaining to The Wrap, "It wasn’t, ‘We want to glorify this behavior.’ It was literally like ‘Let’s make a real movie with a real budget and we’ll call it f**king Joker’. That’s what it was.”

All we can say is the amount of chatter behind Joker certainly led to both packed theaters, and endless memes online.

[h/t Geek.com]

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