12 Fascinating Facts About Rick Moranis

George De Sota, Getty Images
George De Sota, Getty Images

Beloved for his film roles in the 1980s and 1990s, Rick Moranis played perfect iterations of an endearing geek in Ghostbusters (1984), Little Shop of Horrors (1986), Spaceballs (1987), Honey, I Shrunk the Kids (1989), and The Flintstones (1994), amongst others. But in 1997, to the consternation of his many fans, he walked away from it all to focus on raising his family. Although Moranis has been mostly out of the limelight since then, he's kept busy with music and voice work, and now he's planning to make a (brief) comeback via the small screen (more on that later). Here are some things you might not know about Rick Moranis.

1. HE GOT HIS BIG BREAK THANKS TO A CANADIAN TELEVISION CONTENT REGULATION.

After working at a Toronto radio station after high school, Moranis appeared on a sketch comedy show on the CBC called Second City TV. The show, which was in its third season when Moranis joined in 1980, legally had to devote a few minutes of airtime in each episode to “identifiable Canadian content.” In other words, Canadian television had to contain some Canada-related content, which Moranis found silly.

After the crew went home, Moranis and fellow actor Dave Thomas satirized the requirement by improvising the characters of Bob and Doug McKenzie, two stereotypically Canadian brothers. The sketch filled the extra airtime with Canadian content, and audiences loved Bob and Doug. Moranis and Thomas portrayed the McKenzie brothers in the 1983 film Strange Brew (which they also wrote and directed), and their comedy album The Great White North got a Grammy nomination for Best Comedy Album in 1983.

2. HE COUNTS FILMING LITTLE SHOP OF HORRORS AS ONE OF HIS LUCKIEST MOMENTS.

In 1986, Moranis starred as florist Seymour Krelborn in the film adaptation of the musical Little Shop of Horrors. As he told The Hollywood Reporter in 2015: "I'm the luckiest guy to get that … It was timing, and I fit the right type. It was an amazing experience. One of the greatest moments of my life was shooting that thing."

3. HE STARRED IN A PEPSI COMMERCIAL.

In 1995, Moranis starred in a funny Pepsi commercial, playing twins separated at birth—one twin is in America, while the other grows up in Germany. One sunny day, the twins telepathically connect via the power of drinking Pepsi.

4. HE LEFT HOLLYWOOD TO BECOME A STAY-AT-HOME DAD.

In 1991, Moranis's wife died of breast cancer, and he had to reshuffle his priorities in order to take care of his two young children. In a 2005 interview with USA Today, he explained that he stopped making movies in 1996 because he couldn't juggle being a stay-at-home dad and traveling to make movies. "I took a little bit of a break. And the little bit of a break turned into a longer break, and then I found that I really didn't miss it," Moranis said.

5. HE HAS DONE VOICE WORK ON A FEW ANIMATED MOVIES.

Although Moranis shifted his focus from movies to raising kids, he never completely retired. In 2001, he did voice work as both the Toy Taker and Mr. Cuddles the Teddy Bear in the animated film Rudolph the Red-Nosed Reindeer & the Island of Misfit Toys. In 2003, he voiced Rutt in the animated film Brother Bear, and reprised the role for its 2006 sequel, Brother Bear 2.

6. HE'S A GRAMMY-NOMINATED MUSICIAN.

In 2005, Moranis let the world know about his love of country music. The Agoraphobic Cowboy is a comedy album comprised of 13 songs inspired by alternative country and bluegrass. Although Moranis admitted that the album began as a lark, it was nominated for a Grammy in 2006 for Best Comedy Album. "I started writing a song," Moranis told Billboard. "I wrote one, and then another one. I was singing them to a couple of friends, and they'd be relatively amused."

7. HIS JEWISH UPBRINGING INSPIRED HIS MOST RECENT ALBUM.

In 2013, Moranis released another musical comedy album called My Mother's Brisket & Other Love Songs. Thematically, Moranis focused on his Jewish upbringing, and he used a mix of klezmer and jazz sounds on songs like "The Seven Days of Shiva" and "Live Blogging The Himel Family Bris." The best part? The deluxe pack of the album comes with a purple yarmulke.

8. HE'S STILL GOT TONS OF FANS.

Moranis lives in Manhattan and often gets recognized on the street. As he told The Hollywood Reporter in 2015, "People are very nice when they see me." Moranis attributes some of his enduring influence to his clean style of comedy. "We were governed by a certain kind of taste at that time, and there were places we wouldn't go with language and bodily fluids and functions. I think that's what [fans are] nostalgic for."

9. HE NEVER SOUGHT FAME FOR ITS OWN SAKE.

Moranis says he never decided to be an actor for the fame. Rather, he focused on the art itself, and fame and publicity followed. “The need to do publicity and everything other than the work is not something that I set out to do," Moranis told Heeb in 2013. "For some people it is. They want that. They want the connection to the audience. They want their name in the paper. For me, that was just a by-product of the work's success. I didn't really seek out any of that stuff." He also didn't seek out celebrity friends; he told the magazine that he hasn't kept up with any of his co-stars in more than 20 years.

10. HE AVOIDS AIRPLANES BUT ISN'T AFRAID OF FLYING.

In an interview in 2013, Moranis revealed that he avoids airplanes in favor of driving, but not because he's afraid of flying. Moranis dislikes the dragged out process of flying, from getting to the airport a couple hours early to dealing with sick seatmates. “We started to hear the stories of people stuck on the tarmac for six hours," he said. "If that happens to me, I'll be on the front page of the New York Post the next day. I'll fake a heart attack or melt down. So it’s better for me to stay away from airports."

11. HE DECLINED A ROLE IN THE GHOSTBUSTERS REBOOT.

Although original Ghostbusters stars Dan Aykroyd, Bill Murray, Ernie Hudson, and Sigourney Weaver all appeared in Paul Feig's Ghostbusters reboot, Moranis wasn't among them. As he told The Hollywood Reporter in 2015, he was offered a cameo role but declined: “I wish them well. I hope it's terrific. But it just makes no sense to me. Why would I do just one day of shooting on something I did 30 years ago?”

12. HE'LL BE BACK ONSCREEN IN AN EPISODE OF THE GOLDBERGS.

Although Moranis's acting hiatus has lasted more than 20 years, now that his kids are in their twenties, he has said he'll act again once he finds an interesting role. “I still get the occasional query about a film or television role, and as soon as one comes along that piques my interest, I'll probably do it,” Moranis said last year. "I'm happy with the things I said yes to, and I'm very happy with the many things I've said no to. Yes, I am picky, and I'll continue to be picky. Picky has worked for me." Yet it appears that he's finally found a project worth coming out of retirement for: He'll reprise his role as Dark Helmet from Spaceballs on the May 9, 2018 episode of the 1980s-set The Goldbergs. Hey, it's something!

Disney's Most Magical Destinations Have Been Reimagined as Vintage Travel Posters

UpgradedPoints.com
UpgradedPoints.com

Many of the iconic settings of animated Disney movies were modeled after real places around the world. Ussé Castle in France’s Loire Valley, for example, is widely rumored to have been the inspiration behind the original Sleeping Beauty story. (Although the castle in the movie more closely resembles Germany's Neuschwanstein Castle.) Likewise, the fictional island in Moana was made to look like Samoa, and the Sultan’s palace in Aladdin shares some similarities with India's Taj Mahal.

If you’ve ever dreamed of exploring Agrabah or Neverland, then you’ll probably enjoy getting lost in these Disney-inspired travel posters from the designers at UpgradedPoints.com, an online resource that helps individuals maximize their credit card travel rewards. Only one of the posters features a real destination ("Beautiful France"), but these illustrations let you get one step closer to scaling Pride Rock or plumbing the depths of Atlantica.

All of the images are rendered in a vintage style with enticing slogans attached—much like the exotic travel posters that were prevalent in the 1930s.

“A few of our designers wanted to capture that longing to experience the true locations of these fantastic films, and the inner child in all of us couldn’t resist seeing how they interpreted the locations of their favorite films,” UpgradedPoints.com writes. “The results are breathtaking and make us wish we could fall into our favorite Disney movies.”

Keep scrolling to see the posters, and for more travel inspiration, read up on eight real-life locations that inspired Disney places (plus one that didn't).

A Disney-inspired poster of France
UpgradedPoints.com

An Atlantica travel poster
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A Disney-inspired poster
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A Disney-inspired poster
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A Lion King travel poster
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A Neverland travel poster
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11 Memorable Facts About Cats the Musical

Mike Clarke/Getty Images
Mike Clarke/Getty Images

“It was better than Cats!” Decades after Andrew Lloyd Webber's famed musical opened on Broadway on October 7, 1982, this tongue-in-cheek idiom remains a part of our lexicon (thanks to Saturday Night Live). Although the feline extravaganza divided the critics, it won over audiences of all ages and became an industry juggernaut—one that single-handedly generated more than $3 billion for New York City's economy—and that was before it made a return to the Great White Way in 2016. In honor of Andrew Lloyd Webber's birthday on March 22, let’s take a trip down memory lane.

1. The work that Cats the musical is based on was originally going to include dogs.

Old Possum’s Book of Practical Cats, published in 1939, is a collection of feline-themed poems written by the great T. S. Eliot. A whimsical, lighthearted effort, the volume has been delighting cat fanciers for generations—and it could have become just as big of a hit with dog lovers, too. At first, Eliot envisioned the book as an assemblage of canine- and tabby-related poems. However, he came to believe that “dogs don’t seem to lend themselves to verse quite so well, collectively, as cats.” (Spoken like a true ailurophile.) According to his publisher, Eliot decided that “it would be improper to wrap [felines] up with dogs” and barely even mentioned them in the finished product.

For his part, Andrew Lloyd Webber has described his attitude towards cats as “quite neutral.” Still, the composer felt that Eliot’s rhymes could form the basis of a daring, West End-worthy soundtrack. It seemed like an irresistible challenge. “I wanted to set that exciting verse to music,” he explained. “When I [had] written with lyricists in the past … the lyrics have been written to the music. So I was intrigued to see whether I could write a complete piece the other way ‘round.”

2. "Memory" was inspired by a poem that T.S. Eliot never finished.

In 1980, Webber approached T.S. Eliot’s widow, Valerie, to ask for her blessing on the project. She not only said “yes,” but provided the songwriter with some helpful notes and letters that her husband had written about Old Possum’s Book of Practical Cats—including a half-finished, eight-line poem called “Grizabella, the Glamour Cat.” Feeling that it was too melancholy for children, Eliot decided to omit the piece from Practical Cats. But the dramatic power of the poem made it irresistible for Webber and Trevor Nunn, the show’s original director. By combining lines from “Grizabella, the Glamour Cat” with those of another Eliot poem, “Rhapsody on a Windy Night,” they laid the foundation for what became the powerful ballad “Memory.” A smash hit within a smash hit, this showstopper has been covered by such icons as Barbra Streisand and Barry Manilow.

3. Dame Judi Dench left the cast of Cats when her Achilles tendon snapped.

One of Britain’s most esteemed actresses, Dench was brought in to play Grizabella for Cats’s original run on the West End. Then, about three weeks into rehearsals, she was going through a scene with co-star Wayne Sleep (Mr. Mistoffelees) when disaster struck. “She went, ‘You kicked me!’” Sleep recalls in the above video. “And I said, ‘I didn’t, actually, are you alright?’” She wasn’t. Somehow, Dench had managed to tear her Achilles tendon. As a last-minute replacement, Elaine Paige of Evita fame was brought aboard. In an eerie coincidence, Paige had heard a recorded version of “Memory” on a local radio station less than 24 hours before she was asked to play Grizabella. Also, an actual black cat had crossed her path that day. Spooky.

4. To finance the show, Andrew Lloyd Webber ended up mortgaging his house.

Although Andrew Lloyd Webber had previously won great acclaim as one of the creative minds behind Jesus Christ Superstar and other hit shows, Cats had a hard time finding investors. According to choreographer Gillian Lynne, “[it] was very, very difficult to finance because everyone said ‘A show about cats? You must be raving mad.’” In fact, the musical fell so far short of its fundraising goals that Webber ended up taking out a second mortgage on his home to help get Cats the musical off the ground.

5. When Cats the musical came to Broadway, its venue got a huge makeover.

Cats made its West End debut on May 11, 1981. Seventeen months later, a Broadway production of the musical launched what was to become an 18-year run at the Winter Garden Theatre. But before the show could open, some major adjustments had to be made to the venue. Cats came with an enormous, sprawling set which was far too large for the theatre’s available performing space. To make some more room, the stage had to be expanded. Consequently, several rows of orchestra seats were removed, along with the Winter Garden’s proscenium arch. And that was just the beginning. For Grizabella’s climactic ascent into the Heaviside Layer on a giant, levitating tire, the crew installed a hydraulic lift in the orchestra pit and carved a massive hole through the auditorium ceiling. Finally, the theater’s walls were painted black to set the proper mood. After Cats closed in 2000, the original look of the Winter Garden was painstakingly restored—at a cost of $8 million.

6. Cats the musical set longevity records on both sides of the Atlantic.

The original London production took its final bow on May 11, 2002, exactly 21 years after the show had opened—which, at the time, made Cats the longest-running musical in the West End’s history. (It would lose that title to Les Miserables in 2006.) Across the pond, the show was performed at the Winter Garden for the 6138th time on June 19, 1997, putting Cats ahead of A Chorus Line as the longest-running show on Broadway. To celebrate, a massive outdoor celebration was held between 50th and 51st streets, complete with a laser light show and an exclusive after-party for Cats alums.

7. One theatergoer sued the show for $6 million.

Like Hair, Cats involves a lot of performer-audience interaction. See it live, and you might just spot a leotard-clad actor licking himself near your seat before the curtain goes up. In some productions, the character Rum Tum Tugger even rushes out into the crowd and finds an unsuspecting patron to dance with. At a Broadway performance on January 30, 1996, Tugger was played by stage veteran David Hibbard. That night, he singled out one Evelyn Amato as his would-be dance partner. Mildly put, she did not appreciate his antics. Alleging that Hibbard had gyrated his pelvis in her face, Amato sued the musical and its creative team for $6 million.

8. Thanks to Cats the musical, T.S. Eliot received a posthumous Tony.

Because most of the songs in Cats are almost verbatim recitations of Eliot’s poems, he’s regarded as its primary lyricist—even though he died in 1965, long before the show was conceived. Still, Eliot’s contributions earned him a 1983 Tony for Best Book of a Musical. A visibly moved Valerie Eliot took the stage to accept this prize on her late spouse’s behalf. “Tonight’s honor would have given my husband particular pleasure because he loved the theatre,” she told the crowd. Eliot also shared the Best Original Score Tony with Andrew Lloyd Webber.

9. The original Broadway production used more than 3000 pounds of yak hair.

Major productions of Cats use meticulously crafted yak hair wigs, which currently cost around $2300 apiece and can take 40 hours or more to produce. Adding to the expense is the fact that costumers can’t just recycle an old wig after some performer gets recast. “Each wig is made specifically for the actor,” explains wigmaker Hannah McGregor in the above video. Since people tend to have differently shaped heads, precise measurements are taken of every cast member’s skull before he or she is fitted with a new head of hair. “[Their wigs] have to fit them perfectly,” McGregor adds, “because of the amount of jumping and skipping they do as cats.” Perhaps it should come as no surprise that, over its 18-year run, the first Broadway production used 3247 pounds of yak hair. (In comparison, the heaviest actual yaks only weigh around 2200 pounds.)

10. A recent revival included hip hop.

In December 2014, Cats returned to the West End with an all-new cast and music. “The Rum Tum Tugger,” a popular Act I song, was reimagined as a hip hop number. “I’ve come to the conclusion, having read [Old Possum’s Book of Practical Cats] again, that maybe Eliot was the inventor of rap,” Webber told the press.

11. Another revival featured an internet-famous feline for one night only.

On September 30, Grumpy Cat made her Broadway debut in Cats, briefly taking the stage with the cast. Despite being named Honorary Jellicle Cat, she hated every minute of it.

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