15 Proper Facts About Downton Abbey

Masterpiece
Masterpiece

Like Upstairs, Downstairs for the Twitter generation, Downton Abbey brought a bit of British history into the homes of millions of viewers for six seasons, and reinvigorated interest in 20th-century propriety. Though the series ended its small-screen run in March 2016, it's still garnering a lot of buzz thanks to repeated viewings on PBS and today's official announcement that the Crawley family will be making its way back into viewer's lives via a new movie featuring the original cast.

“When the television series drew to a close it was our dream to bring the millions of global fans a movie and now, after getting many stars aligned, we are shortly to go into production," producer Gareth Neame said of the upcoming film, which was written by original creator Julian Fellowes and will begin production this summer. "Julian’s script charms, thrills and entertains and in Brian Percival’s hands we aim to deliver everything that one would hope for as Downton comes to the big screen."

Though fans will likely need to wait until 2019 to see the big-screen version, here are 15 fascinating facts about the lords and ladies of Downton Abbey to tide you over.

1. E.R. AND CHICAGO HOPE INSPIRED ITS STRUCTURE.

In developing the structure for Downton Abbey, creator Julian Fellowes found inspiration in some unexpected places. “Constructing Downton, I was consciously thinking in terms of those American structures,” Fellowes said in Rebecca Eaton’s book, Making Masterpiece: 25 Years Behind the Scenes at Sherlock, Downton Abbey, Prime Suspect, Cranford, Upstairs Downstairs, and Other Great Shows. “I had liked E.R. There was something called Chicago Hope that I liked very much, and thirtysomething, with all these stories going at once.”

2. HUGH BONNEVILLE THINKS IT’S MORE LIKE BREAKING BAD.

When asked to sum up the series’ appeal at a party for Downton Abbey’s third season premiere, star Hugh Bonneville (Robert Crawley) joked that, “It’s Breaking Bad with tea instead of meth.”

3. GILLIAN ANDERSON COULD HAVE BEEN THE COUNTESS OF GRANTHAM.

While promoting her role in Masterpiece’s 2012 version of Great Expectations, The X-Files star Gillian Anderson expressed her hope that, “people will embrace [Great Expectations] with the same love that flowed toward Downton Abbey," then shared that she was offered the role of Cora Crawley.

4. ELIZABETH MCGOVERN AND HUGH BONNEVILLE HAVE BEEN MARRIED BEFORE.

Elizabeth McGovern and Hugh Bonneville in 'Downton Abbey'
Masterpiece

On screen, that is. The actors played husband and wife on the 2008 BBC series Freezing.

5. CORA WASN’T CREATED FOR AMERICAN AUDIENCES.

Some critics of the show have questioned Fellowes’s motive in developing a British series around an American character, with some assuming it was a strategic creative move in order to attract American audiences. “We weren’t thinking in those terms about foreign sales,” Fellowes told the Independent. “The advantage for me of having the American wife was it gave me a central character who was not dyed in the wool of the upper middle class upbringing, so you could have one of the principal characters who didn’t take all that stuff for granted, and questioned it, as Cora did. She was not consciously written for America. The fact that we would have a central character for American sales was much more clever than we were really.”

6. DOWNTON ABBEY IS REALLY HIGHCLERE CASTLE.

The cast of 'Downton Abbey'
Masterpiece

Much of the series is filmed at Highclere Castle, an estate in Hampshire, England that is home to the Earl and Countess of Carnarvon. In addition to being open to the public, the home can be rented for weddings and parties and occasionally operates as a hotel. In addition to its iconic exterior, the library, dining room, drawing room, and grand hallway seen in Downton Abbey belong to the real-life Highclere Castle.

7. THE SERVANTS’ QUARTERS ARE IN LONDON.

Because the servants’ quarters at Highclere Castle have been modernized, the series' downstairs kitchen and attic living quarters were built at London’s Ealing Studios. Which means that the show’s producers needed to pay particularly close attention to continuity. “For example,” explained The World of Downton Abbey author (and niece of the show’s creator) Jessica Fellowes, “Thomas might be filmed leaving the kitchen with a plate of food for upstairs and would then appear two weeks later in the dining room!”

8. ANDREW LLOYD WEBBER TRIED TO PURCHASE HIGHCLERE CASTLE … FOR HIS ART COLLECTION.

In 2010, composer Andrew Lloyd Webber (who lives in a neighboring estate) made an offer to purchase Highclere Castle, apparently as a home for his art collection. The Carnarvons kindly let Webber know that the property was not for sale. “I think it has more to do to Andrew Lloyd Webber’s desire to hang his art collection somewhere,” Lady Carnarvon told the Los Angeles Times. “Maybe it might help with his estate duties. He was not a friend and, therefore, might not be aware of our own art collection.” FYI: The estate is valued at approximately $240 million.

9. THE CASTLE REALLY DID OPERATE AS A HOSPITAL DURING WORLD WAR I.

During season two, Downton Abbey was turned into a convalescent home for soldiers. In real life, during World War I, the 5th Countess of Carnarvon did turn Highclere Castle into a recovery hospital for soldiers.

10. EACH EPISODE COSTS MORE THAN $1 MILLION TO PRODUCE.

Given the show’s strict attention to detail and authenticity, it’s probably unsurprising that it was an expensive series to shoot. According to The World of Downton Abbey, each episode costs about £1 million (or about $1.5 million) to produce.

11. THE COSTUMES COULD USE A CLEANING.

Lesley Nicol, Sophie McShera, and Jessica Brown Findlay in 'Downton Abbey'
Masterpiece

In keeping with the show’s dedication to authenticity, the producers maintained a “no-wash” policy with some of its costumes in order to keep within the period look. “We do stink, as they don’t wash our costumes,” Sophie McShera (who played kitchen maid-turned-assistant cook Daisy) told The Daily Mail. “They have these weird patches, which are sewn into the armpits and which they wash separately.”

12. IT’S THE MOST SUCCESSFUL SHOW IN MASTERPIECE’S MORE THAN 40-YEAR HISTORY.

“Nobody in their right mind could have predicted what happened, when it sort of went viral,” Julian Fellowes told The New York Times in 2013 of Downton Abbey's unprecedented popularity. It’s estimated that more than 120 million people around the world have watched the series at one point. The show was broadcast in 250 territories worldwide, and became a major hit in Russia, South Korea, and the Middle East.

13. ISIS WAS NOT KILLED OFF BECAUSE OF HER NAME.

One of the show’s most beloved stars was its faithful pooch, Isis, who passed away in season five. Though many thought the Labrador got the boot because of her name, star Hugh Bonneville set the record straight on that matter. “To clarify recent speculation, the Labrador that appeared in Series One (1912-14) was a dog called Pharaoh,” wrote Bonneville. “From Series Two (1916-1920) onwards, the Labrador has been a bitch named—in keeping with the Egyptian theme—Isis. Anyone who genuinely believes the Series 5 storyline (1924) involving the animal was a reaction to recent world news is a complete berk.”

The “Egyptian theme” that Bonneville refers to is a nod to George Herbert, the 5th Earl of Carnarvon, who was one of the individuals who discovered King Tut’s tomb.

14. IT RECEIVED A RECORD NUMBER OF EMMY NOMINATIONS.

Maggie Smith in 'Downton Abbey'
Masterpiece

With a total of 69 nominations and 15 wins, Downton Abbey is the most nominated non-U.S. series in Emmy history.

15. THE QUEEN LOVED IT, AND LIKED TO LOOK FOR ANACHRONISMS.

Among the show’s many famous fans are several members of the British royal family, including Queen Elizabeth, who “loves to pick out the mistakes,” said At Home with the Queen author Brian Hoey. “They do tend to get it right. However, the Queen did notice on one episode that there was a young so-called British officer wearing medals which had not been awarded when he was supposed to be alive. He was fighting in the First World War and the medals on his chest did not come in until the Second World War.”

13 Facts About Amadeus On Its 35th Anniversary

Warner Home Video
Warner Home Video

Though much has been written about the life of Wolfgang Amadeus Mozart, the most entertaining look at the master composer's life might very well be Amadeus, Milos Forman's film about the artist's life (and rivalries), which was released on September 19, 1984.

Here's a look back at the Oscar-winning biopic that not only brought renewed interest to Mozart's music in the 1980s, but inspired Austrian rocker Falco to write the chart-topping "Rock Me Amadeus." Poor Salieri never stood a chance.

1. Amadeus began life as a Tony Award-winning play.

Russian poet/playwright Alexander Pushkin wrote a short play in 1830 called Mozart and Salieri, and playwright Peter Shaffer—who was already a Tony winner for Equus—took inspiration from that to write his own play. Amadeus played in various theaters in London beginning in 1979, then premiered on Broadway in 1980 with Ian McKellen as Antonio Salieri, Tim Curry as Mozart, and Jane Seymour as Constanze, Mozart's wife. The production won five Tonys, including Best Play and Best Actor for McKellen, who beat out Curry for the award; the two leads had been nominated in the same category.

2. Mark Hamill wanted the lead role, but Milos Forman wouldn't let him audition.

In an attempt to circumvent any typecasting he might get after three blockbuster Star Wars films launched his career, Mark Hamill played the composer on Broadway for nine months in 1983. But when the time came for the movie to be made, Czech director Miloš Forman couldn’t get the space cowboy image out of his head. “Miloš Forman told me, ‘Oh no, you must not play the Mozart because the people not believing the Luke Spacewalker as Mozart,’” Hamill said in a 1986 interview. “He was very upfront about it, and I appreciated that rather than getting my hopes up that it was possible I’d be playing the role.”

3. Kenneth Branagh legitimately thought he had landed the lead role.

A young Kenneth Branagh was an early contender for the part of Mozart. In his autobiography, he wrote that he thought he had the part in the bag until Forman informed him they were casting Americans for the leads. Other actors who auditioned for the Mozart role included Tim Curry and Mel Gibson. Though Mozart was a rock star in his day, actual rock star Mick Jagger was also turned down after his audition.

4. Mozart's frequent collaborator Emanuel Schikaneder was played by another stage Mozart.

Actor Simon Callow originated the role of Mozart at the Royal National Theater production of Amadeus in 1979, and though Forman told him his portrayal was "truly brilliant, fantastic, asshole and genius, funny, tragic, crazy, a baby and a god," the director wasn't prepared to give him the title role in the film. Instead, he cast Callow as Emanuel Schikaneder, the librettist who worked with Mozart on The Magic Flute and played the part of Papageno the bird catcher.

5. The movie was shot without the use of light bulbs or other modern lighting devices.

The Tyl Theatre in Prague was the original theater where Don Giovanni first premiered in October 1787, and the authenticity of the building was a huge boon for the production since it had hardly been updated since it was first built in 1783. “[The Tyl is] where the opera premiered. And he conducted the first performance. And none of the opera house had been touched since he was there," choreographer Twyla Tharp recalled in 2015. "We had fire everywhere. We could have burnt down the opera house. We had live fire in the chandelier. We were lighting people on stage, and these guys were whipping these torches around."

Patrizia von Brandenstein—who became the first woman to win the Oscar for Best Art Direction with this movie—had nightmares about damaging the all-wooden opera house. "I thought, 'God will truly punish me if this place catches on fire,'" she said.

6. Tom Hulce practiced piano for four to five hours a day.

In order to look believable on camera, Hulce spent a month with a piano teacher before filming. Although he knew some basics—he could read music, and had played violin and sung in choirs as a child—he needed to look like a natural. "I spent four weeks, four to five hours a day learning to play,” Hulce told People in 1984. “The first two days were scales and exercises. The next day was a concerto." And for that scene at the masquerade ball when Mozart plays a tune while lying on his back? That was really Hulce.

7. Tom Hulce's laugh is semi-historical, though he had trouble recreating it.

Throughout the movie, Mozart has an infectious cackle—it comes out just as often when he’s giddy as when he’s uncomfortable. Though there are dubious historical reports that the real Mozart had such an obnoxious laugh, Hulce created the giggle after Forman asked him to come up with "something extreme." "I've never been able to make that sound except in front of a camera," Hulce later said. "When we did the looping nine months later, I couldn't find the laugh. I had to raid the producer's private bar and have a shot of whiskey to jar myself into it."

8. Someone really did commission a requiem from Mozart—it just wasn't Salieri.

The script clearly took some artistic liberties, including the plot line of the masked man who comes to Mozart pretending to be his dead father. This was not, as the movie portrays, Salieri. But in 1791, Austrian Count Franz von Walsegg—who had a penchant for commissioning music to pass off as his own at his twice-weekly concerts—approached Mozart and asked for a requiem for his beloved wife, who had died on Valentine’s Day.

According to a famously censored document in which a teacher near Vienna, Anton Herzog, recorded firsthand accounts of von Walsegg’s court, the Count often rewrote these commissioned quartets and other scores in his own hand and didn’t give credit to the original composers. His staff musicians often laughed this off because it seemed to amuse the Count, and because the Count was also an amateur musician in his own right. Mozart’s “Requiem Mass in D minor,” the document alleges, was one such piece. And Mozart really did die later that year, in December, before completing the full mass. Salieri didn’t help him complete it though; Austrian composer and possible Mozart student Franz Süssmayr took that on.

9. The actors felt intense jealousy, too.

Salieri and Mozart were the 18th-century equivalent of frenemies: They were contemporaries in a competitive field, and though they needed each other’s support, they weren’t above petty jealousies and a little backstabbing. Hulce and F. Murray Abraham (who played Salieri) also felt those pressures. ''Tom and Meg [Tilly, the actress originally cast as Constanze] were very close,'' Abraham told The New York Times in 1984. ''They had these secret jokes and were always laughing together. I was pushed out, and I was resentful. I began to have very nasty feelings that were exactly like Salieri's feelings toward Mozart. When that correspondence between a film and real life occurs, it's a director's dream.''

“Occasionally Murray and I would go out and drink this terrible sweet champagne that they have in Prague," added Hulce. "But at other times there was a rivalry between us, and I found myself suspicious of him.''

10. It was shot almost entirely on location in Prague—while under surveillance from the Secret Police.

During filming in 1983, Czechoslovakia was under Communist rule. The production team was often followed around by the secret police, and Forman and the cast spoke about their fears that a Fourth of July prank—the unfurling of the American flag in the concert hall and the singing of "The Star-Spangled Banner" by the large cast and crew—would lead to their arrests for inciting rebellion. Many suspected that their hotel rooms had been bugged during the six months they spent filming the movie.

Forman, who was considered a traitor for becoming an American citizen and not returning to the Soviet-controlled area, had previously had one of his movies banned in the country (then called the Czech Socialist Republic). According to Twyla Tharp, in order to shoot in red territory, Forman had to make certain concessions. "Miloš had to sign an agreement that he would go to his hotel every night for the year that he was there and that his driver would be his best friend from the old days," Tharp told The Hollywood Reporter. "And everybody knew what would happen to his best friend if something untoward politically happened around Miloš, because Miloš was a sort of local hero and he was dangerous to the authorities."

11. A teenage Cynthia Nixon had a small but pivotal role.

At age 17, Nixon played Lorl, the maid employed by Salieri to spy on Mozart. Though she was an experienced child actor at that point, she was also trying to finish her schooling. Thus, she and her parents were cautious of the time she'd need to be abroad for filming. "When I was cast in Amadeus with Miloš Forman, which was shooting in Europe," Nixon said in 2014, "I said, 'I want to be in your film so much, but I have a request: If I don’t shoot for two days in a row, you have to send me home.' They agreed."

12. The distributor made a promotional video depicting Mozart as a modern rock star.

Since the movie wasn't financed by a major studio with lots of promotional dollars behind it, the distributor, Orion Pictures, decided to get creative. And what better way to promote a rock star in the age of MTV than with a music video featuring David Lee Roth and cuts of Bruce Springsteen, Van Halen, KISS, Michael Jackson, David Bowie, and Madonna dancing along to Mozart's "Symphony No. 25 in G minor"?

13. The movie was a huge hit.

The film nearly tripled its $18 million budget at the box office, which was particularly impressive considering it opened in a limited 25 theaters and didn’t have a wide release until several months later. The movie also swept the Academy Awards—of its 11 nominations, it won eight, including Best Picture and Best Director. And, just as on Broadway, Salieri won the Best Actor statuette over Mozart, with Abraham beating out Hulce.

Pod Search, a Search Engine for Podcasts, Can Help You Find Your Next Binge-Listen

Milkos/iStock via Getty Images
Milkos/iStock via Getty Images

Having too many options definitely seems like the best problem to have when it comes to picking your next top podcast obsession, but that doesn’t make it any less overwhelming. To streamline the hunt, try Pod Search—a website and mobile app that has all the information you need in order to choose a winner.

As Lifehacker reports, the user-friendly site is organized in several different ways, depending on how you’d like to operate your search. You can browse its list of about 30 categories, which range from “Storytelling” to “Crime & Law,” and each has a set of subcategories so you can get even more specific. If you trust the opinions of the general public, you can choose an already-popular podcast from the “Top Podcasts” tab. Or, if you like to be the first to recommend the next big thing to your friends, you can pick a program from the list of new podcasts.

Pod Search also has a handy tool called MyPodSearch which will pretty much do all the work of choosing the perfect podcast for you. All you have to do is check whichever categories interest you and add any additional keywords you’d like (which is optional), and MyPodSearch will deliver a list of podcasts personalized for your tastes. This is great for people who have wide-ranging interests, a proclivity for indecision, or both.

Each podcast has its own landing page with a description, audio samples, places you can listen, website and social media links for the podcast, and a list of other podcasts from the same producers. You can also create an account and bookmark podcasts for the future—so, hypothetically, you could have MyPodSearch create a personalized list for you, bookmark them all, and then have a binge-listening itinerary that’ll last you until next year.

[h/t Lifehacker]

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