Aaugh! 10 Facts About It's the Great Pumpkin, Charlie Brown

Warner Home Video
Warner Home Video

Lee Mendelson hadn’t planned on a career in animation. But when television sponsors saw the filmmaker’s documentary about cartoonist Charles Schulz, they asked if the two could team up to produce a Christmas special based on Schulz’s Peanuts strip. The result, A Charlie Brown Christmas, was seen by roughly half of all households watching television during its premiere on CBS on December 9, 1965.

Mendelson went on to produce other Peanuts primetime specials, but 1966’s It’s the Great Pumpkin, Charlie Brown remains one of the most endearing. As you prepare annual sympathy for poor ol' Chuck (“I got a rock”), check out some facts about naked composers, vomiting voice actors, and CBS’s bizarre ultimatum.

1. THE FUTURE OF ANIMATED PEANUTS SPECIALS DEPENDED ON IT.  


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Mendelson and animator Bill Melendez had very high aspirations for A Charlie Brown Christmas. When they screened it prior to its premiere, however, they felt it didn’t live up to its potential—and CBS agreed. The network said it was the last Peanuts special they would buy. But after it delivered huge ratings, CBS changed their mind and asked for more. When the two delivered another hit—the baseball-themed Charlie Brown All-Stars—they thought they had earned the network’s confidence.

Instead, CBS told them they needed a special that could run every year, like A Charlie Brown Christmas. If Mendelson couldn’t provide it, they told him they might not pick up an option for a fourth show. Despite Schulz and his collaborators being annoyed by the network's abrasive attitude, they hammered out a story with a seasonal clothesline that could be rerun in perpetuity.   

2. THE VOICE OF VIOLET PUKED AFTER EVERY RECORDING SESSION.

It’s standard practice these days to use adult actors to mimic juvenile cartoon characters: adults are (presumably) better able to take direction and deliver a performance in line with the director’s wishes. But for many Peanuts specials, children were used to voice Charlie Brown, Lucy, Linus, and the rest. Anne Altieri, who portrayed both Violet and Frieda, was so nervous to be part of the show that she threw up every time she was done with a recording session.

3. IT WAS THE FIRST TIME LUCY SNATCHED THE FOOTBALL FROM CHARLIE BROWN.

In animated form, anyway. When Schulz, Mendelson, and Melendez were brainstorming scene ideas for the special, talk turned to the fact that Lucy’s habit of pulling the football away from Charlie Brown had never been seen in animation. They also decided it would be a good time to introduce Snoopy’s World War I Flying Ace. The joke had appeared in the strip, but Mendelson thought it would work even better in motion. He was right: the sequence with Snoopy in a doghouse dogfight is one of the most memorable in the Peanuts animated canon.

4. IT’S SECRETLY ABOUT SANTA.

The Great Pumpkin saga was adapted from Schulz’s newspaper strip, where he had conceived it as a metaphor for some of the hope (and disappointment) associated with Saint Nick. Schulz disliked the idea kids heard of a jolly fat man who delivered presents all over the world when he knew many families could only afford one or two gifts for the holidays. “The Great Pumpkin is really kind of a satire on Santa Claus,” he told Mendelson. “When [he] doesn’t come, Linus is crushed.”

5. THE MUSIC COMPOSER WAS FOUND NAKED BY COPS.


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The jazzy scores of the early Peanuts specials were the work of composer Vince Guaraldi. When he was busy putting together “The Great Pumpkin Waltz” for the show, he decided to break for a shower. When he came out, he thought he heard noises outside and went to investigate, naked, and locked himself out in the process. Keyless, Guaraldi tried climbing a ladder to a second-floor window when cops spotted him. “Don’t shoot,” he said. “I’m the Great Pumpkin.” Police, who were many months away from getting the joke, let him back inside.  

6. A LISP ALMOST RUINED THE SHOW.

Kathy Steinberg was only four years old when she portrayed Sally for the first time in A Charlie Brown Christmas: her big break came when Mendelson, her neighbor, started work on the specials. While Steinberg had some limitations—like being too young to know how to read a script—things were going well until producers realized she was on the verge of losing a tooth. Fearing a lisp would ruin the voiceover work, they rushed to get her lines done. The day after finishing, the tooth fell out.  

7. KIDS SENT CHARLIE BROWN CANDY FOR YEARS.

One of the most poignant moments of any Peanuts cartoon comes when downtrodden Charlie Brown opens his Halloween goodie sack and discovers he’s been given rocks instead of candy. According to Schulz, this so angered viewers that for years his California office was inundated with sacks of treats addressed to the character.

8. THE ORIGINAL AIRINGS WERE SLIGHTLY DIFFERENT.

Production costs for the early Charlie Brown specials were subsidized by television sponsors Coca-Cola and Dolly Madison snack cakes: the brands appear at the beginning and end of the broadcast. The Coke “bug” appeared for several years before getting phased out. 

9. CBS GOT A LITTLE SALTY ABOUT LOSING THE RIGHTS.

After spending decades at CBS, the rights to three holiday Peanuts installments went up for grabs in 2000. Though CBS could make the first offer, it was ABC who made the winning bid. Privately, CBS executives were not at all pleased about the business decision to take the football away. “It's a shame that a few more dollars meant more to them than years of tradition and loyalty," one network employee anonymously told Variety

10. SOME SCHOLARS THOUGHT THE GREAT PUMPKIN WAS REAL.


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A real myth, at any rate. Talking to the Schenectady Gazette in 1968, Schulz said that since the special began airing two years earlier, he had received a number of letters from academics wondering where the Great Pumpkin story had originated. “A number of professional scholars have written me about the origination of the legend,” he said. “They insist it must be based on something.” Schulz suggested they broach the topic with Linus instead.

This article originally ran in 2015.

Game of Thrones Counseling Available for Upset Fans Following Series Finale

Iain Glen and Emilia Clarke in Game of Thrones
Iain Glen and Emilia Clarke in Game of Thrones
Helen Sloan, HBO

It’s no surprise that some fans are having a hard time dealing with the fact that Game of Thrones is over. The show ran for eight seasons, and became a huge part of fans's lives and Sunday night routines. Moreover, since the season 8 premiere first aired, fans haven’t been too thrilled with the trajectory of the show, and it has only gotten worse. (The final episode in the series scored the lowest rating in the show’s history on IMDb).

But if you’re having a hard time wrapping your mind around the end of Game of Thrones, or just want to vent, there's a counseling service here just for you. CNN reports that if you go to Bark.com, a UK-based online marketplace, you can find a Game of Thrones counselor who will listen to your every qualm about the show. "The professionals will help them digest their feelings and interpretation of the show, which could range from anger and confusion to sadness and grief," the service description reads.

"We watch them to escape our daily lives and immerse ourselves into the 'unknown,'" Lynette, a counselor from Bark.com, said in a statement regarding people's TV show obsessions. "This is the very reason why we sometimes become addicted to watching them, the stories they tell become part of our identity."

There’s options of booking a 30-minute or 60-minute session, which range from $25 to $51. Fans can choose from a face-to-face session, group session, or online, and can specify which specific problems they’re having regarding the show. 

What do we say to Game of Thrones-related anxiety? Not today!

New Coke is Making a Comeback Thanks to Stranger Things

Finn Wolfhard, Noah Schnapp, Sadie Sink, Caleb McLaughlin, Millie Bobby Brown, and Sadie Sink in Stranger Things.
Finn Wolfhard, Noah Schnapp, Sadie Sink, Caleb McLaughlin, Millie Bobby Brown, and Sadie Sink in Stranger Things.
Netflix

In what was considered one of the biggest consumer product marketing blunders of all time, the Coca-Cola Company upset devotees of their signature beverage by introducing New Coke in 1985. Sweeter and smoother than the original, people practically revolted over the change, and the drink eventually disappeared from shelves.

In 2019, New Coke is not only resurfacing—it might turn out to be one of the company's savviest marketing moves to date.

CNN reports that Coca-Cola will be producing 500,000 cans of New Coke in collaboration with Netflix to promote season 3 of Stranger Things, the 1980s-set paranormal drama. Cans will be featured on the show in a kind of retro product placement.

Fans can look for the cans online, which will be offered as a free gift with the purchase of two special Coca-Cola Classic or Coke Zero Sugar glass bottles with Stranger Things artwork beginning Thursday. Special vending machines will also be set up in major cities, and visitors to Atlanta's World of Coca-Cola can purchase the product there, too.

The company is using the exact same recipe for New Coke that got them in hot water back in 1985. For many, it will be their first chance to sample the drink that anti-New Coke activist and retiree Gay Mullins described as being "unbelievably wimpy" and tasting like Pepsi (a comment meant to be derogatory). Originally intended to replace Coca-Cola Classic, the drink was eventually rebranded Coke II and sold through 2002.

Coca-Cola anticipates demand will exceed their 500,000 can allotment, which means you're likely to see them pop up on eBay before long.

The new season of Stranger Things premieres July 4.

[h/t CNN]

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