15 Immortal Facts About 'Highlander'

YouTube
YouTube

Despite being beheaded by Pretty in Pink during its opening weekend in March of 1986, Highlander has managed to spawn a near-immortal franchise consisting of four sequels, three television series, novels, comics, and a robust collectible sword market. (For display purposes only, kids.)

The story of Connor MacLeod, a 400-year-old adventurer forced into duels to the death with his own race of ageless warriors, Highlander remains a perfectly seasoned mix of Queen, Sean Connery, and the indecipherable accent of Christopher Lambert. Better to read these 15 bits about the film than to let it fade away.

1. The Script Began as a College Kid’s Senior Thesis.

Gregory Widen was attending UCLA as a film student in 1982 when he was asked to write a feature-length screenplay as his final project in order to pass a Theater Arts class. Recalling a trip he took to a London armory, Widen wrote a script about an immortal named MacLeod who could only die via beheading; another immortal, the sadistic Kurgan, wanted MacLeod’s head in order to claim the mysterious “Prize” promised to the last of their kind. With encouragement from his instructor, Widen sent the script to six agents, one of whom got it sold.

2. The Role Was Originally Offered to Kurt Russell.

At the time, Russell was a former Disney kid star who had gotten some notice for his genre work with John Carpenter in Escape From New York (1981) and The Thing (1982). Highlander director Russell Mulcahy met with him for the film; though he appeared ready to take on the role, Mulcahy told Cinefantastique that Kurt's then-girlfriend, Goldie Hawn, talked him out of it.

3. Lambert Was Pretty Dangerous With a Sword.

After considering Russell and The Beastmaster star Marc Singer for the role of MacLeod, Mulcahy settled on Christopher Lambert, whose only major American film credit was playing Tarzan in 1984’s spectacularly-named Greystoke: The Legend of Tarzan, Lord of the Apes. Despite taking on highly physical roles that often require stunt work, Lambert is myopic and wears glasses whenever he’s not filming. This is sometimes bad news for thumbs—his and others—when shooting sword-fighting sequences. During filming of 1991’s Highlander II, Michael Ironside sliced open Lambert's hand.

4. Lambert Barely Spoke Any English.

Aside from grunts, Lambert didn’t have much dialogue as Tarzan, so Mulcahy was unaware that his English was limited at the time he was cast in Highlander. In the end, his unique accent—Lambert was raised in Switzerland—worked for the character, who was supposed to have immersed himself in various cultures over his 400-year existence.

5. Sean Connery Only Filmed for Seven Days.

As a major international movie star, Connery was able to maximize his salary while minimizing his work commitments on the film. To play Juan Sanchez Villa-Lobos Ramirez, MacLeod's ancient Spanish mentor, Connery shot for only seven days; he recorded a voiceover in a Spanish villa, not a studio, which produced a strange echo effect the producers ended up leaving in the film.

6. But Connery Still Found Time to Criticize the Production.

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According to Mulcahy, Connery was fond of getting the producers and director together to discuss in detail what he thought the crew was doing incorrectly. "He can't stand inefficiency of any kind,” Mulcahy said. “He would group us together and air his views on why so and so wasn't doing his job correctly. This was free advice—very expensive, I might add—that none of us needed. When he saw the rushes though, things changed.”

7. Clancy Brown Wanted The Kurgan in a Suit and Bowler Hat.

In an interview with Starlog shortly after the release of the film, actor Clancy Brown—who portrayed the scenery-chewing Kurgan—expressed some disappointment that the movie opted for action beats over more philosophical exploration. Though The Kurgan was dressed like a pro wrestler, Brown thought it would’ve been more interesting to wear a suit and a bowler hat. “You expect a heavy metal punker with skulls on his jacket to be a bad [guy],” he said. “But the really tough, mean, and nasty people don’t necessarily wear clothes like that and look like that.” Sadly, Brown’s pleas for subtlety in Highlander went unheard.  

8. The Sword Sparks Came from a Car Battery.

Because it’s a lot of fun when swords make sparks and because augmenting fight scenes with CGI was not yet a thing, the film’s special effects crew rigged the blades to car batteries that sat out of the camera’s view. When the metal came together, sparks flew off.

9. Queen Never Actually Released a Soundtrack.

Mulcahy showed the band footage from production to gauge their interest in providing music for it. Though they wrote a number of songs specifically for the film—“Princes of the Universe,” “Who Wants to Live Forever”—Queen never actually released a soundtrack. One possible reason: while the film debuted in March of 1986 in the States, it wasn't seen in Europe until later that year. To avoid a tie-in to a film that didn’t yet exist in some markets, Queen released A Kind of Magic in June. They did, however, shoot a music video with Lambert (above).

10. The Finale Was Supposed to be on the Statue of Liberty.

The final duel between the Kurgan and MacLeod was intended to take place atop the Statue of Liberty, but other films (including the previous year's Remo Williams) had already used a similar idea; Mulcahy changed the locale to the Silvercup Studios rooftop in Queens, which he saw while driving into New York one day.

11. The Sequel Stunk Because of Argentina.

Contrary to some accounts, 1991's Highlander II: The Quickening didn’t opt for its imbecilic plot about a planet of alien Immortals because the first film ended so definitively. (Spoiler: MacLeod wins the Prize, becoming mortal and ending the Gathering of violent sword duels.) In fact, Mulcahy was thinking about a sequel even before the original was released. So why was the movie so poorly executed? Blame Argentina. The production was underway when the country began to experience significant inflation, leading to cost overruns. Skittish insurers began to interfere, and the film was edited into a nearly incomprehensible mess. Mulcahy later reassembled it for a DVD release. (It didn't really help much.)     

12. Fans Aren’t Blameless in the Senseless Tragedy of the Sequel, Either.

Lionsgate

According to producer Bill Panzer, the idea of exploring the origins of the Immortals was a result of fans constantly asking about it after the 1986 original. “The question we were most asked by fans after the first film was, 'Where did the immortals come from?'” he told Video Watchdog. “It made sense to answer that question in the second film. What we didn't realize at the time was that the fans didn't really want to know their ... origins because then the romanticism and mystery of the story was stripped away." Good job, fans.

13. Connery Had a No-Bond Rule on Set.

Virginia Madsen had the misfortune of being cast as MacLeod’s love interest in the sequel: When she was hired, she was told that a returning Sean Connery had instituted a written policy that demanded no one ever speak to him about James Bond. Anyone who did could be fired. Madsen thought it was ridiculous. As she told the Onion AV Club: “The first day that Sean came to work, I went up to the set and I said, ‘Oh, my God! James Bond!’ And he turned around, a big smile, and hugged me.”

14. The TV Series Was An Early Internet Sensation.

Highlander: The Series ran in syndication from 1992 to 1998, often slotted in late-night or weekday afternoon time slots. Following the adventures of Duncan MacLeod, the series grew into a cult hit: several active discussion groups and hundreds of Web pages were devoted to the show, a feat that at the time was only rivaled by Star Trek.

15. It Is One of Nick Offerman’s Favorite Movies, And He Was Very Upset That Chris Pratt Had Never Seen It.

In 2013, Offerman shared that his Parks and Recreation co-worker had never seen the original film. “I immediately booked a screening room and sat in there, just the two of us,” he said. “And it was, and still is, the greatest movie about becoming a man that I’ve ever seen.”

Pod Search, a Search Engine for Podcasts, Can Help You Find Your Next Binge-Listen

Milkos/iStock via Getty Images
Milkos/iStock via Getty Images

Having too many options definitely seems like the best problem to have when it comes to picking your next top podcast obsession, but that doesn’t make it any less overwhelming. To streamline the hunt, try Pod Search—a website and mobile app that has all the information you need in order to choose a winner.

As Lifehacker reports, the user-friendly site is organized in several different ways, depending on how you’d like to operate your search. You can browse its list of about 30 categories, which range from “Storytelling” to “Crime & Law,” and each has a set of subcategories so you can get even more specific. If you trust the opinions of the general public, you can choose an already-popular podcast from the “Top Podcasts” tab. Or, if you like to be the first to recommend the next big thing to your friends, you can pick a program from the list of new podcasts.

Pod Search also has a handy tool called MyPodSearch which will pretty much do all the work of choosing the perfect podcast for you. All you have to do is check whichever categories interest you and add any additional keywords you’d like (which is optional), and MyPodSearch will deliver a list of podcasts personalized for your tastes. This is great for people who have wide-ranging interests, a proclivity for indecision, or both.

Each podcast has its own landing page with a description, audio samples, places you can listen, website and social media links for the podcast, and a list of other podcasts from the same producers. You can also create an account and bookmark podcasts for the future—so, hypothetically, you could have MyPodSearch create a personalized list for you, bookmark them all, and then have a binge-listening itinerary that’ll last you until next year.

[h/t Lifehacker]

8 Fun Facts About Muppet Babies

The Jim Henson Company
The Jim Henson Company

Before prequels were a thing, Jim Henson’s Muppet Babies imagined a world in which the felt-covered characters of Henson’s Muppets franchise—Kermit, Miss Piggy, Animal, and Fozzie Bear among them—met up as children in a nursery. Left to their own devices, the animated cast led a rich fantasy life while in diapers. For more on this 1984-1991 show, including why it’s so hard to find anywhere except YouTube, keep reading.

1. Frank Oz didn’t really want Muppet Babies.

The idea to infantilize the Muppets came from Michael Frith, a longtime collaborator of Jim Henson’s, in the early 1980s. Frith believed that regressing the characters could allow them to impart moral or educational messages to children already familiar with them. But Frank Oz, a Muppets performer (Miss Piggy) and film director, argued that the Muppets needed to maintain their subversive edge. It was Henson who found a compromise, suggesting that younger versions of the characters appear in a dream sequence for 1984’s feature film The Muppets Take Manhattan. The response to the scene was overwhelmingly positive, and Henson soon teamed with Marvel Productions and CBS for an animated series that began airing in September 1984.

2. Skeeter was the result of a gender imbalance on Muppet Babies.

Most of the principal Muppet Babies cast was made up of recognizable characters, including Kermit, Miss Piggy, Fozzie Bear, Rowlf, Gonzo, Animal, Bunsen, and Scooter. But Frith, Henson, and producers Bob Richardson and Hank Saroyan decided that the babies were skewing a little too male. Aside from Piggy and their caretaker, Nanny, there were no female characters. To balance the scales, they introduced Skeeter, Scooter’s twin sister, a brainy problem-solver.

Skeeter has made only fleeting and sporadic appearances in the Muppet franchise since, leading to speculation she might be caught up in rights issues between CBS and the Jim Henson Company, which was purchased by Disney in 2004. Fortunately, the somewhat murky situation appears to be at least partially resolved: It was recently reported Skeeter will resurface in the new computer-animated iteration of Muppet Babies, which is currently airing its second season on Disney Junior and has been renewed for a third season.

3. One of the major creative forces behind Muppet Babies was Moe Howard’s grandson.

In 1985, Muppet Babies writer Jeffrey Scott received a Humanitas Prize from the Human Family Educational and Cultural Institute for an episode of the series which the Institute declared did the best job of any kid’s show that year to “enrich the viewing public.” The episode centered on the group fearing one of them might be sent away. The prolific Scott actually wrote all 13 episodes of the first season. His father, Norman Maurer, worked at Hanna-Barbera Productions and got Scott’s foot in the door. His grandfather was Moe Howard, founder and head Stooge of The Three Stooges fame.

4. The Muppet Babies live-action segments were a result of budgetary constraints.

A hallmark of Muppet Babies is when the cast finds themselves thrust into scenes from famous films, a Walter Mitty-esque bit of fantasy fulfillment that blends live-action sequences with animation. According to Frith, devoting a portion of each episode to clips wasn’t entirely a creative choice. By inserting clips, producers could save money on animation. It was also easy for Henson to secure the rights to popular films like Star Wars or Raiders of the Lost Ark because he was friends with George Lucas and Steven Spielberg. While some believe those clips are the reason the show isn’t available to stream—sifting through the legal entanglement of reairing the segments might prove costly—that’s never been confirmed.

5. Muppet Babies never explained what the Muppets were doing in that nursery.

Given time to reflect, it seems odd that the Muppet cast would find themselves in a nursery without being supervised by their own parents. Speaking with the Detroit Free Press in 1987, Michael Frith said that the situation was purposely left vague. “I really appreciate the fact that they don’t [ask],” Frith said of his kid viewers. “Is this a day care center? Is this a foster child home? The more we talked about it, the more we felt it should just exist. The kids accept it.”

6. The voice recording sessions of Muppet Babies included copious farting.

Speaking with CNN in 2011, actor Dave Coulier (Full House) recalled that recording sessions for Muppet Babies sometimes involved flatulence. Coulier, who portrayed Animal and Bunsen, among others, said that “lots of fart humor” punctuated the recording studio. “In one scene, Fozzie [played by Greg Berg] and Animal had to climb a ladder,” he said. “As Animal was pushing Fozzie up the ladder, they were making [grunting] sounds. In mid-scene, Greg Berg farted. I looked at [actor] Frank Welker and we couldn’t contain ourselves. Uncontrollable laughter ensued. I was literally on the floor of the studio laughing.”

7. There was an offshoot of Muppet Babies called Muppet Monsters—and it never aired in full.

Following the success of Muppet Babies, CBS and Jim Henson decided to expand on the Muppets' potential as Saturday morning stars by creating a 90-minute block in 1985 titled Muppets, Babies, and Monsters. (Muppet Babies often aired consecutive half-hour installments for an hour total.) In addition to regular Muppet Babies episodes, the program featured another half-hour of Little Muppet Monsters, which featured puppets of new Muppet monster characters named Tug, Molly, and Boo. The three appeared in a framing device that introduced animated segments of adult Muppets. Only three episodes aired out of 15 produced, reportedly due to both Henson and CBS being unhappy with the finished product and Muppet Babies standing strongly on its own. The remaining episodes have yet to see the light of day.

8. Muppet Babies was turned into a live stage show.

To further incite their juvenile audience and monetize their popularity, the Muppet Babies franchise eventually wound up live and on stage. Muppet Babies Live! debuted in 1986 and featured performers in oversized costumes dancing and acting to a prerecorded track. In one skit, the cast appeared in a Snow White homage. In another, Rowlf became Rowlfgang Amagodus Mozart and played the piano. The arena show toured the country. Hank Saroyan, one of the animated show’s producers, wrote the stage show. The performer for Baby Piggy, Elizabeth Figols, also appeared in a live production of Dirty Dancing. The show ran through 1990.

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