15 Things You May Not Know About Close Encounters of the Third Kind

Columbia Pictures
Columbia Pictures

We are not alone. Here are a few facts about Steven Spielberg’s 1977 UFO classic, on its 40th anniversary.

1. IT WAS INITIALLY A VERY DIFFERENT FILM.

Spielberg’s initial story outline involved UFOs and shady government dealings following the Watergate scandal, which became a script entitled “Watch the Skies.” The idea involved a police or military officer working on Project Blue Book, the Air Force’s official study into UFOs in the 1950s and 1960s, who would become the whistleblower on the government cover-up of aliens. There were numerous rewrites—Taxi Driver scribe Paul Schrader even took a crack at it, penning a political UFO thriller titled “Kingdom Come” that Spielberg and the movie studio rejected—before the story we know today emerged.

2. IT’S NAMED AFTER LEGITIMATE UFO RESEARCH.


Columbia Pictures

Spielberg partly based his idea on the research of Dr. J. Allen Hynek, a civilian scientific advisor to Project Blue Book who eventually admitted that 11 percent of the study’s findings about unidentified flying objects could not be explained using science.

The title (which is never specifically explained in the movie) is actually derived from Hynek’s own alien close encounter classification system: A close encounter of the first kind is sighting of a UFO; the second kind is physical evidence to prove the existence of an alien; and the third kind is actual contact with alien life forms.

3. THERE’S A CAMEO FROM THE GODFATHER OF UFO RESEARCH.

Hynek, who also served as a technical advisor on the movie, makes an uncredited cameo in the final scene of the movie. You can spot him pretty easily—he’s the goateed man smoking a pipe and wearing a powder blue suit who pushes through the crowd of scientists to get a better look at the aliens.

4. NOBODY WANTED THE STARRING ROLE.

Richard Dreyfuss in Close Encounters of the Third Kind (1977)
Columbia Pictures

The director first offered the part of Roy Neary to actor Steve McQueen, who turned it down because he said he couldn’t cry on cue, something he saw as essential to the character. Spielberg then went to Dustin Hoffman, Al Pacino, Jack Nicholson, Gene Hackman, and James Caan who all turned him down as well before asking his friend Richard Dreyfuss, who previously worked with Spielberg on Jaws, to take the part.

5. BUT IT WASN'T THE MOST DIFFICULT ROLE TO CAST.

Spielberg approached French actors like Lino Ventura, Yves Montand, and Jean-Louis Trintignant to play Claude Lacombe—who was based on famous UFO researcher Jacques Vallée—before settling on director and sometimes-actor François Truffaut. The initially skeptical Truffaut, who was nervous about appearing in a big budget Hollywood movie, accepted the role because he wanted to compile research for a book about acting (he never did write the book).

6. MERYL STREEP COULD HAVE PLAYED ROY'S WIFE.

Many actresses—including a then-unknown Yale Drama School grad named Meryl Streep—auditioned for the part of Roy’s wife Ronnie, but he ultimately cast actress Teri Garr because he saw her in a coffee commercial and loved the way she was able to convey a wide range of emotions in a 30-second clip.

7. THEY SHOT IN A DISUSED AIR FORCE HANGAR.


Columbia Pictures

Spielberg wanted to shoot in real suburban locations rather than studio backlots, but the production had trouble finding locations. The biggest question: Where could Spielberg shoot the climactic canyon sequence with the mothership?

The production looked for huge indoor enclosures that would allow for the massive scale of the scene, though they only found ones with center support dividers that spoiled the openness Spielberg wanted for the UFO runway. The only location producers found without center dividers was a 300 foot by 300 foot disused hangar that had been used for dirigibles during World War II at Brookley Air Force base in Mobile, Alabama.

8. THE TEAM BOUGHT A HOUSE FOR THE PRODUCTION—AND SOLD IT FOR A PROFIT.

The Nearys' house, which is located at 1613 Carlisle Drive East in Mobile, was actually purchased by the production for $35,000 so they could do whatever they wanted with the interiors. It was later sold for $50,000 after production wrapped, netting a $15,000 surplus that went back into the film’s budget.

9. THE MEMORABLE 5-NOTE TONES TOOK A LONG TIME TO FIGURE OUT

Composer John Williams worked with Spielberg to come up with the movie’s distinct five-note musical method of communication between humans and aliens—which Spielberg partly based on the Solfège system of musical education—a year before shooting began.

Williams initially wanted a seven-note sequence, but it was too long for the simple musical “greeting” Spielberg wanted. The composer enlisted a mathematician to calculate the number of five-note combinations they could potentially make from a 12-note scale. When that number proved to be somewhere upwards of 134,000 combinations, Williams created 100 distinct versions, and they simply whittled the combinations down one by one until they had a winner.

10. SPIELBERG USED TRICKS TO GET THE PERFORMANCE OUT OF HIS CHILD ACTOR.


Columbia Pictures

Cary Guffey, who plays little Barry Guiler, had never acted before, so Spielberg set up ways to coax a performance out of the 3-year-old. To get a shot of Guffey reacting to the aliens first approaching the Guiler house, Spielberg slowly unwrapped a present for the young actor just off camera, making him smile. Guffey even exclaims “Toys! Toys!” in the final take.

To get the boy to react to the aliens offscreen, Spielberg had Guffey walk up to his mark where—unbeknownst to the little actor—two crewmembers were dressed as a gorilla and a clown standing behind cardboard blinds. When Guffey entered the kitchen, Spielberg dropped the first blind revealing the clown to scare him, and then dropped the other blind to reveal the gorilla, which scared him even more. The gorilla then took off his mask, revealing the film’s makeup man, Bob Westmoreland, who Guffey recognized, causing him to laugh and smile in the final take.

11. THE MOVIE NEARLY FEATURED VERY EARLY CGI.

Spielberg originally toyed with the idea of using computer generated images to create the aliens and their ships, even going so far as to have animator Colin Cantwell create a CGI test of three UFOs floating over a stadium. The single-shot test, which took three weeks to complete and was one of the first computer generated images ever created for a film, proved to be unfeasible for the whole movie—so the idea was dropped.

12. THERE WERE SOME UNORTHODOX IDEAS FOR CREATING THE ALIENS.

Spielberg wanted the aliens to be non-human beings that glided instead of walked, and he had a weird idea to pull it off: An orangutan dressed in a specially-made suit. For a screen test, the production team outfitted an orangutan in grey spandex and strapped it into roller skates. The orangutan immediately took off the skates and crawled to its owner, so a full test couldn’t be completed, and the team scrapped the idea. The majority of the small aliens in the final movie were played by local elementary school girls from Mobile in specially made grey suits and masks who were heavily backlit to create the final alien silhouette effect.

13. CLOSE ENCOUNTERS FEATURES A PRECURSOR TO E.T.


Columbia Pictures

To create the alien who bids farewell using the musical hand signals at the end of the film, Spielberg enlisted the help of Italian special effects artist Carlo Rambaldi, who designed a fully articulated steel, aluminum, and fiberglass animatronic puppet that Spielberg nicknamed “Puck.” Puck’s expressions were based on photos of Guffey. The puppet was operated by a crew of seven puppeteers, with Spielberg himself controlling the final articulation before the alien leaves to go to the mothership.

Puck would help inspire E.T. after Spielberg asked himself, “What if this little guy didn’t get back on the mothership?” Rambaldi would also go on to design the character of E.T.

14. SPIELBERG BET AGAINST HIS OWN MOVIE—AND REALLY CASHED IN.

Spielberg and his buddy George Lucas both had new movies coming out in 1977; Lucas’s was a little movie called Star Wars. Lucas thought his ramshackle space movie wouldn’t make back its budget, and he knew his friend’s new movie would break box office records just like Jaws had done, so he offered Spielberg a friendly wager. Both agreed to give the other 2.5 percent of the profits of their respective films. Lucas grossly underestimated his movie, which went on to become the second highest grossing movie of all time if adjusted for inflation (in comparison, Close Encounters is #71). The difference ended up being $40 million.

15. SPIELBERG DIDN'T LIKE THE VERSION THAT WAS INITIALLY RELEASED.

Spielberg wanted to release Close Encounters in the summer of 1978, which would have given him ample time to edit the film and finish its special effects—but Columbia Pictures, which was going through major financial troubles, insisted he have it ready for a November 1977 release, leaving the director with a final cut on a movie he didn’t feel was completely ready. 

Three years later, the company allowed Spielberg to “finish” the movie under one condition: That he show the inside of the mothership, which would give the studio’s marketing department an angle to sell this new version. The director capitulated, adding new scenes and cutting others to create a “Special Edition.” The director was unhappy with the scene, though, and later cut it for the Collector's Edition home video release.

ADDITIONAL SOURCES:Blu-ray special features; Close Encounters of the Third Kind: The Making of Steven Spielberg’s Classic FilmClose Encounters of the Third Kind Diary.

10 Bold Breaking Bad Fan Theories

Bryan Cranston as Walter White and Aaron Paul as Jesse Pinkman in Breaking Bad.
Bryan Cranston as Walter White and Aaron Paul as Jesse Pinkman in Breaking Bad.
Ben Leuner, AMC

It’s been nearly six years since Breaking Bad went out in a blaze of gunfire, but fans still haven’t stopped thinking about the award-winning crime drama. What really happened to Walter White in the series finale? What’s the backstory on Gus Fring? And what did Jesse Pinkman’s doodles mean?

While El Camino, Vince Gilligan's new Breaking Bad movie, offers definitive answers to at least one of these questions, these fan theories offer some alternative answers—even if they strain the limits of logic and sanity along the way. Read on to discover the surprising source of Walt’s cancer diagnosis, and why pink is always bad news.

1. Walter White picks up traits from the people he kills.

Walter White is an unpredictable guy, but he’s weirdly consistent on one thing: After he kills someone, he kind of copies them. Remember how Krazy-8 liked his sandwiches without the crust? After Walt murdered him, he started eating crustless PB&Js. Walt also lifted Mike Ehrmantraut’s drink order and Gus Fring’s car, leading many fans to wonder if Walt steals personal characteristics from the people he kills.

2. Gus Fring worked for the CIA.

Gus Fring (Giancarlo Esposito) and Juan Bolsa (Javier Grajeda) in Breaking Bad
Giancarlo Esposito and Javier Grajeda in Breaking Bad.
Ursula Coyote, AMC

Who was Gus Fring before he became the ruthless leader of a meth/fried chicken empire? Well, we know he’s from Chile. We also know that any records of his time there are gone. And we know that cartel kingpin Don Eladio refused to kill him when he had the chance. Since Don Eladio has no qualms about eliminating the competition, Gus must have some form of protection. Could it be from the U.S. government? A detailed Reddit theory suggests that Gus was once a Chilean aristocrat who helped the CIA install the dictator Augusto Pinochet in power. Once Pinochet became a liability, Gus went to Mexico at the CIA’s behest to infiltrate a drug cartel. His alliance with U.S. intelligence kept him alive even as his work got more violent, and helped him bypass the normal immigration issues you'd typically encounter when you’ve murdered a bunch of people.

3. Madrigal built defective air filters that gave Walter white cancer.

Madrigal Electromotive is a corporation with varied interests. The German parent company of Los Pollos Hermanos dabbles in shipping, fast food, and industrial equipment … including air filters. According to one fan theory, Gray Matter—the company Walter White co-founded with Elliott Schwartz—purchased defective air filters from Madrigal and installed them while Walt still worked at the company. The filters ultimately caused Walt’s lung cancer, pushing him into the illegal drug trade and, eventually, business with Madrigal.

4. Color is a crucial element in the series.

Marie Schrader (Betsy Brandt) and Hank Schrader (Dean Norris)
Betsy Brandt and Dean Norris as Marie and Hank Schrader in Breaking Bad.
Ben Leuner, AMC

Color is a code on Breaking Bad. When a character chooses drab tones, they’re usually going through something, like withdrawal (Jesse) or chemo (Walt). Their wardrobe might turn darker as their stories skew darker—like when Marie ditched her trademark purple for black while she was under protective custody. Also, pink signals death, whether it’s on a teddy bear or Saul Goodman’s button down shirt.

5. Breaking Bad and The Walking Dead exist in the same universe.

Breaking Bad and The Walking Dead both aired on AMC, but according to fans, that’s not all they have in common. There’s an exhaustive body of evidence connecting the two shows—and one of the biggest links is Blue Sky. The distinctively-colored crystal meth is Walt and Jesse’s calling card on Breaking Bad, but it’s also Merle Dixon’s drug of choice on The Walking Dead. Coincidentally, his drug dealer (“a janky little white guy” who says “bitch”) sounds a lot like Jesse.

6. Walter white froze to death and hallucinated Breaking Bad's ending.

Bryan Cranston in the 'Breaking Bad' series finale
Ursula Coyote, AMC

In her review of the Breaking Bad series finale “Felina,” The New Yorker critic Emily Nussbaum suggested an alternate ending in which Walt died an episode earlier, as the police surrounded his car in New Hampshire. He could’ve frozen to death “behind the wheel of a car he couldn’t start,” she theorized, and hallucinated the dramatic final shootout in “Felina” in his dying moments. This reading has gained traction with multiple fans, including SNL alum Norm Macdonald.

7. Jesse’s superheroes are a peek into his inner psyche.

In season 2 of Breaking Bad, we discover that Jesse Pinkman is a part-time artist. He sketches his own superheroes, including Backwardo/Rewindo (who can run backwards so fast he rewinds time), Hoverman (who floats above the ground), and Kanga-Man (who has a sidekick in his “pouch”). The characters are goofy, just like Jesse, but they may also reveal what’s going on in his head. Backwardo represents Jesse’s tendency to run from conflict. Hoverman reflects his lack of direction or purpose, while Kanga-Man hints at his codependency.

8. Madrigal was founded by Nazi war criminals.

Walter White (Bryan Cranston) and Uncle Jack (Michael Bowen) in 'Breaking Bad'
Bryan Cranston and Michael Bowen in Breaking Bad.
Ursula Coyote, AMC

This might be one of the wilder Breaking Bad theories, but before you write it off, consider Werner Heisenberg: The German physicist, who helped pioneer Hitler’s nuclear weapons program, is the obvious inspiration for Walt’s meth kingpin moniker. While Heisenberg only appears in name, there are plenty of literal Nazis on the show. Look no further than Uncle Jack and the Aryan Brotherhood, who served as the Big Bad of season 5. At least one Redditor thinks all these Nazi references are hinting at something bigger, a conspiracy that goes straight to the top. The theory starts in South America, where many Nazis fled after World War II. A group of them supposedly formed a new company, Madrigal, through their existing connections back in Germany. Eventually, a young Chilean named Gus Fring worked his way into the growing business, and the rest is (fake) history.

9. Walter white survived, but paid the price.

Lots of Breaking Bad theories concern Walt’s death, or lack thereof. But if Walt actually lived through his seemingly fatal gunshot wound in “Felina,” what would the rest of his life look like? According to one Reddit theory, it wouldn’t be pretty. The infamous Heisenberg would almost certainly stand trial and go to prison. Although he tries to leave Skyler White with information to cut a deal with the cops, she could also easily go to jail—or lose custody of her children. The kids wouldn’t necessarily get that money Walt left with Elliott and Gretchen Schwartz, either, as they could take his threats to the police and surrender the cash to them. Basically it amounts to a whole lot of misery, making Walt’s death an oddly optimistic ending. (This is one theory El Camino addresses directly.)

10. Breaking Bad is a prequel to Malcolm in the Middle.

Bryan Cranston in the series premiere of 'Breaking Bad'
Bryan Cranston in the series premiere of Breaking Bad.
Doug Hyun, AMC

Alright, let’s say Walt survived the series finale and didn’t stand trial. Maybe he started over as a new man with a new family. Three boys, perhaps? This fan-favorite theory claims that Walter White assumed a new identity as Malcolm in the Middle patriarch Hal after the events of Breaking Bad, making the show a prequel to Bryan Cranston’s beloved sitcom. The Breaking Bad crew actually liked this idea so much they included an “alternate ending” on the DVD boxed set, where Hal wakes up from a bad dream where "There was a guy who never spoke! He just rang a bell the whole time! And then there was another guy who was a policeman or a DEA agent, and I think it was my brother or something. He looked like the guy from The Shield."

Fan Notices Hilarious Connection Between Joaquin Phoenix's Joker and Superbad's McLovin

Sony Pictures Home Entertainment
Sony Pictures Home Entertainment

There seems to be exactly one funny thing about Todd Phillips's latest film, Joker.

As reported by Geek.com, someone on Twitter by the name of @minalopezavina brilliantly pointed out that Arthur Fleck from Joker and McLovin from Superbad are pretty much in the same costume.

This meme is a nice moment of comic relief in an otherwise very serious movie. In fact, Joker is so dark that the United States Army had issued warnings about possible shootings at theaters playing the film. The warnings coincided with criticisms that the film might be too violent, with fears that the villain-led storyline would result in copycat events in real life.

Both Phillips and star Joaquin Phoenix have weighed in on the controversy, with the director explaining to The Wrap, "It wasn’t, ‘We want to glorify this behavior.’ It was literally like ‘Let’s make a real movie with a real budget and we’ll call it f**king Joker’. That’s what it was.”

All we can say is the amount of chatter behind Joker certainly led to both packed theaters, and endless memes online.

[h/t Geek.com]

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