15 Surprising Facts About The Godfather

Paramount Pictures
Paramount Pictures

Leave the gun, take these facts about Francis Ford Coppola’s masterpiece adaptation of Mario Puzo’s gangster novel, which premiered in New York City 46 years ago (on March 15, 1972).

1. FRANCIS FORD COPPOLA WAS AT RISK OF BEING FIRED DURING PRODUCTION.

Francis Ford Coppola (who got the job because of his previous movie, The Rain People) wasn’t the first director Paramount Pictures had in mind for The Godfather. Elia Kazan, Arthur Penn, Richard Brooks, and Costa-Gavras all turned the job down. And after filming began, executives didn’t like the brooding, talky drama that Coppola was shooting.

The studio wanted a more salacious gangster movie, so it constantly threatened to fire Coppola (even going so far as to have stand-in directors waiting on set). Coppola was reportedly getting the ax until he shot the scene where Michael kills Sollozzo and McCluskey, which the executives saw and loved.

2. COPPOLA FOUGHT TO KEEP THE FAMOUS LOGO.

The studio originally wanted to scrap the now-iconic “puppet strings” logo (which was first created by graphic designer S. Neil Fujita for the novel’s release) with Puzo’s name above the title for the movie release, but Coppola insisted on keeping it because Puzo co-wrote the script with him.

3. HE ALSO FOUGHT TO KEEP THE STORY AS A PERIOD DRAMA.

As a cost-cutting measure, Paramount asked Coppola to modernize the script so the action took place in 1972 and to shoot the movie in Kansas City as a stand-in for the more expensive New York City. Coppola convinced them to keep the story in a post-World War II New York setting to maintain the integrity of the film.

4. FAMILY DINNERS HELPED EVERYONE GET IN CHARACTER.

Coppola held improvisational rehearsal sessions that simply consisted of the main cast sitting down in character for a family meal. The actors couldn’t break character, which Coppola saw as a way for the cast to organically establish the family roles seen in the final film.

5. PARAMOUNT DIDN’T WANT MARLON BRANDO FOR THE ROLE.

When Coppola initially mentioned Brando as a possibility for Vito Corleone, the head of Paramount, Charles Bluhdorn, told Coppola the actor would “never appear in a Paramount picture.”

The studio pushed the director to cast Laurence Olivier as Vito, before eventually agreeing to pursue Brando under three stringent conditions: 1) Brando had to do a screen test; 2) if cast, Brando would have to do the movie for free; and 3) Brando would have to personally put up a bond to make up for potential losses caused by his infamously bad on-set behavior.

Coppola surreptitiously lured the famously cagey Brando into what he called a “makeup test,” which in reality was the screen test the studio demanded. When Coppola showed the studio the test they liked it so much they dropped the second and third stipulations and agreed to let Brando be in the movie.

6. PACINO WASN’T THE FIRST CHOICE TO PLAY MICHAEL, EITHER.

The studio wanted Robert Redford or Ryan O’Neal to play Michael Corleone, but Coppola always wanted Al Pacino. Other actors, like Martin Sheen and James Caan (who would go on to play Sonny), screen tested for Michael.

7. ROBERT DE NIRO AUDITIONED FOR SONNY.

Robert De Niro auditioned for the role of Sonny, but Coppola thought his personality was too violent for the role. De Niro would later appear as the young Vito Corleone in The Godfather: Part II, and win a Best Supporting Actor Oscar for his work.

8. COPPOLA LET THE WEDDING PLAY OUT AND SHOT IT GUERILLA-STYLE.

To add a sense of reality to the wedding scene (and because he only had two days to shoot it), Coppola had the cast freely act out and improvise in the background. He then shot specific vignettes amongst the action.

9. COPPOLA TOOK ADVANTAGE OF MISTAKES.

Lenny Montana, who played Luca Brasi, was a professional wrestler before becoming an actor. He was so nervous delivering his lines to a legend like Brando during the scene in the Godfather’s study that he didn’t give one good take during an entire day’s shoot. Because he didn’t have time to reshoot the scene, Coppola added a new scene of Luca Brasi rehearsing his lines before seeing the Godfather to make Montana’s bad takes seem like Brasi was simply nervous to talk to the Godfather.

10. THE CORLEONE COMPOUND WAS A REAL LOCATION ON STATEN ISLAND.

The residence was put up for sale in 2014 for just under $3 million. That’s a price we can probably refuse.

11. THE GODFATHER’S CAT WAS A STRAY.

During his daily walks to the set, Coppola would often see a stray cat, and on the day of shooting the scenes in Vito’s study, Coppola took the cat and told Brando to improvise with it. The cat loved Brando so much that it sat in his lap during takes for the whole day.

12. PACINO WAS THE ARCHETYPICAL METHOD ACTOR.

He really had his jaw wired shut for the first part of the shoot after his character is punched in the face.

13. THE INFAMOUS HORSE’S HEAD WAS REAL.

The horse head in the movie producer’s bed wasn’t a prop. The production got a real horse’s head from a local dog food company.

14. THE “TAKE THE CANNOLI” LINE WAS IMPROVISED.

The line in the script only had actor Richard Castellano as Clemenza say “Leave the gun” after the hit on the mobster who ratted on the Corleones. He was inspired to make the addition after Coppola inserted a line in which the character’s wife asks him to buy cannoli for dessert.

15. THERE WAS ORIGINALLY SUPPOSED TO BE AN INTERMISSION.

The 175-minute movie is long by Hollywood standards, and an intermission was going to be included just after the Solozzo/McCluskey shooting scene—but the idea was scrapped because the filmmakers thought it would ruin the momentum and take the audience out of the movie.

Netflix's Stranger Things Season 3 Video Is Full of Easter Eggs You Might Have Missed

Joe Keery, Maya Hawke, Priah Ferguson, and Gaten Matarazzo in Stranger Things.
Joe Keery, Maya Hawke, Priah Ferguson, and Gaten Matarazzo in Stranger Things.
Netflix

Stranger Things's third season was full of many surprising twists and turns, not to mention some awkward teen romances. While the gruesome Mind Flayer and the evil Russians were no doubt terrifying, the show kept its sweet touch of nostalgia due mainly to the fact that the Hawkins gang is now smack-dab in the middle of the 1980s.

It doesn’t take a keen eye to see many of the series's '80s references, particularly in the latest season. With scenes taking place at the new mall, references from the decade—including Hot Dog on a Stick, Sam Goody, and Back to the Future—are all part of the setting. However, creators Ross and Matt Duffer wanted to pay true homage to the decade, and thus left Easter eggs throughout the season that you likely missed.

Luckily for us, as BGR reports, Netflix has just released a video explaining the hidden references (with the New Coke debate, Mrs. Wheeler’s erotica novel, and Hopper’s Tom Selleck-inspired Hawaiian shirt among some of our favorites).

Check out the full video above and see what you missed!

[h/t BGR]

Disney's Lady and the Tramp Remake Will Star a Mixed-Breed Rescue Dog Named Monte

Disney
Disney

Following the success of The Lion King, Lady and the Tramp will be the next classic Disney movie to be revamped in 2019. And while most of Disney's live-action remakes boast star-studded casts, the lead in this upcoming film is totally unknown. That's because Monte, a mixed-breed dog from Phoenix, Arizona, spent his pre-Hollywood days living in animal shelters.

As AZ Central reports, Monte will make his film debut as Tramp when Lady and the Tramp releases alongside the launch of Disney+, the company's upcoming streaming service, on November 12. In the original 1955 animated movie, Tramp was portrayed as a mutt who lived on the streets, so instead of looking for a purebred dog to portray the character, producers stayed faithful to the source material.

Monte lived in a New Mexico animal shelter before transferring to HALO Animal Rescue in Phoenix. When the filmmakers went there in search of a star for their movie, he instantly won them over. Like Tramp, Monte is a mixed-breed dog, but the shelter doesn't know exactly what his background is, other than being part terrier. Despite his scrappy appearance, Monte is very well-behaved. He knows how to sit, walk on a leash, and he's friendly with everyone he meets, according to the shelter.

The Lady and the Tramp crew adopted Monte in April 2018, and earlier this month, Disney released the first promotional image of him for the film. It features Monte snuggling up with his co-star, Rose, who plays Lady. True to the original, Lady is portrayed by a purebred cocker spaniel. Though you likely don't recognize the dogs on the poster, you may have heard of the voice actors who will bring them to life: Justin Theroux is playing Tramp and Tessa Thompson is Lady.

[h/t AZ Central]

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