15 Surprising Facts About The Godfather

Paramount Pictures
Paramount Pictures

Leave the gun, take these facts about Francis Ford Coppola’s masterpiece adaptation of Mario Puzo’s gangster novel, which premiered in New York City 46 years ago (on March 15, 1972).

1. FRANCIS FORD COPPOLA WAS AT RISK OF BEING FIRED DURING PRODUCTION.

Francis Ford Coppola (who got the job because of his previous movie, The Rain People) wasn’t the first director Paramount Pictures had in mind for The Godfather. Elia Kazan, Arthur Penn, Richard Brooks, and Costa-Gavras all turned the job down. And after filming began, executives didn’t like the brooding, talky drama that Coppola was shooting.

The studio wanted a more salacious gangster movie, so it constantly threatened to fire Coppola (even going so far as to have stand-in directors waiting on set). Coppola was reportedly getting the ax until he shot the scene where Michael kills Sollozzo and McCluskey, which the executives saw and loved.

2. COPPOLA FOUGHT TO KEEP THE FAMOUS LOGO.

The studio originally wanted to scrap the now-iconic “puppet strings” logo (which was first created by graphic designer S. Neil Fujita for the novel’s release) with Puzo’s name above the title for the movie release, but Coppola insisted on keeping it because Puzo co-wrote the script with him.

3. HE ALSO FOUGHT TO KEEP THE STORY AS A PERIOD DRAMA.

As a cost-cutting measure, Paramount asked Coppola to modernize the script so the action took place in 1972 and to shoot the movie in Kansas City as a stand-in for the more expensive New York City. Coppola convinced them to keep the story in a post-World War II New York setting to maintain the integrity of the film.

4. FAMILY DINNERS HELPED EVERYONE GET IN CHARACTER.

Coppola held improvisational rehearsal sessions that simply consisted of the main cast sitting down in character for a family meal. The actors couldn’t break character, which Coppola saw as a way for the cast to organically establish the family roles seen in the final film.

5. PARAMOUNT DIDN’T WANT MARLON BRANDO FOR THE ROLE.

When Coppola initially mentioned Brando as a possibility for Vito Corleone, the head of Paramount, Charles Bluhdorn, told Coppola the actor would “never appear in a Paramount picture.”

The studio pushed the director to cast Laurence Olivier as Vito, before eventually agreeing to pursue Brando under three stringent conditions: 1) Brando had to do a screen test; 2) if cast, Brando would have to do the movie for free; and 3) Brando would have to personally put up a bond to make up for potential losses caused by his infamously bad on-set behavior.

Coppola surreptitiously lured the famously cagey Brando into what he called a “makeup test,” which in reality was the screen test the studio demanded. When Coppola showed the studio the test they liked it so much they dropped the second and third stipulations and agreed to let Brando be in the movie.

6. PACINO WASN’T THE FIRST CHOICE TO PLAY MICHAEL, EITHER.

The studio wanted Robert Redford or Ryan O’Neal to play Michael Corleone, but Coppola always wanted Al Pacino. Other actors, like Martin Sheen and James Caan (who would go on to play Sonny), screen tested for Michael.

7. ROBERT DE NIRO AUDITIONED FOR SONNY.

Robert De Niro auditioned for the role of Sonny, but Coppola thought his personality was too violent for the role. De Niro would later appear as the young Vito Corleone in The Godfather: Part II, and win a Best Supporting Actor Oscar for his work.

8. COPPOLA LET THE WEDDING PLAY OUT AND SHOT IT GUERILLA-STYLE.

To add a sense of reality to the wedding scene (and because he only had two days to shoot it), Coppola had the cast freely act out and improvise in the background. He then shot specific vignettes amongst the action.

9. COPPOLA TOOK ADVANTAGE OF MISTAKES.

Lenny Montana, who played Luca Brasi, was a professional wrestler before becoming an actor. He was so nervous delivering his lines to a legend like Brando during the scene in the Godfather’s study that he didn’t give one good take during an entire day’s shoot. Because he didn’t have time to reshoot the scene, Coppola added a new scene of Luca Brasi rehearsing his lines before seeing the Godfather to make Montana’s bad takes seem like Brasi was simply nervous to talk to the Godfather.

10. THE CORLEONE COMPOUND WAS A REAL LOCATION ON STATEN ISLAND.

The residence was put up for sale in 2014 for just under $3 million. That’s a price we can probably refuse.

11. THE GODFATHER’S CAT WAS A STRAY.

During his daily walks to the set, Coppola would often see a stray cat, and on the day of shooting the scenes in Vito’s study, Coppola took the cat and told Brando to improvise with it. The cat loved Brando so much that it sat in his lap during takes for the whole day.

12. PACINO WAS THE ARCHETYPICAL METHOD ACTOR.

He really had his jaw wired shut for the first part of the shoot after his character is punched in the face.

13. THE INFAMOUS HORSE’S HEAD WAS REAL.

The horse head in the movie producer’s bed wasn’t a prop. The production got a real horse’s head from a local dog food company.

14. THE “TAKE THE CANNOLI” LINE WAS IMPROVISED.

The line in the script only had actor Richard Castellano as Clemenza say “Leave the gun” after the hit on the mobster who ratted on the Corleones. He was inspired to make the addition after Coppola inserted a line in which the character’s wife asks him to buy cannoli for dessert.

15. THERE WAS ORIGINALLY SUPPOSED TO BE AN INTERMISSION.

The 175-minute movie is long by Hollywood standards, and an intermission was going to be included just after the Solozzo/McCluskey shooting scene—but the idea was scrapped because the filmmakers thought it would ruin the momentum and take the audience out of the movie.

Why the Crypts of Winterfell Might Be Most Dangerous Place to Be in Game of Thrones

Helen Sloan, HBO
Helen Sloan, HBO

The Crypts of Winterfell have been the center of attention in the first two episodes of Game of Thrones's final season, and it seems like the location is only going to play a bigger part in what's to come. In the upcoming battle against the army of the dead, anyone who can't or shouldn't fight, such as Gilly, her son, and even Tyrion Lannister, has been instructed to retreat to the crypts.

But considering this battle is supposed to be the biggest in the show's history, some fans aren't convinced that the crypts are as well protected as the series' characters seem to think—especially since so people have repeatedly made mention of how safe they are. (Foreshadowing much?) Besides being very close to the site of the battle happening right up above, the location leaves those hidden very vulnerable, as there seems to be only one way in and out of the maze-like corridors.

Many fans have speculated that the battle will be the perfect opportunity to resurrect a few fallen Starks, which could be who we saw Arya Stark running from in the season 8 preview. Beyond that, however, TIME argues that the Night King might be heading straight to Winterfell for one person in particular buried in the crypt.

Before the events of Thrones, there was a war between the White Walkers and humans that drove the undead north, while Stark ancestor Bran the Builder built the wall to keep them there. The publication speculates that cold came to Winterfell and the castle was constructed to contain a being called "the Great Other," who is the Lord of Light's opposite—the god of darkness, cold, and death. Some believe he was buried in or beneath the crypt, and that the oft-mentioned "there must always be a Stark in Winterfell" imperative was part of the magic needed to keep the Great Other in its place. Unleashing the Great Other would certainly be a game-changer in the highly anticipated battle.

Whatever is truly down there, we can likely expect many more creepy scenes from the crypt (if Arya's running scene is any indicator). And we're betting those seeking shelter below Winterfell won't be nearly as safe as everyone hopes.

Game of Thrones Opening Credits Might Confirm Fan Theory About Daenerys

Helen Sloan, HBO
Helen Sloan, HBO

When the highly anticipated final season of Game of Thrones premiered earlier this month, fans were pleasantly surprised at the new opening credits, which showed a more detailed map of Winterfell and King’s Landing. But fans know the series doesn't do anything without purpose and potentially hidden meaning, so surely there are lingering clues in the credits for us to interpret ... right?

According to Inverse, there could be a clue in the gold band of the astrolabe that spins around the Game of Thrones banner. The band now depicts moments from the past seven seasons of the show, with one of the images potentially foreshadowing something about Daenerys Targaryen. A fan theory floating around over the years has argued that Dany is really Azor Ahai, and the new season’s opening credits might just confirm that.

Azor Ahai, a.k.a. the Prince That Was Promised, was the leader in a battle long before the events of Thrones between the White Walkers, the first humans, and the Children of the Forest. Fast-forward to the present, and the White Walkers are once again the biggest threat to humans, so many fans have been hoping the prophecy that Azor Ahai will be reincarnated will ring true. Fans have placed their bets on Jon Snow becoming this long-awaited prince, considering that Melisandre hinted at it when she brought him back from the dead, and because it’s been revealed he’s the true heir to the Iron Throne.

In High Valyrian, the word prince could mean any gender, however. The prophecy says that Azor Ahai will “born amidst salt and smoke under a bleeding star.” Inverse points out the red comet pictured on the astrolabe in the season 8 opening credits is likely the same red comet Daenerys sees in season 2. The Dothraki call this the “bleeding star.” Inverse continues:

“In a way, Daenerys really was born ‘under a bleeding star.’ When she stepped into the flames at the end of season 1, she emerged a new person, the Mother of Dragons. The astrolabe seems to confirm this, too, showing Dany as a fourth dragon, which suggests she was spiritually reborn when her dragons hatched.”

Daenerys actually being Azor Ahai would mean two things are probable: She’ll be the one to defeat the Night King, and she might have to kill Jon—neither of which are entirely unbelievable. While we know the Mother of Dragons will be essential to the remaining episodes of Game of Thrones, we’ll have to wait and see exactly how.

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