30 Years Later: The Great Milli Vanilli Hoax

Milli Vanilli VEVO via YouTube
Milli Vanilli VEVO via YouTube

Pop music has always been part talent show, part magic trick. This has never been more apparent than it was on November 15, 1990, when German producer Frank Farian revealed in a press conference that then-superstars Rob Pilatus and Fab Morvan, members of the pop duo Milli Vanilli, hadn’t sung a note on Girl You Know It's True, their 1989 multi-platinum debut album.

Milli Vanilli truthers had long speculated that Rob and Fab, two guys with thick European accents and limited command of the English language, couldn’t possibly have crooned hits like “Girl You Know It’s True” and “Blame It On the Rain.” And yet the news came as a shock to many. Milli Vanilli instantly went from Top of the Pops to laughing stocks. Rob and Fab were stripped of the Grammys they had won for Best New Artist, and duped fans filed class-action lawsuits.

It was one of the biggest scandals in music history, though it wasn’t an isolated incident. Around the same time, dance-pop groups Black Box and C+C Music Factory got caught doing almost exactly the same thing.

“We sold our souls to the devil,” Pilatus told the Los Angeles Times just days after Farian’s bombshell. “We lied to our families and our friends. We let down our fans. We realize exactly what we did to achieve our success. We made some very big mistakes and we apologize.”

 

The devil, in Rob and Fab’s version of the story, was Farian, a genius musician and marketer who’d pulled similar stunts before. In the 1970s, Farian struck gold with Boney M., a German disco group seemingly fronted by four Caribbean singers. In reality, Farian himself had provided the vocals on the group’s first album. He knew the importance of image better than anyone, and when he met Rob and Fab in early 1988, he immediately saw an opportunity.

Young, attractive, and hungry for success, the aspiring pop stars were easy marks. Rob, the son of a black American soldier and white German woman, was born in New York City but spent the first several years of his life in a Bavarian orphanage. He was adopted when he was 4 years old. Growing up in Munich, he grappled with racism and feelings of isolation. It was only through music and breakdancing that he found his identity. When he met Fab—who had been raised in Paris by parents from the Caribbean island of Guadeloupe—he found someone with similar interests and life experiences.

“Something clicked between us,” Rob told the Los Angeles Times in July 1989, when Milli Vanilli’s star was still on the rise. “Maybe it’s because we’re both black people who grew up in foreign cities that don’t have too many blacks."

In the early days of their friendship, Rob and Fab were regular faces on the Munich club scene. They dabbled in dancing and modeling, but what they really wanted to do, Rob said in a 2017 interview with VLADTV, was make music. They began hanging out with local studio musicians in Farian’s orbit and played a few club shows. Soon, Farian himself took notice.

 

What happened next is the most crucial and contested part of the story. Farian invited Rob and Fab to his studio and signed the duo to a record deal. That much is known. The question is whether Rob and Fab knew what they were getting into.

“We walked into a trap, not knowing it was a trap,” Fab told VLADTV. In his version of events, he and Rob signed the contract without realizing they were being hired purely to lip-sync. They wanted to sing, and the first time Farian played them “Girl You Know It’s True”—the song that would become their international breakthrough—he presented the track as an instrumental. Little did they know Farian had already recorded vocals with professional singers.

By the time they learned the truth, Fab said, they had already spent Farian’s advance money on new clothes and their trademark hair extensions. They were suddenly in debt to Farian, and they couldn’t walk away from the project until they paid him back. Once the group took off, and girls and drugs and money came into the picture, it became even harder for Rob and Fab to break away.

Farian claimed that Rob and Fab were never going to be proper recording artists. “I’ve never heard such a bad singer,” Farian said of Rob in a Los Angeles Times interview “They wanted to sing. They wanted to write songs. It never happened. They went instead to discos 'til 4 a.m. and slept all day. All they ever really did was party. Someone who lives like that can’t make good music.”

 

For all his showbiz acumen, Farian had no idea how big the whole thing was going to get. “It was a crazy idea,” he told the Los Angeles Times. “I thought, OK, it’s just for discotheques and clubs.” But his mix of pop, R&B, and hip-hop was perfectly pegged for the times, and Milli Vanilli quickly became the music industry's equivalent of Frankenstein monster.

“Girl You Know It’s True” went to No.1 in Germany and earned the group a deal with Arista Records in the United States. Thanks in large part to their music videos, which featured the photogenic pantomimers rocking cool clothes and swinging those signature braids, Milli Vanilli scored five Top 5 hits on the Billboard Hot 100. That included three No.1 singles: “Baby Don’t Forget My Number,” “Girl I’m Gonna Miss You,” and “Blame It on the Rain.” All four singles were on the album Girl You Know It’s True, which went six-times platinum in America and sold millions more copies worldwide.

As they enjoyed the trappings of fame, Rob and Fab struggled to live with their secret. On July 21, 1989, the group’s backing tape malfunctioned during a Club MTV tour stop in Bristol, Connecticut. As the words “Girl, you know it’s ...” repeated over and over, Rob panicked and ran offstage. The incident had no immediate effect on their career, but Rob would later call the mishap “the beginning of the end.”

Figuring their time was running out, Rob and Fab turned against Farian and demanded to sing on their next album. As the battle intensified, Farian had no choice but to call a press conference and spill the beans. He was unapologetic about the scam, and in 1991, he released The Moment of Truth, a new studio album credited to The Real Milli Vanilli, i.e. the singers from the first album. Arista, meanwhile, claimed no prior knowledge of the deception, though Rob and Fab insisted the label knew exactly what was going on.

 

Days after Farian’s press conference, Rob and Fab called their own. They were joined by a voice coach who assured the audience that, yes, they could sing. Rob and Fab then gave back their Grammys, which they’d planned on doing even before the Recording Academy formally revoked the awards.

The fallout was devastating for Rob and Fab. They released a self-titled comeback album in 1993 and even appeared on The Arsenio Hall Show to sing for real in front of a national audience. But Rob & Fab flopped, and the two former idols wrestled with drug addiction.

Fab ultimately sobered up, but Rob spiraled out of control. In 1996 he served jail time for assaulting two people and breaking into a car, and in 1998, he died of a drug overdose in a Frankfurt hotel room. He was 33 years old.

At the time of his death, Rob had apparently been working with Farian again. "I'm totally shocked," the producer told the Independent upon learning of Rob’s death. "Rob looked really good again. He was full of optimism for the future. We intended to tape material for another album.”

Fab wasn’t involved in that project, but he has revisited Milli Vanilli’s past in his own way. In yet another bizarre twist to this story, Fab teamed up with John Davis, one of the real singers whose voice he’d once lip-synced to, for the project Face Meets Voice: A Milli Vanilli Experience. The emergence of that unlikely duo might make for a good ending to the Milli Vanilli movie that’s been in the works since 2007. Filming was all set to begin on the project when director Brett Ratner lost his co-financing deal with Warner Bros. amid allegations of sexual misconduct.

Back in their heyday, Milli Vanilli claimed the band’s name meant “positive energy” in Turkish. That wasn’t true: The moniker was partially inspired by the English pop group Scritti Politti. But Fab has maintained a remarkably upbeat attitude as he’s gotten older. In addition to making music, he’s branched off into motivational speaking, using his story as an example of how one can “not just survive but thrive” after adversity. He’s certainly made peace with his own legacy. Speaking with the Associated Press in 2018, he defended his and Rob’s contributions to pop culture some two decades earlier.

“People might say, ‘Well, you know, they didn’t sing on the record,’” Fab said. “But look at the rest. We were the heart and soul of Milli Vanilli. We did those 107 cities (on tour) ... in eight months. We worked hard. We worked our butts off. We entertained people.”

Stephen King's Maine Home Will Become a Museum and Writer's Retreat

Russ Quinlan, Flickr // CC BY-SA 2.0
Russ Quinlan, Flickr // CC BY-SA 2.0

Early in his career, author Stephen King (It, The Shining, The Outsider) embraced his public persona of being a spooky writer of the macabre. He purchased a 19th-century Victorian mansion in Bangor, Maine in 1980 for $135,000 and spent some Halloweens outside passing out candy to trick-or-treaters.

Now, King’s residence is set to become something of a Bangor landmark. As Rolling Stone reports, King and his wife Tabitha requested that their private home at 47 West Broadway be rezoned as a nonprofit center, which the Bangor City Council granted this week. The plan is to turn the home into a museum devoted to King’s work as well as a writer’s retreat.

King isn’t evicting himself, exactly. While he remains the owner, he and his family have spent less time at the residence over the years, instead residing in Florida or Oxford County, Maine.

Shortly after King purchased the home, he wrote and read aloud an essay addressing why he chose Bangor and his earliest impressions of 47 West Broadway. “I think it disapproved of us at first,” he wrote. “The parlor seemed cold in a way that had little to do with temperature. The cat would not go into that room; the kids avoided it. My oldest son was convinced there were ghosts in the turret towers …” A few months in, King recalled, his family began to settle in.

The Bangor home has morphed into a tourist attraction of sorts over time, with fans of King’s making a pilgrimage to the spot to take photos or idle around its ornate iron gate. Soon they’ll be able to peek inside, though the museum will be by appointment only. It’s not yet known when the home will open to visitors or how writers can apply to stay there.

[h/t Rolling Stone]

16 Biting Facts About Fright Night

William Ragsdale stars in Fright Night (1985).
William Ragsdale stars in Fright Night (1985).
Columbia Pictures

Charley Brewster is your typical teen: he’s got a doting mom, a girlfriend whom he loves, a wacky best friend … and an enigmatic vampire living next door.

For more than 30 years, Tom Holland’s critically acclaimed directorial debut has been a staple of Halloween movie marathons everywhere. To celebrate the season, we dug through the coffins of the horror classic in order to discover some things you might not have known about Fright Night.

1. Fright Night was based on "The Boy Who Cried Wolf."

Or, in this case, "The Boy Who Cried Vampire." “I started to kick around the idea about how hilarious it would be if a horror movie fan thought that a vampire was living next door to him,” Holland told TVStoreOnline of the film’s genesis. “I thought that would be an interesting take on the whole Boy Who Cried Wolf thing. It really tickled my funny bone. I thought it was a charming idea, but I really didn't have a story for it.”

2. Peter Vincent made Fright Night click.

It wasn’t until Holland conceived of the character of Peter Vincent, the late-night horror movie host played by Roddy McDowall, that he really found the story. While discussing the idea with a department head at Columbia Pictures, Holland realized what The Boy Who Cried Vampire would do: “Of course, he's gonna go to Vincent Price!” Which is when the screenplay clicked. “The minute I had Peter Vincent, I had the story,” Holland told Dread Central. “Charley Brewster was the engine, but Peter Vincent was the heart.”

3. Peter Vincent is named after two horror icons.

Peter Cushing and Vincent Price.

4. The Peter Vincent role was intended for Vincent Price.

Roddy McDowall in Fright Night (1985)
Roddy McDowall as Peter Vincent in Fright Night (1985).
Columbia Pictures

“Now the truth is that when I first went out with it, I was thinking of Vincent Price, but Vincent Price was not physically well at the time,” Holland said.

5. Roddy McDowall did not want to play the part like Vincent Price.

Once he was cast, Roddy McDowall made the decision that Peter Vincent was nothing like Vincent Price—specifically: he was a terrible actor. “My part is that of an old ham actor,” McDowall told Monster Land magazine in 1985. “I mean a dreadful actor. He had a moderate success in an isolated film here and there, but all very bad product. Basically, he played one character for eight or 10 films, for which he probably got paid next to nothing. Unlike stars of horror films who are very good actors and played lots of different roles, such as Peter Lorre and Vincent Price or Boris Karloff, this poor sonofabitch just played the same character all the time, which was awful.”

6. It took Holland just three weeks to write the Fright Night script.

And he had a helluva good time doing it, too. “I couldn’t stop writing,” Holland said in 2008, during a Fright Night reunion at Fright Fest. “I wrote it in about three weeks. And I was laughing the entire time, literally on the floor, kicking my feet in the air in hysterics. Because there’s something so intrinsically humorous in the basic concept. So it was always, along with the thrills and chills, something there that tickled your funny bone. It wasn’t broad comedy, but it’s a grin all the way through.”

7. Tom Holland directed Fright Night out of "self-defense."

By the time Fright Night came around, Holland was already a Hollywood veteran—just not as a director. He had spent the past two decades as an actor and writer and he told the crowd at Fright Fest that “this was the first film where I had sufficient credibility in Hollywood to be able to direct ... I had a film after Psycho 2 and before Fright Night called Scream For Help, which … I thought was so badly directed that [directing Fright Night] was self-defense. In self-defense, I wanted to protect the material, and that’s why I started directing with Fright Night."

8. Chris Sarandon had a number of reasons for not wanting to make Fright Night.

Chris Sarandon stars in 'Fright Night' (1985)
Chris Sarandon stars in Fright Night (1985).
Columbia Pictures

At the Fright Night reunion, Chris Sarandon recalled his initial reaction to being approached about playing vampire Jerry Dandrige. "I was living in New York and I got the script,” he explained. “My agent said that someone was interested in the possibility of my doing the movie, and I said to myself, ‘There’s no way I can do a horror movie. I can’t do a vampire movie. I can’t do a movie with a first-time director.’ Not a first-time screenwriter, but first-time director. And I sat down and read the script, and I remember very vividly sitting at my desk, looked over at my then wife and said, ‘This is amazing. I don’t know. I have to meet this guy.’ And so, I came out to L.A. And I met with Tom [Holland] and our producer. And we just hit it off, and that was it.”

9. Jerry Dandridge is part fruit bat.

After doing some research into the history of vampires and the legends surrounding them, Sarandon decided that Jerry had some fruit bat in him, which is why he’s often seen snacking on fruit in the film. When asked about the 2011 remake with Colin Farrell, Sarandon commented on how much he appreciated that that specific tradition continued. “In this one, it's an apple, but in the original, Jerry ate all kinds of fruit because it was just sort of something I discovered by searching it—that most bats are not blood-sucking, but they're fruit bats,” Sarandon told io9. “And I thought well maybe somewhere in Jerry's genealogy, there's fruit bat in him, so that's why I did it.”

10. William Ragsdale learned he had booked the part of Charley Brewster on Halloween.

William Ragsdale had only ever appeared in one film before Fright Night (in a bit part). He had recently been considered for the role of Rocky Dennis in Mask, which “didn’t work out,” Ragsdale recalled. “But a few months later, [casting director] Jackie Burch tells me, ‘There’s this movie I’m casting. You might be really right for it.’ So, I had this 1976 Toyota Celica and I drove that through the San Joaquin valley desert for four or five trips down for auditioning. And in the last one, Stephen [Geoffreys] was there, Amanda [Bearse] was there and that’s when it happened. I had read the script and at the time I had been doing Shakespeare and Greek drama, so I read this thing and thought, ‘Well, God, this looks like a lot of fun. There’s no … iambic pentameter, there’s no rhymes. You know? Where’s the catharsis? Where’s the tragedy?’ … I ended up getting a call on Halloween that they had decided to use me, and I was delighted.”

11. Not being Anthony Michael Hall worked in Stephen Geoffreys's favor.

In a weird way, it was by not being Anthony Michael Hall that Stephen Geoffreys was cast as Evil Ed. “I actually met Jackie Burch, the casting director, by mistake in New York months before this movie was cast and she remembered me,” Geoffreys shared at Fright Fest. “My agent sent me for an audition for Weird Science. And Anthony Michael Hall was with the same agent that I was with, and she sent me by mistake. And Jackie looked at me when I walked into the office and said, ‘You’re not Anthony Michael Hall!’ and I’m like ‘No!’ But anyway, I sat down and I talked to Jackie for a half hour and she remembered me from that interview and called my agent, and my agent sent me the script while I was with Amanda [Bearse] in Palm Springs doing Fraternity Vacation, and I read it. It was awesome. The writing was incredible.”

12. Evil Ed wanted to be Charley Brewster.

Stephen Geoffreys stars in 'Fright Night' (1985).
Stephen Geoffreys stars in Fright Night (1985).
Columbia Pictures

Geoffreys loved the script for Fright Night. “I just got this really awesome feeling about it,” he said. “I read it and thought I’ve got to do this. I called my agent and said ‘I would love to audition for the part of Charley Brewster!’ [And he said] ‘No, Steve, you’re wanted for the part of Evil Ed.’ And I went, ‘Are you kidding me? Why? I couldn’t… What do they see in me that they think I should be this?' Well anyway, it worked out. It was awesome and I had a great time.”

13. Fright Night's original ending was much different.

The film’s original ending saw Peter Vincent transform into a vampire—while hosting “Fright Night” in front of a live television audience.

14. A ghost from Ghostbusters made a cameo in Fright Night.

Visual effects producer Richard Edlund had recently finished up work on Ghostbusters when he and his team began work on Fright Night. And the movie gave them a great reason to recycle one of the library ghosts they had created for Ghostbusters—which was deemed too scary for Ivan Reitman's PG-rated classic—and use it as a vampire bat for Fright Night.

15. Fright Night's cast and crew took it upon themselves to record some DVD commentaries.

Because the earliest DVD versions of Fright Night contained no commentary tracks, in 2008 the cast and crew partnered with Icons of Fright to record a handful of downloadable “pirate” commentary tracks about the making of the film. The tracks ended up on a limited-edition 30th anniversary Blu-ray of the film, which sold out in hours.

16. Vincent Price loved Fright Night.


Columbia Pictures

Holland had the chance to meet Vincent Price one night at a dinner party at McDowall’s. And the actor was well aware that McDowall’s character was based on him. “I was a little bit embarrassed by it,” Holland admitted. “He said it was wonderful and he thought Roddy did a wonderful job. Thank God he didn’t ask why he wasn’t cast in it.”

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