15 Fascinating Facts About Bob Fosse

John Downing/Daily Express/Hulton Archive/Getty Images
John Downing/Daily Express/Hulton Archive/Getty Images

Whether or not you’re a musical theater aficionado, you’ve very likely seen evidence of Bob Fosse’s revolutionary influence on dance. From Bring It On’s “spirit fingers” scene to Beyoncé’s “Single Ladies” video, Fosse-inspired choreography continues to razzle-dazzle audiences more than 30 years after his death.

Fosse's life, work, and relationship with legendary performer Gwen Verdon have recently been immortalized in FX’s Emmy-nominated television series Fosse/Verdon, but there’s always more to see behind the scenes. Read on to get to know the man who blessed us with Sweet Charity (1969), Cabaret (1972), and so many other musical must-sees.

1. Bob Fosse was named after a classic novelist.

Robert Louis Fosse’s parents named him after their favorite writer, Treasure Island author Robert Louis Stevenson. Whether or not they hoped Bob would follow in Stevenson’s footsteps is a mystery, but Fosse certainly created plenty of footsteps of his own.

2. Bob Fosse's parents dabbled in show business.

Fosse’s father Cyril and uncle Richard performed in a vaudeville act, where Cyril played the spoons, Richard played the piano, and they both sang. It fell apart after Richard was diagnosed with cancer, and Cyril became a Hershey chocolate salesman. Fosse’s mother Sadie’s career was less involved but equally interesting: She performed as a spear-wielding extra in the opera.

3. Bob Fosse was briefly in the Navy.

Fosse was still in boot camp when World War II ended, so he spent the next year performing all over the South Pacific in the Navy’s entertainment troupe. After he was discharged, Fosse moved to New York City to pursue a career in theater, and the GI Bill made it possible for him to take a year’s worth of free courses at the American Theatre Wing. "The G.I. bill paid for all of it, acting, diction, singing, ballet, modern dance, choreography," Fosse told The New York Times in 1973.

4. Bob Fosse's second wife encouraged him to become a choreographer.

Joan McCracken in 1947's Good News
Joan McCracken in 1947’s Good News.
MGM Studios

Fosse credits his second wife, dancer Joan McCracken, with steering him toward choreography. “She kept saying, ‘You’re too good for nightclubs,’” Fosse said. “She was the one who changed [my life] and gave it direction.”

5. Bob Fosse (sort of) lied his way into a choreography career.

Fosse had choreographed only one 45-second dance number in the 1953 film version of Kiss Me Kate when New York City Ballet choreographer Jerome Robbins recommended him to director George Abbott to choreograph the 1954 musical The Pajama Game.

“I lied about having done a lot of choreography,” Fosse told Rolling Stone. “In fact, I lied myself into the job. But that’s what I thought you did in show business. I thought that’s how you showed you had confidence.”

6. Bob Fosse had serious audition anxiety.

The “Fake it ‘til you make it” strategy didn’t stop at job interviews, and Fosse had to dance through nausea-inducing anxiety at many an audition before he broke into the choreography business. “If I had to audition on Wednesday, I’d start throwing up on Saturday night,” he told The New York Times.

7. Bob Fosse brought jazz hands into the limelight.

Though "jazz hands" or "spirit fingers" likely date back much further than Fosse, they have been strongly associated with him since he directed and choreographed the 1972 musical Pippin. The opening number is rife with hand motions, some of them very jazzy. Pippin was also the first Broadway musical with its own television commercial, which helped increase mainstream visibility for Fosse’s very precise, expressive choreographic style—jazz hands included.

8. Bob Fosse is the only person to win Emmy, Tony, and Academy Awards for direction in the same year.

In 1973, Fosse brought home the Tony Award for Best Direction of a Musical for Pippin, the Academy Award for Best Director for Cabaret (beating out Francis Ford Coppola, who was nominated for The Godfather), and the Emmy for Outstanding Directorial Achievement in Comedy, Variety or Music for Liza With a Z. With those three awards, Fosse clinched the elusive directorial triple crown, but they weren’t the only awards he won that year: he also took home Emmys in Best Choreography and overall Outstanding Variety, Music, or Comedy for Liza With a Z, plus the Best Choreography Tony for Pippin. (Unfortunately, Fosse was a Grammy shy of an EGOT.)

9. Bob Fosse was terrified of failure.

In an interview with newscaster David Sheehan (who also filmed Fosse’s stage production of Pippin—the first Broadway musical ever performed on camera), Fosse opened up about his fear that he wouldn’t be able to properly execute his ideas. Even after remarkable successes like Cabaret and Sweet Charity, Fosse worried that he didn’t possess the talent or intelligence to pull off new projects. “Every time I start on something new, it’s like day one,” he said. “How do I do this?”

10. Bob Fosse was inspired by Federico Fellini.

Italian film director Federico Fellini’s 1957 drama Nights of Cabiria served as the basis for Fosse’s 1966 musical Sweet Charity, starring then-wife Gwen Verdon. (In 1969, Fosse would adapt the musical into his feature directorial debut, replacing Verdon with Shirley MacLaine.)

Fosse looked to Fellini for inspiration again for his semi-autobiographical 1979 film All That Jazz, which follows the flashy career of a director-choreographer played by Roy Scheider. Fellini’s 1963 film 8 ½, on the other (jazz) hand, chronicles the career of a fictional Italian film director.

For his part, Fosse was happy to admit the similarities. “When I steal, I steal from the best,” he told Rolling Stone.

11. Bob Fosse was a perfectionist.

The precision and attention to detail with which Fosse approached dance and choreography also characterized his directorial style. His last film was 1983’s Star 80, a dark drama about the murder of Playboy model Dorothy Stratten at the hands of her husband, Paul Snider. On set, Fosse insisted that they use Snider’s exact brown carpet for the crime scene, even though the blood wouldn’t show up well on screen. Fosse also instructed his crew to ensure that every book in every bookcase on their Playboy Mansion set matched Hugh Hefner’s personality—regardless of whether or not the books would even make it into the shot.

12. Bob Fosse turned down an offer to direct Michael Jackson's “Thriller” music video.

In June 1983, Michael Jackson invited Fosse to lunch, gushed about how much Fosse’s choreography had inspired him, and asked him to direct the music video for “Thriller.” Fosse declined.

13. Bob Fosse predicted that he’d die young.

Heart attacks had wiped out plenty of Fosse’s kin, and he suffered his first (of several) in the fall of 1974 while he was simultaneously editing Lenny and rehearsing Chicago for Broadway. In 1983, Fosse told Rolling Stone that given his family history, he figured he only had time for two or three more projects. In hindsight, the statement seems eerily clairvoyant. He choreographed and directed the musical Big Deal in 1986, and staged a Sweet Charity revival in 1987. En route to the opening of Sweet Charity, Fosse suffered another heart attack, and passed away at age 60.

14. Bob Fosse basically threw his own funeral party.

After Fosse’s first heart attack, he had added a codicil to his will mandating that $25,000 be split evenly among 66 of his friends and then donated back to a funeral party budget. That way, at least those 66 people would feel a sense of responsibility to get together and celebrate Fosse's life. It worked: the group threw a smashing event in Tavern on the Green’s Crystal Ballroom with approximately 200 of Fosse’s friends, flames, and creative collaborators in attendance.

15. Bob Fosse and Gwen Verdon never formally divorced.

While Fosse’s extramarital affairs led to his 1971 split with Verdon, they never divorced; the couple was still technically married when Fosse died 16 years later. Though not always credited, Verdon continued to work with Fosse on many productions, including Cabaret, Chicago, and All That Jazz. She was even with him when he died.

10 Fast Facts About Jimi Hendrix

AFP/Getty Images
AFP/Getty Images

Though he’s widely considered one of the most iconic musicians of the 20th century, Jimi Hendrix passed away as his career was really just getting started. Still, he managed to accomplish a lot in the approximately four years he spent in the spotlight, and leave this world a legend when he died on September 18, 1970, at the age of 27. Here are 10 things you might not have known about the musical legend.

1. Jimi Hendrix didn't become "Jimi" until 1966.

Jimi Hendrix was born in Seattle on November 27, 1942 as John Allen Hendrix. He was initially raised by his mother while his father, James “Al” Hendrix, was in Europe fighting in World War II. When Al returned to the United States in 1945, he collected his son and renamed him James Marshall Hendrix.

In 1966, Chas Chandler—the bassist for The Animals, who would go on to become Jimi’s manager—saw the musician playing at Cafe Wha? in New York City. "This guy didn't seem anything special, then all of a sudden he started playing with his teeth," roadie James "Tappy" Wright, who was there, told the BBC in 2016. "People were saying, 'What the hell?' and Chas thought, 'I could do something with this kid.’”

Though Hendrix was performing as Jimmy James at the time, it was Chandler who suggested he use the name “Jimi.”

2. Muddy Waters turned Jimi Hendrix on to the guitar—and scared the hell out of him.

When asked about the guitarists who inspired him, Hendrix cited Buddy Holly, Eddie Cochran, Elmore James, and B.B. King. But Muddy Waters was the first musician who truly made him aware of the instrument. “The first guitarist I was aware of was Muddy Waters,” Hendrix said. “I heard one of his old records when I was a little boy and it scared me to death because I heard all these sounds.”

3. Jimi Hendrix could not read music.


George Stroud/Express/Getty Images

In 1969, Dick Cavett asked the musician whether he could read music: “No, not at all,” the self-taught musician replied. He learned to play by ear and would often use words or colors to express what he wanted to communicate. “[S]ome feelings make you think of different colors,” he said in an interview with Crawdaddy! magazine. “Jealousy is purple—‘I'm purple with rage’ or purple with anger—and green is envy, and all this.”

4. Jimi Hendrix used his dreams as inspiration for his songwriting.

Hendrix drew inspiration for his music from a lot of places, including his dreams. “I dreamt a lot and I put a lot of my dreams down as songs,” he explained in a 1967 interview with New Musical Express. “I wrote one called ‘First Look’ and another called ‘The Purple Haze,’ which was all about a dream I had that I was walking under the sea.” (In another interview, he said the idea for “Purple Haze” came to him in a dream after reading a sci-fi novel, believed to be Philip José Farmer’s Night of Light.)

5. "Purple Haze" features one of music's most famous mondegreens.

In the same interview with New Musical Express, it's noted that the “Purple Haze” lyric “‘scuse me while I kiss the sky” was in reference to a drowning man Hendrix saw in his dream. Which makes the fact that many fans often mishear the line as “‘Scuse me, while I kiss this guy” even more appropriate. It was such a common mistake that Hendrix himself was known to have some fun with it, often singing the incorrect lyrics on stage—occasionally even accompanied by a mock make-out session. There’s even a Website, KissThisGuy.com, dedicated to collecting user-generated stories of misheard lyrics.

6. Jimi Hendrix played his guitar upside-down.

Ever the showman, Hendrix’s many guitar-playing quirks became part of his legend: In addition to playing with his teeth, behind his back, or without touching the instrument’s strings, he also played his guitar upside-down—though there was a very simple reason for that. He was left-handed. (His father tried to get him to play right-handed, as he considered left-handed playing a sign of the devil.)

7. Jimi Hendrix played backup for a number of big names.

Though Hendrix’s name would eventually eclipse most of those he played with in his early days, he played backup guitar for a number of big names under the name Jimmy James, including Sam Cooke, Little Richard, Wilson Pickett, Ike and Tina Turner, and The Isley Brothers.

In addition to the aforementioned musical legends, Hendrix also helped actress Jayne Mansfield in her musical career. In 1965, he played lead and bass guitar on “Suey,” the B-side to her single “As The Clouds Drift By.”

8. Jimi Hendrix was once kidnapped after a show.

Though the details surrounding Hendrix’s kidnapping are a bit sketchy, in Room Full of Mirrors: A Biography of Jimi Hendrix, Charles R. Cross wrote about how the musician was kidnapped following a show at The Salvation, a club in Greenwich Village:

“He left with a stranger to score cocaine, but was instead held hostage at an apartment in Manhattan. The kidnappers demanded that [Hendrix’s manager] Michael Jeffrey turn over Jimi’s contract in exchange for his release. Rather than agree to the ransom demand, Jeffrey hired his own goons to search out the extorters. Mysteriously, Jeffrey’s thugs found Jimi two days later … unharmed.

“It was such a strange incident that Noel Redding suspected that Jeffrey had arranged the kidnapping to discourage Hendrix from seeking other managers; others … argued the kidnapping was authentic.”

9. Jimi Hendrix opened for The Monkees.

Though it’s funny to imagine such a pairing today, Hendrix warming up The Monkees’s crowd of teenybopper fans actually made sense for both acts back in 1967. For the band, having a serious talent like Hendrix open for them would help lend them some credibility among serious music fans and critics. Though Hendrix thought The Monkees’s music was “dishwater,” he wasn’t well known in America and his manager convinced him that partnering with the band would help raise his profile. One thing they didn’t take into account: the young girls who were in the midst of Monkeemania.

The Monkees’s tween fans were confused by Hendrix’s overtly sexual stage antics. On July 16, 1967, after playing just eight of their 29 scheduled tour dates, Hendrix flipped off an audience in Queens, New York, threw down his guitar, and walked off the stage.

10. You can visit Jimi Hendrix's London apartment.

In 2016, the London flat where Hendrix really began his career was restored to what it would have looked like when Jimi lived there from 1968 to 1969 and reopened as a museum. The living room that doubled as his bedroom is decked out in bohemian décor, and a pack of Benson & Hedges cigarettes sits on the bedside table. There’s also space dedicated to his record collection.

Amazingly, the same apartment building—which is located in the city’s Mayfair neighborhood—was also home to George Handel from 1723 until his death in 1759; the rest of the building serves as a museum to the famed composer’s life and work.

John Carpenter’s Original Halloween Is Coming Back to Theaters This Month

Anchor Bay Entertainment
Anchor Bay Entertainment

From September 27 through October 31, the original 1978 Halloween—directed by John Carpenter and produced by Debra Hill—will be returning to theaters, though it will look a little different. Hypebeast reports that the film’s cinematographer, Dean Cundey, helped remaster and restore a copy of the original film, giving this updated version better lighting and effects.

Upon its release on October 25, 1978, Halloween became one of the highest-grossing independent films of all time (it grossed $47 million domestically on a $325,000 budget), and kicked off a decade of copycat slasher films. In 2006, the Library of Congress chose to preserve Halloween in the U.S. National Film Registry. Last year, David Gordon Green directed Halloween, a “sequel” to the original. (Basically, the new Halloween ignored plots from 37 years of Halloween sequels and remakes.)

In 2020 and 2021, two more Halloweens, both starring Jamie Lee Curtis and directed by Green, will hit theaters worldwide. But between the end of September and Halloween, you’ll have a chance to see one of the greatest horror films of all time in theaters. (While watching you can look out for these Halloween goofs.)

Unlike a lot of classic movie re-releases, however, Halloween will not be shown at big chains like AMC. And the dates, times, and ticket costs will vary among venues, which will include select art house theaters, Rooftop Cinema Clubs, and event centers across North America. To find out if Halloween will be screening at a theater near you, go to CineLife’s site and type in your zip code.

[h/t Hypebeast]

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