6 Books You Didn’t Know Were Originally Self-Published

jtyler/iStock via Getty Images
jtyler/iStock via Getty Images

Though the wild success of a few self-published books—like E. L. James’s Fifty Shades of Grey—has created a wave of DIY authors, it’s not a novel idea. Long ago, Marcel Proust, Charles Dickens, and Walt Whitman decided to go their own way for some of their most famous works. Here are six well-known books that were originally self-published.

1. Maggie: A Girl of the Streets //  Stephen Crane

Stephen Crane is perhaps best known for traumatizing generations of elementary schoolchildren with grisly, gory depictions of the Civil War in his novel The Red Badge of Courage. Before that, he financed the publication of his first work, Maggie: A Girl of the Streets, an equally bleak examination of poverty, prostitution, and alcoholism in 19th-century New York. Just 21 years old at the time, Crane released the novella in 1893 under the pseudonym Johnston Smith and even devised a clever strategy to publicize it: He paid four men to read it on a New York elevated train. “It fell flat,” he said later, according to The New Yorker. But Maggie did pique the interest of fellow writers William Dean Howells and Hamlin Garland, which helped Crane gain confidence and momentum for his next works.

2. The Tale of Peter Rabbit // Beatrix Potter

The Tale of Peter Rabbit original edition
Carl Court/Getty Images

While Stephen Crane’s Maggie was hitting shelves in 1893, British author Beatrix Potter was beginning to write what would become The Tale of Peter Rabbit. The six publishers who received her manuscript insisted on publishing it as a large book so they could inflate the price, but Potter refused—she wanted it to be small enough that a child could easily hold it. So in December 1901, Potter dipped into her savings to print 250 copies herself. Its overwhelming early success convinced one of the original prospective publishers, Frederick Warne and Co., to change its tune. In October 1902, they released an edition with Potter’s specifications that sold more than 20,000 copies by that Christmas.

3. No Thanks // E.E. Cummings

E.E. Cummings had already published several poetry collections to widespread critical acclaim when he submitted what would eventually be titled No Thanks to New York publishers in 1934. All 14 of them declined the collection. One reason was that the Great Depression had made it difficult to sell already-successful books, and publishers were rarely acquiring any new ones. Another reason was that Cummings had ruffled feathers with EIMI, an experimental travelogue of his trip to Russia. Many writers thought it disrespected socialism, which was then en vogue. Eventually Cummings’s mother lent him the money to print the new collection himself. He named it No Thanks, and his dedication page read “No thanks to” followed by a list of all 14 publishers who had rejected it. The list was shaped like a funeral urn.

4. The Jungle // Upton Sinclair

Upton Sinclair's The Jungle
Byeznhpyxeuztibuo, Wikimedia Commons // Public Domain

In February 1905, the public encountered Upton Sinclair’s The Jungle as a serialized work in the socialist newspaper The Appeal to Reason, and again later that year in a quarterly journal called One-Hoss Philosophy. But when it came to publishing it as a book, Sinclair ran into serious issues. His contract with Macmillan fell apart after he refused to cut some of the more repulsive meat-packing details. Five other publishing houses also rejected the novel. Just as Sinclair was printing it himself using donations from readers, Doubleday, Page finally approached him with an offer. Always the portrait of integrity, Sinclair asked that they allow him to self-publish his edition so he could fulfill the existing pre-orders. Doubleday acquiesced, and Sinclair released 5000 copies of the so-called “Sustainer’s Edition” under The Jungle Publishing Company in February 1906, the same month that Doubleday released its almost identical version.

5. The Elements of Style // William Strunk, Jr.

The Elements of Style 1920 edition
Jimregan, Wikimedia Commons // Public Domain

Before The Elements of Style was Strunk and White’s, it was just Strunk’s. Professor William Strunk, Jr. privately published the self-proclaimed “little book” in 1918 for his Cornell students, and in 1920, Harcourt, Brace re-released it. But it wasn’t until E.B. White, one of Strunk’s former students, wrote about it in a 1957 issue of The New Yorker, 11 years after Strunk’s death, that it really gained momentum. The original 43-page publication, according to White, “consists of a short introduction, eight rules of usage, 10 principles of composition, a few matters of form, a list of words and expressions commonly misused, a list of words commonly misspelled. That’s all there is.” The rediscovery of the guidebook so invigorated White that he revised and added to it, and Macmillan republished the expanded edition in 1959. One hundred years and millions of copies after its initial release, The Elements of Style—or just “Strunk and White,” as it’s called colloquially—is one of the most acclaimed how-to books ever written.

6. The Celestine Prophecy // James Redfield

James Redfield’s novel/spiritual guide began with a 3000-copy print run that set him back about $7000. Redfield and his wife packed up their van and spent a month at a time traveling to independent bookstores across the nation to give a copy to each manager and whatever customers were present, reprinting as needed. The strategy reinforced the old publishing adage that the best way to sell books is by word of mouth: After a few months on the road, Redfield said that everybody was talking about it, and he estimates that they had sold around 160,000 copies. It was enough to ignite an informal rights auction between Warner Books and another unnamed publishing house, which Warner won. When asked at the Southern California Writers’ Conference if Warner requested any revisions, Redfield said yes. “But we didn’t do any of them,” he added. Warner published the book anyway, which then spent an impressive three years on The New York Times best seller list.

8 Fun Bookmarks to Keep Your Place

iStock
iStock

Why settle for a torn piece of paper or receipt when you can have something way more exciting? These bookmarks are for readers who want to add some extra whimsy to their reading routine.

1. Sprouts; $12.50

These ingenious silicone markers don’t work like normal bookmarks. Shaped like adorable sprouts, they fit inside your book and mark the exact line you’re at on the page. Because they’re made with a flexible material, you can close the book easily with the sprout inside and it will spring back to shape when you open the book again. The sprouts come in sets of six. For a little luck, check out the four-leaf clover iteration.

Find it: Amazon

2. Butterflies; $10


If you've ever wanted to have a real Disney princess moment, consider buying these bookmarks, which will make it look like butterflies have perched on your books. The set comes with 10 pieces in a variety of designs.

Find it: Amazon

3. Crocodile; $13

These clever placeholders create the illusion that a crocodile is lurking on top of your book. When you lift up this intimidating bookmark, it shows the reptile’s sharp teeth, warning others not to dare lose your place. (If mammals are more your style, there is also a hippo option.)

Find it: Amazon

4. Lamp; $13

Let this lamp-shaped bookmark illuminate where you left off. The lamp shape sits on top of the book while the yellow light-beam fits snuggly between the pages. It comes in three colors: white, red, and gray.

Find it: Amazon

5. Literary Feet; $24

Remember that scene in The Wizard of Oz when the house fell on the Wicked Witch of the East and only her feet stuck out? You can recreate that iconic movie scene with a bookmark. Even better, the design isn’t restricted to just the witch: You can get all kinds of famous book character feet to stick out of your book. Just some of the literary legs available include Alice from Alice in Wonderland, a direwolf from A Song of Ice and Fire, and a magician from Harry Potter. There are also some non-book selections, like animals, ballerinas, and Yoda.

Find it: Amazon

6. Food; $30

Let some of your favorite food keep your place. The plush bookmarks feature a slice of pizza, ice cream, coffee, and an ice cream sandwich.

Find it: Amazon

7. Magnetic pals; $5

You’ll be even more motivated to read if you have a small buddy smiling at you from the side of your book. You can attach them to any place on the side of the page, so you know exactly where you are in the story.

Find it: Amazon

8. Pointers; $7

These bookmarks also mark the exact place in the book, but without the help of magnets. Instead, they come with stretchy loops that wrap around the entire book. A hand pointing can pinpoint the exact word, in case you’re the type that stops reading mid-sentence. They come in packs of three.

Find it: Amazon

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11 Scrumdiddlyumptious Roald Dahl Facts

Ronald Dumont / Getty Images
Ronald Dumont / Getty Images

A world without Roald Dahl would be a world without Oompa Loompas, Snozzcumbers, or Muggle-Wumps. And who would ever want to live in a world like that? Celebrate the author with these gloriumptious facts about the master of edgy kids' books.

1. Writing was never Roald Dahl's best subject.

Dahl held onto a school report he had written as a kid, on which his teacher noted: “I have never met anybody who so persistently writes words meaning the exact opposite of what is intended.”

2. Making up nonsensical words was part of what Roald Dahl did best.

When writing 1982’s The BFG, Dahl created 238 new words for the book’s protagonist, which he dubbed Gobblefunk.

3. Roald Dahl's first profession was as a pilot.

And not just any pilot: Dahl was a fighter pilot with the Royal Air Force during World War II. And it was a plane crash near Alexandria, Egypt that actually inspired him to begin writing.

4. Roald Dahl got into some 007 kind of stuff, too.

Alongside fellow officers Ian Fleming and David Ogilvy, Dahl supplied intelligence to an MI6 organization known as the British Security Coordination.

5. Roald Dahl's first published piece was accidental.

Upon recovering from that plane crash, Dahl was reassigned to Washington, D.C., where he worked as an assistant air attaché. He was approached by author C.S. Forester, who was writing a piece for The Saturday Evening Post and looking to interview someone who had been on the frontlines of the war. Dahl offered to write some notes on his experiences, but when Forester received them he didn’t want to change a word. He submitted Dahl’s notes—originally titled “A Piece of Cake”—to his editor and on August 1, 1942, Roald Dahl officially became a published author. He was paid $1000 for the story, which had been retitled “Shot Down Over Libya” for dramatic effect.

6. Roald Dahl's first children's book was inspired by the Royal Air Force.

Published in 1942, The Gremlins was about a group of mischievous creatures who tinkered with the RAF’s planes. Though the movie rights were purchased by Walt Disney, a film version never materialized. Dahl would go on to become one of the world’s bestselling fiction authors, with more than 100 million copies of his books published in nearly 50 languages.

7. Roald Dahl read Playboy for the articles.

Or at least his own articles. While he’s best known as a children’s author, Dahl was just as prolific in the adult short story sphere. His stories were published in a range of outlets, including Collier’s, Ladies Home Journal, Harper’s, The New Yorker, and Playboy, where his topics of choice included wife-swapping, promiscuity, suicide, and adultery. Several of these stories were published as part of Dahl’s Switch Bitch anthology.

8. Quentin Tarantino adapted a Roald Dahl short story for the big screen.

One of Dahl’s best-known adult short stories, “Man from the South” (a.k.a. “The Smoker”), was adapted to celluloid three times, twice as part of Alfred Hitchcock Presents (once in 1960 with Steve McQueen and Peter Lorre, and again in 1985) and a third time as the final segment in 1995’s film anthology Four Rooms, which Quentin Tarantino directed.

9. Roald Dahl's own attempts at screenwriting were not as successful.

One would think that, with his intriguing background and talent for words, Dahl’s transition from novelist to screenwriter would be an easy one ... but you would be wrong. Dahl was hired to adapt two of Ian Fleming’s novels, the James Bond novel You Only Live Once and the kid-friendly Chitty Chitty Bang Bang; both scripts were completely rewritten. Dahl was also hired to adapt Charlie and the Chocolate Factory for the big screen, but was replaced by David Seltzer when he couldn’t make his deadlines. Dahl was not shy about his criticisms of the finished product, noting his “disappointment” that the film (and its changed title) shifted the story’s emphasis from Charlie to Willy Wonka.

10. Roald Dahl made an important contribution to the field of neurosurgery.

In 1960, Dahl’s four-month-old son Theo’s carriage was struck by a cab driver in New York City, leaving the child suffering from hydrocephalus, a condition that increases fluid in the brain. Dahl became very actively involved in his son’s recovery, and contacted toymaker Stanley Wade for help. Together with Theo’s neurosurgeon, Kenneth Till, the trio developed a shunt that helped to alleviate the condition. It became known as the Wade-Dahl-Till valve.

11. Even in death, Roald Dahl's sense of humor was evident.

Roald Dahl passed away from a blood disease on November 23, 1990 at the age of 74. Per his request, he was buried with all of his favorite things: snooker cues, a bottle of Burgundy, chocolate, HB pencils, and a power saw.

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