Georgia Teen Wins Doodle for Google Contest With a Tribute to Her Mom

Google
Google

Google regularly updates its homepage with festive designs, homages to figures from history, and interactive games, but today's Google Doodle is something different. All day, the website's logo will showcase an artwork by Arantza Peña Popo—the teenage winner of this year's Doodle for Google contest, according to CNET.

Earlier in 2019, Google put out a call for art that fit the theme "When I grow up, I hope…" After several rounds of votes from guest judges, Google executives, and members of the public, the winner was announced on The Tonight Show Starring Jimmy Fallon on Monday, August 12.

Arantza Peña Popo is a high school senior from Lithonia, Georgia. She was struggling to come up with something to submit when she received some last-minute inspiration the day of the contest deadline. According to her artist's statement submitted with the drawing, Popo focused on a real-life photograph of her mother holding her when she was baby, and tweaked the roles to transform it into a new piece of art. Her illustration, titled "Once you get it, give it back," shows a future version of the artist caring for her aging mother in front of a portrait of their younger selves.

“When I grow up, I hope to care for my mom as much as she cared for me my entire life,” she wrote.

In addition to having her art displayed on the Google homepage for a full day, Popo's prizes include a trip to Google headquarters in Mountain View, California; a $30,000 college scholarship; and a $50,000 "tech package" for her school or the nonprofit of her choice. Popo plans to attend the University of Southern California later in 2019, and her future plans include publishing alternative graphic novels and comics.

[h/t CNET]

Salvador Dalí's Tarot Card Deck Is Coming Back, Courtesy of TASCHEN

TASCHEN
TASCHEN

Looking for a tarot deck with a little surreal flair? You’re in luck: Beginning in November, art publisher TASCHEN will sell a set of tarot cards drawn by Salvador Dalí, the Spanish artist famous for his paintings of melting clocks.

Dalí was originally commissioned by producer Albert R. Broccoli to design a set of tarot cards for the 1973 James Bond movie Live and Let Die, Smith Journal reports (Jane Seymour’s character, a fortune teller, used them in the film). But the arrangement fell apart when Dalí reportedly requested a much higher sum than Broccoli was prepared to pay. Broccoli later turned to artist Fergus Hall to create the tarot cards that were eventually shown in the film, but Dalí was far enough into the project that he finished all 78 cards.

Each of the cards in the finished deck shows off Dalí’s distinctive style—the Queen of Cups, for example, has a blue mustache and goatee, and the Death card shows a skull floating in a cypress tree. At least two of the cards (the Magician and the King of Pentacles) are self-portraits. The deck was originally published in a 1984 limited edition, but it’s since been re-released on a few occasions.

The latest edition is scheduled for release on November 15. The full set, including all 78 cards and a companion book, costs $60 and can be purchased here.

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Meet the Artist Who Has Been Sketching New York City Subway Stations for 40 Years

art2002/iStock via Getty Images
art2002/iStock via Getty Images

The aesthetic appeal of New York City's subway system is often hidden behind a layer of grime or simply ignored by commuters. Philip Ashforth Coppola has been admiring those finer points of public transit for more than 40 years.

The New Jersey-based artist began sketching and researching the subway’s interior in 1978, Atlas Obscura reports. His pen drawings are in black and white, but Coppola notes the exact colors and the historic significance behind each. The beaver plaques at the Astor Place station, for example, represents real estate mogul John Jacob Astor, who first made his fortune in the fur trade.

“I’ve spent a lot of years on it,” he says in the 2005 documentary One Track Mind (also the title of his 2018 book). “But I haven’t accomplished that much.” The former art student is selling himself short: Coppola has drawn at least 110 of the city’s 472 stations, resulting in 2000 sketches spanning 41 notebooks.

In an interview with WNYC, Coppola admitted that he wasn’t a train enthusiast as a child. “When I was a kid, I liked to draw pictures and tell stories or write them down,” he says. “That sort of ... filed into this new adventure.”

Coppola sees the drawings as a way to preserve the subway system's overlooked details. “The idea is to make a record of what we’ve got, before more of it is lost," he says.

Even irritable commuters realized the significance of his endeavors. “People were just thunderstruck when they saw [Coppola’s] artwork,” says Jeremy Workman, the documentary's director. “It reminded them of art they had seen themselves and maybe didn’t notice. We thought that was a powerful message: Reminding people of the beauty that’s right in front of their eyes.”

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