The Reason Why the Genie From Aladdin Is Blue

Disney Enterprises Inc.
Disney Enterprises Inc.

Ever since Disney’s original Aladdin movie debuted in 1992, the Genie has always been blue. The Genie in the Broadway musical wears a royal blue costume, and a trailer for the 2019 live-action remake shows a blue, shirtless Will Smith playing the part of the Genie. While Disney has been known to change things up when it remakes classic movies like Beauty and the Beast or The Jungle Book, the Genie’s hue is one area where they're apparently sticking with what worked the last time around.

As Smithsonian explains, the reason for that is both symbolic and stylistic. Eric Goldberg, who oversaw the Genie’s animation for the original Aladdin, said the movie’s color palette was intentional. Specific colors were used to convey subtle messages about what the characters were like, before viewers had the chance to get to know them.

“The reds and the darks are the bad peoples’ colors,” Goldberg told Smithsonian. “The blues and the turquoises and the aquas are the good peoples’ colors.” If you go back and rewatch the movie, you’ll see that Jafar wears black and red, while Aladdin and Jasmine are dressed in cooler shades of blue, purple, and white.

Production designer Richard Vander Wende, who developed the movie’s color script, said the blue hue has even deeper symbolism attached to it. “Certain blues in Persian miniatures and tiled mosques stand out brilliantly in the context of the sun-bleached desert, their suggestion of water and sky connoting life, freedom, and hope in such a harsh environment," he said.

Disney animators and designers often use color to highlight the traits and attributes of different characters. A color wheel created by Venngage shows the colors various Disney characters are associated with, as well as the traits those colors supposedly stand for. For better or worse, crimson-clad characters like Jafar, Mr. Incredible, and the Queen of Hearts remind us of strength, energy, determination, and passion, according to Venngage’s analysis. Blue, on the other hand, stands for trust, loyalty, and confidence.

So even if people aren’t thrilled with Will Smith’s off-putting hue, it would seem the symbolism runs too deep to do away with it now.

[h/t Smithsonian]

George R.R. Martin Doesn't Think Game of Thrones Was 'Very Good' For His Writing Process

Kevin Winter, Getty Images
Kevin Winter, Getty Images

No one seems to have escaped the fan fury over the finals season of Game of Thrones. While likely no one got it quite as bad as showrunners David Benioff and D.B. Weiss, even author George R.R. Martin—who wrote A Song of Ice and Fire, the book series upon which the show is based, faced backlash surrounding the HBO hit. The volatile reaction from fans has apparently taken a toll on both Martin's writing and personal life.

In an interview with The Guardian, the acclaimed author said he's sticking with his original plan for the last two books, explaining that the show will not impact them. “You can’t please everybody, so you’ve got to please yourself,” he stated.

He went on to explain how even his personal life has taken a negative turn because of the show. “I can’t go into a bookstore any more, and that used to be my favorite thing to do in the world,” Martin said. “To go in and wander from stack to stack, take down some books, read a little, leave with a big stack of things I’d never heard of when I came in. Now when I go to a bookstore, I get recognized within 10 minutes and there’s a crowd around me. So you gain a lot but you also lose things.”

While fans of the book series are fully aware of the author's struggle to finish the final two installments, The Winds of Winter and A Dream of Spring, Martin admitted that part of the delay has been a result of the HBO series, and fans' reaction to it.

“I don’t think [the series] was very good for me,” Martin said. “The very thing that should have speeded me up actually slowed me down. Every day I sat down to write and even if I had a good day … I’d feel terrible because I’d be thinking: ‘My God, I have to finish the book. I’ve only written four pages when I should have written 40.'"

Still, Martin has sworn that the books will get finished ... he just won't promise when.

[h/t The Guardian]

Attention Movie Geeks: Cinephile Is the Card Game You Need Right Now

Cinephile/Amazon
Cinephile/Amazon

If you’ve got decades worth of movie trivia up in your head but nowhere to show it off, Cinephile: A Card Game just may be your perfect outlet. Created by writer, art director, and movie expert Cory Everett, with illustrations by Steve Isaacs, this game aims to test the mettle of any film aficionado with five different play types that are designed for different skill and difficulty levels.

For players looking for a more casual experience, Cinephile offers a game variety called Filmography, where you simply have to name more movies that a given actor has appeared in than your opponent. For those who really want to test their knowledge of the silver screen, there’s the most challenging game type, Six Degrees, which plays like Six Degrees of Kevin Bacon, with the player who finds the fewest number of degrees between two actors getting the win.

When you choose actors for Six Degrees, you’ll do so using the beautifully illustrated cards that come with the game, featuring Hollywood A-listers past and present in some of their most memorable roles. You’ve got no-brainers like Uma Thurman in Kill Bill (2003) and Arnold Schwarzenegger in Total Recall (1990) alongside cult favorites like Bill Murray from 2004's The Life Aquatic with Steve Zissou and Jeff Goldblum in The Adventures of Buckaroo Banzai Across the 8th Dimension (1984). Of course, being a game designed for the true film buff, you’ll also get some deeper cuts like Helen Mirren from 1990’s The Cook, the Thief, His Wife & Her Lover and Sean Connery in 1974's Zardoz. There are 150 cards in all, with expansion packs on the way.

Cinephile is a labor of love for Everett and Isaacs, who originally got this project off the ground via Kickstarter, where they raised more than $20,000. Now it’s being published on a wider scale by Clarkson Potter, a Penguin Random House group. You can pre-order your copy from Amazon now for $20 before its August 27 release date.

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