The Line for the Women's Bathroom Is Always Notoriously Long. It Doesn't Have to Be That Way

iStock.com/justhavealook
iStock.com/justhavealook

Like small pockets and unnecessarily expensive razors, long women's bathroom lines seem to be an annoying yet inevitable part of the female experience. But what if it didn't have to be that way? What if women could waltz into any restroom and find an open stall waiting for them? According to The Atlantic, the issue could be fixed once and for all by a seemingly simple measure: installing more toilets in women's bathrooms.

Historically, public restrooms have been designed with men in mind. Up until the Victorian era, bathrooms were male-only spaces because it was believed that men were the only ones who had any business being out in public. If women happened to be out and about and needed to pee, they had to crouch over a gutter or use a device called a urinette (kind of like a 19th-century Shewee).

With that said, the debate surrounding "potty parity" is fairly recent. After witnessing how long his wife and daughter had to wait in line for the bathroom at a Tchaikovsky concert in 1987, a state senator from California introduced legislation to provide women with more toilets. For the first time, the fact that women simply take longer on the toilet—partly because they have to enter a stall and sit down, but also because they have periods—was publicly addressed. The law passed, and it stipulated that new buildings have at least 50 percent more bathroom stalls for women than for men. Large cities like New York City and Chicago and at least 21 states passed similar laws in the years following.

So why are long women's bathroom lines still a problem? For one, the laws don't apply to bathrooms that existed prior to the legislation passing. There's also an extra cost associated with installing more toilets than plumbing codes require—something many developers aren't willing to take on. One way of circumventing the problem is by installing more gender-neutral toilets, but these tend to spark fierce debate in the public and political spheres.

Some have gotten creative. Bathrooms at the AT&T Stadium in Arlington, Texas, have changeable signs that let men's bathrooms be converted into women's bathrooms depending on the sex ratio of the crowd on any given night. As The Atlantic points out, there are plenty of possible fixes to the problem, if only the developers and public opinion would allow them.

[h/t The Atlantic]

Attention Aspiring Astronauts: Arlo Skye Now Has Space-Themed Luggage

Arlo Skye
Arlo Skye

While some travelers are preoccupied with getting their luggage through airport security, the designers at Arlo Skye are thinking bigger. As Condé Nast Traveler reports, the brand's new line of suitcases is inspired by space travel, with high tech features and a sleek, futuristic look.

Arlo Skye was founded in 2016 by alumni from Louis Vuitton and Tumi Inc. They set out to create luggage that emphasized design, with luxury polycarbonate suitcases available in trendy colors like rose gold and custom monogramming.

The company's Space Collection may be its most stylized line yet. It comes with a removable, 10,050-milliamp-hour charger with USB C and A ports for charging phones and other devices. The chrome-colored case is 22 inches tall, 9 inches deep, and 14 inches wide and weighs 8.5 pounds empty.

Space Collection suitcase from Arlo Skye
Arlo Skye

Depending on what type of space traveler you are, you can get one of three designs laser-etched on the bottom of your luggage. There's Moon Shot, Team Human, and Occupy Mars; each engraving comes with a short ode to space and a small picture of its respective celestial body. Like other suitcases made by Arlo Skye, these bags are zipper-free and made from polycarbonate with an aluminum frame.

Whether you're a globetrotter or an aspiring astronaut, the Space Collection from Arlo Skye makes a great travel companion.

Buy it from Arlo Skye for $450.

[h/t Condé Nast Traveler]

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The Helvetica Font Has Been Revamped for the First Time in Decades

Monotype
Monotype

The Helvetica font family is everywhere. It’s used on everything from subway signage to federal tax forms to advertisements for a diverse group of companies, including Harley-Davidson, Oral-B, and Target. Job seekers are also likely familiar with its clean, sans-serif characters, which make it one of the best fonts for a resume.

“If it's me, [I’m using] Helvetica,” Matt Luckhurst, a graphic designer, told Bloomberg in 2015. “Helvetica is beautiful. There is only one Helvetica.”

Until now. As Wired reports, the typeface has just been revamped for the first time in decades by Monotype, which boasts the world’s largest type library and owns the rights to Helvetica. The new and improved version, called Helvetica Now, aims to better serve modern users while also working out the kinks associated with the old design.

The new Helvetica font
Monotype

While Helvetica is still ubiquitous, several major companies—including Google, Apple, IBM, and Netflix—have dropped the typeface for branding purposes in recent years. Issues related to kerning, punctuation sizes, and scrunched characters are all common gripes with the old version.

By contrast, Helvetica Now comes in three versions to suit different needs. There’s a Micro version for small screens, a Display version for larger type sizes, and a Text version that makes use of white space to offset visually “demanding” designs. Companies will need to buy the license to the new Helvetica, but the font’s creators are hopeful that everyone will be making the switch in due time.

“Helvetica Now is the tummy-tuck, facelift, and lip filler we’ve been wanting, but were too afraid to ask for,” graphic designer Abbott Miller, a partner at design consultancy Pentagram, said in a statement. “It offers beautifully drawn alternates to some of Helvetica’s most awkward moments, giving it a surprisingly, thrillingly contemporary character.”

The original Helvetica was invented in 1957 by two Swiss designers who dubbed their typeface Neue Haas Grotesk. It wasn’t until 1961 that the typeface was renamed Helvetica, and the font’s last major facelift came in 1982 with the release of the desktop-friendly Neue Helvetica.

Of course, that was pre-internet, and Monotype’s director, Charles Nix, says everyone's font needs have changed a great deal in the intervening decades. “Neue Helvetica was the first digitization of Helvetica,” Nix said. “That was a long time ago, and so much has happened in our world since then.”

[h/t Wired]

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