10 Behind-the-Scenes Facts About Daniel Radcliffe's New Show Miracle Workers

Courtesy of TBS
Courtesy of TBS

Have you ever wondered if someone is up there, answering your prayers? In the new comedy Miracle Workers, which premieres on TBS on February 12, there is someone up there answering prayers, and it’s Daniel Radcliffe. The Harry Potter star plays Craig, an angel at Heaven, Inc. who works in the Department of Answered Prayers. He’s the only one in the Department until Eliza, played by Geraldine Viswanathan, is transferred there. They soon must answer an “impossible prayer” in order to keep God, played by Steve Buscemi, from destroying Earth. (Radcliffe, Viswanathan, and Buscemi are joined by Karan Soni, who plays Sanjay, an executive who works closely with God, and Lolly Adefope, who plays Rosie, God’s assistant.)

Mental Floss hopped on the phone with Radcliffe to find out all about why he loves Miracle Workers, what he has in common with his character, and what he hopes viewers will take away from the new series.

1. Miracle Workers is based on a book, but differs a bit from its source material.

Miracle Workers is based on Simon Rich’s book What In God’s Name: A Novel. "The TV show is much more sort of secular than the book was in many ways,” Radcliffe tells Mental Floss. “There’s a few kind of Bible-y, Old Testament-y tropes in there, but it’s mainly much more this idea of heaven and God as a corporation and a CEO. There’s an internal bureaucracy to how everything works.”

The book has been compared to Douglas Adams’s The Hitchhiker’s Guide to the Galaxy, and, says Radcliffe, “One of the things that’s fun about Douglas Adam’s books, or loads of great books that fall into some sort of fantasy, sci-fi [category], is that they build these worlds. I think that the world Simon has built in this heavenly corporation is really a fun place to spend time as a viewer, hopefully. And part of the joy of the show is in seeing the mess of how it all supposedly works—or doesn’t work, in many cases.”

2. Radcliffe has wanted to be involved since reading the book ...

Radcliffe loved What In God’s Name from the get-go. After reading it, he met with Rich, “and I basically said, ‘I love this book, and if you ever turn it into anything—if that was film, TV, or radioplay, I don’t care—I would just love to be involved.’”

About a year later, Rich called Radcliffe and proposed a TV series. Usually when something like this happens, Radcliffe says, your agent sets up the call and you know you shouldn’t commit until you’ve run it by them. But when it came to Miracle Workers, “I was basically immediately in. It wasn’t one of those things where I have to like ‘Oh, I should need to talk this over with anyone.’ It was just like, ‘No. I am doing this. If this show is happening, then I want to be in it.’”

3. … and he would have played any character.

An image of Daniel Radcliffe on the set of Miracle Workers.
Courtesy of TBS

When it came time to figure out what his role would be, Radcliffe says that he was “literally up for anything. It was very much just a case of me saying to Simon: ‘Any role you see fit to use me in, please use me. I would love to have that happen.’” That said, Radcliffe admits that, “I always felt like Craig was the most natural fit. Or Craig is the one I would pick if I could pick. And I’m very happy that he chose Craig.”

Radcliffe didn’t just act in Miracle Workers; he also executive produced it (along with Rich, Buscemi, Lorne Michaels, Andrew Singer, and co-executive producer Katy Johnson). “I was involved in the development of the project, and casting and that side of the process,” Radcliffe says. “But once I got on set, I was focused on just acting. I don’t want to take credit away from the people who really worked very hard!”

4. Miracle Workers shows off Radcliffe’s comedic side.

As Radcliffe told us in 2014, when he’s on the hunt for new projects, he’s always looking for something that will challenge him. He’s dabbled in comedic roles before, especially in indie films and onstage (and, of course, in a memorable appearance on Extras)—but he says Miracle Workers is “the [first] time I feel like I’ve got to really do comedy in a way that many people in America may have a chance to see it, which is really exciting. I don’t think I’ve ever been in anything with quite [this] sense of humor before. So it was kind of new for me. And to be able to work on a series like this, which had a writer’s room ... I got to spend a little bit of time in that room, and I’m just in awe of how f***ing talented and funny people are. I’m very, very lucky I got to say their jokes.”

5. Radcliffe and his character have at least one thing in common.

Craig is a bit of an oddball; he’s extremely devoted to his job and doesn’t have many friends. And also, he really loves mustard. It’s something the character has in common with Radcliffe, who is emphatic on this point: “I f**king love mustard. If you have a steak or something and there’s some like mustard left in the bowl at the end [of dinner], I will eat that off a spoon.” When he read that moment in the script, “I swear I almost emailed Simon, like, ‘has someone told you something about me?’” Radcliffe says, laughing.

Craig’s method of eating mustard differs slightly from Radcliffe’s, however: The character squeezes packets directly into his mouth. “I worked out that the most efficient method of getting an entire packet of mustard into your mouth without just squeezing it all over your face is to tear off a corner, and then bite down. Put the entire packet into your mouth and just drag it out through your teeth,” Radcliffe says. “I don’t do that in real life.” Which isn’t to say he actually minded having to eat mustard while shooting. “Everyone on set was going ‘you must hate this,’” he says, “and I was having to pretend like, ‘Yeah, yeah. This is weird.’”

6. The Heaven Corporation’s industrial vibe comes from Miracle Workers’s set.

Miracle Workers was shot in Norcross, Georgia, in an airport-sized factory-turned-studio space. “They basically scaled [the factory operation] down so that now, I think one-tenth of the factory space is in use for its original purpose, and the rest of it’s just rented out for films and studio spaces,” Radcliffe says.

The production team took advantage of what was left in the factory for the set of Miracle Workers. “[That’s] why it does have this fantastic semi-bureaucratic, semi-industrial feel to it, the whole set,” Radcliffe says. “A lot of the time in the corridors we weren’t even using sets, we were just using the factory and the studio itself as our set.”

7. The show’s production and design teams clearly had a blast.

An image of Daniel Radcliffe, Geraldine Viswanathan, and Karan Soni in Miracle Workers.
Courtesy of TBS

The humor in Miracle Workers extends to the show’s sets and props—look in the background and you’re likely to find something that will get you giggling. “It was one of those projects where you could tell those departments were having a lot of fun,” Radcliffe says. “Sometimes the production designer’s job is to go unnoticed and create something incredibly naturalistic, but when you have to create a really unique, unexpected version of heaven, something that everybody has at some point had some concept of—I think those departments have a lot of fun just upending it [and], along with Simon, creating that world.”

8. Radcliffe’s favorite set was Craig’s office.

“I loved my, Craig’s, office,” he says. “Just an endless amount of jokes in the background, and an endless array of props to play with and get involved in the scene. It felt like I had imagined it, somehow. It was a really brilliant set, with the wall of prayers he’s answered just stretching up into infinity. There are so many great ideas in there.”

9. Answering an “impossible” prayer drives most of the action, but there are other hijinks, too.

In the Department of Answered Prayers, Craig separates the prayers into ones he thinks he can accomplish, and ones he labels “impossible,” which go directly up to God. When answering a prayer they’ve marked doable, the angels have to do it unobtrusively; being too obvious or taking a shortcut can lead to unintended consequences. So Craig spends inordinate amounts of time generating wind to precisely blow leaves away to reveal a missing item, for example.

But those minor miracles take a backseat when Craig and Eliza start trying to answer their impossible prayer, which involves Earthlings Laura and Sam (played by Sasha Compère and Jon Bass). “That’s really what drives the plot in every episode,” Radcliffe says. “There are things that they have to do along the way in order to [answer it], and some of that does involve orchestrating people on Earth’s lives, in hopefully as unobtrusive of a way as possible. But as the series goes on and we get more desperate, our miracles get a lot less subtle.” (And, it should be said, more hilarious.)

10. The humor in Miracle Workers is dark, but the message is uplifting.

One thing that really excites Radcliffe about Miracle Workers is ultimately what he hopes audiences will take away from it. “Simon’s tone in that world view is something that I’m excited to share with people—that sensibility that the world is a dark, chaotic place sometimes, but it’s the only one we have,” he says. “[The show] has a lot of faith in human beings, and there’s an immense amount of excitement for the idea of being alive—in spite of all the insanity that the world sometimes offers you. The jokes are very sharp, but there’s a generosity of spirit that I really love and hope that other people love, too!”

6 Times There Were Ties at the Oscars

getty images (March and Beery)/ istock (oscar)
getty images (March and Beery)/ istock (oscar)

Only six ties have ever occurred during the Academy Awards's more than 90-year history. The Academy of Motion Picture Arts and Sciences (AMPAS) members vote for nominees in their corresponding categories; here are the six times they have come to a split decision.

1. Best Actor // 1932

Back in 1932, at the fifth annual Oscars ceremony, the voting rules were different than they are today. If a nominee received an achievement that came within three votes of the winner, then that achievement (or person) would also receive an award. Actor Fredric March had one more vote than competitor Wallace Beery, but because the votes were so close, the Academy honored both of them. (They beat the category’s only other nominee, Alfred Lunt.) March won for his performance in horror film Dr. Jekyll and Mr. Hyde, and Beery won for The Champ (writer Frances Marion won Best Screenplay for the film), which was remade in 1979 with Ricky Schroder and Jon Voight. Both Beery and March were previous nominees: Beery was nominated for The Big House and March for The Royal Family of Broadway. March won another Oscar in 1947 for The Best Years of Our Lives, also a Best Picture winner. Fun fact: March was the first actor to win an Oscar for a horror film.

2. Best Documentary Short Subject // 1950

By 1950, the above rule had been changed, but there was still a tie at that year's Oscars. A Chance to Live, an 18-minute movie directed by James L. Shute, tied with animated film So Much for So Little. Shute’s film was a part of Time Inc.’s "The March of Time" newsreel series and chronicles Monsignor John Patrick Carroll-Abbing putting together a Boys’ Home in Italy. Directed by Bugs Bunny’s Chuck Jones, So Much for So Little was a 10-minute animated film about America’s troubling healthcare situation. The films were up against two other movies: a French film named 1848—about the French Revolution of 1848—and a Canadian film entitled The Rising Tide.

3. Best Actress // 1969

Probably the best-known Oscars tie, this was the second and last time an acting award was split. When presenter Ingrid Bergman opened up the envelope, she discovered a tie between newcomer Barbra Streisand and two-time Oscar winner Katharine Hepburn—both received 3030 votes. Streisand, who was 26 years old, tied with the 61-year-old The Lion in Winter star, who had already been nominated 10 times in her lengthy career, and won the Best Actress Oscar the previous year for Guess Who’s Coming to Dinner. Hepburn was not in attendance, so all eyes fell on Funny Girl winner Streisand, who wore a revealing, sequined bell-bottomed-pantsuit and gave an inspired speech. “Hello, gorgeous,” she famously said to the statuette, echoing her first line in Funny Girl.

A few years earlier, Babs had received a Tony nomination for her portrayal of Fanny Brice in the Broadway musical Funny Girl, but didn’t win. At this point in her career, she was a Grammy-winning singer, but Funny Girl was her movie debut (and what a debut it was). In 1974, Streisand was nominated again for The Way We Were, and won again in 1977 for her and Paul Williams’s song “Evergreen,” from A Star is Born. Four-time Oscar winner Hepburn won her final Oscar in 1982 for On Golden Pond.

4. Best Documentary Feature // 1987

The March 30, 1987 telecast made history with yet another documentary tie, this time for Documentary Feature. Oprah presented the awards to Brigitte Berman’s film about clarinetist Artie Shaw, Artie Shaw: Time is All You’ve Got, and to Down and Out in America, a film about widespread American poverty in the ‘80s. Former Oscar winner Lee Grant (who won the Best Supporting Actress Oscar in 1976 for Shampoo) directed Down and Out and won the award for producers Joseph Feury and Milton Justice. “This is for the people who are still down and out in America,” Grant said in her acceptance speech.

5. Best Short Film (Live Action) // 1995

More than 20 years ago—the same year Tom Hanks won for Forrest Gump—the Short Film (Live Action) category saw a tie between two disparate films: the 23-minute British comedy Franz Kafka’s It’s a Wonderful Life, and the LGBTQ youth film Trevor. Doctor Who star Peter Capaldi wrote and directed the former, which stars current Oscar nominee Richard E. Grant as Kafka. The BBC Scotland film envisions Kafka stumbling through writing The Metamorphosis.

Trevor is a dramatic film about a gay 13-year-old boy who attempts suicide. Written by James Lecesne and directed by Peggy Rajski, the film inspired the creation of The Trevor Project to help gay youths in crisis. “We made our film for anyone who’s ever felt like an outsider,” Rajski said in her acceptance speech, which came after Capaldi's. “It celebrates all those who make it through difficult times and mourns those who didn’t.” It was yet another short film ahead of its time.

6. Best Sound Editing // 2013

The latest Oscar tie happened in 2013, when Zero Dark Thirty and Skyfall beat Argo, Django Unchained, and Life of Pi in sound editing. Mark Wahlberg and his animated co-star Ted presented the award to Zero Dark Thirty’s Paul N.J. Ottosson and Skyfall’s Per Hallberg and Karen Baker Landers. “No B.S., we have a tie,” Wahlberg told the crowd, assuring them he wasn’t kidding. Ottosson was announced first and gave his speech before Hallberg and Baker Landers found out that they were the other victors.

It wasn’t any of the winners' first trip to the rodeo: Ottosson won two in 2010 for his previous collaboration with Kathryn Bigelow, The Hurt Locker (Best Achievement in Sound Editing and Sound Mixing); Hallberg previously won an Oscar for Best Sound Effects Editing for Braveheart in 1996, and in 2008 both Hallberg and Baker Landers won Best Achievement in Sound Editing for The Bourne Ultimatum.

Ottosson told The Hollywood Reporter he possibly predicted his win: “Just before our category came up another fellow nominee sat next to me and I said, ‘What if there’s a tie, what would they do?’ and then we got a tie,” Ottosson said. Hallberg also commented to the Reporter on his win. “Any time that you get involved in some kind of history making, that would be good.”

10 Game of Thrones Fan Theories About How the Series Will End

HBO
HBO

Our faces are longer than Jon Snow’s right now. It's been more than a year since the last season of Game of Thrones ended, but season 8—the series's final one—is coming back on April 14, 2019. To tide you over until then, we’ve collected some of the most plausible as well as the most bonkers fan theories about what could go down in the final episodes. They predict everything from a new contender for the Iron Throne to a new species classification for a major character. On the bright side, we'll all have plenty of time to debate these before the first episode airs.

1. Jon Snow will kill Daenerys.

Almost since the series began, fans have been predicting that Jon Snow is the Prince Who Was Promised—a reincarnation of the legendary hero Azor Ahai. But most predictions have overlooked a central piece of the Azor Ahai legend, which may spell doom for Daenerys: Azor Ahai, a lousy metallurgist, had a tough time forging his fabled flaming sword Lightbringer. Then he realized he needed to temper the blade by plunging it into the heart of his wife, Nissa Nissa, to imbue it with her power. (Because in the logic of this legend, killing a powerful woman turns a mediocre man into a hero.) If Jon Snow is Azor Ahai, the theory goes, then Daenerys will be his Nissa Nissa—the one true love he must kill in order to save the realm.

2. The Lannisters' repaid debt will be their downfall.

Lena Headey in 'Game of Thrones'
HBO

You know the family creed: A Lannister always pays his debts. In season 7, Cersei stayed true to her family name when she paid off a large debt to the Iron Bank. Most viewers read this as a play to buy the loyalty of the bank and its mercenary soldiers, but one Machiavellian Redditor has predicted that paying off the debt will have the opposite effect. "While the Lannisters were in debt to the Bank, the Bank had a vested interest in their success," one Redditor wrote. Now that the debt is paid, the Iron Bank will invest in the side that seems to have the best chance of winning—and right now, that doesn't look like Cersei's.

3. Euron Greyjoy is the father of Cersei's child.

Somehow this seems more disturbing than Jaime being the baby's incestuous father. PopSugar rolled out this hot take based on some circumstantial evidence. First, Euron and Cersei cooked up a plan to betray Jon and Daenerys without telling Jaime, which "raises the question about what else Cersei was doing with Euron behind Jaime's back." Then there's the fact that Cersei just let Jaime ride north to fight the White Walkers, which doesn't seem like a risk you'd want your unborn child's father to take. She has no idea when or if he'll be back. But on the other hand, she knows exactly where Euron will be. Perhaps she's keeping an eye on her baby's true father.

4. Daenerys will die beyond the wall.

Redditor Try_Another_NO reached all the way back to season 2 to substantiate this theory about Daenerys's demise. While Daenerys is in the House of the Undying, she has a series of possibly prophetic visions. She walks through the throne room in Kings Landing, which is damaged and filled with snow. Before she can touch the Iron Throne, she's called away by a sound and suddenly finds herself walking beyond the wall. There she meets Khal Drogo who says he has resisted death to wait for her. According to the theory, these were clues about the series's end: The White Walkers will threaten Kings Landing. Daenerys will turn away from the throne to fight the White Walkers. Death awaits her beyond the wall.

5. Cleganebowl will finally happen.

For years fans have eagerly awaited a fight between Sandor and Gregor Clegane, which has been affectionately dubbed "Cleganebowl." In the season 7 finale, the Hound hinted that the much-hyped fight is coming when he told his brother, "You know who's coming for you." The cryptic message also spawned a fan theory about the real origin of the Clegane brothers' beef. Our only version of the tale comes from noted liar/sleazebag Littlefinger, who claimed Ser Gregor burned his brother's face over a stolen toy. But Redditor 440k11 thinks the Hound has always had a talent for reading the future in the flames. In fact, the theory goes, the Hound saw his brother's death foretold in a fire and told him about it. Enraged, young Gregor pushed his brother's face into the fire he was reading, burning Sandor and cementing their lifelong enmity.

6. Varys is actually a merman.

The case for this one is watertight. The books make several mentions of merlings living alongside dragons, giants, and White Walkers—mythical creatures we know exist in Essos. Varys, meanwhile, constantly covers his lower body in long robes. What is he hiding? According to Redditor nightflyer, it's his freaky fish body. In the books, it would explain his cryptic response when Tyrion threatened to have him thrown off a ship: "You might be disappointed by the result." In the show, it might explain how Varys traveled from Dorne to Daenerys's ship in Mereen seemingly overnight in the middle of season 7. (It wasn't lazy writing—he swam there!) In general, it might explain why he's such a slimy weirdo.

7. The maesters are colluding with Cersei to beat Daenerys.

Finally, a fan theory fit for our political age! According to this theory, the maesters are natural enemies of magic. The strange forces that bring the dead back to life, reveal the future in fire, and allow Arya to wear many faces are beyond the maesters' powers of rational explanation. But if magic were eliminated, the maesters' monopoly on knowledge would continue unchallenged. It follows, then, that the maesters would feel comfortable with Cersei's cruel reign but threatened by Daenerys's magical dragons. Maybe that explains why a former maester built Cersei a weapon meant to kill dragons. And maybe the maesters will intervene in the conflict more directly in the next season.

8. Arya will kill Cersei ... wearing Jaime's face.

Maisie Williams in 'Game of Thrones'
HBO

Predicting that Jaime will kill Cersei is so mainstream. Seeing Jaime kill Cersei for the good of the realm would reprise his role as the Kingslayer (or Queenslayer). It would neatly fulfill the Volanqar prophecy—the prediction a witch made to a young Cersei, that she would be killed by a volanqar (which translates to "younger sibling" in High Valyrian). And it would be so easy. Reasoning that George R.R. Martin would never do something so obvious, and that Arya's assassin character arc has to led to a more consequential target than Walder Frey, Redditor greypiano predicts that Arya will be Cersei's killer. If she first kills Jaime and uses his face to catch Cersei unaware, then the volanqar prophecy will be confirmed (even if it's on a technicality).

9. Viserion will come back to life.

Here's a fan theory for moms, from a mom. Redditor Cornholio_the_white wrote that after the season 7 finale, their mom called to say she was sad about Viserion's death. But she had a prediction: "I think it's going to remember its mother." She explained that Daenerys's love would free Viserion from the Night King's spell. Cornholio_the_white scoffed. That wasn't possible. The dragon was dead. But then Mom dropped a compelling counterargument: "Not if the Red Woman brings it back. They're keeping her around for something."

10. Gendry is the legitimate child of Cersei and Robert Baratheon.

This theory throws another contender for the Iron Throne into the mix. It maintains that Gendry was not Robert Barathean's bastard son—in fact, he was the only legitimate child of the king. We know that Cersei and Robert had a child—a "black-haired beauty"—who supposedly died shortly after birth. Curiously, Cersei says she never visited her firstborn child in the crypt, even though we know she is a fiercely devoted mother. Perhaps that's because she knew her son was actually in Fleabottom as a blacksmith's apprentice. And perhaps it was Cersei all along who was looking out for Gendry, securing his apprenticeship and protecting him from Joffrey's purge of Robert’s bastards. Gendry, for his part, remembers only that his mother had yellow hair. If that yellow-haired woman was Cersei, Gendry would have the most legitimate claim to the Iron Throne of anyone in Westeros.

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