Game of Thrones's Kristian Nairn Didn't Learn the Meaning of Hodor's Name Until the Very End

Isaac Hempstead Wright with Kristian Nairn in Game of Thrones
Isaac Hempstead Wright with Kristian Nairn in Game of Thrones
Helen Sloan, HBO

Actor Kristian Nairn officially left the Game of Thrones universe in 2016, but viewers have hardly forgotten about him. Nairn’s character, Hodor, was Bran Stark’s loyal servant for six seasons before tragically dying while holding the door shut to hold off the Army of the Undead, allowing Bran to escape.

Nairn recently reflected on the role, admitting that though he only ever repeated one line, Hodor was a difficult character to portray.

“The key to playing Hodor is just being real—you really have to put yourself into the situation because you don’t have words to express yourself,” Nairn told Star 2. “You really had to immerse yourself into the reality of the scene and put in your body language with having just one word.”

Most surprising about Nairn’s portrayal of Hodor is the fact that not even the actor knew the meaning of his character's name. In his final moments, fans finally find out that “Hodor” came about from Bran warging into Hodor as a youth at Winterfell at the same time they were being pursued by the undead. As Meera yelled at Hodor to "hold the door," a young Hodor seemed to see Bran at Winterfell. Then it seems that Bran also wargs into young Hodor, who suffers a seizure, which leaves him unable to say anything but the shortened version of his dying words.

Fans were shocked by this revelation, and it turns out that Nairn was, too.

“I remember over the years, I have asked the showrunners and George RR Martin what Hodor meant, but they would never tell me,” Nairn said. So he created his own theory for where the name came from, guessing that Hodor was a Clegane due to his unusually large size—but obviously that theory didn’t pan out.

“I was surprised just like everyone else when I found out what Hodor meant. But I never expected the reaction that came from all over the world,” Nairn said, commenting on the collective depression that fans fell into after his character’s death.

While a character who only ever utters one line over six seasons might not be an enticing role to every actor, Nairn said that showrunners David Benioff and Dan Weiss assured him the part would be worth it.

“It was challenging in some ways but David and Dan told me, ‘You’re gonna be one of the fan favorites of the show,' and this was before we even started. I didn’t really understand; I was like ‘Really? But he just says one word, guys.’ But they turned out to be right,” Nairn shared.

Nairn has taken a break from acting in order to focus on his DJ career, but he knows he’ll return to television eventually. “I love fantasy roles, sci-fi stuff. But I am up for anything. I will never do a part like Hodor again … I definitely have too much to say,” he said.

8 Sequels That Received Oscar Nominations for Best Picture

Jasin Boland, Warner Bros. Entertainment Inc.
Jasin Boland, Warner Bros. Entertainment Inc.

It’s rare when a movie sequel manages to stand up to the original entry in a film series. Even rarer? When a sequel is so good that it nabs an Oscars nomination for Best Picture. Here are eight movies that did just that.

1. Mad Max: Fury Road (2015)

When Mad Max: Fury Road was released in theaters in 2015, no one thought that it would be a critical darling—or an awards contender . But when the Academy Award nominations were announced in 2016, the latest entry in George Miller’s Mad Max franchise earned a whopping 10 nominations, including Best Picture and Best Director. Fury Road is the fourth installment in the series and was the first to hit theaters in 30 years (since the release of 1985’s Mad Max Beyond Thunderdome). It’s also the first movie in the franchise to receive any recognition from the Academy.

2. Toy Story 3 (2010)

A still from 'Toy Story 3' (2010)
Disney/Pixar

In 2011, Toy Story 3 was nominated for five Oscars, including Best Picture and Best Animated Feature. Though The King’s Speech ended up taking the night’s top prize, Toy Story 3 (which was named Best Animated Feature) made history that night, as it was the third ever animated movie to score a Best Picture nod; 1991’s Beauty and the Beast and 2009’s Up are the other two films to earn the same accolade.

3. The Lord of the Rings: The Return of the King (2003)

Although the first two installments in The Lord of the Rings trilogy—2001’s The Fellowship of the Ring and 2002’s The Two Towers—were each nominated for Best Picture, it was the final movie that ended up winning the Academy Award in 2004. In fact, The Return of the King won 11 Oscars that year, sweeping every category in which it was nominated, and tying Ben-Hur and Titanic for the most awards received in one night.

4. The Lord of the Rings: The Two Towers (2002)

In 2003, The Two Towers won two of the six Oscars for which it was nominated, for Best Sound Editing and Best Visual Effects. Rob Marshall’s musical Chicago beat it out for Best Picture.  

5. The Silence of the Lambs (1991)

Anthony Hopkins as Hannibal Lecter in 'The Silence of the Lambs' (1991)
20th Century Fox Home Entertainment

In 1992, The Silence of the Lambs made a clean sweep of the “Big Five” categories: Best Picture, Best Director for Jonathan Demme, Best Actor for Sir Anthony Hopkins, Best Actress for Jodie Foster, and Best Adapted Screenplay for Ted Tally. Although The Silence of the Lambs isn’t a direct sequel to Michael Mann’s 1986 film Manhunter, it’s based on the sequel novel to author Thomas Harris’s Red Dragon, on which Manhunter was based. It also features the character Hannibal Lecter in a major role, who was played by Brian Cox in Manhunter—before Hopkins made the role his own. Got that?

6. The Godfather: Part III (1990)

Though it’s often considered the far inferior film in The Godfather trilogy, The Godfather: Part III received seven Academy Award nominations in 1991, including Best Picture and Best Director for Francis Ford Coppola. Ultimately, it lost to Kevin Costner’s Dances with Wolves, making it the only installment in The Godfather Saga not to win a Best Picture Oscar.

7. The Godfather: Part II (1974)

Al Pacino in 'The Godfather: Part II' (1974)
Paramount Pictures

In 1975, The Godfather: Part II became the first sequel in Oscar history to win the Academy Award for Best Picture. It won the coveted award two years after the original film was named Best Picture. The sequel was nominated for a total of 11 Oscars, with three separate nominations in the Best Supporting Actor category alone: one for Michael Vincenzo Gazzo (who played Frankie Pentangeli) and Lee Strasberg (as Hyman Roth), and one for Robert De Niro, who took home the statuette for playing the younger version of Vito Corleone.

8. The Bells of St. Mary's (1945)

Though it lost Best Picture to Billy Wilder’s The Lost Weekend at the 1946 Oscars, The Bells of St. Mary’s is the first movie sequel to be nominated for the Academy’s biggest prize. The film is a sequel to Leo McCarey’s previous film, 1944’s Going My Way, which won the Oscar for Best Picture a year earlier. While Going My Way and The Bells of St. Mary’s feature different stories and casts, Bing Crosby stars in both movies as Father Chuck O'Malley.

An earlier version of this article ran in 2016.

James Cameron Directed Entourage's Aquaman, But He Could Never Direct the Real One

Tommaso Boddi, Getty Images for AMC
Tommaso Boddi, Getty Images for AMC

Oscar-winning director James Cameron is no stranger to CGI. With movies like Avatar under his belt, you’d expect Cameron to find a particular sort of enjoyment in special effects-heavy movies like James Wan's Aquaman. But Cameron—who directed the fictional version of Aquaman featuring fictional movie star Vinnie Chase in the very real HBO series Entourage—has a little trouble with suspension of disbelief.

In a recent interview with Yahoo!, Cameron said that while he did enjoy Aquaman, he would never have been able to direct the movie itself because of its lack of realism.

"I think it’s great fun,” Cameron said. “I never could have made that film, because it requires this kind of total dreamlike disconnection from any sense of physics or reality. People just kind of zoom around underwater, because they propel themselves mentally, I guess, I don’t know. But it’s cool! You buy it on its own terms.”

"I’ve spent thousands of hours underwater," the Titanic director went on to say. "While I can enjoy that film, I don’t resonate with it because it doesn’t look real.”

While Aquaman was shot on a soundstage, Cameron will be employing state-of-the-art technology that will allow him to actually be underwater while shooting underwater scenes for his upcoming Avatar sequels.

[h/t Yahoo!]

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