12 Surprising Facts About Black Christmas

Shout! Factory
Shout! Factory

Nearly a decade before he made A Christmas Story, director Bob Clark embarked on making another eventual holiday classic of a different sort: The story of a sorority house decorated with Christmas lights, an unsuspecting group of young women, and a mysterious killer lurking in the attic.

Black Christmas is one of the most important Canadian horror films of all time, and is now considered a classic of both the Christmas and the horror genres, as well as an important benchmark on the road to slasher films as we now know them. Here are a dozen facts about the film, from creepy voices to the actors who almost joined the production.

1. It went through several script evolutions.

Black Christmas began life as a screenplay by Roy Moore called The Babysitter, which riffed on the now-familiar urban legend of a babysitter tormented by a killer who turns out to be making phone calls from inside the house. That concept was tweaked by writer Timothy Bond to include a collegiate setting, and eventually made its way to director Bob Clark, who’d made a working home for himself in Canada after kickstarting his film career in the United States with low-budget films like Children Shouldn’t Play With Dead Things. The script, then retitled Stop Me, underwent yet another evolution in Clark’s hands.

The director dialed back the murder sequences, believing they were “too violent,” and added various dialogue to “emphasize the adultness of college students,” including the scenes in which Barb (Margot Kidder) is drunkenly ranting about turtles having sex. Clark also introduced the idea that the film would never actually show the killer to the audience, something Moore—the film’s sole credited writer—"didn’t want to go along with" at first, according to Clark. Moore eventually came around, and the film’s now-famous mysterious killer concept stuck.

2. Olivia Hussey said yes because of a psychic.

Olivia Hussey in Black Christmas (1974)
Shout! Factory

Clark wanted to make Black Christmas as sophisticated as he possibly could, and pursued top-tier talent to elevate his script. To that end, he reached out to Olivia Hussey, then best known for her work on Franco Zeffirelli’s Romeo and Juliet, to play the role of “final girl” Jess Bradford. Hussey took the part, and when she showed up on set, she apparently had a rather interesting reason for saying yes.

According to co-producer Gerry Arbeid, Hussey told him that she’d been informed by a psychic that she would be involved in a film in Canada that would make a lot of money. Since Black Christmas was being filmed in Toronto, she believed it to be the film the psychic was referring to. Arbeid told her at the time that he hoped she was right.

3. Bette Davis was asked to play the house mother.

The sorority’s house mother, Mrs. MacHenry or Mrs. Mac, was loosely based on one of Clark’s aunts, who also had a habit of hiding liquor bottles throughout the house. The role is vividly played by veteran actress Marian Waldman, but Clark originally had a bigger named in mind. The role was offered to screen legend Bette Davis, but she ultimately turned the role down.

4. Gilda Radner was supposed to co-star.

Black Christmas's cast is a mix of already established stars (Hussey and 2001: A Space Odyssey's Keir Dullea among them) and future stars (Margot Kidder, for example, had not yet starred in Superman), and that’s also reflected in the people who were almost in the cast. One future star who was cast but ultimately had to leave the film was Gilda Radner, who would have played Phyl, one of the longest-surviving sorority sisters in the house. Just a month before filming was set to begin, Radner was cast on a new TV show called NBC’s Saturday Night, which was eventually retitled Saturday Night Live. The role of Phyl went to future screen and stage legend Andrea Martin instead.

5. One actor was fired for a tragic reason.

For the role of police Lt. Kenneth Fuller, Clark originally wanted Oscar-winning actor Edmond O’Brien, who agreed to do the film. When O’Brien arrived in Toronto to begin work, though, Clark and Arbeid noticed something was wrong. According to Arbeid, O’Brien had trouble remembering where he was, and once declared that he was going to go back up to his hotel room while they were dining together at a restaurant in another part of town. It became clear that Alzheimer’s was beginning to take hold of the veteran actor, and Clark and Arbeid were worried about what might happen if they took O’Brien out into the cold Toronto winter for the night shoots required to film the scenes in which the police are searching for the missing girls. So the decision was made to let O’Brien go, and it fell to Arbeid to sit the actor down and break the news to him.

“It was very traumatic for me as well, and he burst into tears,” Arbeid recalled. “It was a very sad thing.”

With a tight schedule to keep, Arbeid and Clark had to recast the role of Lt. Fuller quickly. John Saxon was available, and was in wardrobe and preparing to shoot his first scenes just hours after landing in Toronto. According to Clark and Arbeid, if Saxon hadn’t said yes so quickly, the production might have been shut down.

6. A lot of the snow wasn’t real.

Though the film was shot in Toronto during the winter, Black Christmas dealt with an interesting problem when it came time to set the wintry scenes: a lack of snow. What little snow the production did have was closely guarded by the film's art director Karen Bromley, who recalled going to the house where much of the film was shot very early in the morning and making sure no one tracked through it before cameras were rolling.

For the scenes where snow simply wasn’t around, the production employed a fire truck spraying out flame retardant foam—the kind usually used for hard landings on airport tarmacs—to simulate a wintry look.

7. The creepy phone call voices were done upside down.

One of the most memorable elements of Black Christmas is the repeated use of phone calls from the killer, which take the form of threats, screaming, and arguments from two personalities calling themselves “Billy” and “Agnes,” though little else is told to us during the film. The calls were mixed by composer Carl Zittrer, and the voices were done by actor Nick Mancuso (who auditioned with his back to Clark so the director would hear rather than see the character), Clark, and other uncredited performers. According to Mancuso, one of the ways he achieved a particularly creepy vocal effect was to perform the calls upside down.

"I did the voice actually standing on my head to compress the thorax, to give it that kind of weird and spooky sound," Mancuso later recalled.

8. One cameraman played the killer.

A still from 'Black Christmas' (1974)
Shout! Factory

The film is also recognizable for its continuous use of point of view shots to establish the movements of the killer throughout the film. All of those shots, including every time we see the killer’s hands, were performed by cameraman Bert Dunk, who developed a “body brace” rig that would allow him to mount the camera on his shoulder while keeping his hands free. Dunk used that rig to climb the trellis outside of the house, throw objects around the attic, and even perform the famous bag strangulation scene with the bag mounted on the camera lens.

9. There is a backstory for the killer.

Clark was determined to keep the killer’s identity mysterious throughout Black Christmas, so other than the names Billy and Agnes we know very little about who he is or why he kills. That doesn’t mean no information exists, though. According to Clark, he developed a “very strong” backstory for Billy that provides a subtle logic to the phone calls.

"Billy is abusive and abused his little sister, and was abused himself, and probably killed his parents, and probably locked her up in a basement for five or six years,” Clark said. “And I think she escaped, and Billy doesn’t like girls, and it turns out Agnes doesn’t like boys."

A version of this backstory was explored in greater detail in the film’s 2006 remake.

10. Several crew members maDe cameos.

Because Black Christmas was produced on a low budget, Clark cut costs and saved time wherever he could, which meant various crew members ended up playing small roles throughout the film. Arbeid, for example, appears in the film as the taxi driver at the door of the sorority house. Among the other cameos: Property master John “Frenchie” Berger appears as a snowmobiler during the search of the park, costume designer Debi Weldon appears as a sorority sister, and production supervisor Dave Robertson appears as a police officer.

11. It was a hit in Canada, but bombed in America—at first.

James Edmond, Margot Kidder, Andrea Martin, and Marian Waldman in Black Christmas (1974)
Shout! Factory

Black Christmas was released in the fall of 1974 in its home country of Canada, and creative marketing (including a series of macabre countdown ads released in newspapers) helped make it a box office success. Warner Bros. picked up the film for distribution in the United States, and though the response to preview screenings was positive, the studio was worried that the title would make people think it was a blaxploitation film rather than a Christmas horror feature. The film was retitled Silent Night, Evil Night for its U.S. release, and audiences never quite latched on. Ironically, as was common practice at the time in Canada, various sets in the film had been dressed with American flags to make the movie more appealing to U.S. audiences. Revival screenings and home video releases eventually took care of Black Christmas in the States, and the film is now considered a holiday horror classic.

12. It helped inspire Halloween.

Black Christmas is considered one of the prototypes for what would become the slasher genre thanks to its high body count, point of view shots, and use of the “final girl” plot device, among other things, but it turns out the film actually has a rather direct connection to another of the most influential films in the genre. After it was released, Clark and writer/director John Carpenter were working on a project together. That project was never released, but the work did eventually lead to Carpenter one day expressing to Clark that he loved Black Christmas, and asking if a sequel or companion film could ever happen. Clark said he wasn’t really interested in going back to that territory, but he did offer up an idea for what it could be.

“It’ll be he was captured after all, he was put in an institution, and the movie will begin the night he escapes, back in town and they don’t know it yet, and I’m gonna call it Halloween,” Bob Clark recalled telling Carpenter.

“He deserves the full, expansive credit he’s gotten for doing that movie,” Clark added. “A few words about an idea are hardly a screenplay and a finished movie.”

Additional Sources:
The 12 Days of Black Christmas (2006)
On Screen!: Black Christmas (2005)

18 Facts About The Wizard of Oz for Its 80th Anniversary

Warner Home Video
Warner Home Video

It was the quintessential Golden Age of Hollywood film: Lovable characters (yes, even the bad guys), catchy song-and-dance numbers, and a story that still makes audiences cry 80 years after its initial release. The Wizard of Oz is an often-imitated but never-duplicated cinematic treasure (in this age of the multiple remake, that’s saying something) that remains an integral part of childhood decades after it first enchanted audiences in theaters.

Based on L. Frank Baum's wildly popular 1900 children’s book The Wonderful Wizard of Oz, the iconic MGM film from 1939 is still a gift that keeps on giving with its innumerable catchphrases (“There’s no place like home,” “It’s a twistah! It’s a twistah!” “I’ll get you my pretty, and your little dog, too!”), and timeless songs like “Over the Rainbow” and “We’re Off to See the Wizard.”

Many movies have tried to top that magical, life-changing moment when farm girl Dorothy Gale (a 16-year-old Judy Garland) opens the door to Munchkinland and trades her drab, sepia-toned Kansas life for one of boundless Oz Technicolor—and none has yet succeeded. But as with any other classic movie, The Wizard of Oz has its share of triumphs, tragedies, and trivia. Read on for some of some insights into this venerated Hollywood masterpiece.

1. You can thank the power of Technicolor for Dorothy's ruby slippers.

More so than the braids, the toy Toto, or even the blue-and-white gingham dress, those sparkly ruby-red shoes are the key to any Dorothy Gale costume. But one of the most important images of the enduring Wizard of Oz mythos did not come from the mind of author L. Frank Baum, but instead from Oz screenwriter Noel Langley. In The Wonderful Wizard of Oz book series, Dorothy’s shoes were made of silver. However, Langley recommended the slippers be changed to ruby for the film due to the fact that the bright red hue would show up much better against the Technicolor yellow brick road.

The silver shoes did make a comeback nearly 40 years later, when The Wiz was adapted for the big screen and Diana Ross’s Dorothy kicked it old-school for her Oz footwear.

2. Getting Dorothy home to Kansas was an easier feat than maintaining a director for The Wizard of Oz.

Victor Fleming may be the one officially credited onscreen, but The Wizard of Oz can boast four directors. The first, Richard Thorpe, was fired after less than two weeks. George Cukor was brought in next, but he was summoned away to go work on—of all projects!—Gone With the Wind. Then Fleming stepped in, until he too was called over to assist with Gone With the Wind, and King Vidor was hired to complete the movie.

3. Ray Bolger, forever immortalized as the Scarecrow, was initially cast as the Tin Man.


And he wasn’t too happy about it. Ray Bolger felt his signature, loose-limbed dancing style would be stifled as the rusted-stiff Tin Man (“I’m not a tin performer. I’m fluid,” said Bolger of the part). So he managed to convince the actor cast as the Scarecrow, Buddy Ebsen, to switch roles. Considering Ebsen was so easygoing about the change, it seemed like this was all meant to be. Or not ...

4. Buddy Ebsen, the original Tin Man, had to be replaced after suffering a severe allergic reaction to the aluminum powder makeup.

Nine days into production on The Wizard of Oz, Ebsen found himself in the hospital, unable to breathe from the aluminum-powder makeup he wore as the Tin Man (cue the “Nice going, Bolger,” here). "My lungs were coated with that aluminum dust they had been powdering on my face," Ebsen explained in the book The Making of The Wizard of Oz. The actor, who would go on to star in The Beverly Hillbillies TV show in the 1960s, was subsequently replaced by Jack Haley (whose Tin Man makeup was tweaked from a powder to a paste).

5. Margaret Hamilton, who played the Wicked Witch of the West, suffered burns from her makeup.

Ebsen wasn’t the only one who had a near-fatal experience with his Oz cosmetics. Actress Margaret Hamilton, who played the green-skinned Wicked Witch of the West, suffered a second-degree burn on her face and a third-degree burn on her hand while filming her character’s dramatic, fiery exit from Munchkinland. Hamilton learned after the fact that her makeup was copper-based (read: toxic), and that if it hadn’t been removed immediately, she may not have lived to tell the tale.

6. Judy Garland's original Dorothy look was much more Hollywood glamour girl.

Judy Garland’s Dorothy will always be remembered for her simple farm-girl look (and the subtle Emerald City makeover later in the movie), but when production first began on The Wizard of Oz, Garland was given the traditional Hollywood treatment. That meant a bouncy, blonde wig and tons of makeup. Fortunately, for the film’s legacy, Glam Dorothy didn’t last long. It was interim director George Cukor who did away with the wig and cosmetics, turning Dorothy back into what she was all along: A girl from the Kansas prairie.

7. Frank Morgan played not one, not two, but five characters in The Wizard of Oz.

Most of the main actors in The Wizard of Oz played two roles: A Kansas character and his or her Oz counterpart. This meant Ray Bolger (Scarecrow), Jack Haley (Tin Man), and Bert Lahr (Cowardly Lion) doubled as farmhands, and Margaret Hamilton got wicked in both Kansas (Miss Gulch) and Oz (the Witch). But Frank Morgan, who portrayed the shady Professor Marvel in the Kansas scenes (and was only billed for that role in the credits), not only showed up in Oz as the Wizard, but also as the uppity Doorman to the Emerald City, the Horse-of-a-Different-Color-owning Cabbie, and the snippy (later, sobbing) Wizard’s Guard.

8. Margaret Hamilton appeared on Mister Rogers' Neighborhood to talk about her most famous role.

In 1975, former kindergarten teacher Margaret Hamilton was a guest on Mister Rogers’ Neighborhood. On this episode, Hamilton spoke with Fred Rogers at length about her celebrated—albeit frightening—role, as a way to help children watching at home understand that her playing the Wicked Witch, in the words of a familiar Neighborhood term, was all “make-believe.”

Hamilton discussed how kids could better sympathize with the Witch’s perspective by explaining her misunderstood nature: “She’s what we refer to as ‘frustrated.’ She’s very unhappy because she never gets what she wants.” (A prescient Hamilton was also hitting on the concept for the novel—and subsequent musical—Wicked here, 20 years before its publication.) The actress then ended her visit with Mr. Rogers in the coolest way possible: Dressing up in a Wicked Witch of the West costume (sans green makeup) and briefly slipping into her mischievous cackle.

9. The classic 1939 MGM film was not the first cinematic adaptation of L. Frank Baum's novel.

Back in 1910, a 13-minute silent film called The Wonderful Wizard of Oz was produced. By today’s standards, it’s delightfully creepy, but 105 years ago, it was probably a revelation for audiences. The movie also took a lot of liberties with Baum’s original story, which can be discombobulating for modern viewers. In this version, Dorothy and the Scarecrow are already pals by the time they’re both swept up in the (very primitive-looking) cyclone for their journey to Oz. The movie also ends with Dorothy ditching Kansas and opting instead to stick around this far more exciting magical land. “There’s no place like–Oz?”

Another silent film, also called The Wizard of Oz, was released in 1925 and featured a young Oliver Hardy in the role of the Tin Woodsman. It, too, deviated significantly from the book.

10. At one point, Dorothy, the Scarecrow, the Tin Man, and the Cowardly Lion were doing a 1939 dance craze: the Jitterbug.

But you never got to see it, because the entire sequence was cut from Oz for time (plus there’s the theory that producers felt inserting an up-to-the-minute dance craze would date the film). Right before the Wicked Witch’s Flying Monkeys descend upon Dorothy and her friends in the Haunted Forest, the group was supposed to be attacked by an insect (“The Jitterbug”) that would make them dance uncontrollably. In fact, at the start of the clip above, you can still hear the Witch comment to one of her monkeys, “I’ve sent a little insect on ahead to take the fight out of them” (continuity be damned).

Full audio of the “Jitterbug” song still exists, as well as some very raw footage. The “Jitterbug” song-and-dance number has also been reinstated in some stage versions of The Wizard of Oz (including a 1995 high school production that featured the writer of this piece).

11. Toto the dog made more than the Munchkin actors.

Margaret Pellegrini, who portrayed one of the Munchkins in the film, said that she was paid $50 a week to work on Oz. In 1939, that was a decent wage for a working actor. Trouble was, Dorothy’s canine companion was pulling in a whopping $125 a week. That had to make things awkward on set.

12. An Iowa newspaper article spun The Wizard of Oz as a cure for "war nerves."

One day after Germany invaded Poland (thus beginning the Second World War), Iowa’s Mason City Globe Gazette ran an article heralding The Wizard of Oz’s run at the local movie house. As a way to both increase morale and ticket sales, Oz was billed as the perfect escapist fantasy for those worried about the events overseas. The actual headline read: “War Nerves? See The Wizard of Oz for a Genuine Rest.” Glinda the Good Witch and her cohorts may not have been able to solve the problem of encroaching Nazism, but at least they provided a couple hours’ worth of comfort away from the horrors of the real world.

13. Busby Berkeley choreographed an extended (and deleted) version of "If I Only Had a Brain."

Another casualty of the cutting room floor, this extended “If I Only Had a Brain” sequence showcased Ray Bolger’s deft control over his seemingly elastic body. It is also extremely trippy and gave the Scarecrow the inexplicable ability to fly—which wasn’t going to gel with the rest of the movie (if the Scarecrow could fly, then why didn’t he go one-on-one with the Wicked Witch?). Luckily for Berkeley, the decision to delete this part of the scene in no way hurt the legendary director-choreographer’s place in the annals of movie musical history.

14. Margaret Hamilton used to sneak into Billie Burke's dressing room.

It’s not easy being green, as Margaret Hamilton can attest. The Wicked Witch actress’ sorry excuse for a dressing room was a canvas tent that, in Hamilton’s words, was “simply awful.” But Billie Burke, who portrayed Glinda the Good Witch, had her own thin slice of pink-and-blue-hued heaven on the MGM lot that was probably decorated by Glinda herself (in reality, Burke was the widow of vaudeville impresario Florenz Ziegfeld Jr. and knew a thing or two about glamorous living). “She had a pink and blue dressing room,” said Hamilton in The Making of The Wizard of Oz. “With pink and blue powder puffs and pink and blue bottles filled with powder and baby oil. And pink and blue peppermints.” So on days Burke wasn’t on set, Hamilton admitted to eating her lunch in her co-star’s palace-like inner sanctum.

15. Shirley Temple was considered for the role of Dorothy.

At 10 years old, Shirley Temple fit the little-girl profile of Dorothy Gale much more than the teenaged Judy Garland. She was also a box office sensation who could guarantee packed movie houses. So it made good business sense that some of The Wizard of Oz's producers were considering the child star for the role. But the official reason for why Temple ultimately didn’t end up as Dorothy remains a part of Hollywood lore: it could have been because 20th Century Fox wouldn’t loan her to MGM for the film, or because Temple was supposedly part of an inter-studio trade with Clark Gable and Jean Harlow that fell through upon Harlow’s death in 1937. Also, while Temple may have charmed movie audiences with her cherubic renditions of “On the Good Ship Lollipop,” she didn’t stand a chance when going up against a vocal powerhouse like Garland.

16. Victor Fleming slapped Judy Garland in order to finish a shot.

Today, it would be considered abuse and grounds for immediate dismissal. But 76 years ago, slapping your star across the face was not only condoned, it actually produced results. When Judy Garland couldn’t get her giggles under control when Bert Lahr’s Cowardly Lion made his big entrance, director Victor Fleming didn’t have time to play games. He took Garland aside, whacked her on the cheek, and then ordered her to “Go in there and work.”

17. Jello-O was the secret ingredient behind the horse of a different color.

When Dorothy and her friends arrive in the Emerald City, they take a scenic tour around the fun-filled town courtesy of a cabbie and his Horse of a Different Color. In order to achieve the horse’s purple, then red, then yellow hue, the production team created a Jell-O-based tint that wouldn’t be harmful to the animals on set (yep, the ASPCA was involved). The gelatin powder worked wonders, except for the fact that the horses couldn’t stop licking its sugary sweetness off their coats!

18. The Wizard of Oz has several connections to Walt Disney's Snow White and the Seven Dwarfs.

After Disney’s first-ever feature-length animated movie, Snow White and the Seven Dwarfs, did gangbusters at the box office following its 1937 release, MGM mogul Louis B. Mayer was determined to follow in Uncle Walt’s fairy-tale-to-screen footsteps. And once Mayer was in production on The Wizard of Oz, the Snow White influences were hard to avoid. Actress Gale Sondergaard was tested as the Wicked Witch of the West, with the intention that the character would be a sultry villainess à la Snow White’s Evil Queen. But even though producers ultimately decided that “Bad witches are ugly”—and Sondergaard lost out on the part—Snow White still literally managed to sneak into the picture unseen: Adriana Caselotti, who voiced Snow White in the Disney movie, sang the line “Wherefore art thou, Romeo?” during the Tin Man’s lament, “If I Only Had a Heart.”

Additional Sources: The Wonderful Wizard of Oz: 50 Years of Magic documentary The Making of The Wizard of Oz, by Aljean Harmetz A Brief Guide to Oz: 75 Years Going Over the Rainbow, by Paul Simpson Victor Fleming: An American Movie Master, by Michael Sragow The Wizard of Oz FAQ: All That’s Left to Know About Life According to Oz, by David J. Hogan

19 Facts About My So-Called Life On Its 25th Anniversary

Claire Danes and Jared Leto star in My So-Called Life (1994).
Claire Danes and Jared Leto star in My So-Called Life (1994).
ABC

On August 25, 1994, teenagers across the country were introduced to Angela Chase, Claire Danes's character in the beloved, albeit short-lived, teen drama My So-Called Life. On the 25th anniversary of the series' debut, we're taking a look back at the groundbreaking series.

1. Alicia Silverstone almost played Angela Chase.

Alicia Silverstone
Getty Images

While Claire Danes ended up playing Angela Chase in My So-Called Life, then-unknown Alicia Silverstone was considered for the role. The 16-year-old Silverstone was ultimately declared "too pretty" to play such a confused character by series co-executive producer Marshall Herskovitz, and 13-year-old Danes—who better fit the awkward teenager role—was chosen instead. Silverstone would get her breakout role one year later, in the form of Clueless's Cher Horowitz.

2. A.J. Langer also auditioned for the role of Angela.

Silverstone wasn't Danes' only competition for the role of Angela Chase. A.J. Langer also auditioned for the part before Danes landed the role. Instead, Langer got the role of Rayanne Graff, a troubled teen and Angela’s new best friend.

3. Rickie Vasquez was the first openly gay teenager on American network TV.

Wilson Cruz played the character of Enrique “Rickie” Vasquez on My So-Called Life. Although there were gay characters on TV before 1994 (Billy Crystal played the 20-something gay son Jodie Dallas on Soap back in 1977), Rickie Vasquez was the first openly gay teenage character on American network TV.

4. Jared Leto almost turned down the role of Jordan Catalano.


Getty Images

Jordan Catalano was only supposed to appear in the pilot episode of My So-Called Life. "But as soon as we got Jared on film, we knew he had to be a continuing character," series creator Winnie Holzman said. Leto was also very hesitant to take the role because he was less interested in acting at the time and was flirting with the idea of going to art school instead. "I remember not being positive that he wanted to do it," Holzman said. "I was a little worried that he didn’t want the part that much. He seemed to have ambivalent feelings. Maybe I am projecting.”

5. The character of tino was never seen.

During the entire series run, the character of Tino was mentioned, but never seen.

6. The SERIES WAS Filmed at a Real High School.

The Pittsburgh-based Liberty High School is fictional. My So-Called Life was shot on location at University High School in Los Angeles. Filming took place during the school year, so students, teachers, and classes had to be shifted to other parts of the school that weren’t being used for production. The school was also used in 7th Heaven, Joan of Arcadia, and Arrested Development.

7. Series Creator Winnie Holzman MADE a cameo.

She played teacher Mrs. Krzyzanowski in the episode “Father Figures.” Holzman only appeared in one episode during the series run.

8. Jared Leto's Brother Also had a Role on the Show.

Jared Leto’s older brother Shannon appeared on My So-Called Life as Jordan Catalano’s bandmate (Frozen Embryo’s drummer) Shane. A few years later, in 1998, the brothers started the real-life rock band 30 Seconds To Mars. Jared Leto is the band's lead singer/guitarist and Shannon Leto plays drums.

9. Bess Armstrong had an Interesting Nickname.

Bess Armstrong, who played Angela’s mother Patty Chase, was nicknamed “Precious Poodle” while filming My So-Called Life. Actress Mary Kay Place, who played Sharon’s mother Camille Cherski, gave her the nickname.

10. Only two episodes don't have an Angela Chase Voiceover.

Angela Chase provides the voiceover in all the episodes except two: “Weekend,” which Danielle Chase narrated, and “Life of Brian,” which Brian Krakow narrated. Todd Holland directed both episodes.

11. My So-Called Life Faced Stiff Competition.


Getty Images

Though it was critically acclaimed, My So-Called Life had a difficult time finding new viewers thanks to its highly competitive time slot: The show aired on Thursday nights at 8 p.m. EST against Mad About You and Friends on NBC and Martin and Living Single on Fox.

12. It aired on MTV.

Before ABC officially canceled My So-Called Life in 1995, episodes aired during MTV’s Buzz Bin programming block—which usually featured music videos from up-and-coming alternative bands of the mid-'90s—in an attempt to build an audience for the struggling teen drama.

13. Fans Tried to Save the Show.

In 1995, Operation Life Support was a short-lived fan campaign to save My So-Called Life when it was on the verge of cancellation—the first online fan campaign undertaken to save a beloved TV show. Fans sent ABC thousands of letters that pleaded with network executives to renew the show for a second season and posted on AOL in an attempt to revive the teen drama from cancellation.

Ultimately, ABC canceled My So-Called Life after one 19-episode season due to its very low ratings and Danes’ reluctance to reprise her role as Angela Chase for another year. In 1996, she co-starred with Leonard DiCaprio in Baz Luhrmann’s Romeo + Juliet.

14. CLaire Danes won a Golden Globe for the role.


Getty Images

In 1994, when she was just 15, Danes won a Golden Globe for Best Actress – Television Series Drama for playing Angela Chase in My So-Called Life, beating out Jane Seymour, Heather Locklear, and Angela Lansbury. Danes would later win three more Golden Globe Awards—one in 2011 for Best Performance by an Actress in a Miniseries or a Motion Picture Made for Television for Temple Grandin and two for Best Performance by an Actress in a Television Series - Drama (one in 2012 and one in 2013) for playing Carrie Mathison on Showtime’s Homeland.

15. claire Danes Wasn't the Only Award Winner Among the Cast.

In 1995, My So-Called Life won three Youth In Film Awards for Best New Family Television Series and Best Performance by a Youth Ensemble in a Television Series. Lisa Wilhoit, who played Danielle Chase, tied with Earth 2’s J. Madison Wright for the Best Performance by a Youth Actress in a Drama Series award. Devon Gummersall, who played Brian Krakow, was nominated for Best Performance by a Youth Actor in a Drama Series, but lost to Dr. Quinn, Medicine Woman’s Shawn Toovey.

16. There was a follow-up book.

In 1999, a novelization titled My So-Called Life Goes On continued the story of Angela Chase and her friends. Author Catherine Clark wrote the book, which goes for upwards of $80 on Amazon.

17. Graham Chase Was a Great Dad—According to TIME.

Tom Irwin’s Graham Chase was named one of TV Guide’s Top 50 TV Dads of All Time. The list also included the likes of Philip Banks from The Fresh Prince of Bel-Air and Mike Brady on The Brady Bunch.

18. The Show is Referenced in Juno.

In 2007, screenwriter Diablo Cody referenced My So-Called Life in her Academy Award winning movie Juno. The character of Paulie Bleeker, played by Michael Cera, makes a comment about getting the band back together and Juno MacGuff replies, “Once Tino gets a new drumhead, we're just like ready to rock.”

19. The Ataris were influenced by the show.

Indiana Pop Punk/Emo band The Ataris wrote a song called “My So-Called Life.” The song chronicles The Ataris’ singer/songwriter Kristopher Roe’s obsession with Claire Danes.

This story has been updated for 2019.

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